"}},"plan":[{"data_type":"block_row","density":"","id":0,"image":"","link":"","person":"","text":"","uid":"A_1","visibility":""},{"data_type":"custom","density":"","id":1,"image":"","link":"","person":"","text":"mapGallery AddressScience Gallery Bengaluru
10 - 11, Bellary Road
Sanjaynagar
Bengaluru 560024
Location on Google Maps ","uid":"A_2","visibility":""},{"data_type":"custom","density":"","id":2,"image":"sgblocationmap.jpeg","link":"","person":"","text":"schedule
Timings
Mondays – Tuesdays: Closed
Wednesday – Thursday: 10 AM – 6 PM
Friday – Sunday: 10 AM – 8 PM
","uid":"A_3","visibility":""},{"data_type":"custom","density":"","id":3,"image":"","link":"","person":"","text":"local_activity
Programme and Entry Fees
Science Gallery Bengaluru charges no entry fee or registration fee.
","uid":"A_4","visibility":""},{"data_type":"spacer","density":"","id":4,"image":"","link":"","person":"","text":"","uid":"AA","visibility":""},{"data_type":"block_row","density":"","id":5,"image":"","link":"","person":"","text":"","uid":"A","visibility":""},{"data_type":"custom","density":"","id":6,"image":"","link":"","person":"","text":"Getting to Science Gallery Bengaluru
","uid":"A_17","visibility":""},{"data_type":"text","density":"","id":7,"image":"","link":"","person":"","text":"By Bus
Science Gallery Bengaluru is located next to the CBI bus stop on Bellary road.
Buses from Shivajinagar and Majestic to Hebbal or Yelahanka stop here.
Frequent buses that stop here are:
176, 283, 284, 285A – 285MK, 288, 289, 297, 298, 356, 402, G-9
By Metro
To reach Science Gallery Bengaluru, you can take autos, cabs, or buses from multiple metro stations on the Green line.
Sandal Soap Factory
Distance to SGB: 5.4 km
Buses from Sandal Soap Factory:
KIA-10, K2
Srirampura
Distance to SGB: 5.4 km
Buses from Srirampura:
176, 176B
Mantri Square Sampige Road
Distance to SGB: 4.9 km
Buses from Mantri Square
(Bus stop name: Central)
252, 258C, 276
Switch at Malleshwaram Circle and board route 176","uid":"A_18","visibility":""},{"data_type":"block","density":"","id":8,"image":"","link":"","person":"","text":"","uid":"A_19","visibility":""},{"data_type":"text","density":"","id":9,"image":"","link":"","person":"","text":"The Science Gallery Bengaluru premises is open to the public, and charges no entry fee. Our exhibitions and programmes are geared towards, and suitable for ages 15 and above. We conduct mediation sessions in English and Kannada, and can conduct them in Malayalam, Tamil, Telugu, Bengali, and Hindi. Please reach out to learning@bengaluru.sciencegallery.com for more information.
Our mediators can organise student learning experiences for school and college groups. For more information, please visit https://bengaluru.sciencegallery.com/student-visits
To book a slot for a school or college visit, please register here: https://bit.ly/student-visits-carbon.
The Science Gallery Bengaluru complex is wheelchair accessible. ","uid":"A_20","visibility":""}],"programmes":[{"blurb":"Join artist Anaïs Tondeur to capture the Bengaluru skies in a unique way! In this workshop, you'll get to walk around parts of the city to track and collect carbon black particles from the deceivingly blue skies. As standstill explorers, you will work with the artist to photograph the sky above you—not just the backdrop to our lives, but an environment on which we depend. These photographs will later be printed using a pigment derived from the captured carbon black particles, and will be on display at Science Gallery Bengaluru's exhibition-season CARBON!","capacity":150,"duration":"6 Hours","eb":690663652577,"email":"some email info. this is a link","exhibits":"","experts":"anais-tondeur","hide":"","id":0,"kind":"Workshop","label":"","limit":200,"location":"View directions","name":"The Sky in Us","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-08-13T05:30:00.000Z","uid":"the-sky-in-us","venue":"Old Physics Building, Indian Institute of Science"},{"blurb":"Join artist Jane Tingley in a public talk as she unveils the fascinating world of a tree's inner life.
At CARBON, Tingley's exhibit includes eco-sensors attached to a tree in the gallery. These sensors gather data around the tree, tracking its interactions with the environment. The data is then transmitted to an interactive installation in the gallery.
Hear the artist share her inspiration for this work, and discover what went behind its creation. Curious about the technology used in these sensors? Wonder how this data can be used? Looking to interact with the exhibit yourself? Tingley will cover all this and more to explore the intricate connections between nature and technology!","capacity":150,"duration":"1 Hour","eb":690780572287,"email":"some email info. this is a link","exhibits":"","experts":"jane-tingley","hide":"","id":1,"kind":"Event","label":"","limit":200,"location":"View directions","name":"From Roots to Pixels: Where Art Meets Ecology","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-08-27T11:30:00.000Z","uid":"from-roots-to-pixels","venue":"Infosys Science Foundation"},{"blurb":"Join us for an evening of quizzing and bubbly drinks!
As you sip a carbonated beverage and answer questions about the myriad ways in which carbon has shaped the planet and its geography, life and the civilizations borne by it.
In this fizzy carbon quiz, you will get to meet scientists, superheroes, extinct animals, mythical beings, and even a few cartoon characters! Kick-off your Saturday evening thinking of, and experiencing all things carbon.","capacity":150,"duration":"2 Hours","eb":690688827877,"email":"some email info. this is a link","exhibits":"","experts":"berty-ashley","hide":"","id":2,"kind":"Event","label":"","limit":200,"location":"View directions","name":"Fizzy Quizzing!","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-08-19T11:30:00.000Z","uid":"fizzy-quizzing","venue":"Just BLR"},{"blurb":"At CARBON, Anaïs Tondeur’s exhibit, Carbon Black features the photographed skies of Scotland and Bengaluru, India. The photographs are printed using an ink derived from carbon black particulate matter collected from the atmosphere.
In her artist talk, Tondeur invites us to draw our attention to the sky—not as an object of contemplation or as a mirror to our earthly lives. But rather as the milieu on which, from one breath to the next, our lives depend. Exploring the relationship between air, breathing, art and ethics, she will share the photographic processes which lie at the core of the Carbon Black project. She will also share her experiences on recent speculative and image-making processes she develops as an ecological practice.","capacity":150,"duration":"1.5 Hours","eb":690694324317,"email":"some email info. this is a link","exhibits":"","experts":"anais-tondeur","hide":"","id":3,"kind":"Event","label":"","limit":200,"location":"View directions","name":"Of Pigments and Process: Artist Talk with Anaïs Tondeur","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-08-12T11:30:00.000Z","uid":"of-pigments-and-process","venue":"Indian Institute of Science"},{"blurb":"Ana Laura Cantera’s work at CARBON, Territorial Inhalations, is centred around a device created along with mycelia (the networks of fungal threads which grow underground) designed to capture and examine the particulate matter suspended in the air we breathe.
At her workshop, Cantera, proposes to make objects from sustainable biomaterials as a way of reducing our carbon footprint as well as creating new materials. In creating these objects, participants can track through the weeks and months of CARBON, the changes in the mycelia and the responses it displays while absorbing particulate matter.","capacity":150,"duration":"1.5 Hours","eb":690852407147,"email":"some email info. this is a link","exhibits":"","experts":"ana-cantera","hide":"","id":4,"kind":"Workshop","label":"","limit":200,"location":"View directions","name":"The Fungi Trap: Creating Mycelium Objects ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-08-26T06:00:00.000Z","uid":"the-fungi-trap","venue":"Infosys Science Foundation"},{"blurb":"How does an artist, armed with a backpack and fungi, understand the quality of our air? Join Ana Laura Cantera on this artist walk-and-talk around Cubbon Park, where she will share insights from her art practice! In accompanying her, you will get a behind-the-scenes look into her process of creating the exhibit Territorial Inhalations, which will be shown at Science Gallery Bengaluru's upcoming exhibition-season CARBON.
Dive into the technicalities behind capturing smog and suspended gases in the air, using extractors and biomaterials. Immerse yourself in an exploration of the air we breathe, the unseen pollutants that surround us, and the profound impact of our carbon footprint. ","capacity":150,"duration":"1 Hour","eb":699477775857,"email":"some email info. this is a link","exhibits":"","experts":"ana-cantera","hide":"","id":5,"kind":"Event","label":"","limit":200,"location":"View directions","name":"Capturing the Unseen: Decoding Air Quality through Fungi Sheets","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-08-27T02:00:00.000Z","uid":"capturing-the-unseen","venue":"Statue of Edward VII, Cubbon Park "},{"blurb":"Join us for a captivating cinematic experience as we delve into the intriguing world of carbon through two remarkable films: Copy Shop by Virgil Widrich and Song of Styrene by Alain Resnais. This screening and discussion aims to explore the connections between cinema, materiality, and the impact of carbon on our lives.
More about Copy Shop: Unknowingly, a copy shop employee sets off a bizarre series of events with utterly unforeseen consequences. Through meticulous craftsmanship and a distinctive animation technique, Copy Shop explores the power of technology to reshape reality and the ethical dilemmas it brings.
More about Song of Styrene: Experience a poetic exploration of the industrial world in Song of Styrene. This visually striking documentary, commissioned by a plastic manufacturing company, offers a unique perspective on the production process of plastic and its cultural implications. Through Alan Resnais' visionary direction, the film becomes a meditation on the interplay between art, industry, and the materiality of carbon-based products.","capacity":150,"duration":"1.5 Hours","eb":705371805057,"email":"some email info. this is a link","exhibits":"","experts":"virgil-widrich, rashmi-sawhney","hide":"","id":6,"kind":"Film Screening and Discussion","label":"","limit":200,"location":"View directions","name":"Copy Shop and Song of Styrene: Film Screening and Discussion","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-09-10T12:30:00.000Z","uid":"copy shop-and-song-of-styrene","venue":"Infosys Science Foundation"},{"blurb":"Did you know that carbon forms more compounds than all the other elements combined? Why is coal the most despised fuel? How long does it take for a natural diamond to form?
In this quiz we dig deep into the structure of carbon and all its forms. Come join us for an evening of interesting quizzing.
","capacity":150,"duration":"2 Hours","eb":705760246897,"email":"some email info. this is a link","exhibits":"","experts":"urmila-lakshmanan","hide":"","id":7,"kind":"Quiz","label":"","limit":200,"location":"View directions","name":"Data Mining: Hard Facts about Carbon","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-09-09T11:30:00.000Z","uid":"data-mining-quiz","venue":"Indian Academy of Sciences"},{"blurb":"Super batteries, invisible cloaks, spacecrafts—new technologies using carbon could revolutionise these inventions. Atomic sheets, exemplified by graphene—a flat lattice of carbon atoms—are emerging as a one-stop solution for smart materials design. These atomic sheets could become the backbone of future electronics and quantum computing, paralleling the way silicon and other semiconductors transformed the appliances we use today. In this lecture, physicist Arindam Ghosh will explore the role of graphene and similar materials in changing the technological landscapes we know today.","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 1 Hour","eb":706639075497,"email":"some email info. this is a link","exhibits":"","experts":"arindam-ghosh","hide":"","id":8,"kind":"Lecture and Tutorial","label":"","limit":200,"location":"View directions","name":"From Graphene to the Galactic: A Journey with Atomic Sheets","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-09-16T12:30:00.000Z","uid":"from-graphene-to-the-galactic","venue":"Infosys Science Foundation"},{"blurb":"Can you identify common mushroom species? Curious to know the role of fungi in urban ecosystems? In this foraying workshop, join social ecologist Malavika B and biologist Neeladri Chowdhury to immerse yourself into the world of fungi! Learn about different mushrooms, ways to identify them, the habitats and microclimates in which they exist, and the different roles they play in the ecosystem. Join us to collect mushroom samples and discuss what role they play in the carbon cycle.","capacity":150,"duration":"4 Hours","eb":706778642947,"email":"some email info. this is a link","exhibits":"","experts":"malavika-bhatia, neeladri-chowdhury","hide":"","id":9,"kind":"Event","label":"","limit":200,"location":"View directions","name":"Terra Myco: A Mushroom Foraging Journey","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-09-23T04:30:00.000Z","uid":"terra-myco-foraging-workshop","venue":"Infosys Science Foundation"},{"blurb":"Although carbon is often associated with negative connotations, it serves as a pivotal element in driving various technological breakthroughs. This workshop explores carbon's role in revolutionising 3D printing by enhancing strength, reducing weight, and enabling intricate designs.
Delve into the world of carbon-infused materials and see how they shape many industries, from aerospace to healthcare. Through discussions and hands-on activities, you will gain insights into carbon's properties and its potential to reduce carbon footprints in industrial 3D printing. Join us in this workshop to challenge preconceptions and explore innovative pathways that use carbon to help create a sustainable future. ","capacity":150,"duration":"4 Hours","eb":711060209227,"email":"some email info. this is a link","exhibits":"","experts":"swati-suman","hide":"","id":10,"kind":"Workshop","label":"","limit":200,"location":"View directions","name":"Crafting with Carbon: Unveiling the 3D Printing Revolution","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-09-17T04:30:00.000Z","uid":"crafting-with-carbon","venue":"Infosys Science Foundation"},{"blurb":"What happens when you bring together two quiz masters, part-time musicians, dad-joke experts, and scientists? You end up with a jam session full of banter and songs you probably forgot! Join us to experience an evening of performances hosted by Berty and RRK. Come share a joke, sing a song, play an instrument, whatever gets everyone else to join in with you!
Register here to indicate your interest in performing at Science Gallery Bengaluru's first Open Mic night: https://forms.gle/mfaUSvioGmQatsfNA
Not feeling like taking centre-stage yet? Cheer on your friends or discover new talent as part of the audience! Hit the 'Register Now' button to attend this event.","capacity":150,"duration":"2 Hours","eb":714429516917,"email":"some email info. this is a link","exhibits":"","experts":"berty-ashley, rajesh-radhakrishnan","hide":"","id":11,"kind":"Event","label":"","limit":200,"location":"View directions","name":"Jam and Two Hosts!","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-09-24T11:30:00.000Z","uid":"jam-and-two-hosts","venue":"Just BLR"},{"blurb":"Step into the social and cultural worlds of communities who live on hydrocarbon landscapes— villages, towns, mountains, and forests where coal miners, oil rigs, and villagers share a world that is simultaneously mundane and intense. In a carbon landscape, the past/present/future are intertwined in an extraordinary manner. Hydrocarbons remind us of earth’s time in the past, our present desire to consume more, and a future that implores us to reflect on our practices of accumulation. In this two-day masterclass with anthropologist Dolly Kikon, meditate on the layers of relations (extractive/nurturing), feelings (rage/hopelessness), and connections (broken/intact) with land and community. While learning about hydrocarbon landscapes, we will create zines and share stories to reflect on how carbon shapes social, cultural, and political relationships.
Please note that this masterclass will be held over two days and three sessions.
Session 01: Saturday, 30 September | 11 AM to 1 PM
Session 02: Sunday, 01 October | 11 AM to 1 PM
Session 03: Sunday, 01 October | 2 PM to 5 PM","capacity":150,"duration":"2 Days, 3 Sessions","eb":716665063497,"email":"some email info. this is a link","exhibits":"","experts":"AA_2","hide":"","id":12,"kind":"Masterclass","label":"","limit":200,"location":"View directions","name":"Living with Oil and Coal: Land, Community, and Storytelling","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-09-30T05:30:00.000Z","uid":"living-with-oil-coal","venue":"Old Physics Building, Indian Institute of Science"},{"blurb":"In a world that has grown more dynamic and uncertain, where diversity and differences make way for standardisation and uniformity, this film explores the effects of a rapidly changing landscape on people’s lives and livelihoods. Set in Wayanad, part of the fragile ecosystem of the western mountain range in South India, the film takes you on a journey through a region that is witnessing drastic transformation in the name of ‘development’. An adivasi woman’s concern over the disappearance of medicinal plants from the forest, a local farmer’s commitment to growing traditional varieties of rice organically and a cash crop cultivator’s struggle to survive amidst farmers’ suicides, offer fresh insights into shifting relations between people, their knowledge systems and environment. Interwoven into these contemporary narratives is an ancient tribal creation myth that traces the passage of their ancestors across this land, recalling past ways of reading and mapping the terrain. As hills flatten, forests disappear and traditional knowledge systems are forgotten, the film reminds us that this diversity could disappear forever, to be replaced by monotonous and unsustainable alternatives.
Join us for a discussion between ecologist Samira Agnihotri and filmmaker Sunanda Bhat as they discuss the film and delve into the profound effects of a rapidly changing landscape on people's lives and livelihoods.","capacity":150,"duration":"2 Hours","eb":722640135097,"email":"some email info. this is a link","exhibits":"","experts":"sunanda-bhat, samira-agnihotri","hide":"","id":13,"kind":"Film Screening and Discussion","label":"","limit":200,"location":"View directions","name":"Have you seen the arana?","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-10-01T12:30:00.000Z","uid":"have-you-seen-the-arana","venue":"Infosys Science Foundation"},{"blurb":"Beyond dinosaurs, the fossil world holds hidden treasures waiting to be discovered. Studying seashells can help us unravel the mysteries of marine life. The fossil record of seashells spans hundreds of millions of years, allowing us to examine how these organisms have evolved over deep time. Because seashells have diversified rapidly over time, they are perfect for helping us learn how different marine creatures have changed in response to various natural factors and environmental challenges throughout history. The humble seashell serves as a valuable time capsule that enables scientists to piece together Earth's history, study the evolution of marine life, and gain insights into past environmental conditions. Join paleobiologist Devapriya Chattopadhyay on a journey to explore the fantastic world of seashell fossils! ","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 1 Hour","eb":722690425517,"email":"some email info. this is a link","exhibits":"","experts":"devapriya-chattopadhyay","hide":"","id":14,"kind":"Lecture and Tutorial","label":"","limit":200,"location":"View directions","name":"Shell Chronicles: Exploring Deep Time through Seashell Fossils","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-10-14T12:30:00.000Z","uid":"shell-chronicles","venue":"Infosys Science Foundation"},{"blurb":"How do you tell a compelling narrative around climate change on social media? Make your carbon stories stand out with this workshop! Learn the fundamental principles of graphic design—like colour theory, typography, and composition—all tailored specifically for climate change communication. Dive into the world of smart data visualisation and cartography to understand urban mobility and carbon emissions. Work with designer and filmmaker Pravar Chaudhary (aka bengawalk on Instagram) to craft your own engaging campaigns!
Curious to know how you can put your learnings from this workshop into action? Check out Chaudhary's work: https://bengawalk.com","capacity":150,"duration":"2 Hours","eb":722694567907,"email":"some email info. this is a link","exhibits":"","experts":"pravar-chaudhary","hide":"","id":15,"kind":"Workshop","label":"","limit":200,"location":"View directions","name":"From Data to Design: Citizen Activism and Climate Change","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-10-15T05:30:00.000Z","uid":"from-data-to-design","venue":"Infosys Science Foundation"},{"blurb":"India’s open natural ecosystems, its grasslands and savannas, have long suffered from a misperception that they are degraded and unproductive ecosystems. In this talk, ecologist Jayashree Ratnam will first unpack the historical and geographical reasons for this misperception. She will then present evidence, to the contrary, that these ecosystems are ancient, biodiverse, culturally rich and highly productive. While they have historically been diverted for agriculture and industry, today, ironically, they are threatened by climate change mitigation initiatives such as green energy and tree planting. They are urgently in need of conservation and restoration action that explicitly values them for their uniqueness and distinct functional ecologies.","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 1 Hour","eb":723854116147,"email":"some email info. this is a link","exhibits":"","experts":"jayashree-ratnam","hide":"","id":16,"kind":"Lecture and Tutorial","label":"","limit":200,"location":"View directions","name":"The Savannas and Grasslands of India: Misclassified, Undervalued and Threatened","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-10-07T12:30:00.000Z","uid":"savannas-and-grasslands","venue":"Infosys Science Foundation"},{"blurb":"How do journalists report on the environment and climate today? What are some of the threats, challenges, and opportunities they encounter? And what is the state of climate journalism in India? Addressing these questions, journalist Sibi Arasu will share his decade-long experience of reporting on the climate. Whether you are a budding writer or a seasoned reporter, work with Arasu to understand how you can start writing climate stories yourself!","capacity":150,"duration":"2 Hours","eb":724353008347,"email":"some email info. this is a link","exhibits":"","experts":"sibi-arasu","hide":"","id":17,"kind":"Workshop","label":"","limit":200,"location":"View directions","name":"Hot off the Press: Journalism during the Climate Crisis","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-10-29T09:30:00.000Z","uid":"hot-off-the-press","venue":"Infosys Science Foundation"},{"blurb":"From the cave to the gallery—art using charcoal has continued to evolve in texture, form, and technique. What role does this medium play in Indian art history? How have artists used charcoal to create unique works? And how can you start using it in your own art practice?
In this workshop, artists Jayant Hubli and Navin Kushwah will share their journey of using charcoal in their practice. Learn and work with them to create your own artwork that might be displayed at Science Gallery Bengaluru's exhibition-season CARBON!","capacity":150,"duration":"2 Days, 6 Hours","eb":728186815367,"email":"some email info. this is a link","exhibits":"","experts":"jayant-hubli, navin-kushwah","hide":"","id":18,"kind":"Workshop","label":"","limit":200,"location":"View directions","name":"Lines and Smudges: Exploring Charcoal in Art","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-10-21T05:30:00.000Z","uid":"lines-and-smudges","venue":"Infosys Science Foundation"},{"blurb":"Today's ecological crises are calls to action. However, to change and appreciate the world, we also need to expand our perception of it. Into the Voids of Perception: On Listening to the Unheard aims to expand the range of perspectives we can have on our environment, focusing on the choices that lie within perception.
Artist Nikki Buzzi will talk about how the act of listening and their engagement with the environment inform their practice. This will be followed by a sound and music experience, with the aim to activate varying perspectives that allow for ambiguity in deciding what's real. The event consists of a journey through particular sonic realities and how we can change the way we approach them. ","capacity":150,"duration":"2.5 Hours ","eb":762301192387,"email":"some email info. this is a link","exhibits":"","experts":"nikki-buzzi","hide":"","id":19,"kind":"Event","label":"","limit":200,"location":"View directions","name":"Into the Voids of Perception: On Listening to the Unheard ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-12-03T12:30:00.000Z","uid":"into-the-voids-of-perception","venue":"Swissnex in India"},{"blurb":"Embark on a cinematic journey with artist Ursula Biemann as we present a screening of her video works, Deep Weather and Subatlantic, delving into the interwoven narratives of extraction, oil, and water. Biemann's extensive fieldwork, from dense Amazon jungles to frigid Arctic terrains, meticulously captures the environmental repercussions of extraction industries on our planet. Through her lens, Biemann's work highlights the complexity of climate change, contributing to a broader conversation about the intricate forces shaping our global landscape.
Join us to explore the technology behind her research, unravelling the connection between oil extraction, earth systems, and their collective impact on our environment. Engage with the artist as she peels back the layers of her creative process, offering a profound understanding of the relationships between extraction, oil, water, and the evolving dynamics of our world.","capacity":150,"duration":"1.5 Hours ","eb":762335605317,"email":"some email info. this is a link","exhibits":"","experts":"ursula-biemann","hide":"","id":20,"kind":"Event ","label":"","limit":200,"location":"View directions","name":"Planetary Ecologies: Ursula Biemann’s Cinematic Studies ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-12-13T12:30:00.000Z","uid":"planetary-ecologies","venue":"Swissnex in India"},{"blurb":"At the intersection of creative and scientific inquiry lies innovative ways to approach and understand climate change. The Speculative Wanderings in Space and Place (SWISP) Lab has created a climate curriculum by working with young adults across the world—be it in Atlanta, Melbourne, or Bengaluru. Learn about the Anthropocene, reflect on your relationship with carbon and climate change, and interact with other young adults to share your hopes and fears about the climate crisis. Join educators Kate Coleman and Sarah Healy to experiment and test out their global climate curriculum!
This workshop will organised on two different days. The contents of the workshop will be repeated on both days. ","capacity":150,"duration":"3 Hours","eb":762409686897,"email":"some email info. this is a link","exhibits":"","experts":"kate-coleman, sarah-healy","hide":"","id":21,"kind":"Workshop","label":"","limit":200,"location":"View directions","name":"Hacking the Anthropocene: Climate Stories between Art and Science | Session 1","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-12-03T04:30:00.000Z","uid":"hacking-the-anthropocene-1","venue":"Infosys Science Foundation"},{"blurb":"At the intersection of creative and scientific inquiry lies innovative ways to approach and understand climate change. The Speculative Wanderings in Space and Place (SWISP) Lab has created a climate curriculum by working with young adults across the world—be it in Atlanta, Melbourne, or Bengaluru. Learn about the Anthropocene, reflect on your relationship with carbon and climate change, and interact with other young adults to share your hopes and fears about the climate crisis. Join educators Kate Coleman and Sarah Healy to experiment and test out their global climate curriculum!
This workshop will organised on two different days. The contents of the workshop will be repeated on both days. ","capacity":150,"duration":"3 Hours","eb":762434059797,"email":"some email info. this is a link","exhibits":"","experts":"kate-coleman, sarah-healy","hide":"","id":22,"kind":"Workshop","label":"","limit":200,"location":"View directions","name":"Hacking the Anthropocene: Climate Stories between Art and Science | Session 2","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-12-06T10:30:00.000Z","uid":"hacking-the-anthropocene-2","venue":"Infosys Science Foundation"},{"blurb":"In traditional museums, galleries, and archives, where collections are often inanimate and out-of-reach, how can we move beyond object oriented curation? Research at the Laboratory for Experimental Museology (eM+) blends experimental curatorship with contemporary aesthetics, digital humanism and emerging technologies. We can peer inside ancient objects, scan artworks to the microscopic scale and recreate age-old cave murals in a contemporary setting. These innovations are borne from the emerging field of computational museology, where cutting-edge technologies, artificial intelligence, and data-driven approaches breathe new life into the world of cultural heritage.
In this lecture by researcher Sarah Kenderdine, explore how computational methods are reshaping traditional curation, propelling museums into the future by seamlessly blending the tangible with the digital. She will also give an overview of EPFL Pavilions exhibitions and focus the discussion on Cosmos Archaeology: Explorations in Time and Space.
Supported by Swissnex in India. ","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 1 Hour","eb":789922297857,"email":"some email info. this is a link","exhibits":"","experts":"sarah-kenderdine","hide":"","id":23,"kind":"Lecture and Tutorial","label":"","limit":200,"location":"View directions","name":"Museums in the Age of Experience","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-19T12:30:00.000Z","uid":"museums-in-the-age-of-experience","venue":"Science Gallery Bengaluru"},{"blurb":"Calling all curious eaters!
In the recent past, numerous articles, reports, and papers have highlighted the alarming disappearance of bananas. Factors such as pests, infestations, lack of varieties, and the impact of climate change have all contributed to this concerning trend.
In a collaborative effort between Edible Issues and Science Gallery Bengaluru, we invite you to join us on a fascinating journey to unravel the complexities of the banana industry. Together, let's delve into the rich diversity of bananas in India, exploring the varieties available in our local mandis. Our aim is to initiate a meaningful conversation about banana policies, markets, and the future of this beloved yellow fruit. We encourage participants to engage their senses fully, appreciating the diverse range of banana varieties, reflecting on personal memories associated with this fruit, and posing critical questions about how bananas will evolve in the future.
Come be a part of this unique exploration, as we celebrate the banana, understand its challenges, and envision a flavorful future for this happy yellow fruit!","capacity":150,"duration":"2 Hours ","eb":795231848867,"email":"some email info. this is a link","exhibits":"","experts":"edible-issues","hide":"","id":24,"kind":"Event","label":"","limit":200,"location":"View directions","name":"Ripe for Change: A Biodiverse Banana Tasting Event ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-21T09:30:00.000Z","uid":"ripe-for-change","venue":"Science Gallery Bengaluru"},{"blurb":"Nearly three-fourths of this planet is covered in water, and within the depths lies a silent force—Blue Carbon. Coastal ecosystems, like mangroves, seagrasses, and tidal marshes, act as guardians, storing and retaining atmospheric carbon dioxide to counterbalance climate change.
Come explore the mysteries that lie beneath the surface in a discussion between curator Damian Christinger and historian Jahnavi Phalkey. This dialogue will kick off with commentary on ‘Blue Carbon’, expanding into the broader context of our relationship with this element as displayed at Science Gallery Bengaluru’s latest exhibition-season CARBON.
Join us as we explore the intersection of art and science, unravelling how these disciplines collaborate to bring cutting-edge research to the public within cultural settings like galleries and museums. ","capacity":150,"duration":"1 Hour","eb":797189965647,"email":"some email info. this is a link","exhibits":"","experts":"damian-christinger, CA_2","hide":"","id":25,"kind":"Event","label":"","limit":200,"location":"View directions","name":"Beneath the Surface: On Exhibiting Blue Carbon","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-20T12:30:00.000Z","uid":"exhibiting-blue-carbon","venue":"Science Gallery Bengaluru"},{"blurb":"During the opening weekend, join members of the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition. ","capacity":150,"duration":"1 Hour","eb":796610913687,"email":"some email info. this is a link","exhibits":"","experts":"CA_2","hide":"","id":26,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-19T11:00:00.000Z","uid":"carbon-walkthrough","venue":"Science Gallery Bengaluru"},{"blurb":"During the opening weekend, join members of the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.
This walkthrough will be conducted in Kannada.","capacity":150,"duration":"1 Hour","eb":796616921657,"email":"some email info. this is a link","exhibits":"","experts":"CA_4, shelwyn-james","hide":"","id":27,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations | Kannada","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-20T06:00:00.000Z","uid":"carbon-walkthrough-1","venue":"Science Gallery Bengaluru"},{"blurb":"During the opening weekend, join members of the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition. ","capacity":150,"duration":"1 Hour","eb":796639950537,"email":"some email info. this is a link","exhibits":"","experts":"CA_3","hide":"","id":28,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-20T11:00:00.000Z","uid":"carbon-walkthrough-2","venue":"Science Gallery Bengaluru"},{"blurb":"During the opening weekend, join members of the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition. ","capacity":150,"duration":"1 Hour","eb":796645808057,"email":"some email info. this is a link","exhibits":"","experts":"CA_5, CA_6","hide":"","id":29,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-21T06:00:00.000Z","uid":"carbon-walkthrough-3","venue":"Science Gallery Bengaluru"},{"blurb":"During the opening weekend, join members of the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.
This is a bilingual walkthrough, and will be conducted in English and Kannada.","capacity":150,"duration":"1 Hour","eb":796647192197,"email":"some email info. this is a link","exhibits":"","experts":"CA_4, shelwyn-james","hide":"","id":30,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations | Bilingual","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-21T12:30:00.000Z","uid":"carbon-walkthrough-4","venue":"Science Gallery Bengaluru"},{"blurb":"Join the mediators from the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.","capacity":150,"duration":"1 Hour","eb":807529270787,"email":"some email info. this is a link","exhibits":"","experts":"carbon-mediators ","hide":"","id":31,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-26T06:00:00.000Z","uid":"carbon-walkthrough-5","venue":"Science Gallery Bengaluru"},{"blurb":"Join the mediators from the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.","capacity":150,"duration":"1 Hour","eb":807552510297,"email":"some email info. this is a link","exhibits":"","experts":"carbon-mediators ","hide":"","id":32,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-26T11:00:00.000Z","uid":"carbon-walkthrough-6","venue":"Science Gallery Bengaluru"},{"blurb":"Join the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.","capacity":150,"duration":"1 Hour","eb":807553232457,"email":"some email info. this is a link","exhibits":"","experts":"CA_2","hide":"","id":33,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-26T12:30:00.000Z","uid":"carbon-walkthrough-7","venue":"Science Gallery Bengaluru"},{"blurb":"Join the mediators from the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.","capacity":150,"duration":"1 Hour","eb":807553412997,"email":"some email info. this is a link","exhibits":"","experts":"carbon-mediators ","hide":"","id":34,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-27T06:00:00.000Z","uid":"carbon-walkthrough-8","venue":"Science Gallery Bengaluru"},{"blurb":"Join the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.
This is a bilingual walkthrough, and will be conducted in English and Kannada.","capacity":150,"duration":"1 Hour","eb":807553543387,"email":"some email info. this is a link","exhibits":"","experts":"CA_4, shelwyn-james","hide":"","id":35,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-27T11:00:00.000Z","uid":"carbon-walkthrough-9","venue":"Science Gallery Bengaluru"},{"blurb":"Join the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.","capacity":150,"duration":"1 Hour","eb":807553663747,"email":"some email info. this is a link","exhibits":"","experts":"CA_3","hide":"","id":36,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-27T12:30:00.000Z","uid":"carbon-walkthrough-10","venue":"Science Gallery Bengaluru"},{"blurb":"Join the mediators from the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.","capacity":150,"duration":"1 Hour","eb":807553794137,"email":"some email info. this is a link","exhibits":"","experts":"carbon-mediators ","hide":"","id":37,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-28T06:00:00.000Z","uid":"carbon-walkthrough-11","venue":"Science Gallery Bengaluru"},{"blurb":"Join the mediators from the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.","capacity":150,"duration":"1 Hour","eb":807554014797,"email":"some email info. this is a link","exhibits":"","experts":"carbon-mediators ","hide":"","id":38,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-28T11:00:00.000Z","uid":"carbon-walkthrough-12","venue":"Science Gallery Bengaluru"},{"blurb":"Join Stefan Kaspar for an enlightening workshop on the wonders of biochar, a key player in the fight against climate change. Discover the science behind biochar production and its application, understanding how this simple yet innovative material can significantly reduce our carbon footprint. In this workshop, you will explore practical methods for producing biochar which demonstrate that everyone, from individual gardeners to large-scale farmers, can contribute to this eco-friendly initiative. Whether you're a climate enthusiast or a curious learner, this workshop will equip you with knowledge and skills to harness biochar's potential for a greener, more sustainable future. ","capacity":150,"duration":"1.5 Hours","eb":810033862087,"email":"some email info. this is a link","exhibits":"","experts":"stefan-kaspar","hide":"","id":39,"kind":"Workshop","label":"","limit":200,"location":"View directions","name":"The Biochar Revolution: An Ally Against the Climate Crisis","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-28T05:30:00.000Z","uid":"the-biochar-revolution","venue":"Science Gallery Bengaluru"},{"blurb":"Join the mediators from the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.","capacity":150,"duration":"1 Hour ","eb":813012631667,"email":"some email info. this is a link","exhibits":"","experts":"carbon-mediators ","hide":"","id":40,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-02T12:30:00.000Z","uid":"carbon-walkthrough-13","venue":"Science Gallery Bengaluru"},{"blurb":"Join the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.","capacity":150,"duration":"1 Hour ","eb":813015791117,"email":"some email info. this is a link","exhibits":"","experts":"CA_5","hide":"","id":41,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-03T06:00:00.000Z","uid":"carbon-walkthrough-14","venue":"Science Gallery Bengaluru"},{"blurb":"Join the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.
This is a bilingual walkthrough, and will be conducted in English and Kannada.","capacity":150,"duration":"1 Hour","eb":813018128107,"email":"some email info. this is a link","exhibits":"","experts":"shelwyn-james, CA_4","hide":"","id":42,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-04T11:00:00.000Z","uid":"carbon-walkthrough-15","venue":"Science Gallery Bengaluru"},{"blurb":"Join the mediators from the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.","capacity":150,"duration":"1 Hour ","eb":813017857297,"email":"some email info. this is a link","exhibits":"","experts":"carbon-mediators ","hide":"","id":43,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-04T06:00:00.000Z","uid":"carbon-walkthrough-16","venue":"Science Gallery Bengaluru"},{"blurb":"Join the mediators from the Science Gallery Bengaluru team as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our latest exhibition.","capacity":150,"duration":"1 Hour ","eb":813017556397,"email":"some email info. this is a link","exhibits":"","experts":"carbon-mediators ","hide":"","id":44,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-03T11:00:00.000Z","uid":"carbon-walkthrough-17","venue":"Science Gallery Bengaluru"},{"blurb":"Nonhuman life has traditionally coexisted rather peacefully with human communities across the Indian subcontinent. This is primarily due to the spirituality believed to be shared between human and non-human beings, and the exalted positions many lifeforms—particularly nonhuman primates—have held in the religious beliefs of different Indian communities. This spirit of coexistence, however, now appears to be under threat. In this talk, Rana will briefly narrate stories of how the lives of our fellow nonhuman primates—the bonnet and rhesus monkeys of southern and northern India respectively—are changing forever, and how they are being forced to survive in human-altered habitats by even transforming themselves into strangely human-like monkeys!","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 30 Minutes","eb":816191981187,"email":"some email info. this is a link","exhibits":"","experts":"anindya-rana","hide":"","id":45,"kind":"Lecture and Tutorial","label":"common_ground","limit":200,"location":"View directions","name":"Changing Ecologies, Transforming Lives: Complex Coexistence of Human and Nonhuman Primates in Our Cities","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-07T12:30:00.000Z","uid":"changing-ecologies-transforming-lives","venue":"Science Gallery Bengaluru"},{"blurb":"In this talk, K Ramnath Chandrasekhar will draw upon his work and share stories from the wilderness to explore the concept of planetary stewardship and its connection to justice for all life on Earth. To underscore our interdependence with nature, he will explore \"stewardship for ourselves,\" which invites the audience to trace the connections of care—for ourselves and the environment. He will also share his insights on cognitive justice, and its importance in conversations around the environment. The lecture is a call to action, inspiring individuals to become stewards of the natural world, ensuring a thriving planet for all.","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 30 Minutes","eb":816193325207,"email":"some email info. this is a link","exhibits":"","experts":"ramnath-chandrasekhar","hide":"","id":46,"kind":"Lecture and Tutorial","label":"common_ground","limit":200,"location":"View directions","name":"Harmony in the Wilderness: Stories of Planetary Stewardship","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-08T12:30:00.000Z","uid":"harmony-in-the-wilderness","venue":"Science Gallery Bengaluru"},{"blurb":"In this talk, Seshadri KS will present an overview of what amphibians are and attempt to excite people to pay attention to amphibians around them. He will draw from his research spanning the last 15 years on various aspects about the ecology, evolutionary biology, and conservation of amphibians in India.","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 30 Minutes","eb":822539627167,"email":"some email info. this is a link","exhibits":"","experts":"seshadri-ks","hide":"","id":47,"kind":"Lecture and Tutorial","label":"common_ground","limit":200,"location":"View directions","name":"Can We Let Frogs Hop Closer to Our Hearts?","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-13T12:30:00.000Z","uid":"can-we-let-frogs-leap-close","venue":"Science Gallery Bengaluru"},{"blurb":"This talk will largely focus on helping us look at wildlife with a different perspective. It will also encourage people to be curious to discover and learn about the creatures that share space with us in urban landscapes, and how they quietly contribute to the functioning of the ecosystems.","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 30 Minutes","eb":822540740497,"email":"some email info. this is a link","exhibits":"","experts":"karthikeyan-s","hide":"","id":48,"kind":"Lecture and Tutorial","label":"common_ground","limit":200,"location":"View directions","name":"Urban Wildlife","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-14T12:30:00.000Z","uid":"urban-wildlife","venue":"Science Gallery Bengaluru"},{"blurb":"Central India is a place where a majority of the world's wild tigers live and traverse villages and agricultural lands interspersed with fragile forest corridors that link tiger reserves. Over the last decade, Amrita has lived and worked in central India, mulling over what makes the heart of India a place where humans and tigers coexist. In this talk, she will share these musings in the hope to spark some rich discussions about—'what is coexistence?' and 'who decides how we coexist?' Come for some tiger tales, relatable livelihood conundrums and to consider the many paths forward. ","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 30 Minutes","eb":822541001277,"email":"some email info. this is a link","exhibits":"","experts":"amrita-neelakantan","hide":"","id":49,"kind":"Lecture and Tutorial","label":"common_ground","limit":200,"location":"View directions","name":"Coexisting with Tigers in Human-dominated Central India","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-25T10:30:00.000Z","uid":"coexisting-with-tigers","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"Our earth is enriched with a huge dosage of carbon. Where does this carbon come from? The sky is a vast storehouse of elements, of which carbon is a significant part. This lecture will trace the carbon in the stars and other celestial bodies. Astrophysicist B S Shylaja will share the ingenious methods through which every dot in the sky produces carbon. She will also draw upon her research to share how we identify, study and examine the carbon above us—an introduction to the huge diamonds in the sky. ","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 1 Hour","eb":822613076857,"email":"some email info. this is a link","exhibits":"","experts":"bs-shylaja","hide":"","id":50,"kind":"Lecture and Tutorial","label":"","limit":200,"location":"View directions","name":"Diamonds in the Sky","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-11T10:30:00.000Z","uid":"diamonds-in-the-sky","venue":"Science Gallery Bengaluru"},{"blurb":"Art mediator Francesca Romana Audretsch engages with artists Ravi Agarwal and Uriel Orlow in this opening event for Critical Zones.
This programme is organised in partnership with Goethe-Institut / Max Mueller Bhavan as part of the Critical Zones exhibition. ","capacity":150,"duration":"1 Hour ","eb":828239234847,"email":"some email info. this is a link","exhibits":"","experts":"CA_1, uriel-orlow, francesca-romana-audretsch","hide":"","id":51,"kind":"Event","label":"critical_zones","limit":200,"location":"View directions","name":"In Conversation with Ravi Agarwal and Uriel Orlow","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-16T12:30:00.000Z","uid":"in-conversation-with-ravi-agarwal-and-uriel-orlow","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"Are you concerned with ecological and social questions facing the world we live in? Join us for this workshop with artists Ravi Agarwal and Uriel Orlow as part of the Critical Zones exhibition at the Science Gallery Bengaluru –which brings ecology, science and art into a close dialogue. This workshop will discuss how such a dialogue manifests within a research-based approach to artistic practice, share different strategies and methods, and engage with questions of representation and poetics. Taking Ravi’s and Uriel’s works as a starting point, we will engage in short fieldwork and deep listening exercises to cultivate new ways of engaging with the multi-layered ecosystems surrounding us.
This programme is organised in partnership with Goethe-Institut / Max Mueller Bhavan as part of the Critical Zones exhibition.","capacity":150,"duration":"3 Hours ","eb":828244099397,"email":"some email info. this is a link","exhibits":"","experts":"CA_1, uriel-orlow","hide":"","id":52,"kind":"Workshop and Masterclass","label":"critical_zones","limit":200,"location":"View directions","name":"Listening to the Land: Poetic and Political Re-imaginings of our Common
Ground","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-17T04:30:00.000Z","uid":"listening-to-the-land","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"Join us for a screening Regenerating Life.The film takes an ecological approach to unpacking the social and environmental crises that confront us, shifting the prevailing climate change story, and offering new, attainable solutions. It tracks growing movements of farmers, activists, scientists, and others working to repair the environmental and social devastation we have caused.
This programme is organised in partnership with Goethe-Institut / Max Mueller Bhavan as part of the Critical Zones exhibition. ","capacity":150,"duration":"1.5 Hours ","eb":828245724257,"email":"some email info. this is a link","exhibits":"","experts":"john-feldman, francesca-romana-audretsch","hide":"","id":53,"kind":"Film Screening","label":"critical_zones","limit":200,"location":"View directions","name":"Regenerating Life ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-17T12:30:00.000Z","uid":"regenenarting-life","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"Curated by Toxics Link, in association with Shared Ecologies, this is a two-package
series of artist films and video works by Indian artists that respond to ecology,
environmental crises and our deep relationship with nature. The films consider nature
and the looming collapse of environmental systems through poetic and artistic
lenses.
This programme is organised in partnership with Goethe-Institut / Max Mueller Bhavan as part of the Critical Zones exhibition.","capacity":150,"duration":"1.5 Hours ","eb":828246757347,"email":"some email info. this is a link","exhibits":"","experts":"","hide":"","id":54,"kind":"Film Screening","label":"critical_zones","limit":200,"location":"View directions","name":"Unearthing Landscapes: A Two-Part Curated Film Package | Part 1","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-24T12:30:00.000Z","uid":"unearthing-landscapes","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"Join us for an immersive journey into the world of cyanotypes at Kanike Studios' upcoming workshop. This event is meticulously crafted to provide participants with a comprehensive understanding of the cyanotype process, its history, and its artistic applications.
This programme is organised in partnership with Goethe-Institut / Max Mueller Bhavan as part of the Critical Zones exhibition.","capacity":150,"duration":"6 Hours ","eb":828294801047,"email":"some email info. this is a link","exhibits":"","experts":"kanike-studios","hide":false,"id":55,"kind":"Workshop","label":"critical_zones","limit":200,"location":"View directions","name":"Cyanotype Workshop ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-02T04:30:00.000Z","uid":"cynatope-workshop","venue":"Materials Lab, Science Gallery Bengaluru "},{"blurb":"How are chefs repurposing grains spent in breweries around the city? How can we switch to sustainable lifestyles without breaking the bank? How can we support waste pickers at the grassroots level? Learn all this and more at a panel discussion, which addresses the urgent need to manage our waste better. Explore diverse perspectives, from the ground-level insights of waste pickers by Hasiru Dala to Edible Issues’ focus on minimising food waste. Discover the practical approaches advocated by Daily Dump, delve into the principles of sustainable living by Bare Necessities, and reflect on the impact of youth advocacy groups such as Why Waste.
This programme is organised in partnership with Goethe-Institut / Max Mueller Bhavan as part of the Critical Zones exhibition.","capacity":150,"duration":"1 Hour ","eb":840032789687,"email":"some email info. this is a link","exhibits":"","experts":"edible-issues, mansoor-gous, saarim-khursheed, sahar-mansoor, poonam-bir-kasturi","hide":false,"id":56,"kind":"Panel Discussion","label":"critical_zones","limit":200,"location":"View directions","name":"Wasting Away: A Panel Discussion on Resource
Management","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-02T12:30:00.000Z","uid":"wasting-away","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"Botanical art is the practice of depicting plant species with accuracy and beauty. While such art is often created in colour, this introductory workshop focuses on sketching in black and white, laying a firm foundation for future botanical paintings. It will help you understand structure, volume and shading in plants. However if you’ve been practising a while, feel free to bring along the colouring medium you’ve been using (watercolours, pencils or felt pens only).
This programme is organised in partnership with Goethe-Institut / Max Mueller Bhavanas part of the Critical Zones exhibition.","capacity":150,"duration":"2.5 Hours ","eb":840041876867,"email":"some email info. this is a link","exhibits":"","experts":"nirupa-rao","hide":false,"id":57,"kind":"Workshop","label":"critical_zones","limit":200,"location":"View directions","name":"Botanical Sketching Workshop ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-09T05:30:00.000Z","uid":"botanical-sketching","venue":"Materials Lab, Science Gallery Bengaluru "},{"blurb":"Join us for a screening of the academy award winning documentary, The Elephant Whisperers, which follows Bomman and Bellie, a couple in South India, devote their lives to caring for an orphaned baby elephant named Raghu, forging a family like no other that tests the barrier between the human and the animal world.
The screening will be followed by a discussion between the filmmaker Kartiki Gonsalves and ecologist Raman Sukumar.
This programme is organised in partnership with Goethe-Institut / Max Mueller Bhavan as part of the Critical Zones exhibition.","capacity":150,"duration":"1.5 Hours ","eb":840084775177,"email":"some email info. this is a link","exhibits":"","experts":"kartiki-gonsalves, raman-sukumar ","hide":false,"id":58,"kind":"Film Screening and Discussion","label":"critical_zones","limit":200,"location":"View directions","name":"The Elephant Whisperers ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-09T12:30:00.000Z","uid":"the-elephant-whisperers","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"Curated by Toxics Link, in association with Shared Ecologies, this is a two-package
series of artist films and video works by Indian artists that respond to ecology,
environmental crises and our deep relationship with nature. The films consider nature
and the looming collapse of environmental systems through poetic and artistic
lenses.
This programme is organised in partnership with Goethe-Institut / Max Mueller Bhavan as part of the Critical Zones exhibition.","capacity":7,"duration":"1.5 Hours ","eb":840061555727,"email":"some email info. this is a link","exhibits":"","experts":"","hide":false,"id":59,"kind":"Film Screening","label":"critical_zones","limit":8,"location":"View directions","name":"Unearthing Landscapes: A Two-Part Curated Film Package | Part 2","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-10T12:30:00.000Z","uid":"unearthing-landscapes-part2","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"Cities like Bangalore are on a breakneck path to growth, becoming concentrations of pollution, stress, and disease. Episodes of flood and drought demonstrate why we must begin to think ecologically about Bangalore’s lakes, and understand their history, to engage with our collective urban future in Indian cities. Bangalore was built on a firm basis of local ecology, a semi-arid city that created irrigation tanks (now called lakes) from the wetlands in the region, used as commons to foster the growth of settlements and the expansion of the city. Over centuries, as the region became more urbanised, Bangalore ruptured its once close-connect to lakes, transforming the ecology of the city and its periphery beyond recognition. This talk will discuss how we need to learn from the ecological history of Bangalore’s lakes, to re-design the city to accommodate its ecology, ensuring human wellbeing as well as resilience to climate change.
This programme is organised in partnership with Goethe-Institut / Max Mueller Bhavan as part of the Critical Zones exhibition.","capacity":5,"duration":"1 Hour ","eb":840086500337,"email":"some email info. this is a link","exhibits":"","experts":"harini-nagendra","hide":false,"id":60,"kind":"Lecture","label":"critical_zones","limit":200,"location":"View directions","name":"Bangalore Lakes: An Ecological History ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-16T11:30:00.000Z","uid":"bangalore-lakes","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"Rooted by Dayita Nereyeth is an abstract dialogue between two unlikely
companions – a plant and a dancer. The piece disentangles issues relevant to both
beings: travelling or remaining local, pruning as aesthetic manipulation, and
interconnection. This work-in-progress moves through questions of agency, power,
and balance. Are plant and dancer equal? Can they breathe together?
Delhi by Ainesh Madan is a creative intervention that brings to attention the current
air pollution crisis in New Delhi. The pollution in the National Capital Region (NCR) of
India has risen at an alarming rate over the past two years. Delhi uses movement to
highlight the tension that defines this crisis. The work is a collaboration between two
artists: Ainesh Madan and Nitant Nair.
This programme is organised in partnership with Goethe-Institut / Max Mueller Bhavanas part of the Critical Zones exhibition.","capacity":150,"duration":"1 Hour ","eb":859387108977,"email":"some email info. this is a link","exhibits":"","experts":"ainesh-madan, dayita-nereyeth","hide":false,"id":61,"kind":"Performance","label":"critical_zones","limit":200,"location":"View directions","name":"Movement Interventions ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-16T13:30:00.000Z","uid":"movement-interventions","venue":"Science Gallery Bengaluru "},{"blurb":"Join Ahalya as she takes you (and your date) through CARBON! Interact with our interdisciplinary and participatory exhibits and engage with activities that will foster a deeper connection to and appreciation of carbon. Who knows, you just might learn something new about yourself and your date! ","capacity":150,"duration":"1 Hour ","eb":828273717987,"email":"some email info. this is a link","exhibits":"","experts":"ahalya-acharya","hide":"","id":62,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-14T12:30:00.000Z","uid":"carbon-walkthrough-18","venue":"Science Gallery Bengaluru"},{"blurb":"Join physicist and CARBON mediator Parvathy Sekhar from the Science Gallery Bengaluru team as she takes you through the exhibition-season CARBON! In honour of the International Day of Women and Girls in Science, she will focus on the women researchers who have made CARBON possible, and perhaps share her own experiences as a woman scientist. ","capacity":150,"duration":"1 Hour ","eb":831759002567,"email":"some email info. this is a link","exhibits":"","experts":"parvathy-sekhar","hide":"","id":63,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Conversations ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-11T12:30:00.000Z","uid":"carbon-walkthrough-19","venue":"Science Gallery Bengaluru"},{"blurb":"Bruno Latour in his ‘Politics of Nature’ (1999/ tr. 2004) has argued that “political ecology has nothing to do with nature”. Sheila Jassanoff in her ‘Designs on Nature’ (2005) has argued that “biology and politics have converged today across much of the industrialised world.” A recent translation of Latour’s essay “In favour of a dialogue between political science and Science Studies” (2008/ tr. 2023), tells us more about his thinking on Science Studies as possibly the new political science. In this talk, Jahnavi Phalkey will present her response to these arguments as part of an academic debate while exploring their relevance to curatorial work.","capacity":150,"duration":"1 Hour ","eb":831762081777,"email":"some email info. this is a link","exhibits":"","experts":"CA_2","hide":"","id":64,"kind":"Lecture","label":"","limit":200,"location":"View directions","name":"Politics | Nature | Knowledge","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-18T12:30:00.000Z","uid":"politics-nature-knowledge","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"This talk serves as an introduction to ecological landscape design. The speakers will be sharing some tools and insights on documenting existing biodiversity on a piece of land and designing for its succession. They will also present a few design stories from projects where individuals who own private farms that exist in gradient zones between reserve forests and urban spaces can contribute towards conservation and awareness of harmonious coexistence with wildlife. The session will end with a short quiz on fauna, which will open up discussion with the audience. ","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 30 Minutes","eb":838517126297,"email":"some email info. this is a link","exhibits":"","experts":"himanshu_arteev, theertha_ravi","hide":"","id":65,"kind":"Lecture and Tutorial","label":"common_ground","limit":200,"location":"View directions","name":"Designing for Wilderness in Human Habitats","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-20T12:30:00.000Z","uid":"designing-for-wilderness-in-human-habitats","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"It is not widely known that Lantana, with its attractive flowers—familiar to us from gardens and hedges, roadsides and forests—is actually a relative newcomer to our shores. Its travels began in Latin America, when it first caught the eye of a European ‘plant hunter’ several centuries ago. In this lecture, Ankila Hiremath traces the journey of Lantana, how it arrived in India and made its home here, and what this meant for the plants, animals, and people that it encountered in its new home.","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 30 Minutes","eb":838519232597,"email":"some email info. this is a link","exhibits":"","experts":"ankila_hiremath","hide":"","id":66,"kind":"Lecture and Tutorial","label":"common_ground","limit":200,"location":"View directions","name":"A Traveller’s Tale: The Remarkable Journey of Lantana camara","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-21T12:30:00.000Z","uid":"a-travellers-tale","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"One of humanity’s oldest connections with nature is centred around food. This relationship has shaped identities and cultures across time and space. For India’s small-scale fishing communities, their relationship with coastal and marine ecosystems is critical to their lives, livelihoods, and overall well being. However, while coexistence was the norm, today they are faced with mounting challenges and multiple insecurities. How do we safeguard coexistence in such land and seascapes? This talk will explore the ways in which coexistence was and is woven into fisher communities, the challenges of today and a shared conservation philosophy that should guide our path forward. ","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 30 Minutes","eb":838521048027,"email":"some email info. this is a link","exhibits":"","experts":"marianne_manuel","hide":"","id":67,"kind":"Lecture and Tutorial","label":"common_ground","limit":200,"location":"View directions","name":"Khane ke liye bachao: ‘meen’ thoughts on Coexistence in Coastal and Marine Ecosystems","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-22T12:30:00.000Z","uid":"coexistence_in_coastal_and_marine_ecosystems","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"Since its inception as a map-based platform in 2008, the India Biodiversity Portal has gradually evolved into a dynamic storehouse of primary biodiversity data. Today, it allows people to directly contribute primary biodiversity data while also encouraging citizen science engagement.
The Coexistence Project is a significant endeavour that reflects the portal's dedication to not only addressing the issues of conservation in a human-dominated landscape but also responding to the need for more complex information that reveals patterns and relationships within an ecosystem. This talk will explore the portal and the project in tandem, to think about the coexistence dynamics between biodiversity and human activities by capturing intricate aspects of species attributes, habitat characteristics, and ecological interactions.
As cities such as Bengaluru undergo rapid urbanisation, the resulting habitat and biodiversity loss pose challenges for coexistence. Documenting incidents of this interaction in a structured manner becomes imperative for effective conservation strategies and urban planning that foster harmonious cohabitation.","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 30 Minutes","eb":838521629767,"email":"some email info. this is a link","exhibits":"","experts":"thomas_vattakaven
","hide":"","id":68,"kind":"Lecture and Tutorial","label":"common_ground","limit":200,"location":"View directions","name":"The India Biodiversity Portal, Citizen Science, and Coexistence","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-23T12:30:00.000Z","uid":"india_biodiversity_portal","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"India’s open natural ecosystems, its savannas and grasslands, have long suffered from a misperception that they are degraded and unproductive ecosystems. In this talk, Jayashree Ratnam will unpack the historical reasons for this misperception, and present evidence, to the contrary, that these ecosystems are ancient, biodiverse, culturally rich and highly productive. Today, they are urgently in need of conservation and restoration action that explicitly values them for their open-ness, uniqueness and distinct functional ecologies.","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 30 Minutes","eb":838522562557,"email":"some email info. this is a link","exhibits":"","experts":"jayashree-ratnam","hide":"","id":69,"kind":"Lecture and Tutorial","label":"common_ground","limit":200,"location":"View directions","name":"The Savannas and Grasslands of India: Misclassified, Undervalued and Threatened","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-29T12:30:00.000Z","uid":"savannas-and-grasslands-1","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"At a time of global urgency for action on the climate crisis, can creativity, collaboration and experimentation help inspire a better future? Join Dr Ryan Jefferies, to learn how Science Gallery Melbourne at the University of Melbourne has boldly begun a journey to promote social change. From First Nations people’s knowledge and culture, to urine batteries that charge your mobile phone, to 3D-printed edible insects. Learn how innovation, speculation and provocation by artists and scientists are fostering youth-led action to tackle climate change and promote greater sustainability in Australia and around the world.","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 30 Minutes","eb":843456660577,"email":"some email info. this is a link","exhibits":"","experts":"ryan_jefferies","hide":"","id":70,"kind":"Lecture and Tutorial","label":"","limit":200,"location":"View directions","name":"Feeling the Heat ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-01T12:30:00.000Z","uid":"feeling-the-heat","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"Did you know that Indian Ink was actually invented in China? Did you know that the man who discovered oxygen also made the first carbonated drink? Did you know that coal is the biggest freight earner for the Indian Railways? Do you know what your nail polish is made of? These were some of the questions asked in previous quizzes. The first in-house quiz at the Science Gallery Bengaluru, and the third at CARBON, will draw from the sciences, the arts, the coal mines and other walks of life, very much like the Dire Straits song referenced in the title. This National Science Day, come on over for an evening of more such fun facts about carbon.","capacity":150,"duration":"1 Hour ","eb":843464022597,"email":"some email info. this is a link","exhibits":"","experts":"urmila-lakshmanan","hide":"","id":71,"kind":"Quiz","label":"","limit":200,"location":"View directions","name":"In the Gallery...A Fine Coal Miner ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-28T12:30:00.000Z","uid":"in-the-gallery","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"Seen the virtual reality exhibit Carbon Nanoverse at CARBON, Science Gallery Bengaluru? Curious to know about the science behind it? Join us for a talk with materials scientist Dr Jacob Martin, who is part of the two-person team behind the exhibit!
Martin will focus on the science behind the lithium-ion batteries that are revolutionising our transport and are set to transform our electrical grid. But how do they work at the atomic scale? We will experience the atomic structure of a battery using computer visualisations and 3D glasses! Alongside this atom eye view, Jacob will share the materials science that led to the discovery of the battery, and his recent work on manufacturing battery grade graphite.","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 1 Hour","eb":855198861817,"email":"","exhibits":"","experts":"jacob-martin","hide":"","id":72,"kind":"Lecture and Tutorial","label":"","limit":200,"location":"View directions","name":"Into the Nanoverse: An Atomic View of a Battery","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-17T12:30:00.000Z","uid":"into-the-nanoverse","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"Nanoscale phenomena are so small that they require complex instruments to study and observe them. But how do you experience these phenomena outside of the laboratory? How can you translate data from the lab into a sound installation?
This workshop explores the artistic practices used to create the soundscape for the installation Movement 1: Nanomorphology featured at CARBON. The artist will share digital tools made in Max MSP, and run a session on how to use the tools with text files of two-dimensional scientific, numerical data.
","capacity":150,"duration":"1 Hour","eb":858159156137,"email":"","exhibits":"","experts":"andrea-rassell","hide":"","id":73,"kind":"Workshop","label":"","limit":200,"location":"View directions","name":"From Data to Sound: The Making of 'Movement 1: Nanomorphology'
","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-17T08:30:00.000Z","uid":"from-data-to-sound","venue":"Reading Room, Science Gallery Bengaluru "},{"blurb":"Nature has always been an incredible source of inspiration. Join wildlife artist Sangeetha Kadur on an exploration walk with nature as we immerse ourselves in our surroundings and capture the natural world in our sketchbooks. Through this workshop, discover the art of seeing, sketching and note-taking. Learn the meticulous and fun ways of filling up your journal pages with interesting observations and nature stories.","capacity":150,"duration":"3 Hours ","eb":843464744757,"email":"","exhibits":"","experts":"sangeetha-kadur ","hide":"","id":74,"kind":"Workshop","label":"","limit":200,"location":"View directions","name":"A Sketchbook with Nature ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-17T02:30:00.000Z","uid":"a-sketchbook-with-nature","venue":"Raman Research Institute "},{"blurb":"This International Women's Day, join us at 6 PM for a special walkthrough that goes beyond the conventional, focusing on the creativity and brilliance of women artists and scholars participating in CARBON. Explore the perspectives and works of 15 talented women situated at the intersection of art, science, and culture under the spotlight of \"Walking the Talk: Women at CARBON.\" ","capacity":150,"duration":"1 Hour ","eb":858766201827,"email":"","exhibits":"","experts":"carbon-mediators","hide":"","id":75,"kind":"Walkthrough","label":"","limit":200,"location":"View directions","name":"Walking the Talk ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-08T12:30:00.000Z","uid":"walking-the-talk","venue":"Science Gallery Bengaluru "},{"blurb":"How do artists and scientists collaborate to create immersive experiences? Join Jacob Martin and Andrea Rassell as they discuss the behind-the-scenes creation of Carbon Nanoverse, a cutting-edge Virtual Reality (VR) project blending media arts, physical chemistry, and game theory. Dive into a hands-on demonstration of stereoscopic 3D video for VR, explore easily accessible media tools for science projects, and embark on a guided tour of the immersive VR experience.","capacity":150,"duration":"1.5 Hours","eb":859916743127,"email":"","exhibits":"","experts":"andrea-rassell, jacob-martin","hide":"","id":76,"kind":"Workshop","label":"","limit":200,"location":"View directions","name":"Carbon Nanoverse: 3D Visualisations in Art ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-16T04:30:00.000Z","uid":"carbon-nanoverse","venue":"Science Gallery Bengaluru "},{"blurb":"Blurb text","capacity":40,"duration":"1 Hour ","eb":"","email":"Custom lecture email info. this is a link","exhibits":"","experts":"carbon-mediators","hide":true,"id":77,"kind":"Lecture","label":"","limit":50,"location":"View directions","name":"test lecture","programmes":"","recording":"","resources":"","restricted":"","secondary":"test-tutorial","theme":"","timestamp":"2024-03-23T12:30:00.000Z","uid":"test-lecture","venue":"Science Gallery Bengaluru "},{"blurb":"Blurb text","capacity":19,"duration":"1 Hour ","eb":"","email":"Custom tutorial email info. this is a link","exhibits":"","experts":"carbon-mediators","hide":true,"id":78,"kind":"Tutorial","label":"","limit":25,"location":"View directions","name":"test tutorial","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-03-23T11:30:00.000Z","uid":"test-tutorial","venue":"Science Gallery Bengaluru "},{"blurb":"Blurb text","capacity":10,"duration":"1 Hour ","eb":"","email":"Custom workshop email info. this is a link","exhibits":"","experts":"carbon-mediators","hide":true,"id":79,"kind":"Workshop","label":"","limit":20,"location":"View directions","name":"test workshop","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-03-23T12:30:00.000Z","uid":"test-workshop","venue":"Science Gallery Bengaluru "},{"blurb":"The UN warns of three big problems for Earth: climate change, environmental
pollution, and biodiversity loss. We are warming up our planet by putting too much carbon
into the atmosphere while we produce energy, fuel vehicles and run our factories.
To stop this, countries want to do two things: use clean energy from sources like the sun and the wind, and plant more trees to soak up atmospheric carbon. This narrow focus on climate change mitigation by lowering atmospheric carbon—be it from reduced emissions, or increased
sequestration—can ironically harm endangered species, destroy natural habitats, and exacerbate biodiversity loss. In this talk, M. D. Madhusudan will explore this process, and suggest how we can respond to environmental challenges more holistically.
This lecture will be conducted in Kannada.","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 1 Hour","eb":"","email":"","exhibits":"","experts":"md_madhusudan","hide":"","id":80,"kind":"Lecture and Tutorial","label":"","limit":150,"location":"View directions","name":"The Conservation Conundrum: On Climate Change and Biodiversity","programmes":"","recording":"","resources":"","restricted":"","secondary":"conservation-conundrum-tutorial","theme":"","timestamp":"2024-03-31T10:30:00.000Z","uid":"conservation-conundrum","venue":"Science Gallery Bengaluru "},{"blurb":"The UN warns of three big problems for Earth: climate change, environmental
pollution, and biodiversity loss. We are warming up our planet by putting too much carbon
into the atmosphere while we produce energy, fuel vehicles and run our factories.
To stop this, countries want to do two things: use clean energy from sources like the sun and the wind, and plant more trees to soak up atmospheric carbon. This narrow focus on climate change mitigation by lowering atmospheric carbon—be it from reduced emissions, or increased sequestration—can ironically harm endangered species, destroy natural habitats, and
exacerbate biodiversity loss. In this talk, M. D. Madhusudan will explore this process, and suggest how we can respond to environmental challenges more holistically.
This lecture will be conducted in Kannada.","capacity":50,"duration":"Tutorial: 1 Hour","eb":"","email":"","exhibits":"","experts":"md_madhusudan","hide":"","id":81,"kind":"Tutorial","label":"","limit":50,"location":"View directions","name":"The Conservation Conundrum: On Climate Change and Biodiversity (Tutorial)","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-03-31T12:00:00.000Z","uid":"conservation-conundrum-tutorial","venue":"Science Gallery Bengaluru "},{"blurb":"Are you tired of the daily struggle of deciding what to eat amidst your busy schedule? Do you find yourself relying on delivery through food apps more often than not, sacrificing nutrition and sustainability? Join Chef and Nutritionist Nayantara Bagla, anchor of Namma Oota, as she guides you through simpler approaches to meal prep. Together, let's explore techniques to reduce kitchen waste, including water management, root-to-shoot cooking, creative use of food scraps, and better ingredient management.","capacity":30,"duration":"1.5 Hour","eb":"","email":"","exhibits":"","experts":"nayantara_bagla","hide":false,"id":82,"kind":"Workshop","label":"","limit":45,"location":"View directions","name":"From Junk to Joules: Planning an Energy Efficient Kitchen","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-04-06T08:30:00.000Z","uid":"from-junk-to-jules","venue":"Science Gallery Bengaluru "},{"blurb":"Are you intrigued by the world of fermentation but unsure where to start? Ever wondered about the magic behind kombucha and its fizzy, probiotic goodness? Join us for an interactive workshop where we'll demystify the art and science of kombucha brewing. Led by brewers at Mountain Bee Kombucha, this session will cover everything from an introduction to the world to kombucha to understanding the symbiotic culture of bacteria and yeast (SCOBY), and essential steps in brewing.
","capacity":30,"duration":"1.5 Hour","eb":"","email":"","exhibits":"","experts":"honey_islam","hide":false,"id":83,"kind":"Workshop","label":"","limit":45,"location":"View directions","name":"The Brewer’s Buzz: On Kombucha Making ","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-04-07T08:30:00.000Z","uid":"the-brewer's-buzz","venue":"Science Gallery Bengaluru "},{"blurb":"Discover the transformative world of fungi with hands-on mushroom cultivation. Explore their role in carbon cycling, ecosystem building, and beyond. What would the world be without fungi? How can we build a relationship with them? Unlock the secrets of these fascinating organisms in a workshop that blends storytelling with experiential learning. ","capacity":30,"duration":"2 Hours ","eb":"","email":"","exhibits":"","experts":"neeladri-chowdhury","hide":false,"id":84,"kind":"Workshop","label":"","limit":45,"location":"View directions","name":"The Art of Working with Fungi","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-04-07T05:30:00.000Z","uid":"the-art-of-working-with-fungi","venue":"Science Gallery Bengaluru "},{"blurb":"Carbon: one word with many hues, shapes, forms and features. Carbon is an essential building block of life. From invisible molecules to giant whales and thousand-year old trees—all life is carbon. In this two-day masterclass, join ecologist Meghna Krishnadas to explore all things carbon and ecology! From the fundamentals of carbon to nature walks, this masterclass will use interactive, hands-on sessions to understand the ecology of carbon in living beings, and what that means for humans. Come prepared to exercise your [C]reativity!
Please note that this is a 2-day masterclass which will take place on Saturday and Sunday, 20 and 21 April.","capacity":45,"duration":"2 Days
6 Hours each day","eb":"","email":"We will shortly send you some instructions and things to bring along for the masterclass. Please note that this masterclass is spread across two days. Below are the details:
Date and time:
Saturday, 20 April
11 AM - 5 PM
Sunday, 21 April
10 AM - 4 PM
Venue: Reading Room, Science Gallery Bengaluru","exhibits":"","experts":"meghna_krishnadas","hide":"","id":85,"kind":"Masterclass","label":"","limit":60,"location":"View directions","name":"The Ecology Enigma: Exploring Carbon in the Environment","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-04-20T05:30:00.000Z","uid":"the-ecology-enigma","venue":"Science Gallery Bengaluru"},{"blurb":"How do coastal cities and infrastructures sustain global capital? Can ‘blue capital’—solutions that are offered as alternatives to hydrocarbon economies—provide a way out of our carbon-intensive economies? Laleh Khalili puts this idea to the test as she examines how blue capital may in fact exacerbate the situation. Join Khalili in a lecture that explores how extraction, transportation and logistics contribute to the gradual drowning of our cities and infrastructures. ","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 1 Hour","eb":"","email":"","exhibits":"","experts":"laleh_khalili","hide":"","id":86,"kind":"Lecture and Tutorial","label":"","limit":150,"location":"View directions","name":"Living and Drowning on the Shore of Blue Capital","programmes":"","recording":"","resources":"","restricted":"","secondary":"shore-of-blue-capital-tutorial","theme":"","timestamp":"2024-04-27T12:30:00.000Z","uid":"shore-of-blue-capital","venue":"Science Gallery Bengaluru"},{"blurb":"How do coastal cities and infrastructures sustain global capital? Can ‘blue capital’—solutions that are offered as alternatives to hydrocarbon economies—provide a way out of our carbon-intensive economies? Laleh Khalili puts this idea to the test as she examines how blue capital may in fact exacerbate the situation. Join Khalili in a lecture that explores how extraction, transportation and logistics contribute to the gradual drowning of our cities and infrastructures. ","capacity":50,"duration":"Tutorial: 1 Hour","eb":"","email":"","exhibits":"","experts":"laleh_khalili","hide":"","id":87,"kind":"Tutorial","label":"","limit":50,"location":"View directions","name":"Living and Drowning on the Shore of Blue Capital (Tutorial)","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-04-27T14:00:00.000Z","uid":"shore-of-blue-capital-tutorial","venue":"Science Gallery Bengaluru"},{"blurb":"The growth and glory of empires is generally (and rather falsely) attributed to the acumen and valour of their heroes. Unfortunately, history fails to recognize that human civilizations and empires cannot grow in a vacuum. They grow by consuming the natural resources in and around them, consuming and exploiting resources to become bigger, faster. Paradoxically, the overuse of resources pushes empires to the verge of their own extinction.
In this lecture, K N Ganeshaiah demonstrates this with a set of examples: the decline of a civilization in Easter Island, the growth and fall of the Vijayanagara empire and the death of Talakadu, a rich urban complex in Karnataka. He also argues that several urban areas of the world are now showing the symptoms of such decay due to uncontrolled use of resources. Join us for a talk that traces the role of our carbon-rich resources in the emergence and extension of empires.
This lecture will be conducted in Kannada.","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 1 Hour","eb":"","email":"","exhibits":"","experts":"kn_ganeshaiah","hide":"","id":88,"kind":"Lecture and Tutorial","label":"","limit":150,"location":"View directions","name":"Carbon in the Rise and Fall of Civilizations","programmes":"","recording":"","resources":"","restricted":"","secondary":"rise-and-fall-of-civilisations-tutorial","theme":"","timestamp":"2024-04-14T10:30:00.000Z","uid":"rise-and-fall-of-civilisations","venue":"Science Gallery Bengaluru"},{"blurb":"The growth and glory of empires is generally (and rather falsely) attributed to the acumen and valour of their heroes. Unfortunately, history fails to recognize that human civilizations and empires cannot grow in a vacuum. They grow by consuming the natural resources in and around them, consuming and exploiting resources to become bigger, faster. Paradoxically, the overuse of resources pushes empires to the verge of their own extinction.
In this lecture, K N Ganeshaiah demonstrates this with a set of examples: the decline of a civilization in Easter Island, the growth and fall of the Vijayanagara empire and the death of Talakadu, a rich urban complex in Karnataka. He also argues that several urban areas of the world are now showing the symptoms of such decay due to uncontrolled use of resources. Join us for a talk that traces the role of our carbon-rich resources in the emergence and extension of empires.
This lecture will be conducted in Kannada.","capacity":50,"duration":"Tutorial: 1 Hour","eb":"","email":"","exhibits":"","experts":"kn_ganeshaiah","hide":"","id":89,"kind":"Tutorial","label":"","limit":50,"location":"View directions","name":"Carbon in the Rise and Fall of Civilizations (Tutorial)","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-04-14T12:00:00.000Z","uid":"rise-and-fall-of-civilisations-tutorial","venue":"Science Gallery Bengaluru"},{"blurb":"What do we know of the lives of logistics workers? What can a life on the seas, aboard a container ship, be like? The body of the logistics worker is the fulcrum upon which global systems of power and trade rest. But it is also a body on which gendered and racialised pressures rest. In this masterclass, Laleh Khalili will draw on her ongoing research and experiences of travelling on cargo ships to explore the life of these labourers. Join us to investigate an experience riddled with adversities—loneliness, loss, and violence, stolen wages and exploitative logistics businesses—as well as ephemeral moments of joy and solidarity.
Please note that this is a 2-day masterclass which will take place on Saturday and Sunday, 27 and 28 April.","capacity":45,"duration":"2 Days
6 Hours each day","eb":"","email":"","exhibits":"","experts":"laleh_khalili","hide":"","id":90,"kind":"Masterclass","label":"","limit":60,"location":"View directions","name":"Aboard Cargo Ships: The Life and Labour of Logistics Workers","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-04-27T05:30:00.000Z","uid":"aboard-cargo-ships","venue":"Science Gallery Bengaluru"},{"blurb":"Dive into the fuzzy world of radical creativity, a cross- and transdisciplinary idea that requires us to break boundaries and collaboratively experiment outside of them. What can this kind of practice tell us about public art, which can shape our experiences of the world? Outi Turpeinen and Riikka Mäkikoskela will discuss the fundamentals of these two concepts. Taking examples from Bangalore (India), Espoo (Finland) and other parts of the world, they will show how radical creativity is seen through and in public art.","capacity":30,"duration":"1.5 Hour","eb":"","email":"","exhibits":"","experts":"outi_turpeinen, riikka_mäkikoskela","hide":"","id":91,"kind":"Workshop","label":"","limit":45,"location":"View directions","name":"Radical Creativity in Public Art","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-04-24T12:30:00.000Z","uid":"radical-creativity-public-art","venue":"Science Gallery Bengaluru "},{"blurb":"Bridging the gap between art and science, we are inspired by the Renaissance figure Leonardo da Vinci, who mastered both fields. Fast forward to the present day, and we find a stark divide, with art and science being taught in separate institutions, and the public perception of these fields as fundamentally incompatible. Today, we often see art and science as separate, but when they come together, they offer a unique perspective, a stereo vision of the world.
Katharina Weikl, head of the art x science office at the University of Zurich, will present their work and deliver a talk on the power of interdisciplinary collaboration. Weikl led the ‘Triggered by Motion’ project, showcased at CARBON, which brought together researchers from 14 countries, highlighting the intersection of art, research, and conservation. Join us in this talk to rediscover the power of breaking disciplinary silos.
Ecologist Samira Agnihotri will be in discussion with Weikl post the lecture.
This event is organised in partnership with Swissnex in India. ","capacity":100,"duration":"1.5 Hour ","eb":"","email":"","exhibits":"","experts":"katharina_weikl","hide":"","id":92,"kind":"Lecture","label":"","limit":110,"location":"View directions","name":"Triggering Enquiries: On Art-Science Collaborations","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-04-21T11:00:00.000Z","uid":"triggering-enquiries","venue":"Science Gallery Bengaluru"},{"blurb":"Should nature have the same legal rights as humans? Can the idea of 'climate justice' change our approaches to this crisis?
In this interactive lecture, join legal scholar and activist-educator Abhayraj Naik to think about the terms 'climate justice' and 'rights for nature', which can serve as important foundations for understanding and responding to environmental challenges. Through this lens, we might reimagine the foundational relation between science, nature, and justice in India—exploring not just the science, but the philosophical, political, cultural, and contextual (justice) dimensions of climate change. ","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 1 Hour","eb":"","email":"","exhibits":"","experts":"abhayraj_naik","hide":"","id":93,"kind":"Lecture and Tutorial","label":"","limit":150,"location":"View directions","name":"Climate Justice and Rights for Nature in India","programmes":"","recording":"","resources":"","restricted":"","secondary":"climate-justice-rights-for-nature-tutorial","theme":"","timestamp":"2024-05-05T10:30:00.000Z","uid":"climate-justice-rights-for-nature","venue":"Science Gallery Bengaluru"},{"blurb":"Should nature have the same legal rights as humans? Can the idea of 'climate justice' change our approaches to this crisis?
In this interactive lecture, join legal scholar and activist-educator Abhayraj Naik to think about the terms 'climate justice' and 'rights for nature', which can serve as important foundations for understanding and responding to environmental challenges. Through this lens, we might reimagine the foundational relation between science, nature, and justice in India—exploring not just the science, but the philosophical, political, cultural, and contextual (justice) dimensions of climate change. ","capacity":50,"duration":"Tutorial: 1 Hour","eb":"","email":"","exhibits":"","experts":"abhayraj_naik","hide":"","id":94,"kind":"Tutorial","label":"","limit":50,"location":"View directions","name":"Climate Justice and Rights for Nature in India (Tutorial)","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-05-05T12:00:00.000Z","uid":"climate-justice-rights-for-nature-tutorial","venue":"Science Gallery Bengaluru"},{"blurb":"How do we understand human evolution through archaeology? And what role does carbon play in this? Dive into a two-day masterclass with archaeometallurgist Sharada Srinivasan, who will talk about the carbon in both organic and inorganic archaeomaterials. From carbon black used by ancient Egyptians to the famous diamond mines in Golconda, discover how carbon finds its way into a vast array of materials like iron and steel.
For example, delve into the saga of India’s legendary high carbon wootz steel, made particularly in southern India, known as ‘ukku’—likely the earliest known high grade steel. Since the role of carbon as a separate alloying element was not well understood, numerous studies were made by 18th and 19th century European scientists (including Faraday) to replicate wootz steel. These spurred several important discoveries leading up to the Industrial Revolution.
Join Sharada Shrinivasan as she brings together theoretical perspectives with hands-on experiences which explore the role of carbon in the firing of pottery kilns!
This masterclass is supported by the NIAS - TCS Heritage Initiative.","capacity":60,"duration":"2 Days
6 Hours each day","eb":"","email":"","exhibits":"","experts":"sharada_srinivasan","hide":"","id":95,"kind":"Masterclass","label":"","limit":80,"location":"View directions","name":"Carbon: The Elusive Archaeomaterial","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-05-16T05:30:00.000Z","uid":"carbon-elusive-archeomaterial","venue":"National Institute of Advanced Studies"},{"blurb":"Interacting with Mediators at the exhibition is a key part of the Science Gallery Bengaluru experience. As a Mediator, you get to train with artists and scholars from around the world, have conversations with visitors from across Bengaluru and be a part of an exciting public engagement experiment.
Considering applying for the part-time or full-time Mediator Programmes for Science in the City, our next exhibition-season? Confused about how to apply or what the programme entails?
Bring all of your questions to an in-person session to know more about the programme from the Learning team. Find out about the application process and hear from the present full-time cohort as they delve into the role of a Mediator and share some experiences from the exhibition floor.
","capacity":100,"duration":"1 Hour","eb":"","email":"","exhibits":"","experts":"carbon-mediators ","hide":"","id":96,"kind":"Event","label":"","limit":110,"location":"View directions","name":"Talk it Out: Mediating at Science Gallery Bengaluru","programmes":"","recording":"","resources":"","restricted":false,"secondary":"","theme":"","timestamp":"2024-05-01T12:30:00.000Z","uid":"talk-it-out-with-mediators","venue":"Science Gallery Bengaluru "},{"blurb":"What does climate collapse and chaos mean for all of us? How do we move from climate doom to climate hope? What does that hope constitute? How can we think about adaptation and resilience from a perspective of mental health and wellbeing? What are some of the ways in which we can act to find hope and solidarity in the face of environmental and social collapse?
Join us to explore these questions in a day-long, immersive, theatre-based workshop, where we will talk about our personal and collective feelings around climate change.
This will be a bilingual workshop in Kannada and English. ","capacity":45,"duration":"6 Hours","eb":"","email":"","exhibits":"","experts":"benson_issac","hide":"","id":97,"kind":"Workshop","label":"","limit":60,"location":"View directions","name":"Climate Samvada: Conversations on Wellbeing and Hope","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-05-04T05:30:00.000Z","uid":"climate-samvada","venue":"Science Gallery Bengaluru"},{"blurb":"What is carbon fibre and how can you work with it? Properties similar to steel but resembling plastic in weight, carbon fibre finds applications in varied fields from aerospace engineering to the automotive industry.
In this workshop, get your hands dirty to experience the manufacturing process of carbon fibre components. From layup to curing, you can explore the entire production process to unlocking insights applicable across various industries. Join engineers from ProjectX Labs to delve into the curious world of carbon materials!","capacity":45,"duration":"2 Days
6 Hours each day","eb":"","email":"","exhibits":"","experts":"projectx_labs","hide":false,"id":98,"kind":"Workshop","label":"","limit":60,"location":"View directions","name":"Threading it Together: An Exploration of Carbon Fibre","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-05-11T05:30:00.000Z","uid":"threading-together-carbon-fibre","venue":"Science Gallery Bengaluru"},{"blurb":"Calling all nature lovers to our creatures of carbon walkthrough.
Carbon is essential to living things of all shapes and sizes. How does carbon eat, breathe, walk, meow or quack? In this walkthrough, explore the various life forms hidden in the exhibits at the gallery, and revel in the diversity of carbon-based life. ","capacity":45,"duration":"1.5 Hours ","eb":"","email":"","exhibits":"","experts":"bhavitraa_t, vedika_k","hide":"","id":99,"kind":"Exhibition Walkthrough","label":"","limit":60,"location":"View directions","name":"Living CARBON","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-05-17T12:30:00.000Z","uid":"carbon-walkthrough-20","venue":"Science Gallery Bengaluru"},{"blurb":"Look at CARBON with gender-tinted glasses!
Walk with us as we explore the nuanced ways in which women appear in CARBON as scientists, artists and the art. Let’s break into the silos of science, culture, and experimentation to witness its entanglement with the notions of gender.","capacity":45,"duration":"1.5 Hours ","eb":"","email":"","exhibits":"","experts":"risha_vaidya, harsha_jagadeesh","hide":"","id":100,"kind":"Exhibition Walkthrough","label":"","limit":60,"location":"View directions","name":"Women and CARBON","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-05-18T05:30:00.000Z","uid":"carbon-walkthrough-21","venue":"Science Gallery Bengaluru"},{"blurb":"A treasure hunt-based exploration of the CARBON exhibition and the Gallery. Bring your inner Indiana Jones vibe to crack cryptic codes and find the treasure. We promise you that knowledge will not be the only treasure you will walk away with.","capacity":45,"duration":"1.5 Hours ","eb":"","email":"","exhibits":"","experts":"anoosha_chandrashekhar, bhavitraa_t","hide":"","id":101,"kind":"Exhibition Walkthrough","label":"","limit":60,"location":"View directions","name":"CARBON Scouting","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-05-18T12:00:00.000Z","uid":"carbon-walkthrough-22","venue":"Science Gallery Bengaluru"},{"blurb":"How can we understand CARBON through our senses? What can you see, hear, smell, and touch? Join our mediators Divya and Risha as they take you through a multisensory experience (in their perspective) of CARBON and technology as an extension of our senses. ","capacity":45,"duration":"1.5 Hours ","eb":"","email":"","exhibits":"","experts":"divya_j, risha_vaidya","hide":"","id":102,"kind":"Exhibition Walkthrough","label":"","limit":60,"location":"View directions","name":"Sensing CARBON","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-05-19T05:30:00.000Z","uid":"carbon-walkthrough-23","venue":"Science Gallery Bengaluru"},{"blurb":"Experience Science Gallery Bengaluru’s current exhibition-season CARBON on a walkthrough led by mediators Puja and Jagath. Puja, an Art Practitioner and Jagath, a Biochemist by training explore what Carbon means to both of them and how their backgrounds have coloured their perceptions about the exhibition. Through the walkthrough they will emphasise how Art-Science interactions are the foundation to the exhibition. ","capacity":45,"duration":"1.5 Hours ","eb":"","email":"","exhibits":"","experts":"jagath_v, puja_das","hide":"","id":103,"kind":"Exhibition Walkthrough","label":"","limit":60,"location":"View directions","name":"CARBON Conversations : Art x Science","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-05-19T12:00:00.000Z","uid":"carbon-walkthrough-24","venue":"Science Gallery Bengaluru"},{"blurb":"Climate change and climate action have entered into the vocabulary of our daily lives. Yet beyond making posters and talking about tokenistic solutions we still know little about it. The ‘Understanding Climate Change: Questioning Beliefs, Myths and Facts’ workshop is a gamified way for students to question beliefs, myths and facts and develop an enhanced understanding of the topic. The intention of this workshop is to move beyond the buzzwords and cliches and get initiated into understanding not only how climate change affects us but how we can create impact at personal and societal levels.
This workshop will organised on two different days. The contents of the workshop will be repeated on both days.
This programme is supported by the American Centre Chennai. ","capacity":45,"duration":"4 Hours","eb":"","email":"","exhibits":"","experts":"shravan_shankar","hide":true,"id":104,"kind":"Workshop","label":"","limit":60,"location":"View directions","name":"Understanding Climate Change: Questioning Beliefs, Myths and Facts","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-05-25T04:30:00.000Z","uid":"understanding-climate-change","venue":"Science Gallery Bengaluru"},{"blurb":"Climate change and climate action have entered into the vocabulary of our daily lives. Yet beyond making posters and talking about tokenistic solutions we still know little about it. The ‘Understanding Climate Change: Questioning Beliefs, Myths and Facts’ workshop is a gamified way for students to question beliefs, myths and facts and develop an enhanced understanding of the topic. The intention of this workshop is to move beyond the buzzwords and cliches and get initiated into understanding not only how climate change affects us but how we can create impact at personal and societal levels.
This workshop will organised on two different days. The contents of the workshop will be repeated on both days.
This programme is supported by the American Centre Chennai. ","capacity":45,"duration":"4 Hours","eb":"","email":"","exhibits":"","experts":"shravan_shankar","hide":"","id":105,"kind":"Workshop","label":"","limit":60,"location":"View directions","name":"Understanding Climate Change: Questioning Beliefs, Myths and Facts","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-05-26T04:30:00.000Z","uid":"understanding-climate-change-1","venue":"Science Gallery Bengaluru"},{"blurb":"Come meet the CARBON mediators for one last time! Join us
as we bid adieu to our first ever team of full-time mediators. Let's
go down the memory lane of the CARBON exhibition and listen to the
memories of the ones that made your gallery experience meaningful.
Engage with them as they present their experiences — mediation and
beyond through flash talks and activities. Come, pick their brains
about anything!","capacity":45,"duration":"2 Hours","eb":"","email":"","exhibits":"","experts":"carbon-mediators ","hide":"","id":106,"kind":"Mediator Showcase","label":"","limit":60,"location":"View directions","name":"We are Mediators, of course we…","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-05-25T10:30:00.000Z","uid":"mediator-showcase","venue":"Reading Room, Science Gallery Bengaluru"},{"blurb":"Many species of insects—such as ants, bees, wasps, and termites—organise themselves into societies, resembling and in some ways surpassing human societies. Can we understand these insect societies? Dive into ant-hills, wasp nests, and beehives by joining us for this talk by ecologist Raghavendra Gadagkar, who will share his research around the Indian paper wasp Ropalidia marginata. Learn about the observational and experimental methods used to study insects, discover contemporary research around these bugs, and judge how much we know of this often neglected society!","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 1 Hour","eb":"","email":"","exhibits":"","experts":"raghavendra_gadagkar","hide":"","id":107,"kind":"Lecture and Tutorial","label":"","limit":150,"location":"View directions","name":"Inside the Wasp Nest: Understanding Insect Societies","programmes":"","recording":"","resources":"","restricted":"","secondary":"inside-the-wasp-net-tutorial","theme":"","timestamp":"2024-06-09T10:30:00.000Z","uid":"inside-the-wasp-net","venue":"Science Gallery Bengaluru"},{"blurb":"Many species of insects—such as ants, bees, wasps, and termites—organise themselves into societies, resembling and in some ways surpassing human societies. Can we understand these insect societies? Dive into ant-hills, wasp nests, and beehives by joining us for this talk by ecologist Raghavendra Gadagkar, who will share his research around the Indian paper wasp Ropalidia marginata. Learn about the observational and experimental methods used to study insects, discover contemporary research around these bugs, and judge how much we know of this often neglected society!","capacity":50,"duration":"Tutorial: 1 Hour","eb":"","email":"","exhibits":"","experts":"raghavendra_gadagkar","hide":"","id":108,"kind":"Tutorial","label":"","limit":50,"location":"View directions","name":"Inside the Wasp Nest: Understanding Insect Societies (Tutorial)","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-06-09T12:00:00.000Z","uid":"inside-the-wasp-net-tutorial","venue":"Science Gallery Bengaluru"},{"blurb":"How do we use space while curating exhibitions? How can a spatial layout transform individual artworks to successfully convey large themes around ecology and the environment? Is there anything like an 'unsuitable' space?
In this workshop, join curator Julia Wintner to explore questions around space and curation—from building relationships with artists to understanding the spatial concerns of an exhibition. With guidance from her, you will also get to conceptualise a speculative art display in a space at Science Gallery Bengaluru. ","capacity":45,"duration":"6 Hours","eb":"","email":"","exhibits":"","experts":"julia_winter","hide":"","id":109,"kind":"Workshop","label":"","limit":60,"location":"View directions","name":"Curating Ecologies: An Exploration of Space and Art","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-06-08T05:30:00.000Z","uid":"curating-ecologies","venue":"Science Gallery Bengaluru"},{"blurb":"What does ‘material’ or ‘medium’ mean to an artist? Do materials themselves provide rich narratives and social histories? Visual artist Arunkumar H G certainly thinks so! In this workshop he delves into the origins and historical contexts of materials, while they transform from resources to waste.
For this workshop, you are encouraged to bring your own accumulation of waste, to examine how we perceive and interpret waste. You will then work with Arunkumar H G to transform these materials into art objects, highlighting the qualities and significance of the seemingly mundane.","capacity":45,"duration":"6 Hours","eb":"","email":"","exhibits":"","experts":"arunkumar_hg","hide":"","id":110,"kind":"Workshop","label":"","limit":60,"location":"View directions","name":"Tracing Materials: From Resource to Waste to Art","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-07-13T05:30:00.000Z","uid":"tracing-ecologies","venue":"Science Gallery Bengaluru"},{"blurb":"Can AI and other technological tools affect the future of climate action in Asia? And how can you assess these nuanced climate futures?
Join researchers Dona Mathew and Sasha John in a workshop that delves into the intersection of AI and climate action, while highlighting the Digital Futures Lab's research. Discover how to spot trends and signals that hint at future climate scenarios through hands-on activities. Imagine and design the climate futures you want to see, guided by foresight methodologies and creative thinking exercises.
","capacity":45,"duration":"6 Hours","eb":"","email":"","exhibits":"","experts":"sasha_john, dona_mathew","hide":"","id":111,"kind":"Workshop","label":"","limit":60,"location":"View directions","name":"Building Resilient Climate Futures: Exploring AI in Climate Action","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-06-29T04:30:00.000Z","uid":"building-climate-futures","venue":"Science Gallery Bengaluru"},{"blurb":"Join political scientist Rohit Chandra, energy policy researcher Shoibal Chakravarty and social scientist Radhika Krishnan to dive into the complexities of energy transition in India. This masterclass will be spread over two sessions, exploring the transition from fossil fuels to alternative sources.
Session 1
How do we decide what energy technologies to use for the next half-century? What kinds of social, economic, and environmental factors need consideration when making such decisions? In this session, Shoibal Chakravarty and Rohit Chandra will unpack some of the pressing trade-offs in India's energy transition. This masterclass will explore trade-offs as varied as energy poverty, employment, public health and regional equity. By evaluating some of these trade-offs using economic and techno-economic methods, you can learn how to assess these trade-offs at different levels of magnification (individual, firm, state, country).
Session 2
How do we understand energy transition dynamics through the lens of labour and work? What are the working conditions in coal-dependent regions of India? Where do these workers' lives intersect with local institutions? Join Radhika Krishnan and Rohit Chandra to think about some of the labour realities of the energy transition. Rooted in social science methods, this masterclass session will prompt you to consider the perspective of India's millions of energy-sector workers when thinking about energy transitions.
","capacity":45,"duration":"6 Hours","eb":"","email":"","exhibits":"","experts":"rohit_chandra, radhika_krishnan, shoibal_chakravarty","hide":"","id":112,"kind":"Masterclass","label":"","limit":60,"location":"View directions","name":"Energy Transitions: Work, Labour, and Tradeoffs","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-06-15T05:30:00.000Z","uid":"energy-transitions","venue":"Science Gallery Bengaluru"},{"blurb":"Coal generates over 65% of India's power today, but it is also one of India's largest sources of greenhouse gas emissions. Why is India ambivalent in its approach to the coal industry? What does it have to do with the history of developmentalism in this country?
By examining the post-Independence history of the Indian coal industry, Rohit Chandra will discuss some of the complicated social, economic, and regional consequences of India's necessary trajectory of decarbonization. The lecture will also discuss some of the historical figures who have significantly influenced the industry's trajectory since Independence.","capacity":150,"duration":"Lecture: 1 Hour
Tutorial: 1 Hour","eb":"","email":"","exhibits":"","experts":"rohit_chandra","hide":"","id":113,"kind":"Lecture and Tutorial","label":"","limit":150,"location":"View directions","name":"Coal in India: Decarbonisation After Development","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-06-16T10:30:00.000Z","uid":"coal-in-india","venue":"Science Gallery Bengaluru"},{"blurb":"Coal generates over 65% of India's power today, but it is also one of India's largest sources of greenhouse gas emissions. Why is India ambivalent in its approach to the coal industry? What does it have to do with the history of developmentalism in this country?
By examining the post-Independence history of the Indian coal industry, Rohit Chandra will discuss some of the complicated social, economic, and regional consequences of India's necessary trajectory of decarbonization. The lecture will also discuss some of the historical figures who have significantly influenced the industry's trajectory since Independence.","capacity":50,"duration":"Tutorial: 1 Hour","eb":"","email":"","exhibits":"","experts":"rohit_chandra","hide":"","id":114,"kind":"Tutorial","label":"","limit":50,"location":"View directions","name":"Coal in India: Decarbonisation After Development (Tutorial)","programmes":"","recording":"","resources":"","restricted":"","secondary":"coal-in-india-tutorial","theme":"","timestamp":"2024-06-16T12:00:00.000Z","uid":"coal-in-india-tutorial","venue":"Science Gallery Bengaluru"},{"blurb":"How do we define carbon? How can we explore it in the art we create? Carbon’s various structures and unique properties—be it charcoal, graphite, or diamond—can be harnessed to create works of art. Using the chemical structures of carbon as a visual language, artist Shanthamani Muddaiah will guide you through the process of creating your own art with charcoal. Get your hands dirty with charcoal as you explore it both as a medium and as a material. ","capacity":45,"duration":"3 Hours","eb":"","email":"","exhibits":"","experts":"CSS_Pe7","hide":"","id":115,"kind":"Workshop","label":"","limit":60,"location":"View directions","name":"Of Materials and Mediums: Carbon in Art","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-06-23T05:30:00.000Z","uid":"of-materials-mediums","venue":"Science Gallery Bengaluru"},{"blurb":"What if an artist gives up their brush to play chess, and in doing so, finds deep connections between seemingly opposite worlds? This lecture dives into the fascinating intersections between art and science, inspired by the artist Marcel Duchamp and the Ukrainian-French chess grandmaster Vitaly Halberstadt. Together, they explored the intricate world of chess endgames in their book, Oppositions and Sister Squares are Reconciled. Duchamp, who left his artistic career for chess, saw strategic parallels that connect both fields. This lecture isn't just about chess, though. It's about how art and science, often seen as opposites, share surprising connections and contrasts.
Presented by Diemut Strebe, Artist in Residence at the MIT Center for Art, Science & Technology this lecture will explore how science perceives colours, smells, and sounds—central to aesthetics—and whether these experiences are devalued as illusory.
A highlight of the lecture will be The Redemption of Vanity, an artwork featuring the \"Blackest Black\" on Earth, created with nanotube technology and applied to a $2 million diamond, examined as both an aesthetic and technical marvel.
","capacity":150,"duration":"1.5 Hours","eb":"","email":"","exhibits":"","experts":"diemut_strebe","hide":"","id":116,"kind":"Lecture","label":"","limit":150,"location":"","name":"Oppositions and Sister Squares are Reconciled","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-06-27T12:30:00.000Z","uid":"opposition-sister-squares","venue":"Online"},{"blurb":"Have you ever dreamed of a world where we could fly without fossil fuels? Join us for India’s first ever Aerocene event, where Art, Science, and Sustainability converge!
As a movement for eco-social justice, adrift on air, floating free from fossil fuels, lithium or hydrogen, the Aerocene project created by Tomas Saraceno moves us towards an ethical re-alliance with the Earth and its cosmic web(s) of life. The Aerocene Backpack is a portable floating kit, which enables anyone to launch their own aerosolar sculpture and start sensing the ocean of air, lifted only by the sun,without the use of fossil fuels, helium, hydrogen, solar panels, or batteries.
This innovative experience is designed to engage participants in thinking-through-making activity, stimulating imagination and creativity, and imparting information about solar balloon flight, thermodynamic physics, meteorological science, and art practices. Don't miss this chance to see the skies filled with flight sculptures, and to learn more about the possibilities of a fossil-fuel-free world.
As we learn to attune to the weather and adapt to new climates, Aerocene flight activities are weather dependent.
","capacity":60,"duration":"1 Hour","eb":"","email":"","exhibits":"","experts":"aerocene_foundation","hide":true,"id":117,"kind":"Event","label":"","limit":60,"location":"View directions","name":"Aerocene : From Roadsted To Flight ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-06-30T09:00:00.000Z","uid":"aerocene-flight-sculptures","venue":"NCBS"},{"blurb":"Carbon has been an invisible protagonist on the celluloid screen for a while now. Our lives are saturated with carbon, and the screen reflects its presence everywhere. Though unseen, carbon's influence permeates our lives and finds reflection in countless stories on the big screen. This festival invites you on a journey from the barren grounds of an e-waste dump yard to the magical forests of the Western Ghats. We will showcase a distinctive collection of cinematic narratives centred on the theme of carbon and bring to life stories that span generations, reflecting both the past and the ever-evolving present. These stories of ambition, resilience, and perseverance will offer a deeper understanding of carbon and films, shedding light on the transformative power of carbon.
The festival strives to create an immersive environment where visitors can deeply interact with these ideas through various films and discussions. We are offering a wide array of films spanning different languages, including German, English, French, and Hindi, and genres, from documentary features and narrative features to docufictions and animated shorts. Filmmakers and scholars have been encouraged to create a colourful, interactive space that encourages people of all ages to consider carbon's critical role in our lives and the global ecosystem.
","capacity":200,"duration":"10 Hours","eb":"","email":"","exhibits":"","experts":"carbon_film_festival","hide":"","id":118,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Film Festival Day 1","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-07-06T04:30:00.000Z","uid":"carbon-film-festival_day1","venue":"Bangalore International Centre"},{"blurb":"Carbon has been an invisible protagonist on the celluloid screen for a while now. Our lives are saturated with carbon, and the screen reflects its presence everywhere. Though unseen, carbon's influence permeates our lives and finds reflection in countless stories on the big screen. This festival invites you on a journey from the barren grounds of an e-waste dump yard to the magical forests of the Western Ghats. We will showcase a distinctive collection of cinematic narratives centred on the theme of carbon and bring to life stories that span generations, reflecting both the past and the ever-evolving present. These stories of ambition, resilience, and perseverance will offer a deeper understanding of carbon and films, shedding light on the transformative power of carbon.
The festival strives to create an immersive environment where visitors can deeply interact with these ideas through various films and discussions. We are offering a wide array of films spanning different languages, including German, English, French, and Hindi, and genres, from documentary features and narrative features to docufictions and animated shorts. Filmmakers and scholars have been encouraged to create a colourful, interactive space that encourages people of all ages to consider carbon's critical role in our lives and the global ecosystem.
","capacity":200,"duration":"9 Hours","eb":"","email":"","exhibits":"","experts":"carbon_film_festival","hide":"","id":119,"kind":"Event","label":"","limit":200,"location":"View directions","name":"CARBON Film Festival Day 2","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-07-07T05:30:00.000Z","uid":"carbon-film-festival_day2","venue":"Bangalore International Centre"},{"blurb":"How can animation bring climate change themes to life in a compelling and impactful way? Join us for an engaging panel discussion featuring leading animators Aniruddh Shivakumar Menon, Nirupa Rao, and Fabian Driehorst. Our panellists will address their creative processes and how animation's unique format can successfully communicate the urgency and significance of environmental issues. They will give insights into their practice and will explore both the artistic aspects of animation and its role in advocating for environmental issues. Don't miss out on this opportunity to learn from brilliant animators about the convergence of art, storytelling, and climate advocacy, as well as how their animated narratives influence the global climate change discourse.","capacity":100,"duration":"45 Minutes","eb":"","email":"","exhibits":"","experts":"nirupa_rao, aniruddh_menon , frédéric_schuld","hide":"","id":120,"kind":"Panel Discussion","label":"","limit":100,"location":"View directions","name":"Into the Carbonverse: Exploring the World of Animated films","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-07-07T09:00:00.000Z","uid":"into-the-carbonverse","venue":"Bangalore International Centre"},{"blurb":"In one of the world’s most populated cities, two brothers, devote their lives to protecting the black kite, a majestic bird essential to New Delhi’s ecosystem. Amid environmental toxicity and social unrest, the brothers care for these creatures in their makeshift avian basement hospital. \"All That Breathes,\" directed by Shaunak Sen, explores the bond between the kites and the brothers, offering a mesmerizing chronicle of inter-species coexistence. Join us for an insightful discussion featuring director Shaunak Sen , Nature educator Garima Bhattia and Wildlife Biologist Ravi Chellam","capacity":150,"duration":"50 Minutes","eb":"","email":"","exhibits":"","experts":"shaunak_sen, garima_bhattia , ravi_chellam ","hide":"","id":121,"kind":"Discussion","label":"","limit":150,"location":"View directions","name":"All that Breathes Film Discussion","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-07-06T06:10:00.000Z","uid":"all-that-breathes","venue":"Bangalore International Centre"},{"blurb":"How do we make sense of ‘invasive’ species? What are the complexities they bring to different ecosystems? And do Homo sapiens also act as an invasive species?
Lantana camara was introduced into India by the British in the early 1800s and was subsequently discovered to be one of the world’s most invasive species. Lantana camara lurks in the background as a character in this play, set in the forests of South India. The behaviour of floral invasive species has parallels with that of human invaders and The Clearing is a play about invasions, intended or otherwise.
Join us to witness the reading of the play, presented by the production company of Jagriti Theatre.
The Clearing is based on scientific input from Dr Suhel Qader of the Nature Conservation Foundation, on information from the Ashoka Trust for Research in Ecology and the Environment (ATREE) and on the invaluable stories from the Soliga people of B.R. Hills, Karnataka, India.
The Clearing was produced by Mallya Aditi International School as part of their 25th Anniversary celebrations and as part of the Theatrescience India project, originally supported by the Wellcome Trust, UK and NCBS, in particular Dr Mukund Thattai.","capacity":60,"duration":"2 Hours","eb":"","email":"","exhibits":"","experts":"gautam_raja, jagriti_theatre","hide":false,"id":122,"kind":"Event","label":"","limit":90,"location":"View directions","name":"The Clearing: A Play Reading","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-07-13T12:30:00.000Z","uid":"the-clearing","venue":"Science Gallery Bengaluru"},{"blurb":"How do we think about art-science collaborations? How do they come to life at Science Gallery Bengaluru? Join CARBON's curatorial advisors Ravi Agarwal and Jahnavi Phalkey as they give us a behind-the-scenes look into the conversations and thinking around this exhibition. Hear tidbits from their experience working as researchers and curators, and pick their brains on all things carbon! Following the discussion, join us for one final CARBON walkthrough to explore this complex element in all its glory and infamy. ","capacity":60,"duration":"3 Hours","eb":"","email":"","exhibits":"","experts":"CA_1, CA_2","hide":"","id":123,"kind":"Discussion and Walkthrough","label":"","limit":90,"location":"View directions","name":"The Curtain Falls on CARBON","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-07-14T11:30:00.000Z","uid":"curtain-falls-on-carbon","venue":"Science Gallery Bengaluru"},{"blurb":"During the closing weekend, join the Science Gallery Bengaluru team members as they take you through the exhibition-season CARBON! Interact with our interdisciplinary and participatory exhibits, and explore the process behind creating our exhibition.
Join us for the final walkthrough of CARBON before the curtain falls! Our team members: Ashank, Shelwyn , David and Harsha will guide you through the displays, offering insights into the fascinating world of carbon. Whether you're revisiting or coming for the first time, our team will take you on an enlightening journey through the exhibit's highlights. Don’t miss out on your last chance to explore the deeper ideas of CARBON! We look forward to welcoming you and sharing this experience!","capacity":20,"duration":"1 Hour","eb":"","email":"","exhibits":"","experts":"CA_4,CA_6,david-verghese","hide":"","id":124,"kind":"Event","label":"","limit":20,"location":"View directions","name":"CARBON Conversations","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-07-14T08:30:00.000Z","uid":"carbon-team-walkthrough","venue":"Science Gallery Bengaluru"},{"blurb":"Have you ever wondered how the essence of a city can be captured through words? Join our reading circle, where we explore Bengaluru through a curated list of readings, from flash fiction to long-form essays. Together, we will delve into the city's vibrant culture, rich history, and contemporary life, creating a community of readers who experience Bengaluru in a novel way.
Join us for an an engaging and insightful journey as we ready ourselves for our next exhibition-season Sci560!
Registered participants will be sent a list of readings.","capacity":20,"duration":"1.5 Hours","eb":"","email":"","exhibits":"","experts":"sgb-team","hide":"","id":125,"kind":"Event","label":"","limit":40,"location":"View directions","name":"Sci560 Reading Circle","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-07-17T11:30:00.000Z","uid":"sci560-reading-circle","venue":"Science Gallery Bengaluru"},{"blurb":"Songlines on Screen is a series of 6 short films that have been made to record, celebrate, and share precious historic and cultural information from Indigenous groups in remote western, northern, and central Australia. The film screening joins the larger exhibition ‘Walking Through A Songline’ run by the Australian Consulate-General Bengaluru. Walking Through A Songline is an award-winning digital immersive art installation which explores the nexus between ancient Australian First Nations knowledge and cutting-edge technology, created by Mosster Studio for the National Museum of Australia.
Credits: A Screen Australia and National Indigenous Television (NITV) initiative
* Parental Guidance is Recommended *","capacity":20,"duration":"1 Hour 28 Minutes","eb":"","email":"","exhibits":"","experts":"","hide":false,"id":126,"kind":"Film Screening","label":"songlines","limit":40,"location":"View directions","name":"Songlines on Screen","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-07-20T12:30:00.000Z","uid":"songlines-on-screen","venue":"Science Gallery Bengaluru"},{"blurb":"Songlines on Screen is a series of 6 short films that have been made to record, celebrate, and share precious historic and cultural information from Indigenous groups in remote western, northern, and central Australia. The film screening joins the larger exhibition ‘Walking Through A Songline’ run by the Australian Consulate-General Bengaluru. Walking Through A Songline is an award-winning digital immersive art installation which explores the nexus between ancient Australian First Nations knowledge and cutting-edge technology, created by Mosster Studio for the National Museum of Australia.
Credits: A Screen Australia and National Indigenous Television (NITV) initiative
* Parental Guidance is Recommended *","capacity":20,"duration":"1 Hour 28 Minutes","eb":"","email":"","exhibits":"","experts":"","hide":false,"id":127,"kind":"Film Screening","label":"songlines","limit":40,"location":"View directions","name":"Songlines on Screen","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-07-27T12:30:00.000Z","uid":"songlines-on-screen2","venue":"Science Gallery Bengaluru"},{"blurb":"Have you ever wondered how the essence of a city can be captured through words? Join our reading circle, where we explore Bengaluru through a curated list of readings, from flash fiction to long-form essays. Together, we will delve into the city's vibrant culture, rich history, and contemporary life, creating a community of readers who experience Bengaluru in a novel way.
Join us for an an engaging and insightful journey as we ready ourselves for our next exhibition-season Sci560!
Registered participants will be sent a list of readings.","capacity":20,"duration":"1.5 Hours","eb":"","email":"","exhibits":"","experts":"sgb-team","hide":"","id":128,"kind":"Event","label":"","limit":40,"location":"View directions","name":"Sci560 Reading Circle","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-07-31T11:30:00.000Z","uid":"sci560-reading-circle-2","venue":"Science Gallery Bengaluru"},{"blurb":"Songlines on Screen is a series of 6 short films that have been made to record, celebrate, and share precious historic and cultural information from Indigenous groups in remote western, northern, and central Australia. The film screening joins the larger exhibition ‘Walking Through A Songline’ run by the Australian Consulate-General Bengaluru. Walking Through A Songline is an award-winning digital immersive art installation which explores the nexus between ancient Australian First Nations knowledge and cutting-edge technology, created by Mosster Studio for the National Museum of Australia.
Credits: A Screen Australia and National Indigenous Television (NITV) initiative
* Parental Guidance is Recommended *","capacity":25,"duration":"1 Hour 28 Minutes","eb":"","email":"","exhibits":"","experts":"","hide":false,"id":129,"kind":"Film Screening","label":"songlines","limit":50,"location":"View directions","name":"Songlines on Screen","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-08-03T12:30:00.000Z","uid":"songlines-on-screen3","venue":"Science Gallery Bengaluru"},{"blurb":"Songlines on Screen is a series of 6 short films that have been made to record, celebrate, and share precious historic and cultural information from Indigenous groups in remote western, northern, and central Australia. The film screening joins the larger exhibition ‘Walking Through A Songline’ run by the Australian Consulate-General Bengaluru. Walking Through A Songline is an award-winning digital immersive art installation which explores the nexus between ancient Australian First Nations knowledge and cutting-edge technology, created by Mosster Studio for the National Museum of Australia.
Credits: A Screen Australia and National Indigenous Television (NITV) initiative
* Parental Guidance is Recommended *","capacity":25,"duration":"1 Hour 28 Minutes","eb":"","email":"","exhibits":"","experts":"","hide":true,"id":130,"kind":"Film Screening","label":"songlines","limit":50,"location":"View directions","name":"Songlines on Screen","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-08-10T12:30:00.000Z","uid":"songlines-on-screen4","venue":"Science Gallery Bengaluru"},{"blurb":"Songlines on Screen is a series of 6 short films that have been made to record, celebrate, and share precious historic and cultural information from Indigenous groups in remote western, northern, and central Australia. The film screening joins the larger exhibition ‘Walking Through A Songline’ run by the Australian Consulate-General Bengaluru. Walking Through A Songline is an award-winning digital immersive art installation which explores the nexus between ancient Australian First Nations knowledge and cutting-edge technology, created by Mosster Studio for the National Museum of Australia.
Credits: A Screen Australia and National Indigenous Television (NITV) initiative
* Parental Guidance is Recommended *","capacity":25,"duration":"1 Hour 28 Minutes","eb":"","email":"","exhibits":"","experts":"","hide":false,"id":131,"kind":"Film Screening","label":"songlines","limit":50,"location":"View directions","name":"test programme","programmes":"","recording":"","resources":"","restricted":"","secondary":"test-programme-tut","theme":"","timestamp":"2024-08-30T12:30:00.000Z","uid":"test-programme","venue":"Science Gallery Bengaluru"},{"blurb":"Songlines on Screen is a series of 6 short films that have been made to record, celebrate, and share precious historic and cultural information from Indigenous groups in remote western, northern, and central Australia. The film screening joins the larger exhibition ‘Walking Through A Songline’ run by the Australian Consulate-General Bengaluru. Walking Through A Songline is an award-winning digital immersive art installation which explores the nexus between ancient Australian First Nations knowledge and cutting-edge technology, created by Mosster Studio for the National Museum of Australia.
Credits: A Screen Australia and National Indigenous Television (NITV) initiative
* Parental Guidance is Recommended *","capacity":25,"duration":"1 Hour 28 Minutes","eb":"","email":"","exhibits":"","experts":"","hide":false,"id":132,"kind":"Tutorial","label":"songlines","limit":50,"location":"View directions","name":"test prog tut","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-08-30T12:30:00.000Z","uid":"test-programme-tut","venue":"Science Gallery Bengaluru"}],"resources":[{"alias":"Types of Clouds","id":0,"kind":"read","link":"Types of Clouds","tags":"Environmental Science, Physics","text":"","type":"read","uid":"clouds-above-clouds-below_r1"},{"alias":"How Does Cloud Tracking Work?","id":1,"kind":"read","link":"How Does Cloud Tracking Work?","tags":"Environmental Science, Technology, Physics","text":"","type":"read","uid":"clouds-above-clouds-below_r2"},{"alias":"The Ecological Impact of Computation","id":2,"kind":"read","link":"The Ecological Impact of Computation","tags":"Environmental Science, Technology","text":"","type":"read","uid":"clouds-above-clouds-below_r3"},{"alias":"Climate Change Tipping Points","id":3,"kind":"read","link":"Climate Change Tipping Points","tags":"Environmental Science, Futures","text":"","type":"read","uid":"clouds-above-clouds-below_r4"},{"alias":"Can Clouds Buy Us More Time to Solve Climate Change?","id":4,"kind":"watch","link":"Can Clouds Buy Us More Time to Solve Climate Change?","tags":"Environmental Science, Futures","text":"","type":"watch","uid":"clouds-above-clouds-below_w1"},{"alias":"How Did Clouds Get Their Names? 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We will soon be back with our new exhibition
Sci560: Science in the City."},{"id":23,"key":"kannada","value":"ಕನ್ನಡ"},{"id":24,"key":"books","value":"Books"},{"id":25,"key":"games","value":"Games"},{"id":26,"key":"podcasts","value":"Podcasts"},{"id":27,"key":"menu","value":"Menu"},{"id":28,"key":"all_themes","value":"All Themes"},{"id":29,"key":"media_lounge","value":"Media Lounge"},{"id":30,"key":"details","value":"Details"},{"id":31,"key":"feedback_form","value":"Click here to share your thoughts with us."},{"id":32,"key":"feedback","value":"Feedback"},{"id":33,"key":"perspectives","value":"Perspectives"},{"id":34,"key":"exhibition_map","value":"Exhibition Map"},{"id":35,"key":"tell_us_what_you_think","value":"Rate your experience at CARBON!"},{"id":36,"key":"star_rating_1","value":"I would rather burn petrol in traffic."},{"id":37,"key":"star_rating_2","value":"I would rather drink flat soda."},{"id":38,"key":"star_rating_3","value":"Carbon Neutral"},{"id":39,"key":"star_rating_4","value":"Priceless like a diamond!"},{"id":40,"key":"star_rating_5","value":"My mind is blown like a supernova!"},{"id":41,"key":"thank_you","value":"Thank You"},{"id":42,"key":"scan_for_feedback","value":"Please scan this QR Code to share more of your feedback."},{"id":43,"key":"done","value":"Done"},{"id":44,"key":"explore","value":"Explore"},{"id":45,"key":"themes","value":"Themes"},{"id":46,"key":"floors","value":"Floors"},{"id":47,"key":"ground_floor","value":"Ground Floor"},{"id":48,"key":"first_floor","value":"First Floor"},{"id":49,"key":"legend","value":"Legend"},{"id":50,"key":"banner_common_ground","value":"Common Ground: Stories Of Human-Wildlife Coexistence"},{"id":51,"key":"banner_critical_zones","value":"Critical Zones"},{"id":52,"key":"critical_zones","value":"Critical Zones"},{"id":53,"key":"common_ground","value":"Coexistence: The Great Elephant Migration"},{"id":54,"key":"banner_ccsante","value":"CC Sante"},{"id":55,"key":"ccsante","value":"CC Sante"},{"id":56,"key":"register","value":"Register"},{"id":57,"key":"registering","value":"Registering..."},{"id":58,"key":"available","value":"Available"},{"id":59,"key":"waitlisting","value":"Waitlisting"},{"id":60,"key":"sold_out","value":"Booked out"},{"id":61,"key":"cancel","value":"Cancel"},{"id":62,"key":"tutorial","value":"Tutorial"},{"id":63,"key":"banner_film_festival","value":"Film Festival"},{"id":64,"key":"film_festival","value":"Film Festival"},{"id":65,"key":"banner_songlines","value":"Walking Through a Songline"},{"id":66,"key":"songlines","value":"Walking Through a Songline"}]},"1ZYdXnm9Yg-H-zvaNtbWHS-8YAM2LUjVFBqEvbo3Pias":{"about":[{"data_type":"strip","density":"","id":0,"image":"","link":"","person":"","text":"We are all made of carbon, as is everything around us. It forms the backbone of our DNA, is key to life maintaining processes like photosynthesis and respiration and drives our industries. Our ability to control and manipulate carbon—whether as charcoal, oil, carbon nanotubes or buckyballs—has revolutionised every aspect of the way we live. From medicine and machinery to architecture and art—the sooty fingerprints of carbon are visible on almost everything humanity has built.
A critical ingredient to life and living—carbon has been at the centerstage of earth's history. The evolution of human society in particular is not just fuelled by carbon but also tracked and traced through radioactive carbon. Today carbon has been placed at the centre of a global crisis—one for which we do not seem to have an immediate solution. There is an urgent call to “decarbonise” by sinking and sequestering carbon from the atmosphere, which we have relentlessly pumped into it in the name of development. This kind of a public discourse, however, marginalises the vital role carbon plays in the relationships around practically all life and non-life forms in the environment.
How do we understand carbon beyond the catch phrases and contradictions? Why does it behave the way it does—the elemental basis for life but equally a gas capable of suffocating life? A stone at the centre of an industry selling eternal love but built on the exploitation of thousands. As oil it has been the cause of wars and suffering. But even death and decomposition still leads to formation of the most sought after forms of fossil carbon after all. Come explore our relationship with this element in our upcoming exhibition-season CARBON. ","uid":"A_1","visibility":""},{"data_type":"heading","density":"","id":1,"image":"","link":"","person":"","text":"Academic Advisors ","uid":"A_14","visibility":""},{"data_type":"block_list","density":"","id":2,"image":"","link":"","person":"","text":"","uid":"A_15","visibility":""},{"data_type":"person","density":"","id":3,"image":"","link":"","person":"AA_1","text":"","uid":"A_16","visibility":""},{"data_type":"person","density":"","id":4,"image":"","link":"","person":"AA_2","text":"","uid":"A_17","visibility":""},{"data_type":"person","density":"","id":5,"image":"","link":"","person":"AA_3","text":"","uid":"A_19","visibility":""},{"data_type":"heading","density":"","id":6,"image":"","link":"","person":"","text":"Curatorial Team","uid":"A_2","visibility":""},{"data_type":"block_list","density":"","id":7,"image":"","link":"","person":"","text":"","uid":"A_3","visibility":""},{"data_type":"person","density":"","id":8,"image":"","link":"","person":"CA_4","text":"","uid":"A_4","visibility":""},{"data_type":"person","density":"","id":9,"image":"","link":"","person":"CA_5","text":"","uid":"A_4","visibility":""},{"data_type":"person","density":"","id":10,"image":"","link":"","person":"CA_2","text":"","uid":"A_5","visibility":""},{"data_type":"person","density":"","id":11,"image":"","link":"","person":"CA_3","text":"","uid":"A_6","visibility":""},{"data_type":"person","density":"","id":12,"image":"","link":"","person":"CA_1","text":"","uid":"A_7","visibility":""},{"data_type":"person","density":"","id":13,"image":"","link":"","person":"CA_6","text":"","uid":"A_8","visibility":""},{"data_type":"heading","density":"","id":14,"image":"","link":"","person":"","text":"Content Partners","uid":"A_24","visibility":""},{"data_type":"block_grid","density":0.2,"id":15,"image":"","link":"","person":"","text":"","uid":"A_25","visibility":""},{"data_type":"image","density":"","id":16,"image":"CP_1_CAR.png","link":"","person":"","text":"Haus der Kulturen der Welt ","uid":"A_26","visibility":""},{"data_type":"image","density":"","id":17,"image":"CP_2_CAR.png","link":"https://www.hps.cam.ac.uk/research/projects/making-climate-history","person":"","text":"University of Cambridge","uid":"A_27","visibility":""}],"art-industry":[{"data_type":"block_row","id":0,"image":"","link":"","person":"","text":"","uid":"A_3"},{"data_type":"image","id":1,"image":"aaibanner.jpeg","link":"","person":"","text":"","uid":"A_2"},{"data_type":"strip","id":2,"image":"","link":"","person":"","text":"Art and Industry description goes here. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce sit amet vulputate turpis, ac finibus diam. Nam placerat, enim vitae aliquam porta, justo magna bibendum tortor, et pretium magna felis pharetra dolor. Nunc nec erat mi. Duis vel metus nec tellus elementum finibus. Morbi lectus urna, mollis id nisl eu, luctus pretium sapien. Praesent eget ante efficitur augue laoreet luctus. In scelerisque nibh a lobortis viverra.","uid":"A_1"},{"data_type":"block_row","id":3,"image":"","link":"","person":"","text":"","uid":"A_4"},{"data_type":"block_text_link","id":4,"image":"","link":"/art-industry/about","person":"","text":"About AnA","uid":"A_5"},{"data_type":"block_text_link","id":5,"image":"","link":"","person":"","text":"Exhibition Gallery
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Opening on XX/6/22","uid":"A_6"},{"data_type":"block_text_link","id":6,"image":"","link":"","person":"","text":"Events
Registrations Open XX/6/22","uid":"A_7"}],"artindustry":[{"aspect_ratio":"","data_type":"block_row","density":"","id":0,"image":"","link":"","person":"","text":"","uid":"A_1","visibility":""},{"aspect_ratio":2.55319149,"data_type":"image","density":"","id":1,"image":"AAI_PinkBanner2.jpeg","link":"","person":"","text":"","uid":"A_2","visibility":""},{"aspect_ratio":"","data_type":"text","density":1.4,"id":2,"image":"","link":"","person":"","text":"As part of the Art and Industry project, artists and scholars, from India and Wales, reflected on their experiences in their respective fields, and from the exchange of ideas with each other. The following pieces are a result of their ruminations.","uid":"T","visibility":true},{"aspect_ratio":"","data_type":"block_grid","density":0.25,"id":3,"image":"","link":"","person":"","text":"","uid":"A","visibility":true},{"aspect_ratio":"","data_type":"figure","density":"","id":4,"image":"ar1.jpeg","link":"/art-and-industry/ahldag-narrative-murals","person":"","text":"Arnika Ahldag
Prabhakar Pachpute—Narrative Murals","uid":"B","visibility":""},{"aspect_ratio":"","data_type":"figure","density":"","id":5,"image":"ar2.jpeg","link":"/art-and-industry/nite-public-history-and-memory","person":"","text":"Dhiraj Kumar Nite
Public History and Memory among Indian Mineworkers","uid":"B","visibility":""},{"aspect_ratio":"","data_type":"figure","density":"","id":6,"image":"ar3.jpeg","link":"/art-and-industry/sen-fire-continuum","person":"","text":"Ronny Sen
Fire Continuum, Jharia","uid":"B","visibility":""},{"aspect_ratio":"","data_type":"figure","density":"","id":7,"image":"ar4.jpeg","link":"/art-and-industry/muddaiah-carbon","person":"","text":"Shanthamani Muddaiah
Carbon: Material as Metaphor","uid":"B","visibility":""},{"aspect_ratio":"","data_type":"figure","density":"","id":8,"image":"ar5.jpg","link":"/art-and-industry/bagchi-art-as-narrative","person":"","text":"Shrabonti Bagchi
Art as a Way of Taking Control Over the Narrative of Lives Decimated by Industry","uid":"B","visibility":""},{"aspect_ratio":"","data_type":"block_grid","density":0.45,"id":9,"image":"","link":"","person":"","text":"","uid":"A_4","visibility":true},{"aspect_ratio":"","data_type":"block_text_link","density":"","id":10,"image":"","link":"/art-and-industry/about","person":"","text":"About","uid":"A_5","visibility":""},{"aspect_ratio":"","data_type":"block_text_link","density":"","id":11,"image":"","link":"/art-and-industry/gallery","person":"","text":"Exhibition Gallery","uid":"A_6","visibility":""},{"aspect_ratio":"","data_type":"block_text_link","density":"","id":12,"image":"","link":"/art-and-industry/black-coal-white-cube","person":"","text":"Black Coal / White Cube
Panel Discussion | Bengaluru, India","uid":"A_7","visibility":""},{"aspect_ratio":"","data_type":"block_text_link","density":"","id":13,"image":"","link":"/art-and-industry/postcolonial-landscapes","person":"","text":"(Post)colonial Landscapes in India & Wales
Panel Discussion | Swansea, UK","uid":"A_7","visibility":""}],"artindustry_about":[{"data_type":"heading","density":"","id":0,"image":"","link":"","person":"","text":"About","uid":"A_3","visibility":""},{"data_type":"strip","density":"","id":1,"image":"","link":"","person":"","text":"Art and Industry is a collaborative effort between Science Gallery Bengaluru and the Glynn Vivian Art Gallery. The project seeks to explore the historical industrial connections between India and Wales, and intends to allow for reflection on the many entanglements between industry, art and a community’s history and identity. The project entails both the institutions holding panel discussions involving artists and academics, with artists later being commissioned to create multimedia expressions that draw from the experiences of both regions.
This programme is funded by the 'Connections Through Culture: India-Wales' grant scheme by the British Council in India and Wales, supported by Wales Arts International/Arts Council of Wales to develop co-created projects between artists, arts organisations and festivals in both India and Wales.","uid":"A_1","visibility":true},{"data_type":"heading","density":"","id":2,"image":"","link":"","person":"","text":"Programme Partners","uid":"A_2","visibility":""},{"data_type":"block_list","density":"","id":3,"image":"","link":"","person":"","text":"","uid":"A_9","visibility":""},{"data_type":"person","density":"","id":4,"image":"","link":"","person":"PP_2_AAI","text":"","uid":"A_11","visibility":""},{"data_type":"person","density":"","id":5,"image":"","link":"","person":"PP_1_AAI","text":"","uid":"A_10","visibility":""},{"data_type":"person","density":"","id":6,"image":"","link":"","person":"PP_3_AAI","text":"","uid":"A_12","visibility":""},{"data_type":"person","density":"","id":7,"image":"","link":"","person":"PP_4_AAI","text":"","uid":"A_16","visibility":""},{"data_type":"person","density":"","id":8,"image":"","link":"","person":"PP_5_AAI","text":"","uid":"A_17","visibility":""},{"data_type":"heading","density":"","id":9,"image":"","link":"","person":"","text":"Content Partners","uid":"A_13","visibility":""},{"data_type":"block_list","density":"","id":10,"image":"","link":"","person":"","text":"","uid":"A_14","visibility":""},{"data_type":"person","density":"","id":11,"image":"","link":"","person":"CSS_LF_Pe6","text":"","uid":"A_15","visibility":""}],"artindustry_ar1":[{"aspect_ratio":"","color":"#d9cbb4","data_type":"page","density":"narrow","id":0,"image":"","link":"","person":"","text":"","uid":"A","visibility":""},{"aspect_ratio":"","color":"","data_type":"heading","density":"","id":1,"image":"","link":"","person":"","text":"Carbon: Material as Metaphor","uid":"AR1_H","visibility":""},{"aspect_ratio":"","color":"","data_type":"person_name","density":1.3,"id":2,"image":"","link":"","person":"Pe4_SGB_AAI","text":"","uid":"AR1_S1","visibility":true},{"aspect_ratio":"","color":"","data_type":"block_flex","density":0.33,"id":3,"image":"","link":"","person":"","text":"","uid":"B","visibility":true},{"aspect_ratio":"","color":"","data_type":"embed","density":"","id":4,"image":"","link":"https://player.vimeo.com/video/756633018?h=9231365f60&","person":"","text":"Carbon: Material as Metaphor
Single-channel video | 2022","uid":"AR1_V","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":5,"image":"","link":"","person":"","text":"An Interview with Shanthamani Muddaiah
Science Gallery Bengaluru:
You have been trained as a visual artist and a painter. Could you take us through the process of creating your artwork—from ideation to the final artwork?
Shanthamani Muddaiah:
That's a really interesting question because I am not a trained sculptor. But I feel very comfortable making three dimensional objects, and I got into working with charcoal. Charcoal as a material is very interesting and very important for me. I really feel it is a material that can talk about the issues that surround us it. It has so much to offer on its own, apart from the interventions we effect on it.
I have been trained as a painter, and for me it is very easy to think through a drawing or a painting. It is also a process that you do very directly. As you feel, you can draw, and you can see the results immediately. You can make the changes and you can grow and progress from one layer to the next. You make what you really want and eliminate what you don't. The process is very direct. I really enjoy it, and I am very comfortable with it.
But as I moved on, I also realised I am a very tactile person. I really like material and the material allows for this whole exploration—who I am, why am I doing this? Do I hide behind a canvas? Do I put myself in front of it? All of this made me started working with material and then I started working with my hands. It's also about the tools, the tools that are given to you as artists. If you are comfortable, you take it for granted, you don't really realise when it transcends to becoming something else.
I felt very comfortable to abandon all of that and start working with something that is not really considered a medium of art. I started exploring and trying to understand these materials as a medium of expression. For me to work with material, to sculpt them into a form, requires that I really to understand and go through a different kind of process. I draw a lot, like you see, and I make many, many drawings from different angles. I teach myself how to attach them [the material], how to carve them, how to burn and shape them. I do all of this through my drawings and then I actually make the object. It is a long and laborious process. But I am also someone who is also looking at what my own physical limitations are in terms of bending and working the material, lifting and moving the material. I enjoy doing that and that is how I started my sculptural work. My change from painting to sculpture happened with paper and charcoal. I really don't know any other material to work with as a sculptor. If I have created sculptures using other material, it is with the help of a team of other artists. For me the material that represents carbon becomes very important. Therefore, I have explored using charcoal, cinder, and coal. I’ve made sculptures from graphite, and bamboo charcoal. It is not just that the material that you use looks black or it looks to be carbonized. I really need to understand the process of it becoming carbon. I need to understand why it is present in that form. I borrow the history of the material and draw it into the work. That is the process I go through.
","uid":"AR1_T1","visibility":""},{"aspect_ratio":"","color":"#1f2347","data_type":"quote","density":"","id":6,"image":"","link":"","person":"","text":"\"I am a very tactile person. I really like the material and this whole exploration of myself of who I am, and why am I doing this?\"","uid":"AR1_Q1","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":7,"image":"","link":"","person":"","text":"Science Gallery Bengaluru:
You have earlier mentioned how urban spaces (particularly Bengaluru) and the rhythms associated with the urban spaces have been brought in as a theme to your work. Could you elaborate on this?
Shanthamani Muddaiah:
For me, Bengaluru has become a great learning space. We talk about development in a big way. We talk about every aspect of development including our government and our infrastructure. Bengaluru has witnessed that change, the change from a ‘Garden City’ to becoming an IT capital. And what happens when you actually bring that kind of growth which is forceful. Which is planned and imagined somewhere else, not within the community. What happens to the people? What happens to the land? What happens to culture? What happens to the environment? All of this is something that I witnessed here in Bengaluru. It therefore gives me an opportunity to understand the model of development or growth that we are using.
The reference for me is Bengaluru. It has given me a micro understanding of the development angle that the globe is discussing. Interestingly, Bengaluru from ‘Garden City’ became a global city. For the first time I heard people talk about working long hours and being burnt out. I started looking at charcoal as a material to understand that. In a way, they all came together. For me, understanding Bengaluru means understanding the politics of the globe, the politics of what happens in the world. What happens between the first world and the developing country? What happens when somebody is talking about clean energy. In a way, this particular material, and my understanding of what's happening in Bengaluru, positioned me in the middle of life, that pulsating life that is happening at this point of time. Life that is looking at different aspects of the world, looking for growth but at the same time landing in a conundrum where we don't know where to go further. I reached this understanding only because I was witnessing everything that is happening in the backdrop. ","uid":"AR1_T2","visibility":""},{"aspect_ratio":"","color":"#1f2347","data_type":"quote","density":"","id":8,"image":"","link":"","person":"","text":"\"For the first time I heard people talking about being burnt out, working long hours. I started looking at charcoal as a material to understand that.\"","uid":"AR1_Q2","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":9,"image":"","link":"","person":"","text":"Science Gallery Bengaluru:
You have also mentioned Sebastião Salgado’s work on mining in general, and the coal mines of India in particular. Has his work been influential to you?
Shanthamani Muddaiah:
I didn't know who Salgado until 1994 or 1995. I happened to see a book which was nobody buying. I think I saw it in Strand Books. I don't think I can afford a Salgado book even now, but I happened to see a book which no one had bought and so they were selling it for a very cheap price. I picked up and it became a Bible for me. Literally every day I would come to the studio and open that book—it was titled Workers. I used to look at it every day before I started working. At the time I was making drawings of hands—working hands—and his photographs were a very important influence at the particular time. I think I understood the anger, the photographer's anger of what is happening around the world. And he, I felt, just broke those kinds of illusion that we have about growth. There is somebody else who is suffering, behind the screen of growth—in under the earth in in a mine or somebody who is working on in dam construction There are people who are going through a difficult life just to make the lives of a few people comfortable. I understood that looking at the book and that particular book was a very important influence in my practice. ","uid":"AR1_T3","visibility":""},{"aspect_ratio":"","color":"#1f2347","data_type":"quote","density":"","id":10,"image":"","link":"","person":"","text":"\"It is a layered approach for me. I don't approach it as just as a material, I approach it as a concept. I approach it from a spiritual point.\"","uid":"AR1_Q3","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":11,"image":"","link":"","person":"","text":"Science Gallery Bengaluru:
And lastly, is there a different understanding of carbon as material that you wish to bring to the fore through your work?
Shanthamani Muddaiah:
It is a layered approach for me. I don't approach it as just as a material, I approach it as a concept. I approach it from a spiritual point. It starts from the time when you see your parents wearing vibhuti or ashes on their forehead. When you look at the kind of symbolism they were carrying, and the kind of symbolism I am carrying in the material that I am working with, they are all layered. There are so many layers, and it doesn't appear in a very clinical way in my work. ","uid":"AR1_T4","visibility":""},{"aspect_ratio":"","color":"#1f2347","data_type":"quote","density":"","id":12,"image":"","link":"","person":"","text":"\"All that was left as witness to the violence was ash—ash, burn marks, soot and marks of wounds.\"","uid":"AR1_Q4","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":13,"image":"","link":"","person":"","text":"I witnessed an incident in Bangalore, before I started working with carbon—charcoal to be specific. In 1995 there was a riot in Bangalore, the first Hindu-Muslim riots that happened here. As artists, a few of us did not want to sit and just listen to the radio news saying that that many had died and many houses were burnt. We couldn't understand or fathom the aspect of rage or anger—what is it that actually makes people harm someone else? As an artist, you really want to understand these things. We decided to visit the location where the violence had had happened. All that was left as witness to the violence was ash—ash, burn marks, soot and marks of wounds. It's very interesting to see that. It was an important encounter for me, because I saw that what is left after the human rage are pieces of broken glass, ash, soot, and burn marks.
I happened to meet a pregnant woman who had lost her home, and all the men of her family had run away from home, fearing arrest, because any young man hanging around the disturbance would get arrested. None of them were present. She didn't know where to go, her house was burnt and she was just standing there when I left. As I was leaving I looked back, and I saw the woman against the sunset, completely black, pregnant, and the house around her was also part of the black landscape. This remained in my work. Throughout next thirty years, it remained with me. That was the first time I actually attempted to work with charcoal.
There are many layers to it.","uid":"AR1_T5","visibility":""},{"aspect_ratio":"","color":"","data_type":"heading","density":"","id":14,"image":"","link":"","person":"","text":"Resources","uid":"AR5_H1","visibility":""},{"aspect_ratio":"","color":"","data_type":"block_grid","density":0.35,"id":15,"image":"","link":"","person":"","text":"","uid":"AR1_BG1","visibility":true},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":16,"image":"AR4_R3.jpeg","link":"https://www.youtube.com/watch?v=r812dWTTBAU&ab_channel=TheArtofPhotography","person":"","text":"SEBASTIÃO SALGADO | THE ART OF PHOTOGRAPHY","uid":"AR1_R1","visibility":""},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":17,"image":"AR1_R2.png","link":"https://www.youtube.com/watch?v=uElT-trTDko&ab_channel=RMZFoundation","person":"","text":"AN EVENING WITH SHANTHAMANI MUDDAIAH","uid":"AR1_R2","visibility":""}],"artindustry_ar2":[{"aspect_ratio":"","color":"#d9cbb4","data_type":"page","density":"narrow","id":0,"image":"","link":"","person":"","text":"","uid":"A","visibility":""},{"aspect_ratio":"","color":"","data_type":"heading","density":"","id":1,"image":"","link":"","person":"","text":"Prabhakar Pachpute—Narrative Murals ","uid":"A_1","visibility":""},{"aspect_ratio":"","color":"","data_type":"person_name","density":1.3,"id":2,"image":"","link":"","person":"Pe1_SGB_AAI","text":"","uid":"AR2_S1","visibility":true},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":3,"image":"","link":"","person":"","text":"The panel discussion \"Black Coal / White Cube\" invited different perspectives on carbon, and highlighted how art and industry are connected, with a special focus on how mining appears in the practice of different artists. In the recent past, art has increasingly become a space of visibility and discourse, even if the question of representation and who gets to tell the story remains a tricky one. The work of Pune-based artist Prabhakar Pachpute has for over a decade allowed people to glance into the world of coal mining and offers a fascinating window into the relationship between the mine and the art world, political activism, and people’s realities. ","uid":"AR2_T1","visibility":true},{"aspect_ratio":"","color":"#1f2347","data_type":"quote","density":"","id":4,"image":"","link":"","person":"","text":"\"The landscapes in his paintings are populated by small figures of workers whose heads have turned into the artist’s visualisation of their desires and obsessions: a farmer’s axe, a satellite dish, or fragments of land. The narrations are about death, hardship and struggle of farmers, miners, cotton workers.\"","uid":"AR2_Q1","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":5,"image":"","link":"","person":"","text":"Prabhakar Pachpute’s charcoal-drawn murals illustrate worker’s movements, damaged environments and the lives of coal miners from Maharashtra and other parts of the world. Initially, Prabhakar would only draw murals directly on the gallery wall. This enabled him to travel wherever his work was shown and ensured that the artist’s presence remained intimately connected with his work. Prabhakar’s first solo show at Clark House Initiative, in 2012, was titled Canary in the Coal Mine. The title of the show is an allusion to British miners, who would carry canaries (a species of birds) into the mine tunnels to detect carbon monoxide. If dangerous gases collected in the mine, the gases would kill the canary before affecting the miners, thus providing a warning to exit the tunnels immediately.","uid":"AR2_T2","visibility":""},{"aspect_ratio":"","color":"","data_type":"block_row","density":"","id":6,"image":"","link":"","person":"","text":"","uid":"AR2_BR1","visibility":""},{"aspect_ratio":"","color":"","data_type":"figure","density":"","id":7,"image":"AR2_I1.png","link":"","person":"","text":"Prabhakar Pachpute, Canary in the Coal Mine. 2012.
Image courtesy of Prabhakar Pachpute.","uid":"AR2_I1","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":8,"image":"","link":"","person":"","text":"Prabhakar’s practise mainly consists of large charcoal paintings on walls, sometimes in combination with sculptures made from dental plaster, plywood, wire mesh and resin, and stop-motion animations based on charcoal paintings. His concern is rooted in an investigation of mining labour and the way mining activity affects the natural and human landscape, and how mined land becomes barren land. The landscapes in his paintings are populated by small figures of workers whose heads have turned into the artist’s visualisation of their desires and obsessions: a farmer’s axe, a satellite dish, or fragments of land. The narrations are about death, hardship and struggle of farmers, miners, and cotton workers. The figures he draws occupy an in-between space: machines have extensions that resemble human body parts, and humans have tools for heads. This two-way transmutation summarises the life of the miner and the land to which he belongs.
The remote district Prabhakar is originally from is known as the ‘city of black gold’ for its reserves of coal. Prabhakar grew up in a village named Sasti in eastern Maharashtra’s Chandrapur district, part of India’s coal-mining belt. Most men in the community, including his brother, work in the Sasti coal mine, run by a subsidiary company of the publicly owned Coal India Limited. His grandfather received a call for acquisition of his farmland from the central government in 1984, as part of an extensive land acquisition program for coal mining. At the time, India was looking to expand its thermal energy production. “When the call comes, farmers have no choice but to sell their land. If you don’t, your crops are ruined anyway because the companies have bought the lands surrounding your fields”, Prabhakar said in an interview with the Caravan. “Some still have their farms next to mines. The crops are black, everything is black, but the soil there is fertile, so the yield is still good.” The government paid his grandfather a monetary compensation of Rs 7,000 per acre for eight acres of land and granted a job for one family member at the mining company. His grandfather then joined the mining company, while his father never wanted to do so. Prabhakar recalls from his memory of that time, that many farmers who had turned miners told stories of underground miners quitting their jobs after a month or a few weeks because it was too traumatic to work in absolute darkness with the headlamp as the only source of light. His grandfather passed away months after the land was sold.","uid":"AR2_T2","visibility":""},{"aspect_ratio":"","color":"#1f2347","data_type":"quote","density":"","id":9,"image":"","link":"","person":"","text":"\"Many of the issues and narratives underlying Prabhakar’s work refer to widely known social, economic and environmental crises. But Prabhakar’s deep engagement with these themes also come from the way they relate to his background and the situation of his own family.\"","uid":"AR2_Q2","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":10,"image":"","link":"","person":"","text":"Prabhakar himself had to move to his grandmother’s house after failing his matriculation exams, and that is when he met a local artist who encouraged him to exercise drawing. Keeping financial security in mind, he nevertheless applied for a polytechnic course, which he failed, and his family finally allowed him to pursue art at the Khairagarh Art School from where he applied for an Master of Fine Arts at the Maharaja Sayajirao University of Baroda (MSU). In 2009, Prabhakar was the only artist from Indira Kala Sangeet Vishwavidyalaya, Khairagarh, to get into the prestigious MSU Baroda.
Prabhakar’s works are primarily narrative images. The influence of literature and poetry is reflected in his work, as much as news. Death of Dharma deals with the case of Dharma Patil, an octogenarian farmer from Dhule, who attempted suicide by drinking poison, to protest the meagre compensation he had received for his land and for which he had travelled to meet with the chief minister of Maharashtra.","uid":"AR2_T3","visibility":""},{"aspect_ratio":"","color":"","data_type":"block_row","density":"","id":11,"image":"","link":"","person":"","text":"","uid":"AR2_BR2","visibility":""},{"aspect_ratio":"","color":"","data_type":"figure","density":"","id":12,"image":"AR2_I2.png","link":"","person":"","text":"Prabhakar Pachpute, Death of Dharma. 2018.
Image courtesy of Ocula Arts.","uid":"AR2_I2","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":13,"image":"","link":"","person":"","text":"In the painting, the dead body of a farmer is becoming part of the landscape while being watered by another figure. The grass is growing from his skull while termites are fusing his body with the soil and letting him appear as part of the landscape, in which the bones are becoming mountains, once they fill with water. In the distance, a large building that evokes power casts its shadow on the rural landscape. This is part of a large-scale mural called Sea of Fists, that looks at different forms of protests. “Sea of Fists is about the different kinds of protest,” he says. “A single farmer has to go through so much trouble to get his due, but it is easier in a group. The farmers who marched from Nashik were successful in putting forward their demands to the government.”
Many of the issues and narratives underlying Prabhakar’s work refer to widely known social, economic and environmental crises. But Prabhakar’s deep engagement with these themes also come from the way they relate to his background and the situation of his own family. Pachpute has a dream of building a museum for the miners in Sasti, putting on display his archive of labour and mining, giving them access and making them know about their struggle and of the history and struggle of miners elsewhere. ","uid":"AR2_T4","visibility":""},{"aspect_ratio":"","color":"","data_type":"heading","density":"","id":14,"image":"","link":"","person":"","text":"Resources","uid":"AR5_H1","visibility":""},{"aspect_ratio":"","color":"","data_type":"block_grid","density":0.35,"id":15,"image":"","link":"","person":"","text":"","uid":"AR5_BG1","visibility":true},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":16,"image":"AR2_R1.jpeg","link":"https://india.mongabay.com/2021/08/mining-affected-communities-seek-refuge-in-art-to-express-rage-reason-and-reflection/","person":"","text":"MINING AFFECTED COMMUNITIES SEEK REFUGE IN ART","uid":"AR2_R1","visibility":""},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":17,"image":"AR2_R2.png","link":"http://www.y-sakubei.com/english/sakubei/index.html","person":"","text":"SAKUBEI YAMAMOTO HISTORICAL COAL MINE PAINTINGS","uid":"AR2_R2","visibility":""},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":18,"image":"AR3_R3.jpeg","link":"https://www.youtube.com/watch?v=hhr3AbHYAF8&ab_channel=LeeNoble","person":"","text":"DOCUMENTARY ON THE PITMEN PAINTERS","uid":"AR2_R3","visibility":""},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":19,"image":"AR2_R4.jpg","link":"https://www.youtube.com/watch?v=NICodKeadp0&ab_channel=TheMuseumofModernArt","person":"","text":"HOW ARTISTS EXPLORE IDENTITY | THE MUSEUM OF MODERN ART","uid":"AR2_R4","visibility":""}],"artindustry_ar3":[{"aspect_ratio":"","color":"#d9cbb4","data_type":"page","density":"narrow","id":0,"image":"","link":"","person":"","text":"","uid":"A","visibility":""},{"aspect_ratio":"","color":"","data_type":"heading","density":"","id":1,"image":"","link":"","person":"","text":"Public History and Memory amongst Indian Mineworkers","uid":"A_1","visibility":""},{"aspect_ratio":"","color":"","data_type":"person_name","density":1.3,"id":2,"image":"","link":"","person":"Pe2_SGB_AAI","text":"","uid":"AR3_S1","visibility":true},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":3,"image":"","link":"","person":"","text":"Eric Hobsbawm, a leading historian of the modern world, observed that the creation and consumption of arts developed as an industry in the industrial age from the later nineteenth century. Indeed, arts increasingly provided a significant component of culture, and substituted for religion in humanity’s cultural life in the bourgeois liberal environment. The revolutionaries on the Left harped on it as a dual means of edification and wholesome entertainment. Both modern arts and the industrial age are, in turn, known to have an inextricable connection with the coal industry. The latter, along with its elemental association with the iron and steel industries and the railways, has undergirded the origin and progress of industrial civilisation, its prosperity and democratic thrust. It provided the foundation for industrialisation, massive urbanisation, and concentrated settlements of industrial working classes. In turn, the latter heralded the politics of welfare and democracy. ","uid":"AR3_T1","visibility":true},{"aspect_ratio":"","color":"#1f2347","data_type":"quote","density":"","id":4,"image":"","link":"","person":"","text":"\"Both modern arts and the industrial age are, in turn, known to have an inextricable connection with the coal industry.\"","uid":"AR3_Q2","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":5,"image":"","link":"","person":"","text":"A recriminatory discourse has rightfully taken on the celebratory narrative of coal and industry in contemporary times. Here, the anxiety about climate change condemns our reliance on fossil fuels. The critical lens on the problems of inequality, deprivation, ecological ravage and health hazards has persuasively revealed the significant gaps in the celebratory narrative. Some artworks equally communicate such recriminatory take.
My discussion focuses on the public history and memory of coal miners to annotate some instances of the creation and consumption of arts and the constitutive role that mining communities play. For example, one of the folksongs in my collection from the mining community in the Indian coalfields in Jharia expresses coal miners’ poetic and performative arts. In the 1950s, it was composed by Pillo Deshwal to convey the experiences and desires of mining people. Mineworkers would sing this folksong in the workplace, several hundred meters below the surface, whenever they get breaks in the wake of either lunchtime or waiting time interspersed in the rhythm of coal production itself.","uid":"AR3_T4","visibility":""},{"aspect_ratio":"","color":"","data_type":"block_row","density":"","id":6,"image":"","link":"","person":"","text":"","uid":"AR3_BR1","visibility":""},{"aspect_ratio":"","color":"","data_type":"figure","density":"narrow","id":7,"image":"AR3_I1.jpg","link":"","person":"","text":"Photograph of the Colliery Martyrs Memorial, Bhatdih-Nagda.
Photograph courtesy of the author.","uid":"AR3_I1","visibility":""},{"aspect_ratio":"","color":"#1f2347","data_type":"quote","density":"","id":8,"image":"","link":"","person":"","text":"\"Mineworkers would sing this folksong in the workplace, several hundred meters below the surface, whenever they get breaks in the wake of either lunchtime or waiting time interspersed in the rhythm of coal production itself.\"","uid":"AR3_Q1","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":9,"image":"","link":"","person":"","text":"The colliery world has witnessed the Bharat Coking Coal Limited's (BCCL) installation of the statue of a mining man in the largest mining centre in India, the Jharia coalfield (Dhanbad). It displays a masculine, muscular image of the miner. It captures the working man in a labour-intensive method, equipped with scientific safety tools.
Frequent minor mishaps and occasional disasters have punctuated the rhythm of mining life, even though its scale has recognisably diminished in India, particularly since the 1960s. Mining peoples have crafted a culture of constructing memorials of comrades martyred in disasters since the 1970s. For instance, a memorial monument built at the Bhatdih-Nagda colliery in the Jharia coalfield stands as a reminder of mineworkers’ martyrdom in securing industrial wealth, besides their livelihoods, for the nation. Equally, such memorials emphasise the necessity of earnest effort to promote safety and health.","uid":"AR3_T2","visibility":""},{"aspect_ratio":"","color":"","data_type":"block_row","density":"","id":10,"image":"","link":"","person":"","text":"","uid":"AR3_BR2","visibility":""},{"aspect_ratio":"","color":"","data_type":"figure","density":"narrow","id":11,"image":"AR3_I2.png","link":"","person":"","text":"Labour Politics and its Shared Memory
Photograph of the Sadhan Gupta Samadhi at Muralidh Colliery Bastee.
Photograph courtesy of the author.","uid":"AR3_I2","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":12,"image":"","link":"","person":"","text":"The sustained struggles, consisting of spectacular and subterranean forms, have defined the mining world. They have aimed to humanise and dignify mineworkers’ work conditions, living and beyond. Hence, we find concerted plebeian efforts to create cultural institutions around the memory of such struggles and leadership. For example, the memorial of Sadhan Gupta, a leader of the social movement unionism during the intervening years of 1946-52 and the late 1960s, is located in the Muralidih and Bhatdih mining settlements. Muslims and Hindus join each other to organise a congregation over Sadhan Gupta’s memorial on November 11 every year.
These varied and multiple instances foreground the mineworkers’ myriad artistic practices to bestow an ameliorative meaning to their life. ","uid":"AR3_T3","visibility":""},{"aspect_ratio":"","color":"","data_type":"heading","density":"","id":13,"image":"","link":"","person":"","text":"Resources","uid":"AR5_H1","visibility":""},{"aspect_ratio":"","color":"","data_type":"block_grid","density":0.35,"id":14,"image":"","link":"","person":"","text":"","uid":"AR5_BG1","visibility":true},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":15,"image":"AR3_R1.jpeg","link":"https://st-artamsterdam.com/industrial-revolution-the-influence-on-art/","person":"","text":"INDUSTRIAL REVOLUTION: THE INFLUENCE ON ART","uid":"AR3_R1","visibility":""},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":16,"image":"Re2_SGB_AAI.jpg","link":"https://www.researchgate.net/publication/301923291_Worshipping_the_colliery-goddess_Religion_risk_and_safety_in_the_Indian_coalfield_Jharia_1895-2009","person":"","text":"WORSHIPPING THE COLLIERY GODDESS
","uid":"AR3_R2","visibility":""},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":17,"image":"AR3_R3.jpeg","link":"https://caravanmagazine.in/reviews-and-essays/disappearing-worlds","person":"","text":"AMAR KANWAR'S LATEST INSTALLATION CAPTURES LIFE AND ITS EXTINCTION, IN RURAL ODISHA AND ELSEWHERE","uid":"AR3_R3","visibility":""},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":18,"image":"AR3_R4.jpeg","link":"https://caravanmagazine.in/vantage/excerpt-eat-dust-mining-goa","person":"","text":"AN EXCERPT FROM HARTMAN DE SOUZA’S EAT DUST: MINING AND GREED IN GOA","uid":"AR3_R4","visibility":""}],"artindustry_ar4":[{"aspect_ratio":"","color":"#d9cbb4","data_type":"page","density":"narrow","id":0,"image":"","link":"","person":"","text":"","uid":"A","visibility":""},{"aspect_ratio":"","color":"","data_type":"heading","density":"","id":1,"image":"","link":"","person":"","text":"Fire Continuum, Jharia","uid":"A_1","visibility":""},{"aspect_ratio":"","color":"","data_type":"person_name","density":1.3,"id":2,"image":"","link":"","person":"Pe3_SGB_AAI","text":"","uid":"AR4_S1","visibility":true},{"aspect_ratio":"","color":"","data_type":"block_flex","density":0.33,"id":3,"image":"","link":"","person":"","text":"","uid":"B1","visibility":true},{"aspect_ratio":"","color":"","data_type":"embed","density":"","id":4,"image":"","link":"https://player.vimeo.com/video/756636544?h=90166a7246&","person":"","text":"Fire Continuum, Jharia
Single-channel video | 2013
Jharia was once a green forest. Coal was discovered here in the late 18th century and by the beginning of the 19th century most of India’s mineral resources were mined here. As the imperial government, mercenaries and princely families wrestled for control on distribution of resources, Jharia withstood their greed although eventually becaming a successor to its own suffering.
An underground fire has been burning since, but its presence is now overground—inside homes, schools, temples, churches and mosques—places that were once thriving with life are now consumed by flames.
The end of time is manifested with shards and fragments of random, scattered elements of human existence—a community without a future and plunderers of coal who move from site to site with blasting mines. Survival in an apocalyptic landscape.","uid":"AR4_V1","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":5,"image":"","link":"","person":"","text":"An Interview with Ronny Sen
Science Gallery Bengaluru:
It is fascinating to host your artwork alongside others from the collections of Glynn Vivian Art Gallery, Wales and the Museum of Art & Photography, Bengaluru. The way different artists across Wales and India, and at different points of time, approach similar themes of coal mining and labour is thought-provoking.
Your previous work chooses to highlight the landscapes of Jharia’s open-cast mines, in a manner akin to apocalyptic landscapes—quite literally the End of Time. Could you take us through the process by which you have come to choose these apocalyptic landscapes as the subject of your work?
Ronny Sen:
I had seen images of Jharia before because other great photographers, like Salgado, had extensively photographed in these coal mines. And beyond coal mines, his larger documentation of workers across the, in Latin America and elsewhere. When I was in college, studying journalism those images stood out from the rest. During those days, the kinds of works that some of us were fascinated by were very old school, very classical. All of the work really stood out and took us to a very different kind of a world. There was a will to try and understand where these images are coming from and what these images do. There was a distinct politics embedded in these images.
","uid":"AR4_T1","visibility":""},{"aspect_ratio":"","color":"#1f2347","data_type":"quote","density":"","id":6,"image":"","link":"","person":"","text":"\"...the story of Jharia is obviously a much larger story. It's not only about miners, or the environment and ecology, or capitalism and greed. It's a much larger, very complex story.\"","uid":"AR4_Q1","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":7,"image":"","link":"","person":"","text":"When I started working, I understood that you can see images of people working in the minds and the conditions in which they work. But all of this information about the life of miners has already been recorded—their working conditions, the grit of their labour—and people are aware of it. So how do you make sense of it today?
Like many of my contemporaries, I was also trying to push the medium, push myself into thinking, “what more can be done?” That is when I understood that the story of Jharia is obviously a much larger story. It's not only about miners, or the environment and ecology, or capitalism and greed. It's a much larger, very complex story.
I was interested in something more, where we can connect every other thing. For example, whatever is happening in Syria is not unique from what is happening in a mine in Latin America, or a mine in Africa. As a photographer, you can never go back and take the same photograph again. The landscape is always changing, constantly changing—because of the constant blasting, the constant mining, subsidence, and fire.
Today, the world has become very different from what it used to be in the 1980s and 1990s. Images were very difficult to access back then. But today you have a constant attack of images all the time. We consume images in an absolutely crazy sort of way—from morning till night we are on our phone. The reason to shoot everything vertical was also because of that. If you look at the masters, you notice that every image is horizon The old masters and painters have taught us to look at landscape in a horizonal way. But our world has now become vertical. Everything we see on the phone is vertical, right? For me, the biggest challenge was to photograph landscapes in a vertical format. That's how it began, as an exercise in Jharia. It began as an exercise of looking at the ever changing landscape of in a vertical world. ","uid":"AR4_T2","visibility":""},{"aspect_ratio":"","color":"#1f2347","data_type":"quote","density":"","id":8,"image":"","link":"","person":"","text":"\"As a photographer, you can never go back and take the same photograph again. The landscape is always changing, constantly changing—because of the constant blasting, the constant mining, subsidence, and fire.\"","uid":"AR4_Q2","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":9,"image":"","link":"","person":"","text":"Science Gallery Bengaluru:
Bringing into prominence vertical framing that we so often ignore is quite interesting to us. It brings back into conversation what you mentioned about technology and technological changes, and how that correlates now with the democratisation of images—with people able to take their phones out and click a photo.
The artwork that you have provided as a response to the Art and Industry project, frames the landscape of Jharia in a different manner—in a circular frame. We were very interested in knowing why you chose to frame Jharia in that manner and are sure many of the viewers would be intrigued as well. Could you tell us why it is framed this way?
Ronny Sen:
For viewers the experience is akin to when you look through the Leica Geosystems [instruments used for geological surveying] These Leica Geosystems are sort of like binoculars and everything you see is round. In the mines, where you may want to survey the region, you do it from afar. You don’t want to be close to the blasting or other mining activities.
But the shape of this frame is also because of many other things. To me, it unlike the edges of regular frames with four corners. It does not end, it's not very well defined. And it's never ending. And it gives a very rounded sort of feeling—very endless. ","uid":"AR4_T4","visibility":""},{"aspect_ratio":"","color":"#1f2347","data_type":"quote","density":"","id":10,"image":"","link":"","person":"","text":"\"But in Jharia, the white ambassador was the sign that a babu [a bureaucrat or politician] is coming. So now is the time to run away, basically.\"","uid":"AR4_Q3","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":11,"image":"","link":"","person":"","text":"Science Gallery Bengaluru:
The aspect of surveyance and power appears to crop up intermittently in your work. In this video you reference the Leica Geosystems as an instrument of surveyance. In another of your photographs featuring the white ambassador, various connotations of modernity and power of the Indian nation-state, bring through the interplay of power and stratification. How important to your work are these frames or metaphors of power?
Ronny Sen:
These are not tick marks, or things that one thinks about when approaching a work. It is a certain kind of a journey that you want to take your viewer through. You hold the hand of the viewer and take them into a journey, and while you take them with you, you tell them what you know, you tell them what you believe in, you tell them what is your position and your stand, and what you think about this world. All these things are within that journey itself.
I grew up in Calcutta, where all the ministers travel in white ambassadors. Always. The only Indian photographer I was inspired by was Raghubir Singh. His images really hit me hard when I saw them at a very young age—it's very difficult to shoot colour like that in India. What he has done is so powerful, it's very difficult. One of his seminal works was this Ambassador series. He was looking at India through the reference of this car. When the ambassador came in it was a symbol of modernity.
But in Jharia, the white ambassador was the sign that a babu [a bureaucrat or politician] is coming. So now is the time to run away, basically. That’s the reason the ambassador in the photograph appears very distant and far away. It is a symbol which signifies many things. For Indians a white ambassador is just not a car. In India it means done a lot of things. ","uid":"AR4_T5","visibility":""},{"aspect_ratio":"","color":"#1f2347","data_type":"quote","density":"","id":12,"image":"","link":"","person":"","text":"\"I want people to know these urgent stories coming from every other corner of the world.\"","uid":"AR4_Q4","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":13,"image":"","link":"","person":"","text":"Science Gallery Bengaluru:
At this juncture we are staring at the cusp of a planetary crisis brought about by climate change. Do you wish for your work to communicate the urgency of the situation—the literal and perpetual burning of the Earth (Fire Continuum)? Have your concerns as an artist shifted since you first worked in Jharia close to a decade ago?
Ronny Sen:
I want people to know these urgent stories coming from every other corner of the world. To know how cyclones have become frequent. To know, about extreme temperature and forest fires happening all over the world.
I’ll leave the predictions to the scientists and the guys who best know about it. But I was trained as a photojournalist. I have covered and seen the effects of all big cyclones and floods that have happened in this country over the last fifteen years, and so I spend a lot of time in places like the Sundarbans which is ecologically very fragile. The kind of world that they live in it is both incredible and unimaginable.
We are simply not prepared. In the short term, in the event of a cyclone, we may have the capacity to give shelter to one million people in a short notice of two to three days. But we simply don't have a long term plan.","uid":"AR4_T6","visibility":""},{"aspect_ratio":"","color":"","data_type":"heading","density":"","id":14,"image":"","link":"","person":"","text":"Resources","uid":"AR4_H1","visibility":""},{"aspect_ratio":"","color":"","data_type":"block_grid","density":0.35,"id":15,"image":"","link":"","person":"","text":"","uid":"AR4_BG1","visibility":true},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":16,"image":"AR4_R1.png","link":"https://www.stirworld.com/see-features-rethinking-political-structures-and-image-making-with-ronny-sen","person":"","text":"RETHINKING POLITICAL STRUCTURES AND IMAGE-MAKING WITH RONNY SEN","uid":"AR4_R1","visibility":""},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":17,"image":"AR4_R2.jpeg","link":"https://indianquarterly.com/?p=4091","person":"","text":"HEARTH OF DARKNESS","uid":"AR4_R2","visibility":""},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":18,"image":"AR4_R3.jpeg","link":"https://www.metmuseum.org/art/online-features/metcollects/raghubir-singh","person":"","text":"RAGHUBIR SINGH | THE METROPOLITAN MUSEUM OF ART","uid":"AR4_R3","visibility":""},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":19,"image":"AR4_R4.jpeg","link":"https://www.downtoearth.org.in/gallery/mining/how-green-was-my-mountain-the-abandoned-mines-of-jharia-in-photos-80285","person":"","text":"HOW GREEN WAS MY MOUNTAIN | DOWN TO EARTH","uid":"AR4_R4","visibility":""}],"artindustry_ar5":[{"aspect_ratio":"","color":"#d9cbb4","data_type":"page","density":"narrow","id":0,"image":"","link":"","person":"","text":"","uid":"A","visibility":""},{"aspect_ratio":"","color":"","data_type":"heading","density":"","id":1,"image":"","link":"","person":"","text":"Art as a way of taking control over the narrative of lives decimated by industry ","uid":"A_1","visibility":""},{"aspect_ratio":"","color":"","data_type":"person_name","density":1.3,"id":2,"image":"","link":"","person":"Pe5_SGB_AAI","text":"","uid":"AR5_S1","visibility":true},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":3,"image":"","link":"","person":"","text":"In her book In Forest, Field And Factory: Adivasi Habitations Through Twentieth Century India, architect Gauri Bharat writes about Jamshedpur, Jharkhand, a modern Indian city that was purposefully built a little over a century ago for making steel, taking advantage of its situation in a geological belt rich in coal and iron ore: “Jharkhand in eastern India is one of the oldest centres of industrialisation in South Asia while also being home to a large Adivasi (indigenous) population. The narrative of industrialisation has dominated life and history in this region and overshadowed the Adivasi hinterland that it developed within.”
Bharat’s scholarly and accessible book focuses not just on the architecture of Santal homes in Jharkhand—the explicit subject of her work—but also Santal society, its cultural and religious practices, and the complex nature of its interactions with industrialisation—always as labour, never as owners, like most indigenous populations around the world. Like Bharat, I too grew up in Jamshedpur, and it is only recently that I started noticing the missing Adivasi in my life. Bharat’s book was a complete eye-opener about how this came out and how Adivasis were othered and marginalised in their own land.
","uid":"AR5_T1","visibility":""},{"aspect_ratio":"","color":"","data_type":"block_row","density":"","id":4,"image":"","link":"","person":"","text":"","uid":"AR4_BR1","visibility":""},{"aspect_ratio":"","color":"","data_type":"figure","density":"narrow","id":5,"image":"AR5_I1.jpg","link":"","person":"","text":"Cover of Gauri Bharat's In Forest, Field And Factory: Adivasi Habitations Through Twentieth Century India.
Image courtesy of Sage Publications. ","uid":"AR5_I1","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":6,"image":"","link":"","person":"","text":"These were my first thoughts when I was asked to moderate a panel discussion on Art and Industry by Science Gallery Bengaluru. Not being a research scholar, I did not have access to primary research materials like some of my other co-panelists, nor am I an artist or photographer who responds to life by creating art. Being a journalist, my strengths lie in observing, recording, weaving narratives, and finding patterns—and my childhood in an industrial town heavily dependent on mining became a focal point. Bharat’s book, about which I had interviewed the author a few months ago, is related to both art and industry in that sense: not only is it a creative response to an environment, it also brings to life Santal art and architecture and the beauty they create amidst exploitation and deprivation. Their homes, which were once situated in forests that are central to their way of life and have been decimated to make way for mines and factories, are works of art.
Santal houses, or the orak, are distinguished by many features, significantly the absence of windows in the outer walls of the house and their decoration with hand-painted murals. In the chapter titled, ‘The Transformation of Domestic Art’, Bharat observes: “Across Singhbhum, mural designs are broadly of two types, the first scheme with broad horizontal bands of colour, which may be considered a generic design scheme used by Adivasi and rural non-Adivasi communities across the region. The second scheme also principally has horizontal bands but with geometric or floral motifs added within it. In either case, the process of painting begins with marking the design on the wall. Women hold a tight rope across the wall and mark the horizontal bands. Colours are prepared by mixing the previously procured clays with water. A piece of cloth is dipped in the mixture and rubbed on the wall. Women work with very precise horizontal strokes to create blocks of colour at a time and they move across the wall by painting vertical columns of colour. The performance of painting and the resultant effect is very similar to the way in which women plaster the floors.\"
","uid":"AR5_T2","visibility":""},{"aspect_ratio":"","color":"","data_type":"block_row","density":"","id":7,"image":"","link":"","person":"","text":"","uid":"AR5_BR2","visibility":""},{"aspect_ratio":"","color":"","data_type":"figure","density":"","id":8,"image":"AR5_I2.jpg","link":"","person":"","text":"Santhal house in West Dinajpur.
Photograph courtesy of Wikimedia Commons.","uid":"AR5_I2","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":9,"image":"","link":"","person":"","text":"Historically, the relationship between art and industry has been a complex one. On one hand, artists have enjoyed the patronage of industrialists, usually producing art that is hagiographic in nature. In his paper titled ‘Interculturism: The Relationship Between Art and Industry’, Simon Roodhouse, the editor of the Creative Industries Journal whose research focused on this relationship, wrote in 1997: “In the United Kingdom, artists have engaged in one form or another with the industrial world since the seventeenth century, particularly in coal mining. Ever-increasing involvement occurred throughout the industrial revolution and continued through World Wars I and II. There are examples of this interaction in art collections around the world. With a little investigation it is apparent, however, that the artist was usually commissioned by the industrialist to produce a specific image. Their relationship was to all intents and purposes a business transaction that led only on occasion to longer-term relationships.”
On the other hand, artists like Prabhakar Pachpute respond to industry in a way that is wholly critical. Arnika Ahldag, one of the participants in our panel discussion and chief curator at the Museum of Art and Photography (MAP) in Bengaluru, says about Pachpute’s work: “Many of the issues and narratives underlying Prabhakar’s work refer to widely known social, economic and environmental crises. But Prabhakar’s deep engagement with these themes also come from the way they relate to his background and the situation of his own family.”
","uid":"AR5_T3","visibility":""},{"aspect_ratio":"","color":"#1f2347","data_type":"quote","density":"","id":10,"image":"","link":"","person":"","text":"\"For the Santals, Oraons, Mundas of Jharkhand, art lives on the walls of their homes and comes alive in their music—it is, after all, one way of taking control over the narrative of their lives...\"","uid":"AR4_Q4","visibility":""},{"aspect_ratio":"","color":"","data_type":"text","density":1.3,"id":11,"image":"","link":"","person":"","text":"I wonder if there is, after all, a third way for us to engage with art and industry: the way the Adivasis of Jharkhand do, by creating beauty in a wholly unselfconscious, natural and everyday manner, through art, music and dance. For generations, from the era of colonialism to present day Jharkhand, songs have been a source of strength for the Adivasis in their struggle for autonomy and the right to their cultural practices. This was as true of the Hul revolt in Santhal Pargana in the late 19th century as during the movement demanding a separate Jharkhand state, which came into being in the year 2000.
Adivasi filmmaker and social activist Meghnath, who has documented the struggles of the state’s Adivasis through his films like ‘Saheed Jo Anjan Rahe’ (Unknown Martyrs), a film about the brutal massacre of Adivasis on April 19, 1985 over a minor dispute in the village of Banjhi, writes in his famous song ‘Gaon Chodab Naahin’ (We won’t leave the village), a rallying cry for Adivasis everywhere:
Gaon chodab nahi, jangal chodab nahin,
Maay maati chodab nahi laday chodab nahin,
Bandh banaye, gaon duboye, karkhana banaye,
Jungle kaate, khadan khode, sanctuary banaye,
Jal jangal zameen chhodi hamin kaha kaha jaye,
Vikas ke bhagwan, bata hum kaise jaan bachaye.
(We won’t leave the village, we won’t leave the forest/ We won’t leave our mother, this land/ We won’t abandon this fight/ You made dams, you drowned our villages, you made factories/ You cut our forests and made sanctuaries/ We had to leave our land, water and forests/ Oh god of development, tell us how we should live?)
For the Santals, Oraons, Mundas of Jharkhand, art lives on the walls of their homes and comes alive in their music—it is, after all, one way of taking control over the narrative of their lives, which, in many other ways, have been bent to the forces of industry without their consent and participation.
","uid":"AR5_T4","visibility":""},{"aspect_ratio":"","color":"","data_type":"heading","density":"","id":12,"image":"","link":"","person":"","text":"Resources","uid":"AR5_H1","visibility":""},{"aspect_ratio":"","color":"","data_type":"block_grid","density":0.35,"id":13,"image":"","link":"","person":"","text":"","uid":"AR5_BG1","visibility":true},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":14,"image":"AR5_R1.jpeg","link":"https://lifestyle.livemint.com/news/big-story/the-invisible-adivasis-of-jamshedpur-111641980405527.html","person":"","text":"THE INVISIBLE ADIVASIS OF JAMSHEDPUR","uid":"AR5_R1","visibility":""},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":15,"image":"AR5_R2.jpeg","link":"https://www.downtoearth.org.in/blog/forests/coal-mining-and-india-s-tribal-peoples-inequality-as-the-death-knell-of-community-74508","person":"","text":"COAL MINING AND INDIA’S TRIBAL PEOPLES: INEQUALITY AS THE DEATH KNELL OF COMMUNITY","uid":"AR5_R2","visibility":""},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":16,"image":"AR5_R3.jpeg","link":"https://www.youtube.com/watch?v=sY5mayJUlyY&ab_channel=AdivasiStudents%27Forum","person":"","text":"GAON CHODAB NAHI | COVER BY ASF TISS MUMBAI","uid":"AR5_R3","visibility":""},{"aspect_ratio":"","color":"","data_type":"image_text","density":"","id":17,"image":"AR5_R4.jpeg","link":"https://cultureunplugged.com/documentary/watch-online/play/54856/Iron-Is-Hot","person":"","text":"LOHA GARAM HAI | DOCUMENTARY BY BIJU TOPPO AND MEGHNATH","uid":"AR5_R4","visibility":""}],"artindustry_e1":[{"data_type":"heading","density":"","id":0,"image":"","link":"","person":"","text":"(Post)colonial Landscapes in India & Wales","uid":"A_1","visibility":""},{"data_type":"block_grid","density":0.33,"id":1,"image":"","link":"","person":"","text":"","uid":"A_V1_GV","visibility":true},{"data_type":"embed","density":"","id":2,"image":"","link":"https://www.youtube.com/embed/4nIdmNI3QoY","person":"","text":"Rewatch Glynn Vivian Art Gallery’s panel discussion.
Concluded event details:
Friday, 08 July 2022
Online Panel Discussion","uid":"A_V2_GV","visibility":""},{"data_type":"heading","density":"","id":3,"image":"","link":"","person":"","text":"Speakers","uid":"A_4","visibility":""},{"data_type":"block_grid","density":0.2,"id":4,"image":"","link":"","person":"","text":"","uid":"A_5","visibility":true},{"data_type":"person_thumbnail","density":"","id":5,"image":"","link":"","person":"Pe1_GV_AAI","text":"","uid":"Pe1_GV_AAI","visibility":""},{"data_type":"person_thumbnail","density":"","id":6,"image":"","link":"","person":"Pe2_GV_AAI","text":"","uid":"Pe2_GV_AAI","visibility":""},{"data_type":"person_thumbnail","density":"","id":7,"image":"","link":"","person":"Pe3_GV_AAI","text":"","uid":"Pe3_GV_AAI","visibility":""},{"data_type":"person_thumbnail","density":"","id":8,"image":"","link":"","person":"Pe4_GV_AAI","text":"","uid":"Pe4_GV_AAI","visibility":""},{"data_type":"text","density":"","id":9,"image":"","link":"","person":"","text":"Hidden amidst the fluttering pearly sails and cerulean skies of William Adolphus Knell’s oil-painting Shipping off Oystermouth, Mumbles (c. 1825) we see a minute flag waving: the vessel is flying the colours of the East India Company. As she glides across Swansea Bay, the ship links Wales with the British Empire, of which the Subcontinent was a vital part. But, the past is still with us. It could be argued that relations between India and Wales stretch to modern socio-economic equivalences too. Wales was a hub of British industry through its production of black gold: coal. The industrial history of South Wales – and the coal miners’ strike in the 1980s – continue to be pivotal to the nation’s self-definition. The failure of the strike and the closure of the mines have had lasting socio-political ramifications. The story of the demise of industrial Wales is echoed in India: Mumbai experienced a painful end to manufacturing, with textile mills being forcibly shut down after the failed strikes of the 1980s. The vanishing of this ‘industrial past’ made for systemic changes in the country, even as the city became the financial hub of a globalising India. Bombay changed its name to Mumbai as part of this shift in status, just as Bangalore morphed into the IT-capital Bengaluru. For both India and Wales the industrial past has contemporary relevance. Port Talbot’s steel works is still a major employer in South Wales. But, now the tables have turned: it is owned by Tata Steel, an Indian company which belongs to the famous old Parsi family of South Bombay, who established themselves in the port city in colonial times. Thus, industrial relations between India and Wales continue to impinge on the economic prosperity of both. Yet, the subject has been generally overlooked in (art) historical scholarship.
This inter-disciplinary event, part of a collaboration between Welsh and Indian institutions, attempts to shed light on these under-researched industrial connections. The panel, composed of artists, curators, historians and sociologists, explores the modern and contemporary art of India and Wales as well as their debt to their (often shared) industrial pasts and presents.
","uid":"A_3","visibility":""},{"data_type":"heading","density":"","id":10,"image":"","link":"","person":"","text":"Resources","uid":"A_6","visibility":""},{"data_type":"block_grid","density":0.45,"id":11,"image":"","link":"","person":"","text":"","uid":"A_7","visibility":true},{"data_type":"image_text","density":"","id":12,"image":"Re1_GV_AAI.jpg","link":"https://issuu.com/swansea/docs/art_industry_booklet_essay_pdf_online_version","person":"","text":"ART AND INDUSTRY: STORIES FROM WALES | ESSAY BY THE EXHIBITION CURATOR","uid":"Re1_GV_AAI","visibility":""},{"data_type":"image_text","density":"","id":13,"image":"Re2_GV_AAI.jpg","link":"https://www.youtube.com/watch?v=5FZbMRF3rvo","person":"","text":"ART AND INDUSTRY: STORIES FROM WALES | CURATOR'S TALK","uid":"Re2_GV_AAI","visibility":""}],"artindustry_e2":[{"data_type":"heading","density":"","id":0,"image":"","link":"","person":"","text":"Black Coal / White Cube ","uid":"A_1","visibility":""},{"data_type":"block_flex","density":0.33,"id":1,"image":"","link":"","person":"","text":"","uid":"A_X","visibility":true},{"data_type":"embed","density":"","id":2,"image":"","link":"https://www.youtube.com/embed/nax3tBQg0Ok?start=362","person":"","text":"Rewatch Science Gallery Bengaluru’s panel discussion.
Concluded event details:
Saturday, 16 July 2022
Bangalore International Centre, Bengaluru","uid":"A_X","visibility":""},{"data_type":"heading","density":"","id":3,"image":"","link":"","person":"","text":"Speakers","uid":"A_4","visibility":""},{"data_type":"block_grid","density":0.2,"id":4,"image":"","link":"","person":"","text":"","uid":"A_5","visibility":true},{"data_type":"person_thumbnail","density":"","id":5,"image":"","link":"","person":"Pe1_SGB_AAI","text":"","uid":"Pe1_SGB_AAI","visibility":""},{"data_type":"person_thumbnail","density":"","id":6,"image":"","link":"","person":"Pe2_SGB_AAI","text":"","uid":"Pe2_SGB_AAI","visibility":""},{"data_type":"person_thumbnail","density":"","id":7,"image":"","link":"","person":"Pe3_SGB_AAI","text":"","uid":"Pe3_SGB_AAI","visibility":""},{"data_type":"person_thumbnail","density":"","id":8,"image":"","link":"","person":"Pe4_SGB_AAI","text":"","uid":"Pe4_SGB_AAI","visibility":""},{"data_type":"person_thumbnail","density":"","id":9,"image":"","link":"","person":"Pe5_SGB_AAI","text":"","uid":"Pe5_SGB_AAI","visibility":""},{"data_type":"text","density":"","id":10,"image":"","link":"","person":"","text":"Coal is a combustible black rock—a remnant of past life that emerged from the depths of the earth, and brought untold benefits to us. However, in an era defined by wildfires, extreme temperatures, bleached coral, and smoggy skies, it is imperative that we re-examine our relationship with this fragile yet powerful form of carbon.
Jharkhand, with the largest known coal reserves in India, can be considered a microcosm of the contradictions that a coal-dependent society faces. Here, the mining industry has contributed to modern industrialisation and provided opportunities for employment, but it has also irreversibly damaged the environment. To voice their protest against environmental degradation, mining communities and workers have resorted to sit-ins, strikes, and rallies. But there also exists a rich body of cultural expressions ranging from poetry and music to videos and performances that document their experiences. Entangled here is an expression of labourers in the mines, and the labour of the artist creating the work.
This event, a collaboration between practitioners from different fields, will shed light on the complicated presence of coal in the lives and labour of artists, writers and mining communities. The Panel composed of a curator, a writer, a social scientist and artists will reflect on the confluence between art and the mining industry.
This programme is funded by the Connections Through Culture: India-Wales grant scheme by the British Council in India and Wales , and by the Wales Arts International/Arts Council of Wales to develop co-created projects between artists, arts organisations and festivals in both India and Wales.
","uid":"A_3","visibility":""},{"data_type":"heading","density":"","id":11,"image":"","link":"","person":"","text":"Resources","uid":"A_8","visibility":""},{"data_type":"block_grid","density":0.45,"id":12,"image":"","link":"","person":"","text":"","uid":"A_9","visibility":true},{"data_type":"image_text","density":"","id":13,"image":"Re1_SGB_AAI.jpg","link":"https://www.bbc.com/news/world-asia-india-37426714","person":"","text":"PHOTOS OF 100-YEAR INDIAN COAL FIRE WINS GETTY INSTAGRAM AWARD
","uid":"Re1_SGB_AAI","visibility":""},{"data_type":"image_text","density":"","id":14,"image":"Re2_SGB_AAI.jpg","link":"https://www.researchgate.net/publication/301923291_Worshipping_the_colliery-goddess_Religion_risk_and_safety_in_the_Indian_coalfield_Jharia_1895-2009","person":"","text":"WORSHIPPING THE COLLIERY GODDESS
","uid":"Re2_SGB_AAI","visibility":""},{"data_type":"image_text","density":"","id":15,"image":"Re3_SGB_AAI.jpg","link":"https://thewire.in/labour/in-photos-mafias-a-ruthless-appetite-for-coal-and-the-bonded-mine-workers-of-jharia","person":"","text":"MAFIAS, A RUTHLESS APPETITE FOR COAL AND THE BONDED MINE WORKERS OF JHARIA
","uid":"Re3_SGB_AAI","visibility":""},{"data_type":"image_text","density":"","id":16,"image":"Re4_SGB_AAI.jpg","link":"https://india.mongabay.com/2019/10/the-burning-coalfields-of-jharia-belch-poison-for-local-residents/","person":"","text":"THE BURNING COALFIELDS OF JHARIA BELCH POISON FOR LOCAL RESIDENTS","uid":"Re4_SGB_AAI","visibility":""},{"data_type":"image_text","density":"","id":17,"image":"Re5_SGB_AAI.jpg","link":"https://www.youtube.com/watch?v=UzivaxYf1iM","person":"","text":"THE HELLISH COALFIELDS OF JHARIA: A DOCUMENTARY
","uid":"Re5_SGB_AAI","visibility":""},{"data_type":"image_text","density":"","id":18,"image":"Re6_SGB_AAI.jpg","link":"https://www.thehindu.com/news/national/other-states/breathing-fire-on-hot-coals-at-jharia-coal-fields/article30479245.ece/photo/1/","person":"","text":"BREATHING FIRE: ON HOT COALS AT JHARIA COAL FIELDS","uid":"Re6_SGB_AAI","visibility":""}],"artindustry_gallery":[{"alt_text":"","aspect_ratio":"","data_type":"heading","density":"","id":0,"image":"","link":"","person":"","text":"Exhibition Gallery","uid":"A_1","visibility":""},{"alt_text":"","aspect_ratio":"","data_type":"text","density":"","id":1,"image":"","link":"","person":"","text":"The Art and Industry gallery features a collection of paintings, etchings, and photographs from the collections of the Glynn Vivian Art Gallery, Swansea and the Museum of Art & Photography, Bengaluru.
The Museum of Art & Photography (MAP) is a new and innovative museum, housing a collection of over 60,000 art works. Its mission is to take arts and culture to the heart of the community, making it accessible to the widest possible audience. The collection from the Museum of Art & Photography displayed here, includes selected photographs of Mitter Bedi, Sebastião Salgado and T.S. Satyan. The images explore themes related to the mining industry and the mining community in India. You can explore the rest of the Museum of Art & Photography's collection at http://www.map-india.org/.
Art and Industry: Stories from Wales (On display at Glynn Vivian Art Gallery from 8 April 2022 to 10 July 2022) is an exhibition of paintings, etchings, and photographs dedicated to exploring art and industry in Wales, with a special concentration on Swansea and its environs. The exhibition draws predominantly from the permanent art collection of the Glynn Vivian Art Gallery as well as archival material from Swansea Council’s West Glamorgan Archive Service and Swansea Museum. The exhibition is one of the first to examine the region’s art and industrial heritage through the ‘big’ names of Welsh art history.
Here you can view images from the exhibition, as well as a virtual tour of the exhibition at the Glynn Vivian Art Gallery.","uid":"T_1","visibility":true},{"alt_text":"","aspect_ratio":"","data_type":"link","density":"","id":2,"image":"","link":"https://my.matterport.com/show/?m=xe96rgdbUJa","person":"","text":"STORIES FROM WALES: INTERACTIVE GALLERY","uid":"B_1","visibility":true},{"alt_text":"","aspect_ratio":"","data_type":"block_grid","density":0.25,"id":3,"image":"","link":"","person":"","text":"","uid":"A_3","visibility":true},{"alt_text":"Coaling In G8, 1986
Valerie Ganz (1936–2015)
Glynn Vivian Art Gallery Collection © Marcus Ganz and Lisa Ganz
Valerie Ganz (1936–2015) was a Welsh artist who grew up in Mumbles, Swansea. She studied art in Swansea then worked as a teacher and lecturer. She developed an interest in the industrial heritage and landscapes of South Wales. During the 1980s she spent several days a week underground at 14 coal mines, sketching the miners at work. In 1985 she took a house and studio at Six Bells, Abertillery. For nearly a year she worked at the Six Bells Colliery, alongside the miners both above ground and at the coalface. Coaling in G8 is a product of that period.","aspect_ratio":2.44897959184,"data_type":"image_caption","density":"","id":4,"image":"GL_A_AAI.jpg","link":"","person":"","text":"Coaling In G8","uid":"GL_A_AAI","visibility":""},{"alt_text":"Coal Workers, Dhanbad, Bihar State, India, 1989
Sebastião Salgado (b. 1944)
Silver gelatin print
Courtesy of the Museum of Art & Photography (MAP). Gifted to MAP from the Deepak Puri Collection.","aspect_ratio":1.49625935,"data_type":"image_caption","density":"","id":5,"image":"GL_I_AAI.jpg","link":"","person":"","text":"Coal Workers, Dhanbad, Bihar State, India","uid":"GL_I_AAI","visibility":""},{"alt_text":"At the Coalface
Vincent Evans (1894-1976)
Glynn Vivian Art Gallery Collection © Audrey Lane
Vincent Evans (1894 - 1976) was born at Ystalyfera in the Swansea Valley, the son of a monumental mason. He left school at thirteen, spending the next ten years as a coal miner. After the First World War, he won a scholarship to the Royal College of Art but despite the geographical separation from his roots, mining remained the most constant of themes through his work. This painting and the mural Family Life were presented to the Glynn Vivian Art Gallery in 1983, by Vincent Evans' daughter, Audrey, in memory of her father.","aspect_ratio":1.27674023769,"data_type":"image_caption","density":"","id":6,"image":"GL_C_AAI.jpg","link":"","person":"","text":"At the Coalface","uid":"GL_C_AAI","visibility":""},{"alt_text":"Politics Eclipsed by Economics, 1997
David Garner (b. 1958)
Acquired by the Wakelin Award in partnership with the Friends of the Glynn Vivian, 2004, Glynn Vivian Art Gallery Collection © the copyright holder
David Garner is a sculptor and teacher, born in Ebbw Vale, Monmouthshire. He studied foundation at Newport Art College, 1977–8; graduated with honours, Cardiff Art College, 1978–81; gaining his master’s fine art, Royal College of Art, 1981–4, with a Paris Studio Scholarship, 1983. Garner lectured at Coleg Gwent from 1985 and Gwent College of Higher Education, 1986–94. In 1996 he was involved in Community Schools Project, St David’s Hall, Cardiff.
Garner’s work dealt with national and international issues which he felt needed a personal response. “I believe art should reflect the time in which it was made”.
Garner's group appearances included Welsh Sculpture, Margam Sculpture Park, 1993; National Eisteddfod, Bala, prize winner, 1997; Labour Intensive, The City Gallery, Leicester, 2000; and Welsh Artists Talking, National Museum of Wales, Cardiff, 2000–1.
Text source: David Buckman. 2006. Artists in Britain Since 1945. Bristol: Art Dictionaries Ltd.","aspect_ratio":1.43684210526,"data_type":"image_caption","density":"","id":7,"image":"GL_D_AAI.jpg","link":"","person":"","text":"Politics Eclipsed by Economics","uid":"GL_D_AAI","visibility":""},{"alt_text":"Miners, Kolar Gold Mine, Karnataka, 1972
T. S. Satyan (1929-2009)
Silver gelatin print
Courtesy of the Museum of Art & Photography (MAP). Gifted to MAP by the T S Satyan Family Trust.","aspect_ratio":1.51515152,"data_type":"image_caption","density":"","id":8,"image":"GL_L_AAI.jpg","link":"","person":"","text":"Miners, Kolar Gold Mine, Karnataka","uid":"GL_L_AAI","visibility":""},{"alt_text":"A Welsh Miner, 1930
Evan Walters (1893-1951),
Glynn Vivian Art Gallery Collection © the copyright holder
Swansea-born Evan Walters (1893-1951) was one of a group of Welsh artists (with Vincent Evans and Archie Rhys Griffiths) who represented, with stark honesty, the industrial communities in which they had been reared. Walters' work captured all aspects of life in a coal mining community, the landscape in Cefn Cyfelach Colliery (1911), the weary wife suckling her child in Mother and Babe (1919).","aspect_ratio":0.80450522928,"data_type":"image_caption","density":"","id":9,"image":"GL_E_AAI.jpg","link":"","person":"","text":"A Welsh Miner","uid":"GL_E_AAI","visibility":""},{"alt_text":"Family Life, 1935
Vincent Evans (1894-1976)
Glynn Vivian Art Gallery Collection © Audrey Lane
Vincent Evans (1894 - 1976) was born at Ystalyfera in the Swansea Valley, the son of a monumental mason. He left school at thirteen, spending the next ten years as a coal miner.
After the First World War, he won a scholarship to the Royal College of Art but despite the geographical separation from his roots, mining remained the most constant of themes through his work. This painting and the mural Family Life were presented to the Glynn Vivian Art Gallery in 1983, by Vincent Evans' daughter, Audrey, in memory of her father.","aspect_ratio":2.29555236729,"data_type":"image_caption","density":"","id":10,"image":"GL_H_AAI.jpg","link":"","person":"","text":"Family Life","uid":"GL_H_AAI","visibility":""},{"alt_text":"Industrial Scene, 1961
Glenys Cour (b. 1924),
Glynn Vivian Art Gallery Collection © the copyright holder
Gleyns Cour was born in Fishguard, Pembrokeshire, Wales in 1924. From 1945 until 1948, Cour studied at Cardiff College of Art under Ceri Richards and married the sculptor Ronald Cour in 1949. From 1963 to 2000, she taught painting and architectural glass at Swansea Institute of Higher Education, and the University of Wales, Swansea.
Cour's artwork is primarily concerned with colour and light, using landscape, flowers, various culturally charged objects, like ancient Greek artefacts or Celtic stones, and mythology, especially the mythology of Wales and the multiple layered tales of the Mabinogion. Her artwork includes painting on canvas and paper, stained glass, collage, paper making, posters, projections and artist books.","aspect_ratio":0.79936051159,"data_type":"image_caption","density":"","id":11,"image":"GL_F_AAI.jpg","link":"","person":"","text":"Industrial Scene","uid":"GL_F_AAI","visibility":""},{"alt_text":"Dhanbad, Bihar State, India, 1989
Sebastião Salgado (b. 1944)
Silver gelatin print
Courtesy of the Museum of Art & Photography (MAP). Gifted to MAP from the Deepak Puri Collection.","aspect_ratio":1.46699267,"data_type":"image_caption","density":"","id":12,"image":"GL_J_AAI.jpg","link":"","person":"","text":"Dhanbad, Bihar State, India","uid":"GL_J_AAI","visibility":""},{"alt_text":"On the Coal Tip
Archie Rhys Griffiths (1902-1971)
Glynn Vivian Art Gallery Collection © the copyright holder
Archie Rhys Griffiths (1902-1971) was born in Aberdare and brought up in Gorseinon, where he worked as a collier. Archie Griffiths, an outstanding student, attended Swansea School of Art and then went to the Royal College of Art, graduating in 1926. Much of his work during the 1920s and 30s depict mining subjects, sometimes with biblical allusions. ","aspect_ratio":0.68285280728,"data_type":"image_caption","density":"","id":13,"image":"GL_B_AAI.jpg","link":"","person":"","text":"On the Coal Tip
","uid":"GL_B_AAI","visibility":""},{"alt_text":"India, 1989
Sebastião Salgado (b. 1944)
Silver gelatin print
Courtesy of the Museum of Art & Photography (MAP). Gifted to MAP from the Deepak Puri Collection.","aspect_ratio":1.45808019,"data_type":"image_caption","density":"","id":14,"image":"GL_K_AAI.jpg","link":"","person":"","text":"India","uid":"GL_K_AAI","visibility":""},{"alt_text":"Salgaocar Ferrous Mines, 1976
Mitter Bedi (1926-1985)
Silver gelatin print
Courtesy of the Museum of Art & Photography (MAP).","aspect_ratio":0.7625,"data_type":"image_caption","density":"","id":15,"image":"GL_M_AAI.jpg","link":"","person":"","text":"Salgaocar Ferrous Mines","uid":"GL_M_AAI","visibility":""},{"alt_text":"Miners Returning over Waste Ground
John Elwyn (1916–1997),
Glynn Vivian Art Gallery Collection © the copyright holder
John Elwyn (1916-1997), came from a staunchly Welsh-speaking, Nonconformist community consisting mostly of farmers, weavers and craftsmen. In 1953 Elwyn took up a teaching post at the School of Art in Winchester, where he was to remain until his retirement in 1976. There he returned in his imagination to his halcyon childhood in Cardiganshire, finding in it the subjectmatter which he was to spend the rest of his career exploring.
Elwyn's paintings are testimony to an undiminished love for Wales which remained his spiritual home and an inspiration for his paintings. His paintings present an idealised and peaceful vision of country life, recording its activities at different times of day and at various seasons. Memory and imagination are the source of his evocative recreations of the Cardiganshire landscape, with secluded villages, lonely farms, cottages, barns and sweeping country lanes receding in sharp perspective towards the horizon. One of his most frequent images is that of a leafy lane leading to a white-walled farm set among fields of wheat similar to the iconography displayed in Ydlan Yn Sir Aberteifi.","aspect_ratio":1.6049382716,"data_type":"image_caption","density":"","id":16,"image":"GL_G_AAI.jpg","link":"","person":"","text":"Miners Returning over Waste Ground","uid":"GL_G_AAI","visibility":""}],"components":[{"component":"text","id":0},{"component":"strip","id":1},{"component":"heading","id":2},{"component":"quote","id":3},{"component":"person","id":4},{"component":"person_thumbnail","id":5},{"component":"person_name","id":6},{"component":"image","id":7},{"component":"caption","id":8},{"component":"figure","id":9},{"component":"image_caption","id":10},{"component":"image_text","id":11},{"component":"button","id":12},{"component":"link","id":13},{"component":"embed","id":14},{"component":"block","id":15},{"component":"block_text_link","id":16},{"component":"block_list","id":17},{"component":"block_grid","id":18},{"component":"block_row","id":19},{"component":"block_flex","id":20},{"component":"page","id":21}],"curated":[{"alias":"An Aspie Life","blurb":"An Aspie Life is an experimental adventure game that deals with the autism spectrum. The player's actions in the game will have to adapt to how an autistic person sees the world.","creators":"[\"GR_1_Pe1_PSY\"]","descriptor":"open source","id":0,"image":"GR_1_PSY.jpg","link":"https://store.steampowered.com/app/786410/An_Aspie_Life/","link_name":"Play","secondary_link":"https://www.abc.net.au/triplej/programs/drive/an-aspie-life/9144186","secondary_link_name":"Explore More","type":"game","uid":"GR_1_PSY"}],"exhibits":[{"alias":"Black Men's Minds","blurb":"Black Men’s Minds is a stream-of-consciousness style exploration of masculinity, race, and mental health. The piece explores the voices of black men, who are often missing in the conversations surrounding mental health. As a first-generation black man growing up in the UK and trained as a psychotherapist, the artist Stephen Rudder was acutely aware of the psychological tensions unique to black men. The visual elements in the piece incorporate symbolic associations derived from collage and poetry workshops on themes of masculinity and power, social pressures, personal experiences, and the mental health system.
The narrative fuses extracts from black men’s personal insights and experiences, whilst the score uses musical scales obtained from the frequencies derived from compounds in psychotropic medications. The resulting work bears testimony to black men’s voices and collective experiences, weaving together meditations on power and culture.","color":"[0.0,0.5,0.0,1.0]","id":0,"image":"EX_A_CAR.jpeg","link":"google.com","medium":"Video","process":"[\"M_A_1\",\"M_A_2\",\"M_A_3\",\"M_A_4\",\"M_A_5\",\"M_A_6\",\"M_A_7\",\"M_A_8\"]","programmes":"[\"PM_C_PSY\",\"PL_T_PSY\",\"PF_F_PSY\"]","research":"[\"EX_A_R1_PSY\",\"EX_A_R2_PSY\",\"EX_A_R3_PSY\",\"EX_A_R4_PSY\",\"EX_A_L1_PSY\",\"EX_A_L2_PSY\",\"EX_A_W1_PSY\",\"EX_A_W2_PSY\"]","slug":"black-mens-minds","strip":"Capturing unheard voices","team":"[\"PM_C_Pe1_PSY\",\"PM_C_Pe2_PSY\",\"EX_A_Pe1_PSY\"]","uid":"EX_A_PSY","year":"2019–2022"},{"alias":"Change My Mind","blurb":"Neurotechnologies are rapidly being adopted to treat medical conditions; however, commercial uses of brain implants are already on the horizon. While neural interfaces can potentially change the way people think, behave, and interact with the world, they also threaten the agency of human thought by blurring the boundaries between the mind and technology. To explore the implications of brain implant technologies, Andrew Carnie invited artists, scientists, and members of the public to creatively intervene in the artwork created by him. By fostering a collaborative space for discussion on brain implants, Carnie opens a window into our current engagement with neurotechnology.","color":"[0.0,0.5,0.0,1.0]","id":1,"image":"EX_B_CAR.jpeg","link":"google.com","medium":"Participatory web experience","process":"[\"M_B_1\",\"M_B_2\",\"M_B_3\",\"M_B_4\",\"M_B_5\",\"M_B_6\",\"M_B_7\",\"M_B_8\",\"M_B_9\",\"M_B_10\",\"M_B_11\",\"M_B_12\"]","programmes":"[\"PE_I_PSY\",\"PL_V_PSY\",\"PL_A_PSY\"]","research":"[\"EX_B_R1_PSY\",\"EX_B_R2_PSY\",\"EX_B_R3_PSY\",\"EX_B_L1_PSY\",\"EX_B_L2_PSY\",\"EX_B_W1_PSY\",\"EX_B_W2_PSY\",\"EX_B_W3_PSY\",\"EX_B_W4_PSY\"]","slug":"change-my-mind","strip":"The mind—remixed, remastered, reimagined","team":"[\"PM_B_Pe1_PSY\"]","uid":"EX_B_PSY","year":2022},{"alias":"HAMLETS Live","blurb":"William Shakespeare’s Hamlet is one of literature’s most celebrated yet inscrutable characters whose motivations have been studied by psychologists, philosophers, and playwrights alike. HAMLETS Live is a series of six short monologues in which different actors respond to the soliloquies narrated in the play by Hamlet. This online performance conceived by Chanakya Vyas is enacted live in front of an audience, who—through a series of playful provocations—are invited to share their interpretation of the soliloquies. Moving beyond the representation of Hamlet as a one-dimensional, revenge hungry protagonist, Vyas’s production demonstrates the all too human qualities of the tragic hero; inspiring the actors and the audience to locate the Hamlet in their everyday lives.","color":"[0.0,0.5,0.5,1.0]","id":2,"image":"EX_C_CAR.jpeg","link":"google.com","medium":"Video and Performance","process":"[\"M_C_1\",\"M_C_2\",\"M_C_3\",\"M_C_4\",\"M_C_5\",\"M_C_6\"]","programmes":"[\"PW_E_PSY\"]","research":"[\"EX_C_R1_PSY\",\"EX_C_R2_PSY\",\"EX_C_R3_PSY\",\"EX_C_R4_PSY\",\"EX_C_R5_PSY\",\"EX_C_L1_PSY\",\"EX_C_L2_PSY\",\"EX_C_L3_PSY\",\"EX_C_W1_PSY\",\"EX_C_W2_PSY\"]","slug":"hamlets-live","strip":"Unmasking the many faces of Hamlet","team":"[\"PE_A_Pe1_PSY\",\"PE_C_Pe3_PSY\",\"PE_B_Pe3_PSY\",\"PE_D_Pe3_PSY\",\"PE_A_Pe3_PSY\",\"PE_E_Pe3_PSY\",\"PE_A_Pe2_PSY\",\"EX_C_Pe1_PSY\"]","uid":"EX_C_PSY","year":2022},{"alias":"McGill Pain Questionnaire","blurb":"Pain is an enigmatic concept. It is obscurely wrapped up in an intricate web of perception, emotions, memories, cognition, and social interaction. It is also accompanied by experiences of anxiety, desperation, and shame—aspects that people often overlook. McGill Pain Questionnaire visually explores artist Eugenie Lee’s illness and visceral pain resulting from endometriosis and adenomyosis. By combining the McGill Pain Questionnaire, an objective pain measuring tool, with subjective lived experience, Lee has created a self-portrait installation. The exhibit reflects upon the tension between the clinical system that is ultimately removed from its subject, and the human experience that is built through layers of social interactions, emotions, and memories of lived experience.
The filing cabinets in the exhibit represent how medical systems observe, measure, and attempt to categorise patients’ subjective experiences. Each of the unopenable drawers is labelled with adjectives drawn from the questionnaire. To augment these pain adjectives, Lee incorporates viewing windows as visual metaphors and similes that become ‘evidence’ of the pain.","color":"[1.0,0.7,0.0,1.0]","id":3,"image":"EX_D_CAR.jpeg","link":"google.com","medium":"Video, Audio and Images","process":"[\"M_D_1\",\"M_D_2\",\"M_D_3\",\"M_D_4\",\"M_D_5\",\"M_D_6\",\"M_D_7\",\"M_D_8\"]","programmes":"[\"PE_H_PSY\",\"PL_H_PSY\"]","research":"[\"EX_D_R1_PSY\",\"EX_D_R2_PSY\",\"EX_D_R3_PSY\",\"EX_D_R4_PSY\",\"EX_D_L1_PSY\",\"EX_D_L2_PSY\",\"EX_D_W1_PSY\",\"EX_D_W2_PSY\"]","slug":"macgill-pain-questionaire","strip":"Shelving objective measures of pain","team":"[\"PE_H_Pe1_PSY\"]","uid":"EX_D_PSY","year":2012},{"alias":"Playing with Reality","blurb":"How is our reality created? What does it mean to explore someone else’s reality? Does everyone experience reality the same way? Playing With Reality by ANAGRAM is an interactive experience about how we distinguish what is real from what is not. Using an extract from the award-winning virtual reality documentary Goliath, this exhibit follows the story of Jon, a man who lives with paranoid schizophrenia. After a long and difficult period spent in a psychiatric institution, Jon finds friendship and support in the world of online gaming.
This exhibit takes the story of the ‘unreal’ worlds of the video game and the psychotic episode to explore what makes us see and understand reality ourselves.","color":"[1.0,0.0,0.0,1.0]","id":4,"image":"EX_E_CAR.jpeg","link":"google.com","medium":"Interactive web experience","process":"[\"M_E_1\",\"M_E_2\",\"M_E_3\"]","programmes":"[\"PM_G_PSY\",\"PL_X_PSY\",\"PM_A_PSY\"]","research":"[\"EX_E_R1_PSY\",\"EX_E_R2_PSY\",\"EX_E_R3_PSY\",\"EX_E_R4_PSY\",\"EX_E_L1_PSY\",\"EX_E_L2_PSY\",\"EX_E_L3_PSY\",\"EX_E_W1_PSY\"]","slug":"playing-with-reality","strip":"Charting the limits of reality","team":"[\"PM_G_Pe1_PSY\",\"EX_E_Pe1_PSY\",\"EX_E_Pe2_PSY\",\"EX_E_Pe3_PSY\",\"EX_E_Pe4_PSY\",\"EX_E_Pe5_PSY\",\"EX_E_Pe6_PSY\",\"EX_E_Pe7_PSY\",\"EX_E_Pe8_PSY\"]","uid":"EX_E_PSY","year":2022},{"alias":"Schizophrenia and the Brain","blurb":"Humans construct their social reality by observing others, understanding social etiquette, and altering their behaviour based on subtle social cues. This ability is encoded in human brains in a manner different from other animals. Excessive pruning of neuronal connections causes the brain to lose parts of its social cognition capabilities. Understanding the neuronal basis of schizophrenia can help overcome stigma, inculcate empathy, and reimagine mental healthcare. Technologies such as functional magnetic resonance imaging (fMRI) continue to help chip away at the mysteries of neuropathologies. Schizophrenia and the Brain explores ongoing clinical research that can help understand and identify schizophrenia.","color":"[1.0,0.0,0.0,1.0]","id":5,"image":"EX_F_CAR.jpeg","link":"google.com","medium":"Text, Images","process":"[\"\"]","programmes":"[\"PM_G_PSY\",\"PL_X_PSY\"]","research":"[\"EX_F_R1_PSY\",\"EX_F_R2_PSY\",\"EX_F_R3_PSY\",\"EX_F_L1_PSY\",\"EX_F_W1_PSY\",\"EX_F_W2_PSY\"]","slug":"schizophrenia-and-the-brain","strip":"Isolating the neuronal connections to reality","team":"[\"EX_F_Pe2_PSY\",\"EX_F_Pe1_PSY\"]","uid":"EX_F_PSY","year":2022},{"alias":"Synthetic Self","blurb":"Synthetic Self is a compilation of performances exploring alternative anatomical architectures of human-machine interactive systems. The body can now possess an array of instruments, machines, and computational systems that extend its capabilities. Consequently, the body is not merely a physical entity rooted in a specific setting, but rather a spatially distributed presence.
Interrogating issues of embodiment, agency and identity, these performances expose the problematics of what it means to be a body and to be human. What generates a sense of self in today’s highly mediated machine and computational terrain? How does one understand this new hybrid body? Each performance explores the self as a complex interplay of the social, technological, and cultural—by coupling the body with an industrial robot arm; combining human metabolism with machine musculature; or coalescing the skin as screen.","color":"[0.0,0.0,1.0,1.0]","id":6,"image":"EX_G_CAR.jpeg","link":"google.com","medium":"Video Compilation","process":"[\"\"]","programmes":"[\"PL_A_PSY\",\"PL_B_PSY\",\"PL_H_PSY\"]","research":"[\"EX_G_R1_PSY\",\"EX_G_R2_PSY\",\"EX_G_R3_PSY\",\"EX_G_R4_PSY\",\"EX_G_L1_PSY\",\"EX_G_W1_PSY\",\"EX_G_W2_PSY\",\"EX_G_W3_PSY\"]","slug":"synthetic-self","strip":"The chimera of meat, metal, and code","team":"[\"PL_A_Pe1_PSY\"]","uid":"EX_G_PSY","year":"2015–2020"},{"alias":"The Asylum","blurb":"The history of mental institutions in India is tumultuous—a neglected, brutal space but also a sanctuary for the troubled and impoverished. Mental hospitals across the country were set up during the colonial period, and these asylums bore the imperial scars of racism—while some asylums were open to the Indian population, many were reserved for Europeans, with class and gender divides mediating access to care and compassion. The records of medical practitioners and patients in mental hospitals in India are inextricable from the history of psychiatry in the country. Weaving together architecture, politics, religion, and medicine, this history prompts reflections on the institutionalisation, treatment, and care of people diagnosed with mental illness.","color":"[0.0,0.0,1.0,1.0]","id":7,"image":"EX_H_CAR.jpeg","link":"google.com","medium":"Text, Images","process":"[\"\"]","programmes":"[\"PL_O_PSY\",\"PL_E_PSY\",\"PL_F_PSY\"]","research":"[\"EX_H_R1_PSY\",\"EX_H_R2_PSY\",\"EX_H_R3_PSY\",\"EX_H_L1_PSY\",\"EX_H_W1_PSY\",\"EX_H_W2_PSY\"]","slug":"the-asylum","strip":"Institutionalising the history of psychiatry in India","team":"[\"PL_O_Pe1_PSY\",\"AA_2\",\"EX_H_Pe1_PSY\"]","uid":"EX_H_PSY","year":2022},{"alias":"The Serpent of a Thousand Coils","blurb":"The Serpent of a Thousand Coils presents an empathetic insight into the minds of people with Obsessive Compulsive Disorders (OCD). The interactive game moves through a dizzying array of paths: a labyrinth; the collage of the surrealists; a neural network; the Snakes and Ladders' board game. Translating the internal topographies of an anxious mind into an architectural layout, the artists tailor every participant’s journey to their individual fears. The questions at each juncture of this exhibit appears to require rational and logical thinking; however, while the game initially seems responsive to this, it soon engineers an endless loop of speculative hypotheses. The Serpent of A Thousand Coils presents an interactive opportunity to engage with the anxious mind.","color":"[1.0,0.5,0.0,1.0]","id":8,"image":"EX_I_CAR.jpeg","link":"google.com","medium":"Virtual Convening Platform, Images, Videos, Audio, Text","process":"[\"M_I_1\",\"M_I_2\",\"M_I_3\",\"M_I_4\",\"M_I_5\",\"M_I_6\",\"M_I_7\",\"M_I_8\"]","programmes":"[\"PM_A_PSY\",\"PM_G_PSY\",\"PL_J_PSY\"]","research":"[\"EX_I_R1_PSY\",\"EX_I_R2_PSY\",\"EX_I_R3_PSY\",\"EX_I_R4_PSY\",\"EX_I_L1_PSY\",\"EX_I_W1_PSY\",\"EX_I_W2_PSY\"]","slug":"the-serpent-of-a-thousand-coils","strip":"Navigating the anxiety labyrinth","team":"[\"PM_A_Pe1_PSY\",\"EX_I_Pe1_PSY\",\"EX_I_Pe2_PSY\",\"EX_I_Pe3_PSY\",\"EX_I_Pe4_PSY\",\"EX_I_Pe5_PSY\"]","uid":"EX_I_PSY","year":2022}],"featured":[{"id":0,"item":"Exhibits","type":"heading"},{"id":1,"item":"EX_I_PSY","type":"exhibit"},{"id":2,"item":"EX_F_PSY","type":"exhibit"},{"id":3,"item":"","type":"break"},{"id":4,"item":"Programmes","type":"heading"},{"id":5,"item":"PL_W_PSY","type":"programme"},{"id":6,"item":"PL_X_PSY","type":"programme"},{"id":7,"item":"PF_B_PSY","type":"programme"}],"films":[{"alias":"Damascus Dreams","blurb":"How does one remember a homeland they are so deeply connected to and disconnected from? Can one remember what they have not experienced, through others? Alienated from her Syrian heritage, filmmaker Émilie Serri grew up in Canada. In the liminal crevices between reality and myth, dream and nightmare, past and future, first and second generation, rests a homeland that is almost accessible. Through stories from refugees, conversations with her father, home movies, family photographs and illusory production, Serri attempts to repatriate to this place that once was and yet can never be.
The screening of this film will be followed by a discussion between filmmaker Émilie Serri and researcher Eylaf Bader Eddin.","close":"2022-04-14T18:30:00.000Z","discussant":"PF_B_Pe2_PSY","duration":"78 Minutes","embed":"","filmmaker":"PF_B_Pe1_PSY","id":0,"language":"French, English and Arabic with French and English subtitles","link":"https://vimeo.com/690797357","open":"2022-03-31T18:30:00.000Z","programme":"PF_B_PSY","thumbnail":"https://i.vimeocdn.com/video/1398653714-2295d5f2e01291dab30a587d3e70db0fe13c9a2549bd076870937fd2d81886a9-d_640","type":"primary","uid":"F_2","year":2021},{"alias":"Eyes of Stone","blurb":"Eyes of Stone is a film about spirit possession and healing shot in the interiors of Rajasthan at the temple of goddess Bhankya Mata legendary for her sway over the spirit world. The film is an eloquent feminist exploration of cultural expressions of ritual, faith, rebellion and healing that thrive within the confines of a stringent patriarchal order. Eyes of Stone is a deep and unsettling exploration of a single case of possession, that of 19-year-old Shanta. In what has been hailed as a path-breaking cinema vérité exploration, the viewer reaches a deep understanding of the many exploitations surrounding women's lives and the subversions through which they empower themselves. The screening of this film will be followed by a discussion between the filmmaker Nilita Vachani and psychologist Poornima Bhola.","close":"2022-04-29T18:30:00.000Z","discussant":"PF_A_Pe2_PSY","duration":"90 Minutes","embed":"","filmmaker":"PF_A_Pe1_PSY","id":1,"language":"Mewari and Hindi with English Subtitles","link":"https://vimeo.com/153402511","open":"2022-04-13T18:30:00.000Z","programme":"PF_A_PSY","thumbnail":"https://i.vimeocdn.com/video/1396941615-1d626c12cb18004dff04ea7dedc6a6e03be67bf2f53836480cfd5d27f683b90d-d_295x166","type":"open","uid":"F_1","year":1990},{"alias":"The Task","blurb":"What happens when 28 strangers, 10 psychoanalysts, a handful of silent observers, and a film crew come together to discuss their anxieties, hopes and fears? Leigh Ladare’s The Task is a fascinating examination of group dynamics and patterns of stereotyping. Ledare staged a three-day Group Relations conference to create interventions on The Tavistock method—a psychotherapeutic process of studying group dynamics.
The participants of the conference belong to different racial, sexual, economic and professional backgrounds, and have to collectively enact a temporary institution whose purpose is to study itself. Undertaking an abstract task allows participants to examine the identities, roles, desires and biases that individuals import into the group, as well as the emergence of conscious and unconscious group dynamics.
The screening of this film will be followed by a discussion between filmmaker Leigh Ledare and social psychologist Yashpal Jogdand.","close":"2022-05-05T18:30:00.000Z","discussant":"PF_C_Pe2_PSY","duration":"118 Minutes","embed":"","filmmaker":"PF_C_Pe1_PSY","id":2,"language":"English","link":"https://vimeo.com/693480333","open":"2022-04-21T18:30:00.000Z","programme":"PF_C_PSY","thumbnail":"https://i.vimeocdn.com/video/1403394516-a5f98cdbcbc6087d30a6a6cb81151b51a5bf545a36f076a170de905a1b3dde85-d_640","type":"open","uid":"F_3","year":2017},{"alias":"From Over Here","blurb":"Stuttering creates gaps in language and communication. This leads to gaps in interpersonal relationships. From Over Here attempts to flip this in-group / out-group dynamic and excludes people who are lacking the gap, thus rejoicing in the possible idiosyncratic perspectives that might be more than just a defect.
The screening of this film will be followed by a discussion between filmmaker Patrick Buhr and researcher Dane Isaacs.","close":"2022-05-08T18:30:00.000Z","discussant":"","duration":"09 Minutes","embed":"","filmmaker":"PF_D_Pe1_PSY","id":3,"language":"English","link":"https://vimeo.com/693084648","open":"2022-04-23T18:30:00.000Z","programme":"PF_D_PSY","thumbnail":"https://i.vimeocdn.com/video/1402727960-dfb9c2bc40f27af6010694a7b8520399ebfddcffe0589354ae70a23ec7bee004-d_640","type":"open","uid":"F_4","year":2020},{"alias":"Claire x Bosco","blurb":"In Claire X Bosco, Mutiganda wa Nkunda explores the psychological impact the pandemic has had on working class women in Rwanda. The film was produced as part of ‘Visualizing the Virus’ project by the University of Global Health Equity, in which four Rwandan filmmakers were invited to make short films that explored how Rwandans coped with the COVID-19 pandemic.
The screening of this film will be followed by a discussion with the filmmaker Mutiganda wa Nkunda, researcher Injonge Karangwa, and lawyer Alice Bullard.","close":"2022-05-14T18:30:00.000Z","discussant":"PF_E_Pe2_PSY","duration":"23 Minutes","embed":"","filmmaker":"PF_E_Pe1_PSY","id":4,"language":"Kinyarwanda with English subtitles","link":"https://vimeo.com/694755321","open":"2022-04-30T18:30:00.000Z","programme":"PF_E_PSY","thumbnail":"https://i.vimeocdn.com/video/1405526023-39f9c9596e44a16059440a4e34c815d86fa84cfd4059fe05d4a5cf90fad3f287-d_640","type":"open","uid":"F_5","year":2021},{"alias":"Music and Clowns","blurb":"Filmmaker Alex Widdowson’s brother, Jamie has a profound learning disability. Despite being close to nonverbal, he demonstrates charisma, a sharp sense of humor and emotional sensitivity. Alex teams up with his parents to discuss what it's like caring for someone with Down syndrome. Their differing perspectives reveal as much about them as they do Jamie. Music and Clowns rejects the medicalised narrative of people with Down syndrome, opting for a grounded perspective on the experiences of neurodivergent people and those who care for them.
The screening of this film will be followed by a discussion between filmmaker Alex Widdowson and sociologist Gareth Thomas.","close":"2022-05-14T18:30:00.000Z","discussant":"PF_G_Pe2_PSY","duration":"07 Minutes","embed":"","filmmaker":"PF_G_Pe1_PSY","id":5,"language":"English","link":"https://vimeo.com/690462637","open":"2022-04-30T18:30:00.000Z","programme":"PF_F_PSY","thumbnail":"https://i.vimeocdn.com/video/1398093438-27b0dbbe787b921169822fd648f96005c88a3166b8b447f0d9454441213f6578-d_640","type":"open","uid":"F_6","year":2018}],"media":[{"data":"M_A_1.gif","id":0,"type":"image","uid":"M_A_1"}],"mls":[{"color":"#6FC5A8","id":0,"timestamp":"2022-04-01T11:30:00.000Z","uid":"MLS_1"},{"color":"#6FC5A8","id":1,"timestamp":"2022-04-01T13:00:00.000Z","uid":"MLS_2"},{"color":"#6FC5A8","id":2,"timestamp":"2022-04-01T14:30:00.000Z","uid":"MLS_3"},{"color":"#6FC5A8","id":3,"timestamp":"2022-04-02T06:30:00.000Z","uid":"MLS_4"},{"color":"#6FC5A8","id":4,"timestamp":"2022-04-02T10:00:00.000Z","uid":"MLS_5"},{"color":"#6FC5A8","id":5,"timestamp":"2022-04-02T11:30:00.000Z","uid":"MLS_6"}],"people":[{"alias":"Bernadette Bensaude-Vincent","bio":"Bernadette Bensaude-Vincent is a French philosopher, historian and historian of science and a professor emeritus at University of Paris 1 Pantheon-Sorbonne. Bensaude-Vincent has published more than a dozen books and 80 articles and essays. She focuses particularly on the histories of chemistry and materials science. In 1993 she published Histoire de la chimie with Isabelle Stengers, for which they received the Prix Jean-Rostand. It was translated as A History of Chemistry in 1996. In 1997, she received the Dexter Award for her work on the history of science. ","descriptor":"Historian of Science ","id":0,"image":"AA_1_CAR.jpg","uid":"AA_1"},{"alias":"Dolly Kikon ","bio":"Dolly Kikon is a Senior Lecturer in the Anthropology and Development Studies Program at the University of Melbourne. She received her PhD from the Department of Anthropology at Stanford University in 2013, and was a Postdoctoral fellow at the Department of Social Anthropology at Stockholm University from 2013-2015. Prior to that, she received her Bachelors in Law (LLB) from the Faculty of Law at University of Delhi in 2001 and practised in the Supreme Court of India and the Gauhati High Court in Assam. Her legal advocacy work and research continue to focus on land ownership and resource management in Northeast India, including extra constitutional regulations like the Armed Forces Special Powers Act (1958).","descriptor":"Anthropologist ","id":1,"image":"AA_2_CAR.jpg","uid":"AA_2"},{"alias":"Victor Seow ","bio":"Victor Seow is a historian of technology, science, and industry. He specializes in China and Japan in the twentieth century and in histories of energy and work. At the core, his research revolves around questions of how technoscientific developments intersect with economic life and environmental change in the making and unmaking of industrial society.
Seow is the author of Carbon Technocracy: Energy Regimes in Modern East Asia, a study of the deep links between energy extraction and technocratic politics through the history of what was once East Asia’s largest coal mine.","descriptor":"Historian of Science ","id":2,"image":"AA_3_CAR.jpg","uid":"AA_3"},{"alias":"Dr N H Ravindranath","bio":"Vikram Patel is the Pershing Square Professor of Global Health in the Blavatnik Institute's Department of Global Health and Social Medicine at Harvard Medical School. He is an Adjunct Professor at the Public Health Foundation of India, honorary professor at the London School of Hygiene and Tropical Medicine, and is a co-founder of Sangath, an Indian NGO which won the MacArthur Foundation’s International Prize for Creative and Effective Institutions in 2008 and the WHO Public Health Champion of India award in 2016. He is also co-chair of the Lancet Commission on Reimagining India’s Health System.","descriptor":"Ecologist","id":3,"image":"AA_4.jpg","uid":"AA_4"},{"alias":"Ravi Agarwal ","bio":"Ravi Agarwal has an inter-disciplinary practice as an artist, photographer, environmental campaigner, writer and curator. His work explores key contemporary questions of ecology, society, urban space and capital. His prime medium has been photography for over four decades, which has expanded over time to include video, public art, installations, and printmaking.
His key projects have long engagements for several years, and are often accompanied by published diaries and writings. His work has been shown widely including at the Yinchuan Biennial (2018), Kochi Biennial (2016), the Sharjah Biennial (2013), Documenta XI (2002) amongst others. He co-curated the Yamuna-Elbe project, Indo German twin city public art and ecology project (2011), and Embrace our Rivers an Indo- European project in Chennai (2018), and has been appointed photography curator for the Serendipity Arts Festival (Goa, India, 2018). His work is in several private and public collections, and he has served on several art juries and committees.
Agarwal is also the founder director of the environmental NGO Toxics Link and has pioneered work in waste and chemicals in India.","descriptor":"Curator","id":4,"image":"CA_1_CAR.jpg","uid":"CA_1"},{"alias":"Jahnavi Phalkey ","bio":"Jahnavi Phalkey was appointed Founding Director of Science Gallery Bengaluru in November 2018. Previously, she was faculty at King’s College London. She started her academic career at the University of Heidelberg, following which she was based at Georgia Tech-Lorraine, France, and Imperial College London.
Phalkey was Fellow, Wissenschaftskolleg zu Berlin (the Institute of Advanced Study, Berlin). She was external curator to the Science Museum London, and has been a Scholar-in-Residence at the Deutsches Museum, Munich. She is the author of Atomic State: Big Science in Twentieth Century India and has co-edited Science of Giants: China and India in the Twentieth Century. She is also the producer-director of the documentary film Cyclotron. ","descriptor":"Historian of Science ","id":5,"image":"CA_2_CAR.jpg","uid":"CA_2"},{"alias":"Madhushree Kamak","bio":"Madhushree Kamak is a maverick scientist, illustrator and information designer who is the Programme Manager at Science Gallery Bengaluru. She enjoys curating engaging, participatory experiences at the interface of science and culture.
Kamak was a part of Berlin Biennale Curators Programme 2022, a Khoj Curatorial Intensive South Asia Fellow 2021 and a member of the Ars Electronica Creative Producers Programme 2021.
After completing her first Master's by Research in Biological Sciences from the Tata Institute of Fundamental Research, she completed her Masters in Design from the National Institute of Design, focusing on exhibitions as a means of public engagement with science. She has also been part of organising several public engagement programmes over the years, including Frontiers of Science and Chai and Why.","descriptor":"Designer","id":6,"image":"CA_3_CAR.jpeg","uid":"CA_3"},{"alias":"Ashank Chandapillai","bio":"Ashank Chandapillai holds master's degrees in Sociology and Modern History from Jawaharlal Nehru University, New Delhi. His research interests over the last few years have veered towards the history and philosophy of science, and he hopes to continue feeding his interest while contributing to Science Gallery Bengaluru. In his free time, he takes long walks to nowhere in particular, imagining himself to be a flâneur of the past—but more suitably called a loafer by fellow Bangaloreans.","descriptor":"","id":7,"image":"CA_4.jpeg","uid":"CA_4"},{"alias":"","bio":"","descriptor":"","id":8,"image":"","uid":"YM_1"},{"alias":"","bio":"","descriptor":"","id":9,"image":"","uid":"YM_2"},{"alias":"","bio":"","descriptor":"","id":10,"image":"","uid":"YM_3"},{"alias":"","bio":"","descriptor":"","id":11,"image":"","uid":"YM_4"},{"alias":"","bio":"","descriptor":"","id":12,"image":"","uid":"YM_5"},{"alias":"","bio":"","descriptor":"","id":13,"image":"","uid":"YM_6"},{"alias":"","bio":"","descriptor":"","id":14,"image":"","uid":"YM_7"},{"alias":"Mahesh Rangarajan","bio":"Mahesh Rangarajan holds a BA (Hons.) in History from Hindu College University of Delhi, and an MA and DPhil, both from Oxford University, where he was a Rhodes Scholar. His wide experience in academia includes faculty positions as Professor of Modern Indian History at the University of Delhi, and Professor of History and Environmental Studies at Ashoka University, where he previously served as the Dean of Academic Affairs. He has also taught at Cornell University, Indian Institute of Science, and National Centre for Biological Sciences.
His first book Fencing the Forest was published in 1996. His co-edited works include India’s Environmental History, and At Nature’s Edge. Having started his career as a journalist, he has also served in roles outside academia, including as the Director of the Nehru Memorial Museum and Library, New Delhi.
Know more.","descriptor":"Environmental Historian","id":15,"image":"CSS_Pe1.jpg","uid":"CSS_Pe1"},{"alias":"Sharachchandra Lele","bio":"Sharachchandra (Sharad) Lele holds a B. Tech. in Electrical Engineering from Indian Institute of Technology, Bombay, an M.S. from Indian Institute of Science on the environmental impacts of large dams, and a PhD in Energy and Resources from University of California, Berkeley on sustainable forest use in the Western Ghats. Lele is an interdisciplinary environmental researcher—bridging the gap between the natural sciences, economics, and political science. His research unpacks the concepts of and pathways to environmentally sustainable and socially just development.
He has worked on sustainable forest management and forest governance, forest hydrology and farmer linkages, land use change, watershed development, water governance, urban water management, and pollution regulation. He is heavily engaged in environmental policy-related work at the local, state, and national level.
Know more.","descriptor":"Interdisciplinary Environmental Researcher","id":16,"image":"CSS_Pe2.jpg","uid":"CSS_Pe2"},{"alias":"Govindasamy Bala","bio":"Govindasamy Bala is currently a Professor at the Center for Atmospheric and Oceanic Sciences, Indian Institute of Science, Bangalore. He received his PhD in Atmospheric and Oceanic Sciences in 1994 from McGill University, Canada. After two years as a postdoctoral fellow at the Geophysical Fluid Dynamics Laboratory, Princeton University, he served as a Climate Scientist at the Lawrence Livermore National Laboratory (LLNL), USA between 1996 and 2008.
Bala’s main research interests are modelling of global climate change, carbon and water cycles, climatic effects of land cover and land use change, solar geoengineering, and global and regional monsoon systems. He has served as a Lead Author for the fifth and sixth assessment Intergovernmental Panel on Climate Change (IPCC) Working Group 1 reports.
Know more.","descriptor":"Climate Scientist","id":17,"image":"CSS_Pe3.jpg","uid":"CSS_Pe3"},{"alias":"N H Ravindranath","bio":"N. H. Ravindranath is a Professor at the Centre for Sustainable Technologies at the Indian Institute of Science, Bangalore. He received a doctorate in economics from the Indian Institute of Technology, Bombay. His research interests include climate change impacts and mitigation, climate adaptation in the land use and forest sector, and renewable energy.
He has contributed to a number of assessment reports for the Intergovernmental Panel on Climate Change and advises many organisations, including the United Nations Framework Convention on Climate Change, the World Bank, and the United Nations Development Programme. One among his four published books related to climate change and bioenergy is entitled Carbon Inventory Methods.
Know more.","descriptor":"Climate Change Policy Expert ","id":18,"image":"CSS_Pe4.jpg","uid":"CSS_Pe4"},{"alias":"Mahesh Sankaran","bio":"Mahesh Sankaran is Professor of Ecology and Evolution at the National Centre for Biological Sciences (NCBS) in Bangalore. He got his PhD from Syracuse University in the US and carried out postdoctoral research in both the UK and the US before joining NCBS in 2009. Sankaran is part of a new wave of Indian ecologists and ecosystem scientists who are reshaping the way both India and the world view ecosystems and their relationship to climate change.
Sankaran’s distinction has been recognized by election to the Fellowship of the Indian Academy of Science (2020) and the Indian National Science Academy (2021). He was also awarded the 2021 Infosys Prize in Life Sciences, in recognition of his pioneering work on the ecology of tropical savannah ecosystems, his contributions to highlighting the biodiversity of important Indian ecosystems such as the Western Ghats, and his input to international reports on climate change and biodiversity that have provided scientific evidence to policy makers.
Know more.","descriptor":"Ecologist","id":19,"image":"CSS_Pe5.png","uid":"CSS_Pe5"},{"alias":"Sarah Benabou","bio":"Sarah Benabou is an anthropologist and research fellow at the French National Research Institute for Sustainable Development (IRD), Paris. Her principal research interest is in the politics and social impacts of nature conservation in India, as part of a wider interest in the political economy of nature conservation. Besides her ethnographic work in Northern India (at the Nanda Devi biosphere reserve and the Khasi Hills REDD+ project), she has been actively following the development of international expertise on biodiversity offsets.
Know more.","descriptor":"Anthropologist","id":20,"image":"CSS_Pe6.jpg","uid":"CSS_Pe6"},{"alias":"Shanthamani Muddaiah","bio":"Shanthamani Muddaiah is a visual artist who lives and works in Bangalore. She has a Masters of Fine Arts from M.S. University, Gujarat. Her practice is intimately linked to the physicality of the materials she employs. She frequently uses charcoal as a material in her sculptures and installations. In addition to recycling material, such as charcoal, she also makes use of familiar Western myths and endows them with new meaning. In the course of her career, she has also received the Charles Wallace Fellowship in 2004, and the National Junior Fellowship from the Ministry of Tourism and Culture, New Delhi for 2006 – 2008.
Know more.","descriptor":"Visual Artist","id":21,"image":"CSS_Pe7.jpg","uid":"CSS_Pe7"},{"alias":"Chitra Vishwanath","bio":"Chitra Vishwanath is an ardent ecological architect. Early into her career, she set up her own architectural practice that came to be known as ‘Chitra Vishwanath Architects’. With a commitment to sustainable architecture, her practice has spanned 15 years during which she has executed around 500 projects—residential, institutional, and tourism related. Her practice now resides under the umbrella of ‘Biome Environmental Solutions’, where she is the Principal Architect and Managing Director.
Know more.","descriptor":"Ecological Architect","id":22,"image":"CSS_Pe8.jpg","uid":"CSS_Pe8"},{"alias":"Vishwanath Srikantaiah","bio":"Vishwanath Srikantaiah is a water conservation expert, renowned for his tireless and pioneering efforts to find solutions to India’s freshwater crisis. Popularly known as ‘Zenrainman’ on social media channels, his insightful articles on water and environmental issues frequently appear in mainstream news publications.
A Civil Engineer and Urban Planner by qualification, Vishwanath worked with Housing and Urban Development Corporation (HUDCO) for 14 years before dedicating himself full-time to solving water issues faced by both urban and rural communities. He is the Director of Biome Environmental Solutions Pvt. Ltd., an architectural firm specialising in sustainable design.
Know more.","descriptor":"Water Conservation Expert","id":23,"image":"CSS_Pe9.jpg","uid":"CSS_Pe9"},{"alias":"Sebastian Peter","bio":"Sebastian Peter joined Jawaharlal Nehru Centre for Advanced Scientific Research (JNCASR), Bangalore in 2010 as a Ramanujan Fellow and has been an Associate Professor since 2017. His research interests include fuel cells, water splitting and carbon dioxide reduction.
He is the recipient of the prestigious Swarnajayanti Fellowship (2017–18). Apart from fundamental research, he is involved in translational research and is the founder and director of the start-up ‘Breathe India’, which aims to convert carbon dioxide into chemicals and fuels. This technology received the National Award from the Technology Development Board, Department of Science and Technology in 2021.
Know more.","descriptor":"Chemist","id":24,"image":"CSS_Pe10.jpg","uid":"CSS_Pe10"},{"alias":"Meera Anna Oommen","bio":"Meera Anna Oommen is a trustee of Dakshin Foundation, Bangalore, and the Madras Crocodile Bank Trust. She works on issues related to ecology, conservation science, and environmental history. Her work focuses on incorporating insights from multiple disciplines to understand the dynamics of human-wildlife conflict involving large, free-ranging vertebrates such as elephants, wild boar, and saltwater crocodiles.
Her recent work also attempts to apply heuristics, satisficing approaches, and elements of bounded rationality to understand complex, uncertain systems. She is also interested in human-animal relationships, the histories of big-game hunting, and hunting and foraging by traditional societies. Her work experience has largely been in mountains (Trans-Himalaya, Western Himalaya and the Western Ghats) and island systems (Andaman and Nicobar Islands).
Know more.","descriptor":"Ecologist and Environmental Historian","id":25,"image":"CSS_Pe11.JPG","uid":"CSS_Pe11"},{"alias":"Jagdish Krishnaswamy","bio":"Jagdish Krishnaswamy is the Dean, School of Environment and Sustainability, Indian Institute for Human Settlements (IIHS). Krishnaswamy holds a B. Tech. in Civil Engineering from the Indian Institute of Technology, Mumbai, a Masters in Statistics and Decision Sciences, and a PhD in Environmental Studies from Duke University, USA. His research and teaching interests are in ecohydrology, landscape ecology, and the applications of Bayesian statistics in ecology and environmental science.
Know more.","descriptor":"Ecohydrologist","id":26,"image":"CSS_Pe12.jpg","uid":"CSS_Pe12"},{"alias":"Aromar Revi","bio":"Aromar Revi is the Director of the Indian Institute for Human Settlements (IIHS). He is an alumnus of Indian Institute of Technology, Delhi and the Law and Management schools of the University of Delhi. He has over 35 years of interdisciplinary experience in sustainable development, public policy and governance, human settlements, as well as global environmental and technological change.
Revi is Co-Chair of the United Nations (UN) Sustainable Development Solutions Network, from where he helped lead a successful global campaign for an urban Sustainable Development Goal (SDG 11) as part of the UN’s 2030 development agenda. Revi’s practice and research work lie at the interface of sustainability science and climate science; and the emerging discipline of ‘urban science’ that he is helping define internationally.
Know more.","descriptor":"Interdisciplinary Researcher","id":27,"image":"CSS_Pe13.jpg","uid":"CSS_Pe13"},{"alias":"Jonak Das","bio":"Jonak Das is faculty and Discipline Lead for Exhibition Design at the National Institute of Design (NID). He guides projects in exhibit design, design in a social context, and pavilion design. He is interested in research around the design of learning spaces.
Outside of the classroom, he is actively involved in professional design projects that involve pavilion and exhibit design, product design, crafts and pedagogic structure. He has worked with various design firms based in Delhi, such as Design Habit, Kaaru, Itu Chaudhuri Design, and Lopez Design, where he served as the Project Director before joining NID.
Know more.","descriptor":"Exhibition Designer","id":28,"image":"CSS_M_Pe1.jpg","uid":"CSS_M_Pe1"},{"alias":"Sarjapura Curries","bio":"Sarjapura Curries is a community and inclusion based art and video project that aims to include edible weeds into our food, and document recipes of the same. It extends to conserving knowledge on those weeds and reviving their popularity in vegetable markets.
Suresh Kumar, the founder of Sarjapura Curries, is facilitating this session. A visual artist and art teacher, he moonlights as an ecological pioneer in his native village Volagerekallahalli near Sarjapur, in Bengaluru.
Know more.","descriptor":"","id":29,"image":"CSS_LF_Pe1.png","uid":"CSS_LF_Pe1"},{"alias":"Echo Network","bio":"The Echo Network is a social innovation partnership with a specific focus on increasing trust between and across sectors, increasing the value of science for society, and instilling a sense of public responsibility for India’s human and environmental ecosystems. They have built a 1200 member international community spanning 24 countries that enables organisations and individuals to interact and generate a shared purpose through collaborative science-based activities and research.
This workshop with the Echo Network is facilitated by chemical ecologist Shannon Olsson, as well as other members of the team—Akshata Pradhan, Digangana Mukherjee, and Tina Patrao.
Know more.","descriptor":"","id":30,"image":"CSS_LF_Pe2.png","uid":"CSS_LF_Pe2"},{"alias":"Centre for Cellular and Molecular Platforms (C-CAMP)","bio":"An initiative supported by the Department of Biotechnology, Government of India, the Centre for Cellular and Molecular Platforms (C-CAMP) has been a catalyst of cutting-edge research and innovation in the life sciences since 2009. C-CAMP aims to facilitate bioscience research and entrepreneurship by providing research, development, and training services in state-of-the-art Technology Platforms.
Know more.","descriptor":"","id":31,"image":"CSS_LF_Pe3.png","uid":"CSS_LF_Pe3"},{"alias":"As The Drain Goes","bio":"Storm water drains are crucial to a city’s health. However, unplanned urbanisation, indiscriminate disposal of garbage and sewage, encroachments, and industrial discharges disrupt the flow of these drains. The project ‘As the Drain Goes’ proposes to map the Koramangala Valley pathway in Bangalore (from Majestic to Bellandur lake), and look at the communities residing along the line, with a special focus on garbage from water and sanitation interplay and urban flooding vulnerability.
This field visit and walk is facilitated by journalist Pinky Chandran.
Know more.","descriptor":"","id":32,"image":"CSS_LF_Pe4.png","uid":"CSS_LF_Pe4"},{"alias":"Transforming Education for Sustainable Futures","bio":"","descriptor":"","id":33,"image":"CSS_PL_Pe1.png","uid":"CSS_PL_Pe1"},{"alias":"Indian Institute for Human Settlements ","bio":"","descriptor":"","id":34,"image":"CSS_PL_Pe2.png","uid":"CSS_PL_Pe2"},{"alias":"National Centre for Biological Sciences ","bio":"","descriptor":"","id":35,"image":"CSS_PL_Pe3.png","uid":"CSS_PL_Pe3"},{"alias":"Lake Health Index","bio":"Using citizen science initiatives, the Lake Health Index project focuses on the indicative parameters which affect lake health. It involves developing a robust dynamic index to represent the lake’s environment and biodiversity in the form of an app or list, which can be assessed by the public, and can serve as a repository for experts and researchers interested in the field.
This seminar and field visit is conducted by V Ramprasad, the convenor of this project.
Know more.","descriptor":"","id":36,"image":"CSS_LF_Pe4.png","uid":"CSS_LF_Pe5"},{"alias":"Museum of Art & Photography (MAP)","bio":"The Museum of Art & Photography (MAP) is a new and innovative museum, opening in Bangalore in 2022. Its mission is to take arts and culture to the heart of the community, making it accessible to the widest possible audience. MAP is a space for new ideas and conversations that are initiated through its collection.
MAP is custodian to a growing collection of over 60,000 art works, predominantly from South Asia and dating from the 10th century to the present. Its 44,000 sq. ft. flagship site will include five galleries, an auditorium, an art and research library, education centre, a multimedia center and a specialised research and conservation facility.
Know more.","descriptor":"","id":37,"image":"CSS_LF_Pe6.png","uid":"CSS_LF_Pe6"},{"alias":"BIC","bio":"Hidbsc apiosbajk","descriptor":"","id":38,"image":"LG_A_AAI.png","uid":"LG_A_AAI"},{"alias":"Arnika Ahldag","bio":"Arnika Ahldag is the chief curator at the Museum of Art and Photography. As an art historian, she investigates the representation of labour in Indian contemporary art. As an artist she works in video and performance and her projects were shown at the Bhubaneswar Art Trail, the Kiran Nadar Museum of Modern Art and Max Mueller Bhavan, New Delhi. She co-founded the Feminist Syllabus, which is part of the workshop series ‘Pact of Silence — How to break it?’, a programme for intersectional feminist discourses in the arts. She holds a Ph.D. in Visual Studies from the School of Arts and Aesthetics, Jawaharlal Nehru University, and an MA from University College in London, UK and Albert Ludwigs University in Freiburg, Germany.","descriptor":"Art Historian and Curator","id":39,"image":"Pe1_SGB_AAI.jpg","uid":"Pe1_SGB_AAI"},{"alias":"Dhiraj Kumar Nite","bio":"Dhiraj Kumar Nite (Dr, PhD) is a social scientist at Ambedkar University Delhi, India and a Senior Research Associate at the University of Johannesburg, South Africa. He specialises in the history of wellbeing, labour relations, and entrepreneurship. His PhD in Historical Studies, Jawaharlal Nehru University, New Delhi, is titled ‘Work and Culture on the Mines: An Indian Coalfield (Jharia) 1895-1970’. He was a postdoctoral fellow at the Linnaeus University, Sweden, and the University of Johannesburg.
Among his publications are ‘The Aspiration for a “Civilised”, “Human” and “Dignified” Life: An enquiry into sociability, sociality, and wellbeing of migrants in an Indian coalfield' (2021), ‘Employee Benefits, Migration and Social Movement: An Indian Coalfield, 1895-1970’(2019), ‘Negotiating the Mines: The Culture of Safety in the Indian Coalmines, 1895-1970’(2019).
Presently, he has been enquiring into the construction sector, skill development and wellbeing in nineteenth-century western India.","descriptor":"Social Scientist","id":40,"image":"Pe2_SGB_AAI.jpg","uid":"Pe2_SGB_AAI"},{"alias":"Ronny Sen","bio":"Ronny Sen is a film director, screenwriter, and photographer based in Kolkata. His debut feature film Cat Sticks world-premiered in the competition section at Slamdance in 2019, and won a Jury award. He has directed television documentaries for the BBC. He started his career as a photographer and has made two artist books, Khmer Din (2013) and End of Time (2016). He was invited to be an artist in residence in Japan by the Japan Foundation in 2013 and in Poland by the Polish Institute in 2016. He received the Getty Images Instagram Grant in 2016 for his work in the Jharia coal mines which were shown in his debut solo exhibition in 2018 titled Fire Continuum at the gallery Tarq in Mumbai. His works are included in the permanent collection of the Alkazi Collection of Photography.
","descriptor":"Filmmaker and Photographer
","id":41,"image":"Pe3_SGB_AAI.jpg","uid":"Pe3_SGB_AAI"},{"alias":"Shanthamani Muddaiah","bio":"Shanthamani Muddaiah is an artist and sculptor who makes installations with natural materials like paper, bamboo and charcoal, seeking to challenge our perception of carbon and sustainability. Muddaiah explains that carbon, and by extension charcoal, is the primal medium of human expression - we are carbon-based life forms fueled by carbon-based natural resources for our everyday lives. Charcoal finds a delicate and transitive form in fragments of burnt wood,
between ash and life. She uses the material as an allegorical lens to a post-industrial society and urban life. On the other hand, bamboo and charcoal are also materials associated with sustainable solutions – carbon pollution is purified by carbon filters. The duality of carbon is greatly contrasted in Muddaiah’s work.
","descriptor":"Visual Artist","id":42,"image":"Pe4_SGB_AAI.jpg","uid":"Pe4_SGB_AAI"},{"alias":"Shrabonti Bagchi","bio":"Shrabonti Bagchi has been a feature writer and editor for over 20 years with publications such as The Telegraph, Business Standard, DNA and The Times of India. She was Culture Editor at Factor Daily, a niche digital publication focusing on technology and its intersections with society. Currently, she is National Features Editor at Mint, where she writes on business, art, culture, and technology. ","descriptor":"Journalist","id":43,"image":"Pe5_SGB_AAI.jpg","uid":"Pe5_SGB_AAI"},{"alias":"Zehra Jumabhoy","bio":"Zehra Jumabhoy is a Lecturer in the History of Art at the University of Bristol. She is a critic, curator and art historian specializing in modern & contemporary art with a decolonizing focus. She was the Steven and Elena Heinz Scholar at the Courtauld Institute of Art, London, where she completed her doctorate on contemporary Indian art, nationalism and postcolonial theory. Her book, The Empire Strikes Back: Indian Art Today, was published by Random House, London, in 2010.
Zehra is currently curatorial research fellow at the Glynn Vivian Art Gallery funded by the Paul Mellon Centre for British Art, working on a major project Imperial Subjects (Post)Colonial Conversations between Wales and South Asia. The exhibition based on this project will be co-curated with Katy Freer, Head of Exhibitions at the Glynn Vivian in Spring 2023. For more information see the Glynn Vivian website or www.zehrajumabhoy.com","descriptor":"Art Historian and Curator","id":44,"image":"Pe4_GV_AAI.jpg","uid":"Pe4_GV_AAI"},{"alias":"Samuel Raybone","bio":"Samuel Raybone is an art historian, specialising in the history and historiography of Impressionism, and presently Lecturer in Art History at Aberystwyth University.
His current research examines transnational and decolonial approaches to Impressionism, including the complex relationships between transnational circuits and national imaginaries in the collection, display, and reception of Impressionism in Wales. His chapter ‘Provincializing impressionism: the Davies sisters, French impressionism, and Welsh identity in 1913’ is forthcoming in the bilingual edited volume Collectionner l’impressionnisme / Collecting Impressionism.
","descriptor":"Art Historian","id":45,"image":"Pe3_GV_AAI.jpg","uid":"Pe3_GV_AAI"},{"alias":"Ceri Thompson","bio":"Ceri Thompson left school at 16 and spent the next 16 years on the coal face at Cwm Colliery, Llantwit Fardre. After redundancy in 1986, he attended Coleg Harlech and University of Wales, Cardiff. Since graduating he worked in various museums and archives before becoming the curator of Big Pit: National Coal Museum in 1999.
At present he is researching the rescue and recovery aspect of the Aberfan disaster of 1966.","descriptor":"Curator","id":46,"image":"Pe2_GV_AAI.jpg","uid":"Pe2_GV_AAI"},{"alias":"Abby Poulson","bio":"Abby Poulson is an artist currently based in Wales. Using photography in a multi-disciplinary sense, she often combines digital and alternative processes to explore ideas surrounding our relationship with y tir (the land), the environment and Welsh identity whilst drawing inspiration from her immediate surroundings in the rural.
Poulson graduated from Swansea College of Art in 2020, where she achieved a BA in Photography in the Arts. Since graduating, she has been practising as a freelance artist, photographer and emerging curator. She is currently a research assistant for We Live with The Land, The Land as Other a transdisciplinary project interrogating artists’ use of landscape as a subject in Wales.
Poulson's recent projects include The Gathering Ground, a photographic document that explores Wales’ relationship to water, and Y Chwarel, a continuous exploration into the quarried landscapes of Wales, which is currently on ‘The Screen’ at Mission Gallery, Swansea.
","descriptor":"Artist","id":47,"image":"Pe1_GV_AAI.jpg","uid":"Pe1_GV_AAI"},{"alias":"Bangalore International Centre (BIC)","bio":"The Bangalore International Centre (BIC) platform fosters intellectual activity, dialogue, cultural enterprise and innovation. BIC strives to bring together a diverse and engaged community of thinkers, artists, academicians and professional in order to promote social harmony by providing an inclusive platform for dialogue and fostering relevant theme based programs.
BIC's programs including talks, discussions, performances, film screenings and explorations on varied subjects that reflect the ethos and culture of Bangalore as a dynamic, futuristic, aspirational and growing metropolis.
Know more.","descriptor":"","id":48,"image":"PP_1_AAI.png","uid":"PP_1_AAI"},{"alias":"British Council","bio":"The British Council supports peace and prosperity by building connections, understanding and trust between people in the UK and countries worldwide.
The British council finds new ways of connecting with and understanding each other through arts and culture, bringing artists and audiences together to share and exchange creative ideas, and tackling global challenges through arts and culture to create positive change.
Know more.","descriptor":"","id":49,"image":"PP_2_AAI.png","uid":"PP_2_AAI"},{"alias":"Glynn Vivian Art Gallery","bio":"Set within the heart of the City, Swansea Council’s Glynn Vivian Art Gallery is a centre of excellence for the visual arts and a world class gallery for Wales.
The Gallery is a vibrant and inspiring free art space for everyone and provides a place for historical, modern and contemporary art exhibitions, talks, lectures and conferences, live music, performance and events in the heart of Swansea’s bustling artistic quarter.
Know more.","descriptor":"","id":50,"image":"PP_3_AAI.png","uid":"PP_3_AAI"},{"alias":"Wales Arts International","bio":"Wales Arts International is the international agency of the Arts Council of Wales. Wales Arts International provide advice and support to artists and arts organisations from Wales who work internationally. Wales Arts International are a contact point for international artists organisations and agencies working in or connecting with Wales.
Know more.","descriptor":"","id":51,"image":"PP_4_AAI.png","uid":"PP_4_AAI"},{"alias":"Museum Society of Mumbai","bio":"The Museum Society of Mumbai is a premier institution, established in 1963, and has been successfully carrying out activities related to Indian art and culture, in conjunction with the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya. The programmes of the Museum Society of Mumbai include interactive lectures, curatorial walks, lecture demonstrations for Indian performing arts, cultural tours, exhibitions, outreach and in-house activities for children and adults. ","descriptor":"","id":52,"image":"PP_5_AAI.png","uid":"PP_5_AAI"},{"alias":"Gayatri Manu","bio":"Gayatri Manu is a writer and researcher, with experience in the field of reporting, publishing, and cultural programming. She creates exhibitions and programmes at Science Gallery Bengaluru. She completed her Master's in Creative Writing and Literary Arts from Ambedkar University Delhi, where she focused on literary devices and narrative techniques employed in the Speculative Fiction genre. Her work has appeared in Firstpost, The Better India, The Ladies Finger and Yahoo India. In her spare time, apart from reading, you will find her fixing plot holes in her manuscripts and looking for obscure foreign-language films on the internet.","descriptor":"","id":53,"image":"CA_5.jpeg","uid":"CA_5"},{"alias":"Vasudha Malani","bio":"Vasudha Malani is interested in interdisciplinary research, particularly in the field of Health Humanities. At Science Gallery Bengaluru, she develops exhibitions and mentorship programmes for young adults. She holds a Bachelor's degree in English from Ashoka University, where she also worked as a Teaching Assistant. As a part of her Postgraduate Diploma, she explored the role of dust as an actant in novels from the 19th and 20th centuries. She also has experience in writing, editing, and event management.","descriptor":"","id":54,"image":"CA_6.jpg","uid":"CA_6"}],"perspectives":[{"caption":"Prompt: Altered
This image seeks to capture the uncanny, as it is described by Freud. The sick nature of the coughing man seems almost violent because of the vibrant reds and oranges.","contributor":"PP_A1_Pe1_PSY","id":0,"image":"PP_A1_PSY.jpg","prompt":"Altered","text":"","title":"","type":"image"}],"programmes":[{"blurb":"Stelarc, an internationally renowned artist has interrogated the distinction between the body and the mind through many of his performances. In his work, the body becomes the site of experimentation and expression—a chimera of metal, meat and code. Charting the psychological and physical limitations of the body, he extends the idea of the self through suspensions, implants, and other cyborgian constructs. In this age of body hacking, gene mapping, organ swapping, face transplants and synthetic skin, he interrogates what it means to be alive and human. When the body is extended through technology, where does agency reside? Is it at all possible to locate the self within the biological body? What does aliveness mean for a body extended by technology? 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ಕಾರ್ಬನ್—ಜೀವ ಮತ್ತು ಜೀವನದ ಒಂದು ಪ್ರಮುಖವಾದ ಘಟಕಾಂಶವಾಗಿದೆ. ಭೂಮಿಯ ಇತಿಹಾಸದಲ್ಲಿ ಕಾರ್ಬನ್ ಸದಾ ಕೇಂದ್ರಸ್ಥಾನದಲ್ಲಿದೆ. ಮಾನವ ಸಮಾಜದ ವಿಕಾಸವು ಕೇವಲ ಕಾರ್ಬನ್ನಿಂದ ಚಾಲಿತವಾಗಿದೆ. ಅಷ್ಟೇ ಅಲ್ಲದೆ ವಿಕಿರಣಶೀಲ ಕಾರ್ಬನ್ನ ಮೂಲಕವೇ ಈ ವಿಕಾಸದ ಜಾಡು ಹಿಡಿಯಲ್ಪಟ್ಟಿದೆ ಮತ್ತು ಗುರುತಿಸಲ್ಪಟ್ಟಿದೆ. ಇಂದು ಜಾಗತಿಕ ಬಿಕ್ಕಟ್ಟಿನ ವಿಷಯಗಳಲ್ಲಿಯೂ ಕೂಡಾ ಕಾರ್ಬನ್ ಚರ್ಚೆಯ ಕೇಂದ್ರಬಿಂದುವಾಗಿದೆ. ದುರಾದೃಷ್ಟವಶದಿಂದ ಇದಕ್ಕೆ ನಮ್ಮಲ್ಲಿ ಯಾವ ತಕ್ಷಣದ ಪರಿಹಾರಗಳೂ ಇದ್ದಂತಿಲ್ಲ. ಅಭಿವೃದ್ಧಿಯ ಹೆಸರಲ್ಲಿ ನಾವು ಬೇಕಾಬಿಟ್ಟಿಯಾಗಿ ಉತ್ಪಾದಿಸಿ ವಾಯುಮಂಡಲಕ್ಕೆ ಬಿಡುಗಡೆ ಮಾಡಿದ ಕಾರ್ಬನ್ ಅನ್ನು ಬೇರ್ಪಡಿಕೆ ಮತ್ತು ಸೆರೆಹಿಡಿದು ಕೂಡಿಡುವಿಕೆ ಪ್ರಕ್ರಿಯೆಗಳ ಮೂಲಕ “ಡಿ-ಕಾರ್ಬನೀಕರಣ” ಮಾಡುವ ತುರ್ತು ಕರೆಯಿದೆ. ಈ ಬಗೆಯ ಸಾರ್ವಜನಿಕ ಚರ್ಚೆಗಳು, ಪರಿಸರದಲ್ಲಿನ ಎಲ್ಲಾ ಜೈವಿಕ ಮತ್ತು ಅಜೈವಿಕ ರೂಪಗಳೊಂದಿಗಿನ ವಾಸ್ತವಿಕ ಸಂಬಂಧಗಳ ಸುತ್ತಲೂ ಕಾರ್ಬನ್ ಹೊಂದಿರುವ ಮಹತ್ವದ ಪಾತ್ರವನ್ನು ಕಡೆಗಣಿಸುತ್ತದೆ.
ಈ ಆಕರ್ಷಕವಾದ ಹೇಳಿಕೆಗಳು ಮತ್ತು ವಿರೋಧಾಭಾಸಗಳ ಆಚೆಗೆ ನಾವು ಕಾರ್ಬನ್ ಅನ್ನು ಹೇಗೆ ಅರ್ಥ ಮಾಡಿಕೊಳ್ಳುತ್ತೇವೆ? ಅದು ಹೇಗೆ ನಡೆದುಕೊಳ್ಳುವುದೋ ಹಾಗೆ ಏಕೆ ನಡೆದುಕೊಳ್ಳುತ್ತದೆ? ಜೀವದ ಮೂಲಭೂತ ಆಧಾರವಾಗಿಯೂ, ಉಸಿರುಗಟ್ಟಿಸಬಲ್ಲ ಒಂದು ಅನಿಲವಾಗಿ ಏಕೆ ನಡೆದುಕೊಳ್ಳುತ್ತದೆ? ಸಾವಿರಾರು ಜನರನ್ನು ಶೋಷಿಸಿ, ಅಮರ ಪ್ರೇಮವನ್ನು ಸಾರುವ ಉದ್ದಿಮೆಯೊಂದರ ನಡುವೆ ಸ್ಮಾರಕ ಸ್ತಂಭವೊಂದನ್ನು ನಿಲ್ಲಿಸಿದಂತಿದೆ. ಇದು ಒಂದು ತೈಲೋತ್ಪನ್ನವಾಗಿ—ಯುದ್ಧಗಳಿಗೆ, ಸಾವುನೋವು ಸಂಕಟಗಳಿಗೆ ಮೂಲವಾಗಿದೆ. ಆದರೆ ಸಾವು ಮತ್ತು ಕೊಳೆಯುವಿಕೆಗಳೂ ಕೂಡಾ ಪಳೆಯುಳಿಕೆ ಇಂಧನವಾಗಿ ರೂಪುಗೊಂಡು ಮತ್ತೆ ಬೇಡಿಕೆ ಗಳಿಸುತ್ತದೆ.
ಮುಂಬರುವ ನಮ್ಮ ಪ್ರದರ್ಶನ-ಕಾಲವಾದ—ಇಂಗಾಲದಲ್ಲಿ, ಈ ಧಾತುವಿನೊಂದಿಗಿನ ನಮ್ಮ ಸಂಬಂಧಗಳನ್ನು ಶೋಧಿಸಲು ಬನ್ನಿ.","uid":"A_3","visibility":""},{"child":"","color":"","data_type":"heading","density":"","id":3,"image":"","link":"","person":"","text":"ಮುಂಬರುವ ನಮ್ಮ ಪ್ರದರ್ಶನ-ಕಾಲವಾದ—ಇಂಗಾಲದಲ್ಲಿ, ಈ ಧಾತುವಿನೊಂದಿಗಿನ ನಮ್ಮ ಸಂಬಂಧಗಳನ್ನು ಶೋಧಿಸಲು 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","uid":"A_38","visibility":""},{"child":true,"color":"","data_type":"image","density":"","id":38,"image":"FP4_w.png","link":"","person":"","text":"Indian Institute of Human Settlements","uid":"A_39","visibility":""},{"child":true,"color":"","data_type":"image","density":"","id":39,"image":"FP5_w.png","link":"","person":"","text":"Prohelvetia","uid":"A_40","visibility":""},{"child":true,"color":"","data_type":"image","density":"","id":40,"image":"FP6_w.png","link":"","person":"","text":"Swissnex","uid":"A_41","visibility":""},{"child":true,"color":"","data_type":"image","density":"","id":41,"image":"FP7_w.png","link":"","person":"","text":"Transforming Education for Sustainable Futures","uid":"A_42","visibility":""},{"child":true,"color":"","data_type":"heading","density":"","id":42,"image":"","link":"","person":"","text":"ಸ್ಥಳದ ಸಹಯೋಗಿಗಳು","uid":"A_43","visibility":""},{"child":true,"color":"","data_type":"block_grid","density":0.1333,"id":43,"image":"","link":"","person":"","text":"","uid":"A_44","visibility":""},{"child":true,"color":"","data_type":"image","density":"","id":44,"image":"VP1_w.png","link":"","person":"","text":"Bangalore Metro Rail Corporation Ltd.","uid":"A_45","visibility":""}],"ccsante":[{"aspect_ratio":"","child":"","color":"","data_type":"spacer","density":3,"id":0,"image":"","link":"","person":"","text":"","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"block_row","density":"","id":1,"image":"","link":"","person":"","text":"","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"custom","density":"","id":2,"image":"","link":"","person":"","text":"CC Sante Community Conference
location_onScience Gallery Bengaluru
date_range03 March 2024
local_activityFree Entry
","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"custom","density":"","id":3,"image":"","link":"","person":"","text":"CC Sante, is a space that brings together creative coders of all kinds. We play with code, share and learn tools, explore the meaning and impact of technology while making it all accessible to everybody and wide enough to encompass all interests. We have speakers sharing their practice and creating a community, workshops for people curious to expand their work and demos of projects to celebrate and share the excitement of having created something cool. Technology is often put on a pedestal, making it seem inaccessible, but by subverting the narrative and using it to create artifacts of aesthetic value, not just functional, we are taking it back to then explore how it really fits in everyday life. Like any other sante, it's a fair for everything creative and coding, particularly focusing on fun, community and accessibility.
","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"block","density":"","id":4,"image":"","link":"","person":"","text":"","visibility":""},{"aspect_ratio":"","child":"","color":"outline","data_type":"button","density":"","id":5,"image":"","link":"https://bit.ly/ccsante-2024","person":"","text":"Register Now","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"heading","density":"centre","id":6,"image":"","link":"","person":"","text":"Partners","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"spacer","density":"","id":7,"image":"","link":"","person":"","text":"","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"image","density":"","id":8,"image":"Frame_178.svg","link":"","person":"","text":"","visibility":""}],"common_ground":[{"aspect_ratio":"","child":"","color":"","data_type":"spacer","density":3,"id":0,"image":"","link":"","person":"","text":"","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"block_row","density":"","id":1,"image":"","link":"","person":"","text":"","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"custom","density":"","id":2,"image":"","link":"","person":"","text":"ಕಾಮನ್ ಗ್ರೌಂಡ್ : ಮಾನವ-ವನ್ಯಜೀವಿ ಸಹಬಾಳ್ವೆಯ ಕಥೆಗಳು
location_onಮುಖಮಂಟಪ, ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು
date_range06 ಫೆಬ್ರವರಿ - 18 ಫೆಬ್ರವರಿ 2024
scheduleಸಮಯ
ಸೋಮವಾರ: ರಜಾದಿನ
ಮಂಗಳವಾರ – ಗುರುವಾರ: 10 AM – 6 PM
ಶುಕ್ರವಾರ – ಶನಿವಾರ: 10 AM – 8 PM
local_activityಎಲ್ಲರಿಗೂ ಉಚಿತ ಪ್ರವೇಶ
","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"custom","density":"","id":3,"image":"","link":"","person":"","text":"ಸಾಮಾನ್ಯವಾಗಿ ಜನರು ಮಾನವ ಆಕ್ರಮಿತ ಭೂಮಿ ಮತ್ತು ಅರಣ್ಯಗಳೆರಡನ್ನೂ ಭಿನ್ನ ಪ್ರಪಂಚಗಳೆಂದು ಭಾವಿಸುತ್ತಾರೆ. ಹಾಗಿದ್ದೂ, ಹವಾಮಾನ ಬದಲಾವಣೆ ಮತ್ತು ಭೂಮಿಯ ನೈಸರ್ಗಿಕ ವಲಯವನ್ನು ಹಾನಿ ಮಾಡುವುದು ಸೇರಿದಂತೆ ಹೆಚ್ಚಾಗುತ್ತಿರುವ ಮಾನವ ನಿರ್ಮಿತ ಒತ್ತಡಗಳನ್ನು ಒಳಗೊಂಡಂತೆ, ನಮಗೆ ತಿಳಿದಿರುವುದಕ್ಕಿಂತ ಹೆಚ್ಚಾಗಿ ಮಾನವ ಈ ಕ್ಷೇತ್ರಗಳನ್ನು ಅತಿಕ್ರಮಿಸಿದ್ದಾನೆ. ಮನುಷ್ಯ-ವನ್ಯಜೀವಿಗಳ ನಡುವಿನ ಸಂವಹನದ ಹಲವು ಅಂಶಗಳನ್ನು ಎತ್ತಿ ತೋರಿಸುವ ಪ್ರಯತ್ನದ ಭಾಗವಾಗಿ, ನೇಚರ್ ಇನ್ಫೋಕಸ್ನ ಈ ಚಿತ್ರ ಪ್ರದರ್ಶನ ಮಾನವ ಮತ್ತು ವನ್ಯಜೀವಿಗಳ ಚಟುವಟಿಕೆಗಳು ಮತ್ತು ಭೌಗೋಳಿಕ ಅತಿಕ್ರಮಣದ ಬಗ್ಗೆ ಮಾತನಾಡುತ್ತದೆ.
ಈ ಪ್ರದರ್ಶನವು ಬೃಹತ್ ಗಾತ್ರದ ಜೀವಿಗಳು ಮಾನವರೊಂದಿಗೆ ಹೇಗೆ ಸಹಜೀವನ ನಡೆಸುತ್ತವೆ ಮತ್ತು ಇಂತಹ ಸಂಬಂಧಗಳು ನಗರ ಪ್ರದೇಶಗಳು, ಮಾನವ-ಪ್ರಾಬಲ್ಯ ಇರುವ ಪ್ರದೇಶಗಳು ಮತ್ತು ಮಾನವನಿಂದ ಬಳಕೆಯಾದ ಆವಾಸಸ್ಥಾನಗಳ ವರೆಗೆ ಹೇಗೆ ಹರಡಿಕೊಂಡಿದೆ ಎಂಬುದರ ಕುರಿತು ಜಾಗೃತಿ ಮೂಡಿಸುತ್ತದೆ. ಪಕ್ಷಿಗಳು, ಜೇಡಗಳು, ಡಾಲ್ಫಿನ್ಗಳು, ಚಿರತೆಗಳು, ಆನೆಗಳು ಮತ್ತು ಹುಲಿಗಳು- ಹೀಗೆ, ಸಾಮಾನ್ಯವಾಗಿ ಮನುಷ್ಯರೊಂದಿಗೆ ಮುಖಾಮುಖಿಯಾಗುವ ಮತ್ತು ಸಂವಹನ ನಡೆಸುವ ವಿಸ್ಮಯಕಾರಿ ಜೀವಿಗಳು ವ್ಯಾಪಕವಾದ ಸಾರ್ವಜನಿಕ ಚರ್ಚೆಯೊಂದನ್ನು ಹುಟ್ಟುಹಾಕುತ್ತವೆ, ಇಂತಹ ಸಂವಾದವನ್ನು ಈ ಚಿತ್ರ ಪ್ರದರ್ಶನವು ನಿಮ್ಮ ಮುಂದಿಡುತ್ತದೆ.","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"block","density":"","id":4,"image":"","link":"","person":"","text":"","visibility":""},{"aspect_ratio":"","child":"","color":"outline","data_type":"button","density":"","id":5,"image":"","link":"/programmes","person":"","text":"ನೋಂದಣಿ ಮಾಡಿ","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"heading","density":"","id":6,"image":"","link":"","person":"","text":"ಕಾಮನ್ ಗ್ರೌಂಡ್ : ಮಾನವ-ವನ್ಯಜೀವಿ ಸಹಬಾಳ್ವೆಯ ಕಥೆಗಳು ಪ್ರದರ್ಶನದ ನೋಟಗಳು","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"block_grid","density":0.25,"id":7,"image":"","link":"","person":"","text":"","visibility":""},{"aspect_ratio":1.50058616647127,"child":"","color":"","data_type":"image_caption","density":"","id":8,"image":"cg_1.jpeg","link":"","person":"","text":"","visibility":""},{"aspect_ratio":1.30745658835546,"child":"","color":"","data_type":"image_caption","density":"","id":9,"image":"cg_2.jpeg","link":"","person":"","text":"","visibility":""},{"aspect_ratio":1.50058616647127,"child":"","color":"","data_type":"image_caption","density":"","id":10,"image":"cg_3.jpeg","link":"","person":"","text":"","visibility":""},{"aspect_ratio":1.50058616647127,"child":"","color":"","data_type":"image_caption","density":"","id":11,"image":"cg_4.jpeg","link":"","person":"","text":"","visibility":""},{"aspect_ratio":1.51658767772511,"child":"","color":"","data_type":"image_caption","density":"","id":12,"image":"cg_5.jpeg","link":"","person":"","text":"","visibility":""},{"aspect_ratio":1.49358226371061,"child":"","color":"","data_type":"image_caption","density":"","id":13,"image":"cg_6.jpeg","link":"","person":"","text":"","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"spacer","density":"","id":14,"image":"","link":"","person":"","text":"","visibility":""},{"aspect_ratio":"","child":"","color":"","data_type":"image","density":"","id":15,"image":"Frame_176.svg","link":"","person":"","text":"","visibility":""}],"components":[{"component":"text","id":0},{"component":"strip","id":1},{"component":"title","id":2},{"component":"heading","id":3},{"component":"quote","id":4},{"component":"person","id":5},{"component":"person_thumbnail","id":6},{"component":"embed_thumbnail","id":7},{"component":"person_name","id":8},{"component":"image","id":9},{"component":"caption","id":10},{"component":"figure","id":11},{"component":"image_caption","id":12},{"component":"image_text","id":13},{"component":"button","id":14},{"component":"link","id":15},{"component":"embed","id":16},{"component":"block","id":17},{"component":"block_text_link","id":18},{"component":"block_list","id":19},{"component":"block_grid","id":20},{"component":"block_row","id":21},{"component":"block_flex","id":22},{"component":"page","id":23},{"component":"spacer","id":24},{"component":"custom","id":25}],"critical_zones":[{"child":"","color":"","data_type":"page","density":"","id":0,"image":"","link":"","person":"","text":"","visibility":""},{"child":"","color":"","data_type":"title","density":2,"id":1,"image":"","link":"","person":"","text":"Critical Zones","visibility":""},{"child":"","color":"","data_type":"block_list","density":"","id":2,"image":"","link":"","person":"","text":"","visibility":""},{"child":"","color":"","data_type":"strip","density":"","id":3,"image":"","link":"","person":"","text":"location_on
Science Gallery Bengaluru
date_range
16 February - 17 March 2024
schedule
Mondays: Closed
Tuesday – Thursday: 10 AM – 6 PM
Friday – Sunday: 10 AM – 8 PM
local_activity
Free Entry","visibility":""},{"child":"","color":"outline","data_type":"button","density":"","id":4,"image":"","link":"/programmes","person":"","text":"Register Now","visibility":""},{"child":"","color":"","data_type":"strip","density":"","id":5,"image":"","link":"","person":"","text":"The Exhibition Critical Zones. In Search of a Common Ground. will be on display at the Science Gallery Bengaluru from February 16 to March 17, 2024.
For a long time the reactions of Earth to our human actions remained unnoticed, and have now finally – not least due to recent international climate protests – moved into public consciousness. The exhibition project Critical Zones invites visitors to engage with the critical situation of the Earth in a novel and diverse way and to explore new modes of coexistence between all forms of life.
The travelling exhibition was conceived and first exhibited at ZKM | Center for Art and Media Karlsruhe (2020-2022) based on a concept by Bruno Latour and Peter Weibel. In collaboration with the Goethe-Institut in South Asia, it has travelled through India and Sri Lanka since 2022. The exhibition in Karlsruhe and its activation programme have been adapted for the local audiences in a close dialogue between the curators, art mediators, the Goethe-Institut / Max Mueller Bhavan Bangalore, local action groups, and institutions.","visibility":""},{"child":"","color":"","data_type":"embed_thumbnail","density":"","id":6,"image":"gray.jpg","link":"F_1","person":"","text":"Normalisation of a Disaster","visibility":""},{"child":"","color":"","data_type":"embed_thumbnail","density":"","id":7,"image":"gray.jpg","link":"F_2","person":"","text":"Ancestral Echoes","visibility":""},{"child":"","color":"","data_type":"embed_thumbnail","density":"","id":8,"image":"gray.jpg","link":"F_3","person":"","text":"Laïtiam ","visibility":""},{"child":"","color":"","data_type":"embed_thumbnail","density":"","id":9,"image":"gray.jpg","link":"F_4","person":"","text":"ସମୁଦ୍ର ପଙ୍କ ଆଚାର
(Ocean Mud Pickle)","visibility":""},{"child":"","color":"","data_type":"embed_thumbnail","density":"","id":10,"image":"gray.jpg","link":"F_5","person":"","text":"Pull","visibility":""},{"child":"","color":"","data_type":"embed_thumbnail","density":"","id":11,"image":"gray.jpg","link":"F_6","person":"","text":"The Blood of Stars","visibility":""},{"child":"","color":"","data_type":"embed_thumbnail","density":"","id":12,"image":"gray.jpg","link":"F_7","person":"","text":"Birth of a Grenade","visibility":""}],"curated":[{"alias":"ಹೌ ದೆ ಮೇಡ್ ಅಸ್ ಡೌಟ್ ಎವರಿಥಿಂಗ್ ","blurb":"ನಾವು ಎಗ್ಗುಸಿಗ್ಗಿಲ್ಲದ ತಪ್ಪುಮಾಹಿತಿಗಳ ಮತ್ತು ನಮ್ಮ ತೀರ್ಮಾನಗಳನ್ನು ರೂಪಿಸಬಲ್ಲ ಜಾಣ್ಮೆಯ ಜಾಹೀರಾತುಗಳ ಯುಗದಲ್ಲಿದ್ದೇವೆ. ಬಿಬಿಸಿ ರೇಡಿಯೋದ ಈ ಹತ್ತು ಕಂತುಗಳ ಸರಣಿಯು ಶಕ್ತಿಯುತವಾಗಿರುವ ಹಿತಾಸಕ್ತಿಗಳು “ಕ್ಯಾನ್ಸರ್ ಮತ್ತು ಧೂಮಪಾನದ ನಡುವಿನ ನೆಂಟನ್ನು ಪ್ರಶ್ನಿಸುವುದರಿಂದ ಹಿಡಿದು ಹವಾಮಾನ ಬದಲಾವಣೆಯೆನ್ನುವುದು ವಂಚನೆಯೇ/ ಸುಳ್ಳುಸುದ್ದಿಯೇ ಎನ್ನುವವರೆಗೆ“ ಸಾಮೂಹಿಕ ಪ್ರಜ್ಞೆಯಲ್ಲಿ ಅನುಮಾನಗಳನ್ನು ಹೇಗೆ ಹುಟ್ಟುಹಾಕಿವೆ ಎಂಬುದನ್ನು ಅನ್ವೇಶಿಸುತ್ತದೆ. ","creators":"BBC_radio_4","descriptor":"open source","id":0,"image":"How_They_Made_Us_Doubt_Everything.jpg","link":"https://open.spotify.com/episode/7byxJsk1LBsmD7MfGxQwWz?si=cf13ba0e744441c9","link_name":"ಕೇಳಿರಿ","secondary_link":"","secondary_link_name":"","type":"podcast","uid":"how_they_made_us_doubt_everything"},{"alias":"ಎವೆರಿಥಿಂಗ್ ಎನ್ವಿರಾನ್ಮೆಂಟ್ ","blurb":"ಪಳೆಯುಳಿಕೆ ಇಂಧನ ಬಳಕೆಯಿಂದ ನವೀಕರಿಸಬಹುದಾದ ಮೂಲದ ಇಂಧನಗಳಿಗೆ ಬದಲಾಗುವುದು, ಹವಾಮಾನ ಬಿಕ್ಕಟ್ಟಿನ ಈ ಸಂದರ್ಭದಲ್ಲಿ ತುರ್ತು ಅಗತ್ಯವಾಗಿದೆ. ಆದರೆ ಬದಲಾವಣೆಯ ಈ ಸಂಕ್ರಮಣವು ನಮ್ಮ ಮುಂದೆ ಒಡ್ಡಲಿರುವ ಸವಾಲುಗಳು ಎಂಥವು?
ಮೊಂಗಾಬೇ ಇಂಡಿಯಾ ಪ್ರಸ್ತುತ ಪಡಿಸಿರುವ ಗಿಗಾವ್ಯಾಟ್ನ ಈ ಸಂಚಿಕೆಯಲ್ಲಿ, ಬೇರೆ ಬೇರೆ ಪಾಲುದಾರರ ಮೇಲೆ ನವೀಕರಿಸಬಹುದಾದ ಇಂಧನಕ್ಕೆ ಬದಲಾಗುವಿಕೆಯ ಈ ಪ್ರಕ್ರಿಯೆಯು ಉಂಟುಮಾಡಬಹುದಾದ ಪರಿಣಾಮಗಳ ಬಗ್ಗೆ ಮತ್ತದರ ಪರಿಹಾರಗಳ ಬಗ್ಗೆ ತಿಳಿದುಕೊಳ್ಳೋಣ.","creators":"Mongabay_India","descriptor":"open source","id":1,"image":"Everything_Environment.jpg","link":"https://open.spotify.com/episode/2OIF2SDleMUfSkQKKu1Wa9","link_name":"ಕೇಳಿರಿ","secondary_link":"","secondary_link_name":"","type":"podcast","uid":"gigawhat_everything_environment"},{"alias":"ಇಂಗ್ಲೀಶ್ ಭಾಷೆಯಲ್ಲಿ ಅತ್ಯಂತ ಉದ್ದವಾದ ಪದ ಯಾವುದು? ","blurb":"ಇಂಗ್ಲೀಶ್ ಭಾಷೆಯ ಅತ್ಯಂತ ಉದ್ದದ ಪದವನ್ನು ನೀವು ಅಚ್ಚರಿಯೆನ್ನುವಂತೆ ರಸಾಯನಶಾಸ್ತ್ರಜ್ಞರ ನಿಘಂಟಿನಲ್ಲಿ ಕಾಣುತ್ತೀರಿ. ಈ ಪದವು ತಂಬಾಕು ಮೊಸಾಯಿಕ್ ವೈರಸ್ನ ಒಂದು ಪ್ರೋಟೀನಿನ ಹೆಸರಾಗಿದ್ದು ಅದರಲ್ಲಿ 1185 ಅಕ್ಷರಗಳಿವೆ. ಈ ಪಾಡ್ಕ್ಯಾಸ್ಟ್ನಲ್ಲಿ ಈ ಪದದ ಹುಟ್ಟಿನ ಬಗ್ಗೆ ತಿಳಿದುಕೊಳ್ಳಿರಿ ಮತ್ತು ಅದು ಇಂಗಾಲದ ಅಸಾಮಾನ್ಯವಾದ ರಸಾಯನಿಕ ಸ್ವರೂಪದ ಬಗ್ಗೆ ಏನು ಹೇಳುತ್ತಿದೆ ಎನ್ನುವುದನ್ನು ಕಲಿಯಿರಿ. ","creators":"Disappearing_Spoon_Podcast, Science_History_Institute","descriptor":"open source","id":2,"image":"What_s_the_Longest_Word_in_the_English_Language_.jpg","link":"https://sciencehistory.org/stories/disappearing-pod/whats-the-longest-word-in-the-english-language/","link_name":"ಕೇಳಿರಿ","secondary_link":"","secondary_link_name":"","type":"podcast","uid":"whats_the_longest_word_in_the_english_language"},{"alias":"ದಿ ಕ್ಲೈಮೆಟ್ ಡೇನಿಯರ್ಸ್ ಪ್ಲೇ ಬುಕ","blurb":"ರೋಲ್ಲಿ ವಿಲಿಯಮ್ಸ್ ಮತ್ತು ನಿಕೋಲೆ ಕಾನ್ಲ್ಯಾನ್ ಎಂಬ ಇಬ್ಬರು ಹಾಸ್ಯಗಾರರು, ಹವಾಮಾನ ವಿಜ್ಞಾನ, ನೀತಿ ರೂಪಿಸುವಿಕೆ ಮತ್ತು ನಗರ ಯೋಜನೆಗಳ ವಿಷಯದಲ್ಲಿ ಸ್ನಾತಕೋತ್ತರ ಪದವಿಗಳನ್ನು ಪಡೆದವರಾಗಿದ್ದಾರೆ. ಈ ಪಾಡ್ಕ್ಯಾಸ್ಟ್ನಲ್ಲಿ, ಹವಾಮಾನ ಬಿಕ್ಕಟ್ಟನ್ನು ಬಗೆಹರಿಸಲು ತೀವ್ರವಾಗಿ ತೊಡಕುಂಟುಮಾಡುತ್ತಿರುವ ತಪ್ಪು ಮಾಹಿತಿಗಳ ಚಳವಳಿಗಳನ್ನು ಮತ್ತು ವ್ಯಾಪಕವಾದ ದಂತಕತೆಗಳನ್ನು ಪರೀಕ್ಷಿಸಿದ್ದಾರೆ.","creators":"Climate_Town","descriptor":"open source","id":3,"image":"The_Climate_Denier_s_Playbook__You_Owe_Your_Life_to_Oil_and_Gas.png","link":"https://open.spotify.com/episode/1IWTdY8wJo0K40c5z7wr71","link_name":"ಕೇಳಿರಿ","secondary_link":"","secondary_link_name":"","type":"podcast","uid":"the_climate_deniers_playbook"},{"alias":"ಡ್ರಿಲ್ಲ್ಡ್: ದಿ ಕಾರ್ಪೋರೇಟ್ ಪುಶ್ ಟು ಕ್ರಿಮಿನಲೈಸ್ ಫ್ರೀ ಸ್ಪೀಚ್ ","blurb":"ಜಗತ್ತಿನಾದ್ಯಂತ ಪ್ರತಿಭಟನೆಗಳನ್ನು, ಅದರಲ್ಲೂ ಪರಿಸರ ಮತ್ತು ಹವಾಮಾನಗಳಿಗೆ ಸಂಬಂಧಿಸಿದಂಥಾ ಪ್ರತಿಭಟನೆಗಳನ್ನು ಹೇಗೆ ಅಪರಾಧೀಕರಣಗೊಳಿಸಲಾಗುತ್ತಿದೆ? ಡ್ರಿಲ್ಲ್ಡ್’ ನ ಈ ಸಂಚಿಕೆಯಲ್ಲಿ, ಹವಾಮಾನ ಪ್ರತಿಭಟನೆಯನ್ನು ಹತ್ತಿಕ್ಕಲು ಸರ್ಕಾರಕ್ಕಾಗಿ ಆಂದೋಲನವನ್ನು ಪ್ರಾರಂಭಿಸಲು ಪಳೆಯುಳಿಕೆ ಇಂಧನ ಉದ್ಯಮಗಳನ್ನು ಪ್ರೇರೇಪಿಸಿತು. ಯಾವ ತಂತ್ರಗಳನ್ನು ಬಳಸಲಾಗುತ್ತಿದೆ ಮತ್ತು ಅವು ಹೇಗೆ ಅಷ್ಟೊಂದು ಪರಿಣಾಮಕಾರಿಯಾಗಿವೆ ಎಂಬುದನ್ನು ಚರ್ಚಿಸಲಾಗಿದೆ.","creators":"Critical_Frequency","descriptor":"open source","id":4,"image":"Drilled__The_Corporate_Push_to_Criminalize_Free_Speech.jpg","link":"https://podcasts.apple.com/gb/podcast/the-corporate-push-to-criminalize-speech/id1439735906?i=1000626038026","link_name":"ಕೇಳಿರಿ","secondary_link":"","secondary_link_name":"","type":"podcast","uid":"drilled"},{"alias":"ಹಾರುವ ಕಪ್ಪೆಗಳು ಮತ್ತು ಗ್ರಾಫೀನ್ ಕುರಿತು ಆಂಡ್ರಿ ಗೆಯ್ಮ್","blurb":"2010ರಲ್ಲಿ ಸರ್ ಆಂಡ್ರಿ ಗೆಯ್ಮ್ ಅವರು ಭೌತಶಾಸ್ತ್ರದಲ್ಲಿ ನೊಬಲ್ ಪ್ರಶಸ್ತಿಯನ್ನು ಗೆಲ್ಲಿಸಿದ್ದಾರೆ. ಅದನ್ನು ಅವರು ಗ್ರಾಫೈಟ್ ಅನ್ನು ರೂಪಿಸುವ ಇಂಗಾಲದ ಪರಮಾಣುಗಳ ಒಂಟಿ ಪದರವಾದ ಗ್ರಾಫೀನ್ ಅನ್ನು ಬೇರ್ಪಡಿಸುವ ಮೂಲಕ ಮೊಟ್ಟಮೊದಲ ಬಾರಿಗೆ ಮಾನವ ನಿರ್ಮಿತ 2-ಆಯಾಮದ ವಸ್ತುವನ್ನು ರಚಿಸಿದ್ದಕ್ಕಾಗಿ ದೊರೆತಿದೆ. ಕೇವಲ 10 ವರ್ಷಗಳ ಮುನ್ನ, ಅವರು ಕಪ್ಪೆಗಳು ತೇಲುವುದಕ್ಕೆ ನೆರವಾಗಲು ನೀರಿನ ಅಯಸ್ಕಾಂತೀಯ ಪದರಗಟ್ಟುವ ಗುಣಲಕ್ಷಣಗಳನ್ನು ಬಳಸಿದ್ದಕ್ಕಾಗಿ ಐಜಿ ನೊಬಲ್ ಪ್ರಶಸ್ತಿಯನ್ನು ಗಳಿಸಿದ್ದಾರೆ. ಈ ಪಾಡ್ಕ್ಯಾಸ್ಟ್ನಲ್ಲಿ, ಅವರ ಕೆಲಸ, ಜೀವನ ಮತ್ತು ಕಪ್ಪೆಗಳನ್ನು ಹಾರಿಸುವ ಬಗ್ಗೆ ಸ್ವಲ್ಪ ಕೇಳಿ.","creators":"The_Life_Scientific","descriptor":"open source","id":5,"image":"Andre_Geim_on_levitating_frogs_graphene.jpg","link":"https://spotify.link/yI0qIzF9GDb","link_name":"ಕೇಳಿರಿ","secondary_link":"","secondary_link_name":"","type":"podcast","uid":"andre_geim_on_levitating_frogs_graphene"},{"alias":"ನಾವು ಇನ್ನೂ ಏಕೆ ವಜ್ರಗಳನ್ನು ಖರೀದಿಸುತ್ತಿದ್ದೇವೆ?","blurb":"ಅವು ಅವು ಶಾಶ್ವತ ಪ್ರೀತಿಯನ್ನು ಸಾಕಾರಗೊಳಿಸುವ ಹೊಳೆಯುವ ಕಲ್ಲುಗಳು. ಆದರೆ ವಜ್ರಗಳು, ನಾವಂದುಕೊಳ್ಳುವಷ್ಟು ಅಪರೂಪದ ವಸ್ತುಗಳೇನೂ ಅಲ್ಲ.
ಈಗೆಲ್ಲಾ, ವಜ್ರಗಳನ್ನು ಪ್ರಯೋಗಾಲಯಗಳಲ್ಲಿ ತಯಾರಿಸಬಹುದು.
ಆದ್ದರಿಂದ, ನಾವು ಅವುಗಳ ಮೇಲೆ ಅಷ್ಟೊಂದು ಹಣವನ್ನು ಏಕಾಗಿ ಖರ್ಚು ಮಾಡುತ್ತಿದ್ದೇವೆ?
ಇದೊಂದು ಶತಮಾನದಷ್ಟು ಸುದೀರ್ಘವಾದ ಅಂತರರಾಷ್ಟ್ರೀಯ ಯೋಜನೆ ಮತ್ತು ಅದು ಹೇಗೆ ಕುಸಿಯಿತು ಎಂಬುದರ ಕತೆಯಾಗಿದೆ. ","creators":"Search_Engine","descriptor":"open source","id":6,"image":"Why_are_we_still_buying_diamonds_.jpg","link":"https://spotify.link/pXqT6tY9GDb","link_name":"ಕೇಳಿರಿ","secondary_link":"","secondary_link_name":"","type":"podcast","uid":"why_are_we_still_buying_diamonds"},{"alias":"ಇಲೆಕ್ಟ್ರಿಸಿಟಿ, ಹೋಲ್ಡ್ ದಿ ಕಾರ್ಬನ್ ","blurb":"ಹವಾಮಾನ ಬಿಕ್ಕಟ್ಟುಗಳಿಂದ ಬದುಕುಳಿಯಲು ಹೊಸ ತಂತ್ರಜ್ಞಾನಗಳು ನೆರವಾಗಬಲ್ಲವೇ? ಈ ಪಾಡ್ಕ್ಯಾಸ್ಟ್ನಲ್ಲಿ ಹೈಡ್ರೋಜನ್ಅನ್ನು ವಿದ್ಯುತ್ ಉತ್ಪಾದನೆಯಲ್ಲಿ ಒಂದು ಇಂಧನವಾಗಿ ಬಳಸುವುದರ ಬಗ್ಗೆ ಕಲಿಯಿರಿ. ವಿದ್ಯುತ್ ಸ್ಥಾವರಗಳು ಬಳಸಬಹುದಾದ ಇಂಗಾಲ ಸೆರೆಹಿಡಿಯುವ ತಂತ್ರಜ್ಞಾನದಲ್ಲಿ ಒಮ್ಮೆ ಧುಮುಕಿರಿ. ","creators":"Cutting_Carbon","descriptor":"open source","id":7,"image":"Electricity_Hold_the_Carbon.jpg","link":"https://open.spotify.com/episode/4tNw97XPsUedflQW4VTpRR","link_name":"ಕೇಳಿರಿ","secondary_link":"","secondary_link_name":"","type":"podcast","uid":"electricity_hold_the_carbon"},{"alias":"ಲೈಫ್ ಸೈಕಲ್ ಅನಾಲಿಸಿಸ್ (ಎಲ್.ಸಿ.ಎ): ಕ್ಯಾಲ್ಕ್ಯುಲೇಟಿಂಗ್ ದಿ ಎಂಬಾಡೀಡ್ ಕಾರ್ಬನ್ ಇನ್ ಬಿಲ್ಡಿಂಗ್ ಮೆಟೀರಿಯಲ್ಸ್","blurb":"ಒಂದು ಎಲ್.ಸಿ.ಎ ಒಂದು ಕಟ್ಟಡದ ನಿರ್ಮಾಣದಲ್ಲಿ ಅದರ ಜೀವಿತಾವಧಿಯಲ್ಲಿ ಬಳಸಿದ ವಸ್ತುಗಳ ಪರಿಸರ ಪರಿಣಾಮಗಳನ್ನು ಪರಿಶೀಲಿಸುತ್ತದೆ. ಈ ಜೀವನಚಕ್ರವು ಆಯಾ ವಸ್ತುಗಳ ತಯಾರಿಕೆ ಸಾಗಣೆ, ಸ್ಥಾಪನೆ, ನಿರ್ವಹಣೆ ಮತ್ತು ಬಿಸಾಡುವಿಕೆ ಅಥವಾ ಮರುಬಳಕೆಯನ್ನು ಒಳಗೊಂಡಿರುತ್ತದೆ. ಈ ಪಾಡ್ಕ್ಯಾಸ್ಟ್ನಲ್ಲಿ, ಸ್ಟ್ರಕ್ಚರಲ್ ಇಂಜಿನಿಯರ್ ಆದ ಲಾರಾ ಹಾಗನ್ ಅವರು ನಿರ್ಮಾಣ ಪರಿಸರಕ್ಕೆ (ಎಲ್.ಸಿ.ಎ) ಯನ್ನು ಚರ್ಚಿಸುತ್ತಾರೆ. ","creators":"The_Future_Built_Smarter","descriptor":"open source","id":8,"image":"The-Future-Build-Smarter-Podcast.jpg","link":"https://open.spotify.com/episode/2gtZ4emprm2E1iwNWU00iW?s","link_name":"ಕೇಳಿರಿ","secondary_link":"","secondary_link_name":"","type":"podcast","uid":"life_cycle_analysis_calculating_embodied_carbon"},{"alias":"ಈಶಾನ್ಯ ರಾಜ್ಯಗಳಲ್ಲಿ ಅಭಿವೃದ್ಧಿಯಿಂದ ಯಾರು ಲಾಭಗಳಿಸುತ್ತಾರೆ?","blurb":"ಇಂಗಾಲ ಪ್ರದರ್ಶನ ಕಾಲದ ಸಲಹೆಗಾರರಾಗಿರುವ ಡಾಲ್ಲಿ ಕಿಕೊನ್ ಅವರೊಂದಿಗೆ ಸಂಭಾಷಣೆಯನ್ನು ಕೇಳಿರಿ. ಇದರಲ್ಲಿ ಅವರು ಗುರುತಿನ/ ಅಸ್ಮಿತೆಯ ಬಗ್ಗೆ, ಈಶಾನ್ಯ ಭಾರತದಲ್ಲಿ ಸಂಪನ್ಮೂಲ ಹೊರತೆಗೆಯುವಿಕೆ, ಅಸ್ಸಾಮಿನ ಬಾಘ್ಜನ್ ಬಿಕ್ಕಟ್ಟು ಮತ್ತು ಅಭಿವೃದ್ಧಿಯು ಹೇಗೆ ಸ್ಥಳೀಯರನ್ನು ಹೊರಗಿಡಬಲ್ಲದು ಎಂಬುದರ ಬಗ್ಗೆ ಮಾತನ್ನಾಡುತ್ತಾರೆ. ","creators":"In_Perspective","descriptor":"open source","id":9,"image":"Who_Benefits_From_Development_in_the_North-East_.png","link":"https://open.spotify.com/episode/5SFFKf4A2VBJafAsSSmJU8","link_name":"ಕೇಳಿರಿ","secondary_link":"","secondary_link_name":"","type":"podcast","uid":"who_benefits_from_development_in_the_northeast"},{"alias":"ಕಮ್ಯುನಿಕೇಟಿಂಗ್ ಕಾರ್ಬನ್ ಅಟ್ ದಿ ಮ್ಯೂಸಿಯಂ ಸೈನ್ಸ್ ","blurb":"ಪ್ರದರ್ಶನಾಲಯದ ಆವರಣದಲ್ಲಿ ನಾವು ಇಂಗಾಲದ ಮತ್ತು ಹವಾಮಾನ ಬದಲಾವಾಣೆಗಳ ಬಗ್ಗೆ ಸಂದೇಶಗಳನ್ನು ಹೇಗೆ ಸಂವಹಿಸಬಲ್ಲೆವು? ವಿಜ್ಞಾನ ಪ್ರದರ್ಶನಾಲಯದಲ್ಲಿ, ‘ಅವರ್ ಫ್ಯೂಚರ್ ಪ್ಲಾನೆಟ್’ ಪ್ರದರ್ಶನದ ಮೇಲ್ವಿಚಾರಕರ ಜೊತೆಯ ಒಂದು ನಡಿಗೆಗಾಗಿ, ಅತಿಥೇಯರನ್ನು ಕೂಡಿಕೊಳ್ಳಿ, ಈ ಪ್ರದರ್ಶನಾಲಯದ ಪಯಣದಲ್ಲಿ, ವಾಯುಮಂಡಲದಿಂದ ಇಂಗಾಲದ ಡೈ ಆಕ್ಸೈಡ್ ಅನ್ನು ತೆಗೆದುಹಾಕಲೆಂದು ರೂಪಿಸಿರುವ ತಂತ್ರಜ್ಞಾನಗಳ ಬಗ್ಗೆ ಕಲಿತುಕೊಳ್ಳಿರಿ.","creators":"The_Carbon_Removal_Show","descriptor":"open source","id":10,"image":"Communicating_Carbon_at_the_Science_Museum.png","link":"https://open.spotify.com/episode/03uVW6FhqAkkU429udisLS?si=a2A6bLEdSRi4l6hJ1k2hEw","link_name":"ಕೇಳಿರಿ","secondary_link":"","secondary_link_name":"","type":"podcast","uid":"communicating_carbon_at_the_science_museum"},{"alias":"ಕೊಹಿನೂರ್ ಡೈಮೆಂಡ್ ","blurb":"ಒಂದು ಕಲ್ಲಿಗಾಗಿ ಸುಮಾರು 250 ವರ್ಷಗಳ ಕಾಲ ನಾಲ್ಕು ಬೇರೆ ಬೇರೆ ಸಾಮ್ರಾಜ್ಯಗಳು ಕಾದಾಡಿವೆ ಮತ್ತು ಈಗ ಅದು ಬ್ರಿಟಿಶ್ ರಾಜ ಮನೆತನದ ಕಿರೀಟ ಆಭರಣಗಳ ಭಾಗವಾಗಿ ರಾಣಿಯ ಸಂಗಾತಿ ಕಿರೀಟದಲ್ಲಿ ಕುಳಿತಿದೆ. ಪ್ರಪಂಚದ ಅತ್ಯಂತ ಪ್ರಸಿದ್ಧ ವಜ್ರಗಳ ಮಸುಕಿದ ಇತಿಹಾಸವನ್ನು ಪತ್ತೆಹಚ್ಚಲು ಮುಂದಾಗಿರುವ ವಿಲ್ಲಿಯಮ್ ಡಾಲ್ರಿಂಪಲ್ ಮತ್ತು ಅನಿತಾ ಆನಂದ್ ಅವರನ್ನು ಸೇರಿಕೊಳ್ಳಿರಿ.","creators":"Empire","descriptor":"open source","id":11,"image":"Koh-i-Noor_diamond.jpeg","link":"https://spotify.link/jZ82hQXmHDb","link_name":"ಕೇಳಿರಿ","secondary_link":"","secondary_link_name":"","type":"podcast","uid":"kohinoor_diamond"},{"alias":"ಕಾರ್ಬನ್—ಲೈಫ್ ಅಂಡ್ ಟೈಮ್ಸ್ ","blurb":"ಕೆಲವೊಮ್ಮೆ ಇಂಗಾಲವನ್ನು “ಮೂಲಧಾತುಗಳ ರಾಜ” ಎನ್ನುತ್ತಾರೆ. ನಾವೆಲ್ಲಾ ತಿಳಿದಿರುವಂತೆ ಅದು ಜೀವಉಗಮದ ತಳಹದಿಯಾಗಿದೆ, ನಮ್ಮ ಪ್ರಪಂಚವನ್ನು ನಡೆಸುತ್ತಿದೆ ಮತ್ತು ತನ್ನದೇ ಆದ ರಸಾಯನಶಾಸ್ತ್ರದ ಕವಲನ್ನು ಹೊಂದಿದೆ. ಇಂಗಾಲದ ಅದ್ಭುತಗಳನ್ನು ನಮಗೆ ಪರಿಚಯಿಸುತ್ತಿರುವ ತಂತ್ರಜ್ಞಾನಿಗಳಾದ ಆಲನ್ ಬ್ಲ್ಯಾಕ್ಮನ್ ಅವರನ್ನು ಕೂಡಿಕೊಳ್ಳಿ. 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","creators":"Computer_Lunch","descriptor":"open source","id":15,"image":"Cell_to_Singularity_game_resized.png","link":"https://celltosingularity.com/","link_name":"ಆಟಆಡಿ","secondary_link":"","secondary_link_name":"","type":"game","uid":"cell_to_singularity_evolution_never_ends"},{"alias":"ಸರ್ವೈವ್ ದಿ ಸೆಂಚುರಿ","blurb":"‘ಸರ್ವೈವ್ ದಿ ಸೆಂಚುರಿ’ ಎನ್ನುವುದೊಂದು, ಹವಾಮಾನ ಬದಲಾವಣೆಯ ವಿನಾಶಗಳಿಗೆ ಒಗ್ಗಿ ಕೊಂಡಂತೆಲ್ಲಾ ಮನುಷ್ಯರು, 2021ರಿಂದ 2100ರ ನಡುವೆ ಎದುರಿಸುವ ರಾಜಕೀಯ, ಪರಿಸರ ಮತ್ತು ಸಾಮಾಜಿಕ ಆಯ್ಕೆಗಳ ಕುರಿತಾದ ಕವಲೊಡೆಯುವ ನಿರೂಪಣೆಗಳ ಆಟವಾಗಿದೆ. ನೀವು ಇದರಲ್ಲಿ ಜಗತ್ತಿನ ಅತ್ಯಂತ ನಂಬಿಕಾರ್ಹ ಸುದ್ದಿ ಸಂಸ್ಥೆಯ ಸಂಪಾದಕರ ಪಾತ್ರವಹಿಸಿ ಆಟವಾಡುತ್ತೀರಿ. ಸುದ್ದಿಗಳ ಕಾರ್ಯಸೂಚಿಗಳನ್ನು ನಿರ್ಧರಿಸುವ ಮೂಲಕ ಮತ್ತು 21ನೆಯ ಶತಮಾನದಲ್ಲಿ ಮಾನವೀಯತೆ ಎಷ್ಟು ಚೆನ್ನಾಗಿ ಉಳಿದುಕೊಳ್ಳಲಿದೆ ಎಂಬುದನ್ನು ಗುರುತಿಸುವ ಮೂಲಕ ಮುಂದಿನ ಪೀಳಿಗೆಗಳು ತೆಗೆದುಕೊಳ್ಳುವ ತೀರ್ಮಾನಗಳನ್ನು ನಿಯಂತ್ರಿಸಿ. ","creators":"Sam_Beckbessinger, Simon_Nicholson, Christopher_Trisos","descriptor":"open source","id":16,"image":"survive_the_century_game_resized.png","link":"https://survivethecentury.net/","link_name":"ಆಟಆಡಿ","secondary_link":"","secondary_link_name":"","type":"game","uid":"survive_the_century"},{"alias":"ದಿ ಕ್ಲೈಮೇಟ್ ಗೇಮ್","blurb":"ಅಂತರರಾಷ್ಟ್ರೀಯ ಎನರ್ಜಿ ಏಜೆನ್ಸಿಯು ಪ್ರಕಟಿಸಿದ ವೈಜ್ಞಾನಿಕ ಸಂಶೋಧನೆಗಳು ಮತ್ತು ಮಾದರಿಗಳನ್ನು ಆಧಾರವಾಗಿಸಿಕೊಂಡು ‘ದಿ ಕ್ಲೈಮೇಟ್ ಗೇಮ್’ ಎಂಬ ಸಂವಾದಾತ್ಮಕ ಆಟವನ್ನು ರೂಪಿಸಲಾಗಿದ್ದು ಇದರಲ್ಲಿ ನೀವು ಮುಂದಿನ ಪೀಳಿಗೆಗಳ ಹೊಸ ಜಾಗತಿಕ ಮಂತ್ರಿಯಾಗಿ ಆಡುತ್ತೀರಿ. ಮಾಲಿನ್ಯ ಹೊರಸೂಸುವಿಕೆಗಳನ್ನು ಕಡಿಮೆ ಮಾಡಲು ಮತ್ತು 2050ರ ವೇಳೆಗೆ ಜಾಗತಿಕ ತಾಪಮಾನ ಹೆಚ್ಚಳವನ್ನು 1.5 ಡಿಗ್ರೀಗಿಂತ ಕಡಿಮೆ ಇರಿಸಿಕೊಳ್ಳುವುದಕ್ಕಾಗಿ, ತೀರ್ಮಾನಗಳ ಸರಿಯಾದ ಸಮತೋಲನವನ್ನು ಕಂಡುಕೊಳ್ಳಬಲ್ಲಿರಾ?","creators":"The_Financial_Times","descriptor":"open source","id":17,"image":"ClimateGame.png","link":"https://ig.ft.com/climate-game/","link_name":"ಆಟಆಡಿ","secondary_link":"","secondary_link_name":"","type":"game","uid":"the_climate_game"},{"alias":"ಕಾರ್ಬನ್ ಸೈಕಲ್ ","blurb":"‘ಕಾರ್ಬನ್ ಸೈಕಲ್’ನಲ್ಲಿ ಪ್ರಪಂಚದ ಮೂಲಕ ಸಾಗಿದಂತೆಲ್ಲಾ ಹೇಗೆ ಇಂಗಾಲವು ಬದಲಾಗುತ್ತಾ ಹೋಗುತ್ತದೆ ಎಂಬುದನ್ನು ಅನ್ವೇಷಿಸಿರಿ. ಈ ಕಾರ್ಡುಗಳ ಶೈಲಿಯ ಅಂತರ್ಜಾಲದ ಆಟದಲ್ಲಿ, “ದ್ಯುತಿ ಸಂಶ್ಲೇಷಣೆ” ಮತ್ತು “ಮಣ್ಣಿನ ಉಸಿರಾಟ”ದಂತಹ ಚಟುವಟಿಕೆ ಕಾರ್ಡುಗಳನ್ನು ಬಳಸಿಕೊಂಡು, ಇಂಗಾಲವನ್ನು ಒಂದು ರೂಪದಿಂದ ಮತ್ತೊಂದು ರೂಪಕ್ಕೆ ಬದಲಾಯಿಸಿ. ","creators":"Yard_Games","descriptor":"open source","id":18,"image":"CarbonCycle.png","link":"https://theyardgames.org/game/carbon.html","link_name":"ಆಟಆಡಿ","secondary_link":"","secondary_link_name":"","type":"game","uid":"carbon_cycle"},{"alias":"ಪ್ಲಾಸ್ಟಿಸಿಟಿ ","blurb":"‘ಪ್ಲಾಸ್ಟಿಸಿಟಿ’ ಎನ್ನುವುದೊಂದು ಪ್ಲಾಸ್ಟಿಕ್ ತುಂಬಿದ ಜಗತ್ತಿನ ಮತ್ತು ಅದನ್ನು ಬದಲಿಸಲು ನಾವು ಕೈಗೊಳ್ಳುವ ಕುರಿತಾದ ಆಯ್ಕೆಗಳ ಒಗಟುಗಳ ವೇದಿಕೆಯಾಗಿದೆ. ತೈಲೋತ್ತರ ಪ್ರಪಂಚದ ಭವಿಷ್ಯವನ್ನು ಅನ್ವೇಷಿಸುವ ಮತ್ತು ನಿರ್ಧರಿಸುವ ಚಿಕ್ಕ ಹುಡುಗಿ ನೋವಾ ಆಗಿ ಆಟವಾಡಿ. ಕುಸಿಯುತ್ತಿರುವ ಪರಿಸರ ವ್ಯವಸ್ಥೆಗೆ ಸಹಾಯ ಮಾಡಲು ಅಥವಾ ಅದನ್ನು ಇನ್ನಷ್ಟು ನಾಶಮಾಡಲು ನೀವು ಆಯ್ಕೆ ಮಾಡಬಹುದು.","creators":"USC_Games_Program_Students","descriptor":"open source","id":19,"image":"plasticity_game_resized.png","link":"https://store.steampowered.com/app/1069360/Plasticity/","link_name":"ಆಟಆಡಿ","secondary_link":"","secondary_link_name":"","type":"game","uid":"plasticity"},{"alias":"ಇಕೋ","blurb":"‘ಇಕೋ’ ಎನ್ನುವುದೊಂದು ಹುಸಿಸನ್ನಿವೇಶದಾಟವಾಗಿದೆ. ಇದರಲ್ಲಿ ಆಟಗಾರರು ಜಾಗತಿಕ ಬೆದರಿಕೆಗಳಿಂದ ಪಾರಾಗಲು ಮತ್ತದೇ ಹೊತ್ತಿನಲ್ಲೇ ತಮ್ಮದೇ ಒಂದು ಬೆದರಿಕೆಯನ್ನು ಹುಟ್ಟುಹಾಕದಂತಿರಲು ಸಹಯೋಗ ಮಾಡಿಕೊಂಡು ಆಡುವ ಆಟವಾಗಿದೆ. ಸಮೀಪಿಸುತ್ತಿರುವ ಉಲ್ಕೆಯೊಂದನ್ನು ತಡೆಯುವ ಸಾಮರ್ಥ್ಯವುಳ್ಳ ನಾಗರೀಕತೆಯನ್ನು ಹುಟ್ಟುಹಾಕಿ.","creators":"Strange_Loop_Games","descriptor":"","id":20,"image":"eco_game_resized.png","link":"https://store.steampowered.com/app/382310/Eco/","link_name":"ಆಟಆಡಿ","secondary_link":"https://play.eco/","secondary_link_name":"","type":"game","uid":"eco"},{"alias":"ಎ ನ್ಯೂ ಬಿಗಿನಿಂಗ್—ಫೈನಲ್ ಕಟ್ ","blurb":"‘ಎ ನ್ಯೂ ಬಿಗಿನಿಂಗ್—ಫೈನಲ್ ಕಟ್’ ಒಂದು ಗುರಿ ಇಟ್ಟು ಕ್ಲಿಕ್ಕಿಸುವ ಸಾಹಸ ಮತ್ತು ರೋಚಕ ಆಟ. ಜೈವಿಕ ಇಂಜಿನಿಯರ್ ಬೆಂಟ್ ಸ್ವೆನ್ಸನ್ ಅವರು ವಿದ್ಯುತ್ ಉತ್ಪಾದನೆಯ ಬದಲಿ ವಿಧಾನಗಳ ಕುರಿತು ಸಂಶೋಧನಾ ಕೆಲಸಕ್ಕೆ ರಾಜಿನಾಮೆ ನೀಡಬೇಕಾಯಿತು. ಇವರ ಮುಂಚಿನ ಶಾಂತಿಯುತ ನಿವೃತ್ತಿಯನ್ನು ಫೇ ಎಂಬ ಯುವತಿಯು ಭವಿಷ್ಯದಿಂದ ಸಮಯ ಪ್ರಯಾಣಿಕ ಎಂದು ಹೇಳಿಕೊಳ್ಳುತ್ತಾಳೆ. ಆಕೆ ಆತನ ಶಕ್ತಿ ಸಂಶೋಧನೆಯು, ಹವಾಮಾನ ಗೊಂದಲಗಳಿಗೆ ಮಾನವೀಯತೆಯ ಕಟ್ಟಕಡೆಯ ಭರವಸೆಯಾಗಿದ್ದರೂ, ಈತನ ಇಡೀ ಕಂಡುಕೊಳ್ಳುವಿಕೆಗಳನ್ನು ಲಾಭೋದ್ದೇಶದ ಕೈಗಾರಿಕೋದ್ಯಮಿಯೊಬ್ಬರು ಅಪಹರಿಸುವುದಾಗಿ ಬೆದರಿಕೆ ಒಡ್ಡುತ್ತಿದ್ದಾರೆಂದು ಹೇಳುತ್ತಾಳೆ. ಆಟಗಾರರು ಇದರ ಇಬ್ಬರು ನಾಯಕರ ಪಾತ್ರಗಳನ್ನು ನಿಯಂತ್ರಿಸಬಹುದು ಮತ್ತು ಹವಾಮಾನ ದುರಂತದ ಅಂಚಿಗೆ ಬಂದು ನಿಂತಿರುವ ಭೂಮಿಯನ್ನು ಕಾಪಾಡಬಹುದು.","creators":"Daedelic_Entertainment","descriptor":"","id":21,"image":"A_New_Beginning_Game_Resized.jpg","link":"https://store.steampowered.com/app/105000/A_New_Beginning__Final_Cut/","link_name":"ಆಟಆಡಿ","secondary_link":"https://adventuregamers.com/articles/view/1727","secondary_link_name":"ಇನ್ನ ಅನ್ವೇಷಿಸಿ","type":"game","uid":"a_new_beginning_final_cut"},{"alias":"ರಿಸೆಟ್ ಅರ್ತ್ | ಓಜೋನ್ ಸೆಕ್ರೆಟೇರಿಯೇಟ್","blurb":"ತಲ್ಲೀನಗೊಳಿಸಿಕೊಳ್ಳಬಲ್ಲ ಅನಿಮೇಶನ್ ಚಿತ್ರಗಳ ಅಂತರ್ಜಾಲ ಸರಣಿ ಮತ್ತು ಮೊಬೈಲ್ ಆಟದ ಮೂಲಕ, ‘ರಿಸೆಟ್ ಅರ್ತ್’ ಜೆಡ್ ತಲೆಮಾರಿನ (1981~1996 ನಡುವೆ ಹುಟ್ಟಿದವರು) ಜನರಲ್ಲಿ ಭರವಸೆಯನ್ನು ಹುಟ್ಟುಹಾಕುತ್ತದೆ. ಇದನ್ನು ಅವರಿಗೆ 1985ರ ವಿಯೆನ್ನಾ ಸಮ್ಮೇಳನದ ನಂತರ ಇಡೀ ಜಗತ್ತು ಒಂದುಗೂಡಿ ಏನೆಲ್ಲಾ ಸಾಧಿಸಿತು ಎಂಬುದನ್ನು ತೋರಿಸುವ ಮೂಲಕ ಮಾಡಲಾಗುತ್ತದೆ. 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ಪ್ರತಿಯೊಂದರ ಇಂಗಾಲ ಹೆಜ್ಜೆಗುರುತು","blurb":"ನಮ್ಮ ದೈನಂದಿನ ಚಟುವಟಿಕೆಗಳ ಇಂಗಾಲ ಹೆಜ್ಜೆಗುರುತು ಎಷ್ಟು? ಸಂಶೋಧಕರಾದ ಮೈಕ್ ಬರ್ನರ್ಸ್-ಲೀ ಅವರು, ನಾವು ಮೊಬೈಲ್ ಮೂಲಕ ಕಳಿಸುವ ಸಾಮಾನ್ಯ ಪಠ್ಯಸಂದೇಶದಿಂದ ಹಿಡಿದು, ಮಗುವನ್ನು ಮಾಡಿಕೊಳ್ಳಬೇಕೆನ್ನುವ ಜೀ ಜೀವನವನ್ನು ಬದಲಿಸಬಲ್ಲ ನಿರ್ಧಾರವರೆಗಿನ, ನಮ್ಮ ಎಲ್ಲಾ ಕ್ರಿಯೆಗಳಿಂದ ಆಗಬಹುದಾದ ಇಂಗಾಲದ ಹೊರಸೂಸುವಿಕೆಯನ್ನು ಅನ್ವೇಷಿಸುತ್ತಾರೆ. ಆಳವಾಗಿ ಸಂಶೋಧಿಸಿದ ಮತ್ತು ಉಲ್ಲೇಖಿಸಿದ “ಹೌ ಬ್ಯಾಡ್ ಆರ್ ಬನಾನಾಸ್ (ಬಾಳೆಹಣ್ಣುಗಳು ಎಷ್ಟು ಕೆಟ್ಟವು?)” ಪುಸ್ತಕವು ನಮ್ಮನ್ನು ಚರ್ಚೆ ಮಾಡಲು ಉತ್ತೇಜಿಸುತ್ತದೆ ಮತ್ತು ಸುಸ್ಥಿರ ಜೀವನಶೈಲಿಯ ಕಡೆಗೆ ದಾರಿ ತೋರುತ್ತದೆ.","creators":"Mike_Berners_Lee","descriptor":"","id":30,"image":"How_bad_are_bananas_resized.png","link":"https://www.chemistryworld.com/review/how-bad-are-bananas-the-carbon-footprint-of-everything/4012839.article","link_name":"ಇನ್ನ ಅನ್ವೇಷಿಸಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"how_bad_are_bananas"},{"alias":"ದಿ ಆರಿಜನ್ ಆಫ್ ಲೈಫ್","blurb":"ಜೀವ ಎನ್ನುವುದು ಪ್ರಕೃತಿ ನಿಯಮದಲ್ಲಿ ಬರೆಯಲಾಗಿದೆಯೇ ಅಥವಾ ಅದೊಂದು ಬ್ರಹ್ಮಾಂಡದಲ್ಲೇ ಅನನ್ಯವಾಗಿರುವ ಶುದ್ಧ ಆಕಸ್ಮಿಕವೇ? ನಿರ್ಜೀವ ರಸಾಯನಿಕಗಳ ಮಿಶ್ರಣವೊಂದನ್ನು, ಸಂಕೀರ್ಣವಾದ ಜೀವಕೋಶವೊಂದಾಗಿ ಹೇಗೆ ಮಾರ್ಪಡಿಸಲು ಸಾಧ್ಯ? ‘ದಿ ಆರಿಜನ್ ಆಫ್ ಲೈಫ್’ , ಬ್ರಹ್ಮಾಂಡದಲ್ಲಿ ನಮ್ಮ ಸ್ಥಾನದ ತಿಳುವಳಿಕೆಯನ್ನು ಪರಿವರ್ತಿಸಲು ಹೊಂದಿಸಲಾದ ಗಮನಾರ್ಹವಾದ ಹೊಸ ಸಿದ್ಧಾಂತಗಳನ್ನು ಬಹಿರಂಗಪಡಿಸುತ್ತದೆ.","creators":"Paul_Davis","descriptor":"","id":31,"image":"The_Origin_of_Life_resized.png","link":"https://journals.sagepub.com/doi/epdf/10.3184/003685001783239096","link_name":"ಇನ್ನ ಅನ್ವೇಷಿಸಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"the_origin_of_life"},{"alias":"ಕಾರ್ಬನ್ ಇನ್ ಅರ್ಥ್ ","blurb":"‘ಕಾರ್ಬನ್ ಇನ್ ಅರ್ಥ್’—ಡೀಪ್ ಕಾರ್ಬನ್ ಅಬ್ಸರ್ವೇಟರಿ ಸಂಸ್ಥೆಯಲ್ಲಿ 6 ಖಂಡಗಳ ನೂರಾರು ಸಂಶೋಧಕರು 10 ವರ್ಷಗಳ ಅಂತರರಾಷ್ಟ್ರೀಯ ಸಂಶೋಧನೆಯಲ್ಲಿ ತೊಡಗಿದ್ದಾರೆ. ಈ ಖನಿಜಶಾಸ್ತ್ರ ಮತ್ತು ಭೂರಸಾಯನಶಾಸ್ತ್ರದಲ್ಲಿನ ವಿಮರ್ಶೆಗಳ ಈ ಪರಿಮಾಣವು, ಭೂಮಿಯ ಇಂಗಾಲದ ಜೈವಿಕ ಮತ್ತು ರಾಸಾಯನಿಕ ಪಾತ್ರಗಳ ಬಗ್ಗೆ ನಮ್ಮ ಪ್ರಸ್ತುತ ತಿಳುವಳಿಕೆಗೆ ಮಾನದಂಡವಾಗಿ ಕಾರ್ಯನಿರ್ವಹಿಸುತ್ತದೆ - ನಮಗೆ ತಿಳಿದಿರುವ ಮತ್ತು ನಾವು ಇನ್ನೂ ಕಲಿಯಬೇಕಾದದ್ದು.","creators":"Robert_Hazen","descriptor":"open source","id":32,"image":"Carbon_on_earth_resized.png","link":"https://issuu.com/sciencegallerybengaluru/docs/carbon_in_earth","link_name":"ಓದಿರಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"carbon_in_earth"},{"alias":"ಕಾರ್ಬನ್: ಒನ್ ಆಟಮ್’ಸ್ ಒಡಿಸ್ಸಿ ","blurb":"‘ಕಾರ್ಬನ್: ಒನ್ ಆಟಮ್ಸ್ ಒಡಿಸ್ಸಿಯು’, ಇಟಾಲಿಯನ್ ರಸಾಯನಶಾಸ್ತ್ರಜ್ಞ, ಬರಹಗಾರ ಮತ್ತು ಆಶ್ವಿಟ್ಜ್ ಬದುಕುಳಿದ ಪ್ರಿಮೊ ಲೆವಿಯವರ ಸಣ್ಣ ಕಥೆಯಾದ \"ಕಾರ್ಬನ್\" ನ ಸಚಿತ್ರ ರೂಪಾಂತರವಾಗಿದ್ದು, ಇದರಲ್ಲಿಜೀವದ ಅತ್ಯಗತ್ಯ ಅಂಶವಾಗಿರುವ ಇಂಗಾಲದ ಅನೇಕ ಅಣ್ವಿಕ ಅಭಿವ್ಯಕ್ತಿಗಳ ಮತ್ತು ಬಿಗ್ಬ್ಯಾಂಗ್ ಮಹಾಸ್ಫೋಟದಿಂದ ಇಂದಿನವರೆಗಿನ ಜೀವನಗಾಥೆಯ ಜಾಡನ್ನು ದಾಖಲಿಸುತ್ತದೆ","creators":"John_Barnett","descriptor":"","id":33,"image":"Carbon_One_Atom_s_Odyssey_resized.png","link":"https://episodictable.com/carbon-one-atoms-odyssey/","link_name":"ಇನ್ನ ಅನ್ವೇಷಿಸಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"carbon_one_atoms_odyssey"},{"alias":"ದಿ ಫೀನಿಕ್ಸ್ ಕಾಂಪ್ಲೆಕ್ಸ್ ","blurb":"‘ದಿ ಫೀನಿಕ್ಸ್ ಕಾಂಪ್ಲೆಕ್ಸ್’—ಪ್ರಕೃತಿಯ ಬಗ್ಗೆ ಮನುಷ್ಯರು ಹೊಂದಿರುವ “ನಾವೆಷ್ಟೇ ಹಾಳುಮಾಡಿದರೂ ತನ್ನಿಂತಾನೇ ಸರಿಹೋಗುವ ಅನಂತ ಸಾಮರ್ಥ್ಯವನ್ನು ಪ್ರಕೃತಿ ಹೊಂದಿದೆ” ಎನ್ನುವ ಗಟ್ಟಿಯಾದ ನಂಬಿಕೆಯನ್ನು ಪ್ರಶ್ನಿಸುತ್ತದೆ. ಇದು ಜಾಗತಿಕ ಪರಿಸರ ಬಿಕ್ಕಟ್ಟು ಮತ್ತು ಅದರ ಆಳವಾದ ತಾತ್ವಿಕ ಮತ್ತು ಸೈದ್ಧಾಂತಿಕ ಬೇರುಗಳ ವಿಸ್ತಾರವಾದ ಪರಿಗಣನೆಗಳನ್ನು ಪ್ರಸ್ತುತಪಡಿಸುತ್ತದೆ. ","creators":"Michael_Marder","descriptor":"open source","id":34,"image":"The_Phoenix_Complex_resized.png","link":"https://issuu.com/sciencegallerybengaluru/docs/the_phoenix_complex","link_name":"ಓದಿರಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"the_phoenix_complex"},{"alias":"ಕಾರ್ಬನ್ ಕಾಲೊನಿಯಲಿಸ್ಮ್ ","blurb":"‘ಕಾರ್ಬನ್ ಕಾಲೋನಿಯಲಿಸ್ಮ್’, ಜಾಗತಿಕ ಹವಾಮಾನ ರಾಜಕೀಯ ಮತ್ತು ನೀತಿಯ ಅನ್ಯಾಯವನ್ನು ಗುರುತಿಸುತ್ತದೆ. ಇದು ಗ್ಲೋಬಲ್ ನಾರ್ತ್ಗೆ ಇಂಗಾಲದ ಉತ್ಪಾದನೆ ಮತ್ತು ತ್ಯಾಜ್ಯ ವಿಲೇವಾರಿಯನ್ನು ಪ್ರಪಂಚದ ಉಳಿದ ಭಾಗಗಳಿಗೆ ಹೊರಗುತ್ತಿಗೆ ಮಾಡಲು ಅವಕಾಶ ನೀಡುವ ನಿಯಮಗಳ ಬಗ್ಗೆ ಬೆಳಕು ಚೆಲ್ಲುತ್ತದೆ. ಐತಿಹಾಸಿಕ ಮತ್ತು ನಿರಂತರವಾದ ಪ್ರಕ್ರಿಯೆಯಲ್ಲಿ, ಲಾರಿ ಪಾರ್ಸನ್ಸ್ ನೈಸರ್ಗಿಕ ಸಂಪನ್ಮೂಲಗಳ ಏಕಕಾಲಿಕ ಶೋಷಣೆ ಮತ್ತು ಆರ್ಥಿಕವಾಗಿ ದುರ್ಬಲರ ಮೇಲೆ ಪ್ರಭಾವ ಬೀರುತ್ತಾರೆ.","creators":"Laurie_Parsons","descriptor":"","id":35,"image":"Carbon_Colonialism_Resized.png","link":"https://blogs.lse.ac.uk/usappblog/2023/09/24/book-review-carbon-colonialism-how-rich-countries-export-climate-breakdown/","link_name":"ಇನ್ನ ಅನ್ವೇಷಿಸಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"carbon_colonialism"},{"alias":"ಗ್ರಾಫೀನ್: ಕಡು ಗಟ್ಟಿಮುಟ್ಟಾದ, ಕಡು ತೆಳ್ಳಗಿನ ಮತ್ತು ಕಡು ಬಲಶಾಲಿ, ಅತ್ಯಂತ ಬಹುಮುಖದ ಪದಾರ್ಥವಾಗಿದ್ದು ಇಡೀ ಪ್ರಪಂಚವನ್ನು ಕ್ರಾಂತಿಕಾರಕವಾಗಿ ಬದಲಿಸಬಲ್ಲದು","blurb":"‘ಗ್ರ್ಯಾಫೀನ್’ನಲ್ಲಿ—ಲೇಖಕರೂ, ಭೌತಶಾಸ್ತ್ರಜ್ಞರೂ ಮತ್ತು ರಸಾಯನಶಾಸ್ತ್ರಜ್ಞರೂ ಗ್ರ್ಯಾಫೀನ್ನ ಆವಿಷ್ಕಾರ ಮತ್ತು ಅದರ ಸುತ್ತಲಿನ ವಿವಾದವನ್ನು ವಿವರಿಸುತ್ತಾರೆ. ತಾಂತ್ರಿಕ ಪ್ರಗತಿಗಳು ಗ್ರ್ಯಾಫೀನ್ ಅನ್ನು ಸಕ್ರಿಯಗೊಳಿಸುತ್ತದೆ ಎಂದು ಅವರು ಊಹಿಸುತ್ತಾರೆ- ಕೇವಲ ಶಾಖದ ಮೇಲೆ ಚಲಿಸುವ ಬ್ಯಾಟರಿಗಳಿಗೆ ಆಧಾರವಾಗಿರಲಿ ಅಥವಾ ಬಾಹ್ಯಾಕಾಶ ನೌಕೆಗಳ ವಿನ್ಯಾಸವನ್ನು ಮರುರೂಪಿಸುವ ವಸ್ತುವಾಗಿ, 21 ನೇ ಶತಮಾನದ ಅಂತ್ಯದ ವೇಳೆಗೆ ನಮ್ಮನ್ನು ಯುಟೋಪಿಯನ್ ಭವಿಷ್ಯಕ್ಕೆ ಒಯ್ಯುತ್ತದೆ.","creators":"Les_Johnson, Joseph_E_Meany","descriptor":"","id":36,"image":"graphene_book_resized.png","link":"https://www.chemistryworld.com/review/graphene-the-superstrong-superthin-and-superversatile-material-that-will-revolutionize-the-world/3008834.article","link_name":"ಇನ್ನ ಅನ್ವೇಷಿಸಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"graphene_the_superstrong_superthin_and_superversatile"},{"alias":"ವಿತ್ ಯುವರ್ ಓನ್ ಐಸ್: ಕ್ಲೈಮೇಟ್ ಚೇಂಜ್ ಇನ್ ಫೋಟೋಗ್ರಾಫ್ಸ್ ","blurb":"‘ವಿತ್ ಯುವರ್ ಓನ್ ಐಸ್’ ಎನ್ನುವುದೊಂದು ಚಿತ್ರಗಳ ಪುಸ್ತಕವಾಗಿದ್ದು, ಇದರಲ್ಲಿ ತಪ್ಪಾಗಿ ನಡೆದ ಶಕ್ತಿ ಪ್ರಯೋಗದಿಂದ ಭೂಮಿಯ ಮೇಲುಂಟು ಮಾಡಿದ ಹಾನಿಗಳನ್ನು ತೆರೆದಿಡುವ ಕರಗಿದ ಹಿಮನದಿಗಳ, ಮಾಲಿನ್ಯಗೊಂಡ ನಗರಗಳ ಮತ್ತು ನಶಿಸುತ್ತಿರುವ ಕಾಡುಗಳ ಛಾಯಚಿತ್ರಗಳಿವೆ. ಇದು ವಿದ್ಯುತ್ ಉತ್ಪಾದನೆ ಮತ್ತು ಬಳಕೆಯ ಮರುಕಲ್ಪನೆಯ ಹಲವಾರು ಸೃಜನಾತ್ಮಕವಾದ ಪರಿಹಾರಗಳನ್ನು ಒಳಗೊಂಡ ಭರವಸೆಯ ಚಿತ್ರಗಳ ಸಂಗ್ರಹವೂ ಆಗಿದೆ.","creators":"The_Carbon_Almanac","descriptor":"open source","id":37,"image":"With_your_own_eyes_book_resized.png","link":"https://issuu.com/sciencegallerybengaluru/docs/carbon_almanac_photobook","link_name":"ಓದಿರಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"with_your_own_eyes"},{"alias":"ಎಂಪವರಿಂಗ್ ಫೀಮೇಲ್ ಕ್ಲೈಮೇಟ್ ಚೇಂಜ್ ಆಕ್ಟಿವಿಟೀಸ್ ಇನ್ ದಿ ಗ್ಲೋಬಲ್ ಸೌತ್ ","blurb":"ಹವಾಮಾನ ಬದಲಾವಣೆಯ ಕಾರ್ಯಕರ್ತರ ಲೈವ್ ಅನುಭವಗಳನ್ನು ಪರೀಕ್ಷಿಸಿ, ಪೆಗ್ ಸ್ಪಿಟ್ಜರ್ 85 ಮೂಲ ಸಂದರ್ಶನಗಳನ್ನು ಪ್ರಸ್ತುತಪಡಿಸುತ್ತಾರೆ. ಇದು ವ್ಯಾಪಾರ, ಶಿಕ್ಷಣ, ರಾಜಕೀಯ ಮತ್ತು ಕಲೆಗಳಲ್ಲಿ ವೃತ್ತಿಜೀವನವನ್ನು ಏಷ್ಯಾ, ಆಫ್ರಿಕಾ ಮತ್ತು ಲ್ಯಾಟಿನ್ ಅಮೆರಿಕಾದಲ್ಲಿ ಮಹಿಳಾ ಹಕ್ಕುಗಳನ್ನು ಸಾಧಿಸಿದ ಮಹಿಳಾ ಪರಿಸರ ರಕ್ಷಕರನ್ನು ಒಳಗೊಂಡಿದೆ. ಈ ಪುಸ್ತಕವು ಮೂರು ಭಾರತೀಯ ಹಳ್ಳಿಗಳಲ್ಲಿ ಹವಾಮಾನ ಸಂಬಂಧಿತ ಬರ ಮತ್ತು ಪ್ರವಾಹಗಳ ಮೂಲಕ ಬದುಕುತ್ತಿರುವ ಮಹಿಳಾ ರೈತರ ಹೋರಾಟಗಳನ್ನು ಪ್ರಸ್ತುತಪಡಿಸುತ್ತದೆ.","creators":"Peggy_Ann_Spitzer","descriptor":"open source","id":38,"image":"Empowering_Female_Climate_Change_Activists_in_the_Global_South.png","link":"https://issuu.com/sciencegallerybengaluru/docs/empowering_female_climate_change_activists_in_the_","link_name":"ಓದಿರಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"empowering_female_climate_change_activists_global_south"},{"alias":"ಎಐ ಇನ್ ದಿ ವೈಲ್ಡ್: ಸಸ್ಟೇನೆಬಿಲಿಟಿ ಇನ್ ದಿ ಏಜ್ ಆಫ್ ಆರ್ಟಿಫಿಷಿಯಲ್ ಇಂಟೆಲಿಜೆನ್ಸ್","blurb":"ಬರಹಗಾರರಾದ ಪೀಟರ್ ಡೋವೆನ್ ಅವರು ತಮ್ಮ ‘ಎಐ ಇನ್ ದಿ ವೈಲ್ಡ್’ ಪುಸ್ತಕದ ಮೂಲಕ, ಜಾಗತಿಕ ಸುಸ್ಥಿರತೆಯ ಯುದ್ಧದಲ್ಲಿ AI ಅನ್ನು ಹೆಚ್ಚು ನಿಯೋಜಿಸಲಾಗುತ್ತಿದ್ದರೂ ಸಹ, ಕೃತಕ ಬುದ್ಧಿಮತ್ತೆ (AI) ಅನ್ನು ಗ್ರಹದ ಸಂರಕ್ಷಕ ಎಂದು ಘೋಷಿಸುವುದರ ವಿರುದ್ಧ ಪೀಟರ್ ಡಾವರ್ನ್ ಎಚ್ಚರಿಸಿದ್ದಾರೆ.
ಹವಾಮಾನ ಬದಲಾವಣೆಯನ್ನು ಎದುರಿಸಲು AI ಅನ್ನು ಬಳಸುವ ಸಂಭಾವ್ಯ ಪ್ರಯೋಜನಗಳು ಮತ್ತು ಅಪಾಯಗಳೆರಡನ್ನೂ ಅನ್ವೇಷಿಸುವ ಮೂಲಕ ಅವರು ಈ ಸಮಸ್ಯೆಯ ಸಮಗ್ರ ನೋಟವನ್ನು ನೀಡುತ್ತಾರೆ.","creators":"Peter_Dauvergne","descriptor":"","id":39,"image":"AI_in_the_Wild_resized.png","link":"https://eandt.theiet.org/2020/10/05/book-review-ai-wild-sustainability-age-artificial-intelligence","link_name":"ಇನ್ನ ಅನ್ವೇಷಿಸಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"ai_in_the_wild"},{"alias":"ದಿ ಪೆಟ್ರೋಲಿಯಂ ಮ್ಯಾಂಗಾ ","blurb":"ದಿ ಪೆಟ್ರೋಲಿಯಂ ಮ್ಯಾಂಗಾ ಪುಸ್ತಕದಲ್ಲಿ ಕಾಲ್ಪನಿಕ ತತ್ವಶಾಸ್ತ್ರದ ಕುತೂಹಲಕಾರಿ ಸರಣಿ ಬರಹಗಳಿವೆ. ಇವು ಪೆಟ್ರೋಲಿಯಂ ಮೂಲದಿಂದ ತಯಾರಾದ ಉತ್ಪನ್ನಗಳ ಗುಂಪಿಸಿದ ಹೆಸರುಗಳನ್ನು ಒಳಗೊಂಡಿದ್ದು ಆ ಮೂಲಕ ನಮ್ಮ ಮತ್ತು ಈ ಎಲ್ಲೆಡೆಗಳಲ್ಲಿದ್ದರೂ ನಗಣ್ಯವಾಗಿರುವ ವಸ್ತುಗಳ ನಡುವಿನ ಸಂಬಂಧದ ಹೊಸಹೊಸ ಜಾಲವನ್ನು ಗುರುತಿಸುತ್ತವೆ. ಕವಿತೆ, ಕಾಲ್ಪನಿಕತೆ ಮತ್ತು ಪ್ರಬಂಧಗಳು ಒಂದರ ನಂತರ ಒಂದು ಬರುವಂತಿದ್ದು ಇತಿಹಾಸ, ತತ್ವಶಾಸ್ತ್ರ ಮತ್ತು ರಸಾಯನಶಾಸ್ತ್ರಗಳನ್ನು ಇದು ಒಳಗೊಂಡಿದೆ.","creators":"Marina_Zurkow","descriptor":"open source","id":40,"image":"The_Petroleum_Manga_resized.png","link":"https://issuu.com/sciencegallerybengaluru/docs/the_petroleum_manga","link_name":"ಓದಿರಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"the_petroleum_manga"},{"alias":"ಕಾರ್ಬನ್ ಫುಟ್ಪ್ರಿಂಟ್ ","blurb":"ಡಾನಿ ವಿಂಟರ್ಸ್ ಅವರ ತಪ್ಪೊಪ್ಪಿಗೆಯ ಕವನಗಳು, ಪ್ರಯೋಗಾತ್ಮಕ ಮುಕ್ತಶೈಲಿ ಹಾಗೂ ಜಪಾನಿನ ತಂಕಾ (ಇದು ಮೂವತ್ತೊಂದು ಅಕ್ಷರಗಳ ಪದ್ಯವಾಗಿದ್ದು, ಸಾಂಪ್ರದಾಯಿಕವಾಗಿ ಒಂದೇ ಸಾಲಿನಲ್ಲಿ ಬರೆಯಲಾಗುತ್ತದೆ) ಶೈಲಿಗಳಲ್ಲಿದ್ದು, ಅನೇಕ ನಿಸರ್ಗ ಸಂಬಂಧಿ ರೂಪಕಗಳ ಮೂಲಕ LGBTQ+ ಸಮೂಹದ ಗುಣಪಡಿಸುವಿಕೆ ಮತ್ತು ಮಾನಸಿಕ ಆರೋಗ್ಯಗಳ ಕುರಿತ ವಿವರಣೆಗಳನ್ನು ನೀಡುತ್ತವೆ. ","creators":"Donny_Winter","descriptor":"","id":41,"image":"Carbon_footprint_book_resized.jpg","link":"https://www.goodreads.com/book/show/55377082-carbon-footprint","link_name":"ಇನ್ನ ಅನ್ವೇಷಿಸಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"carbon_footprint"},{"alias":"ಡೈಮಂಡ್ಸ್ ","blurb":"ವಿಲ್ಲಿಯಂ ಕ್ರೂಕ್ಸ್ ಅವರು ದಕ್ಷಿಣ ಆಫ್ರಿಕಾದ ಕಿಂಬರ್ಲಿಯ ಹೆಸರಾಂತ ವಜ್ರದ ಗಣಿಗೆ ನೀಡಿದ ಎರಡು ಭೇಟಿಗಳ ಫಲಶ್ರುತಿಯೇ ಈ ‘ಡೈಮಂಡ್ಸ್’ ಪುಸ್ತಕ. ಇದು ವಜ್ರಗಳು ರೂಪುಗೊಳ್ಳುವಿಕೆ ಮತ್ತು ಕೃತಕ ವಜ್ರಗಳ ಉತ್ಪಾದನೆಗಳ ಬಗ್ಗೆ ವಿಸ್ತೃತವಾದ ಸಂಶೋಧನೆಯನ್ನು ಒಳಗೊಂಡಿದೆ. ನೆಲದ ಆಳದಲ್ಲಿ ಹುದುಗಿರುವ ಅಮೂಲ್ಯವಾದ ನಿಧಿಯನ್ನು ಹೊರತೆಗೆಯಲು ಶ್ರಮಿಸುವ ಕಾರ್ಮಿಕರ ಕಠಿಣಕರವಾದ ಕೆಲಸದ ಬಗ್ಗೆ ಇದು ಗಮನವನ್ನು ಸೆಳೆಯುತ್ತದೆ. ಇದು ಅವರ ಶ್ರಮವನ್ನು ನಿಯಂತ್ರಿಸುವ ಕೌಶಲ್ಯ ಹಾಗೂ ಜಾಣ್ಮೆಗಳತ್ತ ಗಮನಹರಿಸುತ್ತದೆ.","creators":"William_Crookes","descriptor":"open source","id":42,"image":"Diamonds_resized.png","link":"https://issuu.com/sciencegallerybengaluru/docs/diamonds","link_name":"ಓದಿರಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"diamonds"},{"alias":"ವಿ ಆರ್ ವಾಟರ್ ಪ್ರೋಟೆಕ್ಟರ್ಸ್ ","blurb":"ಅಮೇರಿಕಾದಲ್ಲಿ ನಡೆದ ಡಕೋಟಾ ಆಕ್ಸೆಸ್ ಪೈಪ್ಲೈನ್ ಪ್ರತಿಭಟನೆಗೆ ಪ್ರತಿಕ್ರಿಯೆಯಾಗಿ ಈ ದಿಟ್ಟವಾದ ಮತ್ತು ಸಾಹಿತ್ಯಿಕ ಚಿತ್ರ ಪುಸ್ತಕವನ್ನು ಬರೆಯಲಾಯಿತು. ‘ವಿ ಆರ್ ವಾಟರ್ ಪ್ರೋಟೆಕ್ಟರ್ಸ್’ ಹೆಸರಿನ ಈ ಪುಸ್ತಕವು ತನ್ನ ಜನರಿಗೆ ನೀರು ಪೂರೈಕೆ ಆಗುವುವಿಕೆಯನ್ನು ಕಾಪಾಡಿಕೊಳ್ಳುವ ಯತ್ನದಲ್ಲಿ ತೈಲಕೊಳವೆಯ ವಿರುದ್ಧವಾಗಿ ಓರ್ವ ಒಜಿಬ್ವೆ ಹೆಣ್ಣುಮಗಳು ನಡೆಸಿದ ಹೋರಾಟದ ಕತೆಯನ್ನು ಇದು ಹೇಳುತ್ತದೆ.","creators":"Carole_Lindstrom","descriptor":"","id":43,"image":"We_are_water_protectors_resized.png","link":"https://www.nytimes.com/2021/02/25/books/review/we-are-water-protectors-carole-lindstrom-michaela-goade.html","link_name":"ಇನ್ನ ಅನ್ವೇಷಿಸಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"we_are_water_protectors"},{"alias":"ಚೋಕ್ಡ್","blurb":"ಈ ‘ಚೋಕ್ಡ್’ ಪುಸ್ತಕದಲ್ಲಿ, ಬೆತ್ ಗಾರ್ಡಿನರ್ ಮಾನವ ದೇಹದ ಮೇಲೆ ಮಾಲಿನ್ಯದ ಪರಿಣಾಮಗಳ ಬಗ್ಗೆ ನಮ್ಮ ತಿಳುವಳಿಕೆಯನ್ನು ಮಾರ್ಪಡಿಸಿದ ವಿಜ್ಞಾನಿಗಳನ್ನು ಭೇಟಿ ಮಾಡಲು ಮತ್ತು ಅದು ಜೀವಕ್ಕೆ ಅಪಾಯಕಾರಿ ಮಟ್ಟದಲ್ಲಿ ಉಳಿಯಲು ಅವಕಾಶ ಮಾಡಿಕೊಟ್ಟ ಆರ್ಥಿಕ ಶಕ್ತಿಗಳು ಮತ್ತು ರಾಜಕೀಯ ನಿರ್ಧಾರಗಳನ್ನು ಪತ್ತೆಹಚ್ಚಲು ಪ್ರಪಂಚದಾದ್ಯಂತ ಪ್ರಯಾಣಿಸುತ್ತಾರೆ. ಅವರು ನೈಜ-ಪ್ರಪಂಚದ ಪರಿಹಾರಗಳ ಮೇಲೆ ಮತ್ತು ಆರೋಗ್ಯಕರ ಭವಿಷ್ಯಕ್ಕಾಗಿ ಹೋರಾಡುವ ಜನರ ಸ್ಪೂರ್ತಿದಾಯಕ ಕಥೆಗಳ ಮೇಲೆ ಕೇಂದ್ರೀಕರಿಸುತ್ತಾರೆ.","creators":"Beth_Gardiner","descriptor":"","id":44,"image":"Choked_resized.png","link":"https://www.lifdb.com/2021/04/23/choked-life-and-breath-in-the-age-of-air-pollution-book-review/","link_name":"ಇನ್ನ ಅನ್ವೇಷಿಸಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"choked"},{"alias":"ಸಮ್ಬಡಿ ವೋಕ್ ವಿಲ್ಸನ್","blurb":"‘ಸಮ್ಬಡಿ ವೋಕ್ ವಿಲ್ಸನ್’ ಎನ್ನುವುದೊಂದು ಹಾಸ್ಯಮಯ ಕಾಲ್ಪನಿಕ ಕತೆಯಾಗಿದೆ. ಇದು ವಿಲ್ಸನ್ ಎನ್ನುವ, ತನ್ನ ಆರಾಮದ ಮನೆಯಿಂದ ಹೊರಬಿದ್ದು ಗಾಬರಿಗೊಂಡಿರುವ ಇಂಗಾಲದ ಅಣುವಿನ ಕತೆಯಾಗಿದೆ. ಇಂಗಾಲ ಸುತ್ತಿನಲ್ಲೊಂದು ತಿರುವಿನ ಹಾಗೆ ಈ ಪುಸ್ತಕವು ಕಡಲಿನಿಂದ ಆಗಸಕ್ಕೆ ಸಾಗುವ ವಿಲ್ಸನ್ನ ಸಾಹಸವನ್ನು ಹಿಂಬಾಲಿಸುತ್ತದೆ.","creators":"Sarah_Roberts","descriptor":"","id":45,"image":"Somebody_woke_Wilson_resized.png","link":"https://www.youtube.com/watch?v=CN_lzdL4ZNw","link_name":"ಇನ್ನ ಅನ್ವೇಷಿಸಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"somebody_woke_wilson"},{"alias":"ಲಿವಿಂಗ್ ವಿತ್ ಆಯಿಲ್ ಅಂಡ್ ಕೋಲ್","blurb":"ಆಳವಾದ ಜನಾಂಗೀಯ ಲೆಕ್ಕಾಚಾರಗಳನ್ನು ಬಳಸಿಕೊಂಡು, ‘ಲಿವಿಂಗ್ ವಿತ್ ಆಯಿಲ್ ಅಂಡ್ ಕೋಲ್’ (ಈಶಾನ್ಯ ಭಾರತದ ಸಂಕೀರ್ಣತೆಯನ್ನು ಮತ್ತು ದಿನನಿತ್ಯದ ಮಿಲಿಟರಿಕರಣ, ಹಿಂಸೆ ಮತ್ತು ನಾಗಾ, ಅಹೋಮ್ ಮತ್ತು ಆದಿವಾಸಿ ಜನಗಳ ಬದುಕನ್ನು ನಿತಂತ್ರಿಸುತ್ತಿರುವ ನೈಸರ್ಗಿಕ ಸಂಪನ್ಮೂಲಗಳಿಗಾಗಿನ ಹೋರಾಟಗಳಂತಹ ಸಮಸ್ಯೆಗಳನ್ನು ತಿಳಿಸುತ್ತದೆ. ಜಗತ್ತಿನಾದ್ಯಂತದ ಸಮುದಾಯಗಳಿಗೆ ಸಮಾನವಾದ ಪೌರತ್ವ, ಸಾಮಾಜಿಕ ನ್ಯಾಯ ಮತ್ತು ಪರಿಸರ ಸಂಬಂಧಿ ರಾಜಕೀಯಗಳ ಪ್ರಶ್ನೆಗಳತ್ತ ಇದು ಬೆಳಕು ಚೆಲ್ಲುತ್ತದೆ.","creators":"AA_2","descriptor":"","id":46,"image":"Living_with_oil_and_coal_resized.png","link":"http://www.dollykikon.com/books/living-with-oil-and-coal/","link_name":"ಇನ್ನ ಅನ್ವೇಷಿಸಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"living_with_oil_and_coal_book"},{"alias":"ಕಾರ್ಬನ್ ಟೆಕ್ನೊಕ್ರಸಿ: ಎನರ್ಜಿ ರೆಜಿಮ್ಸ್ ಇನ್ ಮಾಡರ್ನ್ ಈಸ್ಟ್ ಏಷ್ಯಾ","blurb":"ಫುಶುನ್ನ ತೆರೆದ ಗುಂಡಿ ಗಣಿಗಾರಿಕೆಯ ಕತೆಯ ಮೂಲಕ, ‘ಕಾರ್ಬನ್ ಟೆಕ್ನೊಕ್ರಸಿ’ ಪೂರ್ವ ಏಷ್ಯಾದ ಪಳೆಯುಳಿಕೆ ಇಂಧನದ ಇತಿಹಾಸವನ್ನು ಪ್ರಸ್ತುತಪಡಿಸುತ್ತದೆ. ಇದು ಚೀನಾ ಹಾಗೂ ಜಪಾನುಗಳು, ಕಲ್ಲಿದ್ದಿಲು ಮತ್ತು ತೈಲಗಳ ಜಗತ್ತಿನ ಅತಿದೊಡ್ಡ ಬಳಕೆದಾರರಾದ ಇತಿಹಾಸವನ್ನು ಚಿತ್ರಿಸುತ್ತದೆ. ರಾಜ್ಯ ಹಾಗೂ ಸಾಮ್ರಾಜ್ಯ ಕಟ್ಟುವಿಕೆಯ ಪ್ರಯತ್ನಗಳು ಹೇಗೆ ಪಳೆಯುಳಿಕೆ ಇಂಧನ ಆರ್ಥಿಕತೆ ಮತ್ತು ಮಾನವ ಶ್ರಮದ ಶೋಷಣೆಯನ್ನು ಉದಯದ ಜೊತೆಗೆ ಬೇರ್ಪಡಿಸಲಾಗದ ನಂಟನ್ನು ಹೊಂದಿವೆ ಎಂಬುದನ್ನು ವಿಕ್ಟರ್ ಸಿಯೋವ್ ಅವರು ಪರಿಶೀಲಿಸಿದ್ದಾರೆ. ","creators":"AA_3","descriptor":"","id":47,"image":"Carbon_Technocracy_resized.png","link":"https://positionspolitics.org/maggie-clinton-reviews-victor-seow-carbon-technocracy-energy-regimes-in-modern-east-asia-university-of-chicago-press-2022/","link_name":"ಇನ್ನ ಅನ್ವೇಷಿಸಿ","secondary_link":"","secondary_link_name":"","type":"book","uid":"carbon_technocracy"}],"elements":{"accent_color":{"color":"#F8C028","id":"accent_color"},"ccsante":{"color":"#DB7093","id":"ccsante"},"common_ground":{"color":"#D2B48C","id":"common_ground"},"critical_zones":{"color":"#019879","id":"critical_zones"}},"exhibits":[{"alias":"ತನ್ನನ್ನು ತಾನು ರೂಪಿಸಿಕೊಳ್ಳುವಿಕೆಯಲ್ಲಿ","audio":"In the Making of Self Kannada.mp3","blurb":"ಕಲಾವಿದರಾದ ಅರುಣ್ ಕುಮಾರ್ ಎಚ್ ಜಿ ಅವರ ಈ ಕಲಾಕೃತಿಯು ಇಂಗಾಲದೊಂದಿಗಿನ ನಮ್ಮ ತುಂಬು ಸಂಬಂಧಕ್ಕೆ ಪುರಾವೆಯಾಗಿದೆ. ಎಂದಿಗೂ ಪರಿಪೂರ್ಣವಾಗದ ಈ ಕಲಾಕೃತಿಯಲ್ಲಿ ಬಳಸಲಾಗಿರುವ ಮರವನ್ನು ಕಾರ್ಖಾನೆಯ ಕಸದಮನೆಯಿಂದ ತರಲಾಗಿದ್ದು ಇದು ಕಾಡುಗಳ ನಾಶವನ್ನು ಸೂಚಿಸುತ್ತಿದೆ.
‘ತನ್ನನ್ನು ತಾನು ರೂಪಿಸಿಕೊಳ್ಳುವಿಕೆಯಲ್ಲಿ’—ಬಳಸುವಿಕೆ, ಪರಿಸರ ಹಾನಿ ಮತ್ತು ಸುಸ್ಥಿರತೆಯ ಪರಿಕಲ್ಪನೆಗಳನ್ನು ಇದರಲ್ಲಿ ಒಟ್ಟಾಗಿ ಹೆಣೆಯಲಾಗಿದೆ. ಕಾಣುವ ಹಾಗೂ ಕಾಣದಿರುವ ರೂಪಗಳಲ್ಲಿರುವ ಇಂಗಾಲವು ಈ ಎಲ್ಲಾ ಪ್ರಕ್ರಿಯೆಗಳಿಗೆ ಮೂಲವಾಗಿದೆ. ನೀವು ಈ ಕಲಾಕೃತಿಯನ್ನು ಮುಟ್ಟಿನೋಡುತ್ತಿರುವಂತೆಯೇ ನಾವು ನಿಮ್ಮನ್ನು ಇಂಗಾಲವು ನಮ್ಮ ಮೂಲಕ, ನಮ್ಮ ಪರಿಸರದ ಹಾಗೂ ನಾವು ಹುಟ್ಟುಹಾಕಿರುವ ಕೈಗಾರಿಕೆಗಳ ಮೂಲಕ ಹೇಗೆ ಹರಿದಾಡುತ್ತಿದೆ ಎಂಬುದರ ಕುರಿತು ಆಲೋಚನೆ ಮಾಡಲು ಸ್ವಾಗತಿಸುತ್ತೇವೆ.
","color":"#f48650","id":0,"image":"in-the-making-of-self.webp","link":"","medium":"ಕಲಾಕೃತಿ, ಉಕ್ಕು, ಮರುಬಳಕೆಯಾದ ಕೈಗಾರಿಕೆಗಳ ಮರಮುಟ್ಟು ಕಸ, ಮರದ ಮೇಲೆ ಬಳಸುವ ಅಂಟು","process":"","programmes":"","resources":"","strip":"","team":"arunkumar_hg","theme":"ದೇಹರಚನೆಯಲ್ಲಿ ಇಂಗಾಲ","uid":"in-the-making-of-self","year":2021},{"alias":"ಕದಿಯಲಾದ ದಿಗಂತಗಳು","audio":"Stolen Horizons Kannada Edited .mp3","blurb":"‘ಕದಿಯಲಾದ ದಿಗಂತಗಳು’ ಒಂದು ಇದ್ದಿಲಿನ ಭಿತ್ತಿಚಿತ್ರವಾಗಿದ್ದು, ಇದು ಇಂಗಾಲದೊಡನೆ ಇರುವ ನಮ್ಮ ನಂಟಿನ ನೇಯ್ಗೆಯನ್ನು ತೋರ್ಪಡಿಸುತ್ತದೆ. ಕಲಾವಿದರಾದ ಪ್ರಭಾಕರ್ ಪಚ್ಪುತೆಯವರು ಮಹಾರಾಷ್ಟ್ರದ ಗಣಿಗಾರಿಕೆಯ ನಗರವಾದ ಸಸ್ತಿಯವರು. ಅವರು ಭೂಮಿಯಗೆತದ ವಿಚಿತ್ರವೂ, ಅಪಾಯಕಾರಿಯೂ ಆದ ಪರಿಣಾಮಗಳ ಬಗ್ಗೆ ಆಳವಾಗಿ ಪರಿಶೀಲಿಸುತ್ತಾರೆ. ಈ ಭಿತ್ತಿಚಿತ್ರದಲ್ಲಿ ಕಾಣುವ ಪ್ರಾಣಿಗಳು, ದೋಣಿ, ಪ್ರಪಾತದಂಚು ಮತ್ತು ಸುರಂಗಗಳೇ ಮುಂತಾದ ಪ್ರತಿಯೊಂದು ಪದರವೂ ನಮ್ಮ ಮಣ್ಣು, ಜನರು ಮತ್ತು ವಸ್ತುಗಳ ಮೇಲೆ ಮೂಡಿಸಲಾದ ನೆನಪುಗಳ ಮಸಿಪದರವನ್ನು ಪರಿಗಣಿಸುವಂತೆ ಮಾಡುತ್ತಿವೆ.","color":"#e180b4","id":1,"image":"stolen-horizons.webp","link":"","medium":"ಮಿಶ್ರ ಮಾಧ್ಯಮ ಭಿತ್ತಿಚಿತ್ರ, ಅಕ್ರೆಲಿಕ್, ಅರಾಬಿಕ್ ಅಂಟು, ಇದ್ದಿಲು, ಗ್ರಾಫೈಟ್, ಮುಲ್ತಾನಿ ಜೇಡಿಮಣ್ಣು","process":"","programmes":"","resources":"","strip":"","team":"prabhakar_pachpute","theme":"ಇಂಗಾಲ ಸಂಸ್ಕೃತಿಗಳು","uid":"stolen-horizons","year":2023},{"alias":"ವಜ್ರದ ಆಕರ್ಷಕ ಕಥೆ","audio":"Fascinating Story of the Diamond Kannada Editted.mp3","blurb":"ಹೇಗೆ ವಜ್ರವು ಭೌತಶಾಸ್ತ್ರಜ್ಞರೊಬ್ಬರ ಆಪ್ತಮಿತ್ರವಾಗಬಲ್ಲವು?
ಏಷ್ಯಾದಲ್ಲೇ, ವಿಜ್ಞಾನದ ವಿಷಯದಲ್ಲಿ ಮೊಟ್ಟಮೊದಲಿಗರಾಗಿ ನೊಬೆಲ್ ಪುರಸ್ಕಾರ ಪಡೆದ ಚಂದ್ರಶೇಖರ ವೆಂಕಟ ರಾಮನ್ ಅವರು, 1930ರ ದಶಕದಲ್ಲಿ ವಜ್ರಗಳ ಕುರಿತಾಗಿ ವ್ಯಾಪಕ ಸಂಶೋಧನೆಗಳನ್ನು ನಡೆಸಿದರು. ರಾಮನ್ ಅವರ ಸಿದ್ಧಾಂತವು ಭೌತಶಾಸ್ತ್ರಜ್ಞರಾದ ಮ್ಯಾಕ್ಸ್ ಬೋರ್ನ್ ಅವರ ಸಿದ್ಧಾಂತದೊಂದಿಗೆ ಸಂಘರ್ಷವನ್ನು ಹೊಂದಿತ್ತು. ಏಕೆಂದರೆ ರಾಮನ್ ಅವರಿಗೆ ಬೋರ್ನ್ ಅವರ ವಜ್ರದ ಕ್ರಿಸ್ಟಲ್ ಡೈನಾಮಿಕ್ಸ್ ಕುರಿತು ಒಪ್ಪಿಗೆ ಇರಲಿಲ್ಲ. ಇದು ವಿಜ್ಞಾನಿಗಳು ತಮ್ಮ ಪ್ರಯೋಗಾಲಯಗಳಲ್ಲಿ ಹೊಂದಿರುವ ಸಣ್ಣಪುಟ್ಟ ತಗಾದೆಗಳ ಕಥೆಗಳಿಗಿಂತ ಮಿಗಿಲಾದುದಾಗಿತ್ತು. ವಜ್ರದ ವ್ಯಾಪಾರಿಗಳು, ಮಹಾರಾಜರುಗಳು, ರಾಮನ್ ಅವರ ಉಪನ್ಯಾಸ ಕೇಳಲು ಹಿಂಡುಹಿಂಡಾಗಿ ನುಗ್ಗಿ ಬರುತ್ತಿದ್ದ ವಿದ್ಯಾರ್ಥಿಗಳನ್ನೆಲ್ಲಾ ಒಳಗೊಂಡ ಆರ್ಕೈವಲ್ ದಾಖಲೆಗಳನ್ನು ಅನ್ವೇಶಿಸಿ, ಆ ಮೂಲಕ ವೈಜ್ಞಾನಿಕ ಸಂಸ್ಥೆಗಳಾಚೆಗೂ ಹಬ್ಬಿಕೊಂಡ ಕಥಾನಕವನ್ನು ಈ ಪ್ರದರ್ಶನದಲ್ಲಿ ತಿಳಿಯಿರಿ.
ಈ ಪ್ರದರ್ಶನವನ್ನು ರಾಮನ್ ರೀಸರ್ಚ್ ಇನ್ಸ್ಟಿಟ್ಯೂಟ್, ಬೆಂಗಳೂರು ಹಾಗೂ ರಾಯಲ್ ಸೊಸೈಟಿ ಆಫ್ ಕೆಮಿಸ್ಟ್ರಿ ಬೆಂಬಲಿಸಿವೆ.","color":"#627d93","id":2,"image":"fascinating-story-of-the-diamond.webp","link":"","medium":"ಸಂವಾದಾತ್ಮಕ ವೆಬ್ ಅನುಭವ","process":"","programmes":"","resources":"","strip":"","team":"","theme":"ವಸ್ತುವಾಗಿ ಇಂಗಾಲ","uid":"fascinating-story-of-the-diamond","year":2023},{"alias":"ದಿ ನ್ಯಾನೋಕಾರ್ಬನ್ ಕುಕೂನ್","audio":"The Nanocarbon Cocoon.mp3","blurb":"ಒಂದು ರೇಶ್ಮೆಹುಳು, ಒಂದಿಷ್ಟು ಹಿಪ್ಪನೇರಳೆ ಸೊಪ್ಪು ಮತ್ತು ಇಂಗಾಲದ ನ್ಯಾನೋಟ್ಯೂಬುಗಳು ನಮ್ಮ ಪ್ರಯೋಗಾಲಯಕ್ಕೆ ಹೆಜ್ಜೆಯಿಟ್ಟಿವೆ.
‘ದಿ ನ್ಯಾನೋಕಾರ್ಬನ್ ಕುಕೂನ್’ ಎನ್ನುವುದು ನೊಪೊ ನ್ಯಾನೊಟೆಕ್ನಾಲಜೀಸ್ನಲ್ಲಿ ಕೆಲವು ವಿಜ್ಞಾನಿಗಳು ನಡೆಸಿದ ಪ್ರಯೋಗವೊಂದರ ಮರುಸೃಷ್ಟಿಯಾಗಿದೆ. ಇದರಲ್ಲಿ ಅವರು ರೇಶ್ಮೆಹುಳುಗಳಿಗೆ ಇಂಗಾಲದ ನ್ಯಾನೋಟ್ಯೂಬುಗಳನ್ನು ಮೆತ್ತಿದ ಹಿಪ್ಪನೇರಳೆ ಸೊಪ್ಪಿನ ಮೇವನ್ನು ನೀಡಿದ್ದರು. ಈ ರೇಶ್ಮೆ ಹುಳುಗಳು ಆಗ ಉತ್ಪಾದಿಸಿದ ರೇಶ್ಮೆ ಎಳೆಗಳು ನ್ಯಾನೋಟ್ಯೂಬುಗಳಿಂದ ಗಟ್ಟಿಮುಟ್ಟುತನ ಗಳಿಸಿಕೊಂಡು ಹೆಚ್ಚಿನ ಟೆನ್ಸೈಲ್ ಸ್ಟ್ರೆಂಥ್ ತೋರ್ಪಡಿಸಿದವು. ಈ ನೂಲುಗಳನ್ನು ಬಟ್ಟೆಗಳಲ್ಲಿ ಮಾತ್ರವಲ್ಲದೆ, ಗಾಯಗಳ ಹೊಲಿಗೆ ಮತ್ತು ಪ್ಯಾರಾಚೂಟ್ ಹಗ್ಗಗಳಲ್ಲೂ ಬಳಸಬಹುದು.
ಇಂಗಾಲವು, ಜೀವಿಗಳು ಮತ್ತು ಹೊಸಯುಗದ ನ್ಯಾನೋ ತಂತ್ರಜ್ಞಾನಗಳೆರಡರಲ್ಲೂ ಒಗ್ಗೂಡಿ ಹೇಗೆ ಉತ್ಕೃಷ್ಟವಾದ ಜೈವಿಕ ಉತ್ಪನ್ನಗಳ ತಯಾರಿಕೆಗೆ ಕಾರಣವಾಗಬಲ್ಲದು ಎಂಬುದನ್ನು ಈ ಪ್ರಯೋಗದಲ್ಲಿ ನೀವು ಕಾಣಬಹುದಾಗಿದೆ. ","color":"#627d93","id":3,"image":"nanocarbon-cocoon.webp","link":"","medium":"ಇಂಗಾಲದ ನ್ಯಾನೋಟ್ಯೂಬ್ ದ್ರಾವಣ, ಚಂದ್ರಿಕೆ, ಹಿಪ್ಪನೇರಳೆ ಸೊಪ್ಪು, ರೇಶ್ಮೆಹುಳುಗಳು","process":"","programmes":"","resources":"the-nanocarbon-cocoon_r1, the-nanocarbon-cocoon_r2, the-nanocarbon-cocoon_r3, the-nanocarbon-cocoon_w1, the-nanocarbon-cocoon_w2, the-nanocarbon-cocoon_l1","strip":"","team":"Nopo_Nanotechnologies","theme":"ವಸ್ತುವಾಗಿ ಇಂಗಾಲ","uid":"nanocarbon-cocoon","year":2017},{"alias":"ಮೂವ್ಮೆಂಟ್ 1: ನ್ಯಾನೋಮಾರ್ಫಾಲಜಿ ","audio":"Movement 1 Kannada.mp3","blurb":"ನಾವು ವಜ್ರ, ಗ್ರಾಫೈಟ್ ಅಥವಾ ಕಲ್ಲಿದ್ದಿಲಿನ ರೂಪದಲ್ಲಿರುವ ಇಂಗಾಲ ರೂಪಗಳನ್ನು ನೋಡಬಹುದು, ಮುಟ್ಟಬಹುದು ಮತ್ತು ಚಿತ್ರ ಸೆರೆ ಹಿಡಿಯಬಹುದು. ಆದರೆ ನ್ಯಾನೋ ಪ್ರಮಾಣದಲ್ಲಿರುವ, ಮನುಷ್ಯರ ಅಥವಾ ಕ್ಯಾಮರಾದ ಕಣ್ಣಿಗೆ ಗೋಚರವಾಗದ ಇಂಗಾಲದ ಕಣಗಳನ್ನು ಹೇಗೆ ಪರೀಕ್ಷಿಸಬಲ್ಲೆವು? ಚಲನಚಿತ್ರ ತಯಾರಕರು ಹಾಗೂ ಕಲಾವಿದರು ಆಗಿರುವ ಆಂಡ್ರಿಯಾ ರಸಲ್ ಅವರು ಅಟಾಮಿಕ್ ಫೋರ್ಸ್ ಮೈಕ್ರೋಸ್ಕೋಪ್ ಇಂದ ದೊರೆತ ದತ್ತಾಂಶಗಳನ್ನು ಬಳಸಿಕೊಂಡು, ಆರುಬದಿ ರೂಪದಲ್ಲಿ, ಒಂದೇ ಪದರದಲ್ಲಿ ಜೋಡಿಸಲ್ಪಟ್ಟ ಇಂಗಾಲದ ಅಣುಗಳಿಂದಾಗಿರುವ ಗ್ರಾಫೀನ್ನ ಮಿಣುಕುನೋಟ ಒದಗಿಸುತ್ತಾರೆ. ಈ ಬಹುಪದರದ ಧ್ವನಿ ಅನುಭವವು ನ್ಯಾನೋ ಪ್ರಮಾಣದಲ್ಲಿನ ಇಂಗಾಲವನ್ನು ಆಲಿಸಲು, ಕಾಣಲು ಮಾತ್ರವಲ್ಲದೆ ಅನುಭವ ಪಡೆಯಲು ಆಹ್ವಾನಿಸುತ್ತದೆ.","color":"#627d93","id":4,"image":"movement-1.webp","link":"","medium":"ಧ್ವನಿ ಸಂರಚನೆ
ವಿಡಿಯೋ: ಅಟಾಮಿಕ್ ಫೋರ್ಸ್ ಮೈಕ್ರೋಸ್ಕೋಪ್ ದ ಅಡಿಯಲ್ಲಿ ಗ್ರಾಫೀನ್ | 00:01:04","process":"","programmes":"","resources":"","strip":"","team":"andrea-rassell","theme":"ವಸ್ತುವಾಗಿ ಇಂಗಾಲ","uid":"movement-1","year":2018},{"alias":"ಕಾರ್ಬನ್ ನ್ಯಾನೋವರ್ಸ್","audio":"Carbon Nanoverse Kannada.mp3","blurb":"ಇಂಗಾಲದೊಳಗಿನ ವಿರೂಪಗಳನ್ನು ಕಂಡುಹಿಡಿಯಲು ನೀವು ತಂತ್ರಜ್ಞಾನದೊಂದಿಗೆ ಜೊತೆಯಾಗಬಲ್ಲಿರಾ?
ಇಂಗಾಲದ ಸಾಮಾನ್ಯ ಬಳಕೆಯ ರೂಪಗಳಾದ ಗ್ರಾಫೈಟ್, ಇದ್ದಿಲು ಮತ್ತು ಅಕ್ಟಿವೇಟಿಡ್ ಕಾರ್ಬನ್ ಜೊತೆಯಲ್ಲಿ ಒಡನಾಡುತ್ತಾ, ನೀವೊಂದು ಅಣುವಿನಷ್ಟು ಚಿಕ್ಕ ರೂಪ ಧರಿಸಿ, ಅವುಗಳ ಸಂಕೀರ್ಣವಾದ ರಚನೆಯನ್ನು ಅರಿತುಕೊಳ್ಳಿ. ಕೆಲವೊಂದು ಸನ್ನಿವೇಶಗಳಲ್ಲಿ, ಇಂಗಾಲದ ಈ ಸ್ವರೂಪಗಳು ತಮ್ಮ ಸಾಮಾನ್ಯ ರಚನೆಗಳಿಗಿಂತ ಬೇರೆಯ ರೂಪ ಹೊಂದಿರಬಲ್ಲವು ಮತ್ತು ಬೇರೆಯದೇ ಗುಣಲಕ್ಷಣಗಳನ್ನು ತೋರಬಲ್ಲವು. ನೀವು ಗಣಕಯಂತ್ರೀಕೃತ ಸೂಕ್ಷ್ಮದರ್ಶಕದ ನೆರವಿನಿಂದ ರೂಪುಗೊಂಡಿರುವ ಪ್ರತಿಯೊಂದು ರಚನೆಯನ್ನೂ ಕಾಣುವಾಗ, ಕೆಂಪುಬಣ್ಣದಿಂದ ಗುರುತಿಸಲಾಗಿರುವ, ಆ ಇಂಗಾಲದ ರಚನೆಗಳಲ್ಲಿರುವ ವಿರೂಪಗಳನ್ನು ಗಮನಿಸಿ. ಈ ರಚನೆಗಳ ಇನ್ನಷ್ಟು ವೈಪರೀತ್ಯಗಳನ್ನು ಕಂಡುಹಿಡಿಯಲು ನಿಮ್ಮ ಈ ಪ್ರಯಾಣವನ್ನು ಮುಂದುವರೆಸಿರಿ.
ಈ ಪ್ರದರ್ಶನವನ್ನು ಕರ್ಟಿನ್ ವಿಶ್ವವಿದ್ಯಾಲಯ, ಪರ್ತ್ ಬೆಂಬಲಿಸಿದೆ. ","color":"#627d93","id":5,"image":"carbon-nanoverse.webp","link":"","medium":"ಮಿಶ್ರ ಮಾಧ್ಯಮ ಭಿತ್ತಿಚಿತ್ರ, ಅಕ್ರೆಲಿಕ್, ಅರಾಬಿಕ್ ಅಂಟು, ಇದ್ದಿಲು, ಗ್ರಾಫೈಟ್, ಮುಲ್ತಾನಿ ಜೇಡಿಮಣ್ಣು","process":"","programmes":"","resources":"","strip":"","team":"andrea-rassell, jacob-martin","theme":"ವಸ್ತುವಾಗಿ ಇಂಗಾಲ","uid":"carbon-nanoverse","year":2023},{"alias":"ಕಾಸ್ಮಿಕ್ ಕಯಾಸ್ಮಸ್: ಬ್ರಹ್ಮಾಂಡವನ್ನು ದಾಟುತ್ತಿದೆ ","audio":"Cosmic Chiasmus Kannada .mp3","blurb":"ಭೂಮಿಯ ಮೇಲೆ ಧಾತುರೂಪದ ಇಂಗಾಲವು, ವಿಕಿರಣಶೀಲ ಕಾರ್ಬನ್ ಡೈಆಕ್ಸೈಡ್ ಆಗಿ ಬದಲಾಗುವಾಗ, ತೊಡಗುವ ಬ್ರಹ್ಮಾಂಡ ಪಯಣವನ್ನು ಮರುಸೃಷ್ಟಿಸಲು ಸಾಧ್ಯವೇ?
ಡಿಕ್ಕಿ ಹೊಡೆದು ಸೃಷ್ಟಿ ಆಗುವ ವಿಕಿರಣಶೀಲ ಕಾರ್ಬನ್ ಡೈಆಕ್ಸೈಡ್ ಕಣಗಳನ್ನು ಸೆರೆ ಹಿಡಿಯಲು, ಕಲಾವಿದರಾದ ಸುಸಾನ್ ಏಯರ್ ಅವರು ಕ್ಲೌಡ್ ಚೇಂಬರ್, ಎತ್ತರ ಹಾರಾಟದ ಬಲೂನುಗಳು ಮತ್ತು ಚಿತ್ರೀಕರಣದ ಸಾಧನಗಳನ್ನು ಬಳಸುತ್ತಾರೆ. ಈ ಬಹು-ಪದರದ ಚಲನಚಿತ್ರವು, ಭೂಮಿಯ ಮೇಲಿನ ಜೀವನವು ಕಾಸ್ಮಿಕ್ ಕಿರಣಗಳಿಂದ ಹೇಗೆ ವ್ಯಾಪಿಸುತ್ತದೆ ಎಂಬುದನ್ನು ಪರಿಶೋಧಿಸುತ್ತದೆ. ಈ ಕಿರಣಗಳು ಭೂಮಿಯ ವಿದ್ಯುತ್ಕಾಂತೀಯ ಕ್ಷೇತ್ರದ ಜೊತೆ, ನಮ್ಮ ಚರ್ಮ ಜೊತೆ, ಮತ್ತು ಇಂಗಾಲದ ಜೊತೆ ಹೇಗೆ ಪ್ರತಿಸ್ಪಂದಿಸುತ್ತವೆ ಎಂಬುದನ್ನು ಪರಿಶೋಧಿಸುತ್ತದೆ.
ಈ ಪ್ರದರ್ಶನವನ್ನು ಯುಕೆ ಸರ್ಕಾರ ಬೆಂಬಲಿಸಿದೆ.","color":"#627d93","id":6,"image":"cosmic-chiasmus.webp","link":"","medium":"ವೀಡಿಯೋ, | 00:05:23","process":"","programmes":"","resources":"","strip":"","team":"susan_eyre","theme":"ವಸ್ತುವಾಗಿ ಇಂಗಾಲ","uid":"cosmic-chiasmus","year":2021},{"alias":"ದಿ ಮೈಕೋಬ್ಲಾಕ್ ಚೇರ್","audio":"The Mycobloc Chair.mp3","blurb":"ಬೆಂಗಳೂರಿನ ಗಜಿಬಿಜಿಯ ಬೀದಿಗಳಲ್ಲಿ, ಒಂದು ಬಿಸಾಡಲಾದ ಪ್ಲಾಸ್ಟಿಕ್ ಮೊನೊಬ್ಲಾಕ್ ಕುರ್ಚಿಯು, ಹೊಸದೊಂದು ಜೀವನವನ್ನು ಕಂಡುಕೊಂಡಿತು. ಮಾರಿಯಾ ಜೋಸೆಫ್ ಅವರ ಕಲಾತ್ಮಕ ದೃಷ್ಟಿಕೋನದಿಂದ ಮತ್ತು ನುವೆದೂದ ಮೈಸೀಲಿಯಂ ಪರಿಣಿತರ ನವೀನ ತಂತ್ರಗಳಿಂದ, ಇದೊಂದು ಜೈವಿಕವಾಗಿ ಹೆಣೆಯಲಾದ ಅದ್ಭುತವಾಗಿ ರೂಪುಗೊಂಡಿದೆ. ರೈಶಿ ಕವಕಜಾಲವು ಕೃಷಿ ಉಪಉತ್ಪನ್ನವಾದ ರಾಗಿ ಒಣಹುಲ್ಲಿನ ಮೇಲೆ ಬೆಳೆಯುತ್ತದೆ. ಇದು ಕುರ್ಚಿಯನ್ನು ಸಂಪೂರ್ಣವಾಗಿ ಆವರಿಸುತ್ತದೆ. ದಿ ಮೈಕೋಬ್ಲಾಕ್ ಚೇರ್ ನಮ್ಮ ವ್ಯರ್ಥ ಬಳಕೆಯನ್ನು ಪ್ರಶ್ನಿಸುತ್ತದೆ.","color":"#f7bc39","id":7,"image":"mycobloc-chair.webp","link":"","medium":"ಮಾನೋಬ್ಲಾಕ್ ಪ್ಲಾಸ್ಟಿಕ್ ಕುರ್ಚಿ, ಮೈಕೋಮೆಟೀರಿಯಲ್ಸ್","process":"","programmes":"","resources":"","strip":"","team":"maria-joseph, nuvedo","theme":"ಇಂಗಾಲ ಮತ್ತು ಮಾಲಿನ್ಯ","uid":"mycobloc-chair","year":2022},{"alias":"ಟೆರಿಟೊರಿಯಲ್ ಇನ್ಹಲೇಷನ್ಸ್ ","audio":"Territorial Inhalations Kannada.mp3","blurb":"ಒಂದು ಬೆನ್ನುಚೀಲ ಹಾಗೂ ಶಿಲೀಂದ್ರಗಳಿಂದ ಸಜ್ಜುಗೊಂಡ ಓರ್ವ ಕಲಾವಿದರು, ಗಾಳಿಯ ಗುಣಮಟ್ಟವನ್ನು ಹೇಗೆ ಅರಿಯಬಲ್ಲರು?
‘ಟೆರಿಟೊರಿಯಲ್ ಇನ್ಹಲೇಷನ್ಸ್’ ಕಲಾವಿದರಾದ ಆನಾ ಲಾರಾ ಕ್ಯಾಂಟೇರಾ ಅವರು ಬೆಂಗಳೂರು ಹಾಗೂ ಬ್ಯೂನಸ್ ಏರಿಸ್ ತರಹದ ನಗರಗಳಲ್ಲಿ ನಾವು ಉಸಿರಾಡುವ ಗಾಳಿಯನ್ನು ಪರಿಶೋಧಿಸುತ್ತಾರೆ. ಕಲಾವಿದರು ನಗರದ ಉದ್ದಗಲಕ್ಕೆ ನಡೆಯುವಾಗ ಬೆನ್ನುಚೀಲದಲ್ಲಿನ, ಶಿಲೀಂಧ್ರಗಳಿಂದ ಮಾಡಲಾದ ಜೈವಿಕವಸ್ತು ಸೋಸುಕಗಳು ಮತ್ತು ವಿದ್ಯುನ್ಮಾನ ಸಲಕರಣೆಗಳು ಸಣ್ಣ ಸಣ್ಣ ಗಾಳಿಯ ಕಣಗಳನ್ನು ಸೆರೆಹಿಡಿಯುತ್ತವೆ. ಕೆಲಹೊತ್ತಿನ ನಂತರ ಈ ಸೋಸುಕಗಳು ಬಣ್ಣ ಬದಲಿಸುತ್ತವೆ. ಆ ಮೂಲಕ ಶುಭ್ರವಾಗಿ ಕಾಣುವ ಆಕಾಶದಲ್ಲಿ ಅಡಗಿರುವ ಮಾಲಿನ್ಯಕಾರಿ ಕಣಗಳನ್ನು ಬಯಲಿಗೆಳೆಯುತ್ತವೆ. ಹೀಗೆ ಬದಲಾದ ಸೋಸುಕಗಳು ಎರಡು ಉದ್ದೇಶಗಳನ್ನು ಈಡೇರಿಸುತ್ತವೆ: ಕಣ್ಣಿಗೆ ಕಾಣದ ಮಾಲಿನ್ಯಕಾರಿ ಕಣಗಳನ್ನು ಕಾಣುವಂತೆ ಮಾಡುತ್ತವೆ ಮತ್ತು ಇದೇ ಹೊತ್ತಲ್ಲಿ, ಆಧುನಿಕ ಸಯಾನೋಮೀಟರ್ ಬಳಸಿ ಬಾನಿನ ಬಣ್ಣವನ್ನು ಅಳೆಯಲಾಗುತ್ತದೆ.","color":"#f7bc39","id":8,"image":"territorial-inhalations.webp","link":"","medium":"ಬೆನ್ನುಚೀಲ, 3D ಮುದ್ರಿತ ಲಾಳಿಕೆಗಳು, ವಿದ್ಯುನ್ಮಾನ ಸಲಕರಣೆಗಳು, ಮೈಸೀಲಿಯಂ, ಯೆರ್ಬಾ ಮೇಟ್ ಜೈವಿಕವಸ್ತು ಸೋಸುಕ","process":"","programmes":"","resources":"","strip":"","team":"ana-cantera","theme":"ಇಂಗಾಲ ಮತ್ತು ಮಾಲಿನ್ಯ","uid":"territorial-inhalations","year":"2020-2023"},{"alias":"ಕಾರ್ಬನ್ ಬ್ಲಾಕ್","audio":"Carbon Black Kannada Edited.mp3","blurb":"‘ಕಾರ್ಬನ್ ಬ್ಲಾಕ್’—ಬೆಂಗಳೂರು ಮತ್ತು ಫೇರ್ ಐಲ್ ಬಾನಿನ ಐದು ಭಾವಚಿತ್ರಗಳನ್ನು ಒಳಗೊಂಡಿದೆ. ಇವುಗಳನ್ನು ಇಂಗಾಲದ ಕಪ್ಪು ಕಣಗಳಿಂದ ಬಿಡಿಸಲಾಗಿದ್ದು ಇವು ಎರಡು ವಿಭಿನ್ನ ಪ್ರದೇಶಗಳಿಂದ ಸೆರೆಹಿಡಿದ ಅರೆಉರಿದ ಹೈಡ್ರೋಕಾರ್ಬನ್ ಕಣಗಳಾಗಿವೆ. ಗ್ರಹಿಸಲು ಅಸಾಧ್ಯವಾದ ಈ ಕಣಗಳಿಗೆ ಜೀವಂತಿಕೆಯನ್ನು ನೀಡಲು, ಕಲಾವಿದರಾದ ಅನೈಸ್ ತೊಂದ್ಯುರ್ ಅವರು ಇಂಗಾಲದ ಕಪ್ಪು ಕಣಗಳನ್ನು ಸೆರೆಹಿಡಿಯಬಲ್ಲ ಮಾಸ್ಕ್ ಧರಿಸುತ್ತಾರೆ. ಈ ಕಣಗಳನ್ನು ಶಾಯಿಯಾಗಿ ಮಾರ್ಪಡಿಸಿ ಅದರಿಂದ ಛಾಯಾಚಿತ್ರಗಳನ್ನು ಮುದ್ರಿಸುತ್ತಾರೆ. ವಾತಾವರಣ ವಿಜ್ಞಾನಿಗಳಾದ ರಿಟಾ ವ್ಯಾನ್ ಡಿಂಗೆನನ್ ಮತ್ತು ಜೀನ್–ಫಿಲ್ಲಿಪ್ ಪುಟೌಡ್ ಅವರ ಸಹಯೋಗ ಹೊಂದಿರುವ ತೊಂದ್ಯುರ್ ಅವರು ಇಂಗಾಲದ ಕಪ್ಪು ಕಣಗಳನ್ನು ಹೊರಸೂಸುವ ಮಾಲಿನ್ಯದ ಮೂಲವನ್ನು ಬೆರಳು ಮಾಡಿ ತೋರಿಸುತ್ತಾರೆ. ಈ ಕಣಗಳು ಸಾವಿರಾರು ಮೈಲಿ ದೂರ ಸಾಗಬಲ್ಲವು ಎನ್ನುವಾಗ, ಇಂಗಾಲದ ಹೊರಸೂಸುವಿಕೆಯ ಜಾಗತಿಕ ಪರಿಣಾಮಗಳ ಜಾಡನ್ನು ನಾವು ಹೇಗೆ ಕಂಡು ಹಿಡಿಯಬಹುದು?
ತೊಂದ್ಯುರ್ ಅವರು ಯುವಕರೊಂದಿಗೆ, ಬೆಂಗಳೂರಿನ ವಾಣಿಜ್ಯ ಪ್ರದೇಶಗಳು ಮತ್ತು ಹಸಿರು ಪ್ರದೇಶಗಳಲ್ಲಿ ಸಂಚರಿಸುತ್ತಾ, ಈ ಪ್ರದೇಶಗಳಿಂದ ಕಾಣುವ ಆಕಾಶದ ಛಾಯಾಚಿತ್ರಗಳನ್ನು ಸೆರೆಹಿಡಿದಿದ್ದಾರೆ. ಬೆಂಗಳೂರಿನ ಆಕಾಶದ ಸಂಯೋಜಿತ ಚಿತ್ರಗಳನ್ನು ಇಲ್ಲಿ ಪ್ರದರ್ಶಿಸಲಾಗಿದೆ..","color":"#f7bc39","id":9,"image":"carbon-black.webp","link":"","medium":"ಇಂಗಾಲದ ಕಪ್ಪು ಮುದ್ರಣಗಳು","process":"","programmes":"","resources":"","strip":"","team":"anais-tondeur","theme":"ಇಂಗಾಲ ಮತ್ತು ಮಾಲಿನ್ಯ","uid":"carbon-black","year":"2017-2023"},{"alias":"ಫಾರೆಸ್ಟಾ- ಇನ್ಕ್ಲೂಸಿವ್ (ಎಕ್ಸ್)ಟೆಂಡಿಂಗ್-ಟುವರ್ಡ್ಸ್","audio":"Foresta Inclusive Kannada Edited.mp3","blurb":"ಮರಗಳ ಸೂಕ್ಷ್ಮವಾದ ನರ್ತನವನ್ನು ಹೇಗೆ ದೃಶ್ಯೀಕರಿಸುವುದು?
‘ಫಾರೆಸ್ಟಾ ಇನ್ಕ್ಲೂಸಿವ್’ನಲ್ಲಿ, ಕಲಾವಿದರಾದ ಜೇನ್ ಟಿಂಗ್ಲೀ ಅವರು ಮರಗಳ ಕುರಿತಾದ ಸುಪ್ತ ಅನುಭವಗಳನ್ನು ಗ್ರಹಿಸಲು ಮತ್ತು ಅರ್ಥೈಸಲು ಡಿಜಿಟಲ್ ತಂತ್ರಜ್ಞಾನವನ್ನು ಬಳಸಿಕೊಂಡಿದ್ದಾರೆ. ಈ ಕೋಣೆಯ ಹೊರಗಡೆ ಇರುವ ಮರವೊಂದಕ್ಕೆ ಇಕೋ-ಸಂವೇದಕಗಳು ಅಳವಡಿಸಲಾಗಿದ್ದು, ಇವುಗಳು ಮರವು ಪರಿಸರದೊಂದಿಗೆ ನಡೆಸುವ ಸಂವಹನದ ಜಾಡನ್ನು ಹಿಡಿಯುತ್ತವೆ. ಹೀಗೆ ಕಲೆಹಾಕಲಾದ ದತ್ತಾಂಶವು ಗಾಳಿಯಲ್ಲಿನ ಕಣಗಳ ವಸ್ತುಗಳು, ಗಾಳಿ ಬೀಸುವ ವೇಗ, ಕಾರ್ಬನ್ ಡೈಆಕ್ಸೈಡ್ ಮಟ್ಟ, ಮಳೆ ಮತ್ತು ಮರದ ಅಕ್ಕಪಕ್ಕದಲ್ಲಿ ಸಿಗುವ ಬೆಳಕಿನ ಪ್ರಮಾಣಗಳನ್ನು ಒಳಗೊಂಡಿರುತ್ತದೆ. ದತ್ತಾಂಶಗಳಿಂದ ರೂಪುಗೊಂಡಿರುವ ಈ ಸಂರಚನೆಯು ನಿಸರ್ಗದ ಅಗಾಧವಾದ ವ್ಯಾಪ್ತಿಯ ಬಗ್ಗೆ ಮೆಚ್ಚುಗೆಯನ್ನು ಹುಟ್ಟುಹಾಕುತ್ತದೆ.
ಈ ಪ್ರದರ್ಶನವನ್ನು ಟೊರೊಂಟೋದಾ ಯಾರ್ಕ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಿಂದ ಬೆಂಬಲಿಸಿದೆ. ","color":"#158fcf","id":10,"image":"foresta-inclusive.webp","link":"","medium":"ಸಂರಚನೆ, ಪ್ರದರ್ಶನದೇರ್ಪಾಡು, ಕಾರ್ಕ್, ವಿದ್ಯುನ್ಮಾನ ಸಂವೇದಕಗಳು, ಸಂವೇದಕ ಕೇಂದ್ರ","process":"","programmes":"","resources":"","strip":"","team":"jane-tingley","theme":"ಇಂಗಾಲದ ಜೀವಿಗಳು","uid":"foresta-inclusive","year":"2020-2023"},{"alias":"ಜೀವಾಣು","audio":"Jiwanu Kannada Edited .mp3","blurb":"1950 ಹಾಗೂ 1970ರ ಅವಧಿಯಲ್ಲಿ, ರಸಾಯನ ಶಾಸ್ತ್ರಜ್ಞರಾದ ಕೃಷ್ಣ ಬಹದ್ದೂರ್ ಮತ್ತು ಎಸ್. ರಂಗನಾಯಕಿಯವರು ಅಲಹಾಬಾದ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಪ್ರಯೋಗಗಳನ್ನು ನಡೆಸಿ ಜೀವಕಣಗಳಂತಹ ಗುಣಲಕ್ಷಣಗಳನ್ನು ಹೊಂದಿರುವ ಕಣಗಳ ಸ್ವಾಭಾವಿಕ ಮೂಲಗಳನ್ನು ಸರಳವಾದ ರಾಸಾಯನಿಕ ಮಿಶ್ರಣಗಳಿಂದ ಅಥವಾ ಕಾರ್ಬನ್ ಆಧಾರಿತ ಸಾವಯವ ಅಣುಗಳು, ಅಮೋನಿಯಾ, ಫಾಸ್ಫೇಟ್ ಮತ್ತು ಖನಿಜ ಲವಣಗಳನ್ನು ಹೊಂದಿರುವ ‘ಅಜೀವಕ ದ್ರವ’ಗಳಿಂದ ಸಂಶೋಧನೆ ಮಾಡಿದರು. ಈ ‘ದ್ರವವನ್ನು’ ಸೂರ್ಯನ ಕಿರಣಗಳಿಗೆ ಒಡ್ಡಿದಾಗ, ಕೆಲವು ದುಂಡನೆಯ ಘಟಕಗಳು ಹುಟ್ಟಿಕೊಂಡವು. ಅವುಗಳನ್ನು ‘ಜೀವಾಣು’ ಎನ್ನಲಾಯಿತು.
ಬಹದ್ದೂರ್ ಮತ್ತು ರಂಗನಾಯಕಿ ಅವರುಗಳು ‘ಜೀವಾಣು’ವು ಆದಿಜೀವ ಸ್ವರೂಪಗಳಿಗೆ ಅತ್ಯಗತ್ಯವಾದ ಚಯಾಪಚಯ, ಬೆಳವಣಿಗೆ ಮತ್ತು ವಿಭಜನೆಗಳ ಲಕ್ಷಣಗಳನ್ನು ತೋರಿಸಿದವು ಎಂಬುದಾಗಿ ಹೇಳಿಕೊಂಡರು. ಈ ಪ್ರಯೋಗಗಳು ದೊಡ್ಡಮಟ್ಟದಲ್ಲಿ ಗಮನಕ್ಕೆ ಬಾರದೆ ಹೋಗಿದ್ದು, ಈ ಸಂಶೋಧನಾ ಯೋಜನೆಯು ಆಧುನಿಕ ವಿಜ್ಞಾನದ ಸಾಧನಗಳನ್ನು ಬಳಸಿ ಮತ್ತೊಮ್ಮೆ ಸಂಶಯಾತೀತವಾಗಿ ಸಾಧಿತವಾಗಬೇಕಾಗಿವೆ. ನಾವು ನಿಮ್ಮನ್ನು, ಜೀವವು ಯಾವುದರಿಂದ ಉಂಟಾಗಿದೆ, ಜೀವ ಉಗಮದಲ್ಲಿ ಇಂಗಾಲವು ಯಾವ ಪಾತ್ರ ವಹಿಸುತ್ತದೆ ಎಂಬಂತಹ ಪ್ರಶ್ನೆಗಳನ್ನು ಕೇಳಲು ಹಾಗೂ ಈ ಮರುಸೃಷ್ಟಿಸಿದ ‘ಜೀವಾಣು’ ಪ್ರಯೋಗಗಳನ್ನು ಕಣ್ಣಾರೆ ಕಾಣಲು ಆಹ್ವಾನಿಸುತ್ತಿದ್ದೇವೆ.
ಈ ಪ್ರದರ್ಶನವನ್ನು ರಾಷ್ಟ್ರೀಯ ಜೀವ ವಿಜ್ಞಾನ ಕೇಂದ್ರ, ಬೆಂಗಳೂರು ಬೆಂಬಲಿಸಿದೆ.","color":"#158fcf","id":11,"image":"jivanu.webp","link":"","medium":"ರಾಸಾಯನಿಕಗಳು, ಪ್ರಯೋಗಾಲಯದ ಗಾಜಿನ ಪರಿಕರಗಳು","process":"","programmes":"","resources":"","strip":"","team":"nayan-chakraborty, shashi-thutupalli","theme":"ಇಂಗಾಲದ ಜೀವಿಗಳು","uid":"jivanu","year":2023},{"alias":"ಮ್ಯಾನ್ಗ್ರೋವ್ ಕಾರ್ಬನ್ (ಅರ್ಥಮಾಡಿಕೊಳ್ಳುವಿಕೆ)","audio":"Mangrove Carbon Kannada Edited.mp3","blurb":"ಎಲ್ಲೋ ಕಂಡುಕೇಳರಿಯದ ಜಾಗಗಳಲ್ಲಿರುವ ಪರಿಸರ ವ್ಯವಸ್ಥೆಯನ್ನು ನಾವು ಹೇಗೆ ತಾನೆ ಮೆಚ್ಚಲು, ಅಧ್ಯಯನ ಮಾಡಲು, ಕಾಪಾಡಲು ಸಾಧ್ಯ?
ಸಾಧಾರಣವಾಗಿ ಬೇರೆ ಬೇರೆ ಪರಿಸರಗಳಲ್ಲಿ, ಅದರಲ್ಲೂ ದಟ್ಟ ಹಾಗೂ ಕಠಿಣವಾದ ಮ್ಯಾಂಗ್ರೋವ್ ತರಹದ ಪರಿಸರಗಳಲ್ಲಿ, ಇಂಗಾಲವು ವಹಿಸುವ ಪ್ರಮುಖವಾದ ಪಾತ್ರವು ನಮ್ಮ ಗಮನಕ್ಕೆ ಬಾರದೆ ಹೋಗುತ್ತದೆ. ಇಲ್ಲಿ ಕಲೆ, ದತ್ತಾಂಶ ಮತ್ತು ಭೂಗೋಳಿಕ ತಂತ್ರಜ್ಞಾನಗಳು ನಿಮ್ಮನ್ನು ಮ್ಯಾಂಗ್ರೋವ್ಗಳ ವೈವಿಧ್ಯಮಯವಾದ ಹಾಗೂ ಅಷ್ಟೇ ಶ್ರೀಮಂತವಾದ ಪ್ರಪಂಚದಲ್ಲಿ ಮುಳುಗಿಸುತ್ತವೆ. ಒಂದು ಮಾಯಾಲೋಕ, ಒಂದು ಅಮೂರ್ತವಾದ ವರ್ಣಚಿತ್ರ, ದತ್ತಾಂಶದಿಂದ ದೊರೆತ ನಕ್ಷೆಗಳು – ಎಲ್ಲವೂ ಮ್ಯಾಂಗ್ರೋವ್ಗಳು ಇಂಗಾಲ, ಪರಿಸರ ಮತ್ತು ಜನರೊಂದಿಗೆ ಹೊಂದಿರುವ ಸಂಕೀರ್ಣವಾದ ಸಂಬಂಧಗಳನ್ನು ಪರಿಶೋಧಿಸುತ್ತವೆ.","color":"#158fcf","id":12,"image":"understanding-mangrove-carbon.webp","link":"","medium":"ಮಿಶ್ರ ಮಾಧ್ಯಮ ಏರ್ಪಾಟು, ಛಾಯಾಚಿತ್ರ ಮುದ್ರಣಗಳು
ವೀಡಿಯೋ: ಸಿಹಿ ನೀರು ಮತ್ತು ಉಪ್ಪು ಗಾಳಿಯ ನಡುವೆ | 00:16:39","process":"","programmes":"","resources":"","strip":"","team":"tech-for-wildlife, Gayatri_Kodikal, Himanshi_Parmar, Svabhu_Kohli ","theme":"ಇಂಗಾಲದ ಜೀವಿಗಳು","uid":"understanding-mangrove-carbon","year":"2022-2023"},{"alias":"ಟ್ರಿಗರ್ಡ್ ಬೈ ಮೋಶನ್","audio":"Triggered by Motion Kannada.mp3","blurb":"ನಮ್ಮ ಭೂಮಿಯ ಯಾವುದೋ ದೂರದ ಮೂಲೆಯಲ್ಲಿ ಜೀವನ ಹೇಗಿರಬಹುದೆಂದು ಎಂದಾದರೂ ಯೋಚಿಸಿದ್ದೀರಾ?
ಭೂಮಿಯ ಮೇಲಿನ ವನ್ಯಜೀವಿಗಳ ಲಯಕ್ಕೆ ನಿಮ್ಮನ್ನು ಬೆಸೆಯುವ ಯಾನವನ್ನು ಆರಂಭಿಸಿ. ‘ಟ್ರಿಗರ್ಡ್ ಬೈ ಮೋಶನ್’ ಅನ್ನು ವಿದ್ವಾಂಸರಾದ ಕ್ಯಾಥರೀನಾ ವೀಕಲ್ ಅವರು ಬೇರೆ ಬೇರೆ ವಿದ್ವಾಂಸರು ಹಾಗೂ ನಾಗರಿಕ ವಿಜ್ಞಾನಿಗಳ ಒಂದು ಅಂತಾರಾಷ್ಟ್ರೀಯ ಜಾಲದ ಸಹಯೋಗದೊಂದಿಗೆ ಅಭಿವೃದ್ಧಿ ಪಡಿಸಿದ್ದಾರೆ. 21 ಸಂರಕ್ಷಣಾ ಯೋಜನಾ ಪ್ರದೇಶಗಳಲ್ಲಿ ಒಂದು ವರ್ಷ ಕಾಲ ಕಲೆಹಾಕಿರುವ ದತ್ತಾಂಶವು ಸಾರಗೊಂಡು, ಹಗಲು, ಇರುಳು ಮತ್ತು ಬದಲಾಗುವ ಋತುಗಳ ನಡುವೆ ಸಂಚರಿಸುವ, ಇಪ್ಪತ್ತು ನಿಮಿಷಗಳ ಒಂದು ಚಲನಚಿತ್ರವಾಗಿದೆ. ಹವಾಮಾನ ಬಿಕ್ಕಟ್ಟು ತೀವ್ರವಾದಂತೆ, ಈ ಚಲನಚಿತ್ರಗಳು ಬದಲಾಗುತ್ತಿರುವ ಕಾಡಿನ ಜೀವಸಂಕುಲದ ಸ್ವರೂಪವನ್ನು ದಾಖಲಿಸುತ್ತ ಈ ಪರಿಸರದ ಏರ್ಪಾಡುಗಳನ್ನು ಕಾಪಾಡಿಕೊಳ್ಳಬೇಕಾದ ಅಗತ್ಯವನ್ನು ಒತ್ತಿ ಹೇಳುತ್ತದೆ.
ಈ ಪ್ರದರ್ಶನವನ್ನು ಜ಼ುರಿಚ್ ವಿಶ್ವವಿದ್ಯಾಲಯ ಮತ್ತು ಸ್ವಿಸ್ನೆಕ್ಸ್ ಇನ್ ಇಂಡಿಯಾ ಬೆಂಬಲಿಸಿವೆ.","color":"#158fcf","id":13,"image":"triggered-by-motion.webp","link":"","medium":"ಅಡಗಿಸಿಟ್ಟ ಕ್ಯಾಮರಾ ಸೆರೆಹಿಡಿವ ವೀಡಿಯೋ ಏರ್ಪಾಡು, ಅಕೌಸ್ಟಿಕ್ ಪ್ಯಾನೆಲ್ಸ್","process":"","programmes":"","resources":"","strip":"","team":"katharina_weikl, triggered_by_motion_research_network","theme":"ಇಂಗಾಲದ ಜೀವಿಗಳು","uid":"triggered-by-motion","year":2022},{"alias":"ಮೇಲಿನ ಮೋಡಗಳು, ಕೆಳಗಿನ ಮೋಡಗಳು","audio":"Clouds Above Clouds Below Kannada Edited.mp3","blurb":"‘ಮೇಲಿನ ಮೋಡಗಳು, ಕೆಳಗಿನ ಮೋಡಗಳು’ ದಲ್ಲಿ ವಿನ್ಯಾಸಕಾರರಾದ ಆನ್ನೆಲೀ ಬರ್ನರ್ ಅವರು ಓಪನ್-ಸೊರ್ಸ್ ಕೋಡ್ಗಳನ್ನು ಬಳಸಿ ಮಾಡಿದ ದೃಶ್ಯಾವಳಿಗಳನ್ನು ಪರಿಶೋಧಿಸುತ್ತಾರೆ. ಈ ಮೂಲಕ ವಾತಾವರಣದಲ್ಲಿನ ಮೋಡಗಳು ಹಾಗೂ ಡಿಜಿಟಲ್ ಮೋಡಗಳು (ಅಂತರ್ಜಾಲ ಸರ್ವರ್ಗಳು) ಹೇಗೆ ಸಿಕ್ಕುಸಿಕ್ಕಾಗಿ ನಮ್ಮ ಸುತ್ತಮುತ್ತೆಲ್ಲಾ ಸಿಲುಕಿಕೊಂಡಿವೆ ಎಂಬುದನ್ನು ಬಯಲು ಮಾಡುತ್ತಾರೆ. ವಾತಾವರಣದಲ್ಲಿನ ಮೋಡಗಳು ಸೂರ್ಯನಿಂದ ಬರುವ ಬಿಸಿಯನ್ನು ಪ್ರತಿಫಲಿಸುವುದರಿಂದಾಗಿ, ಅವುಗಳ ಕುರಿತಾದ ಸಂಶೋಧನೆಗಳು ಇಂದಿನ ಹವಾಮಾನ ಬಿಕ್ಕಟ್ಟಿನ ಸಂದರ್ಭದಲ್ಲಿ ಬಹಳ ಮಹತ್ವದ ವಿಷಯಗಳಾಗಿವೆ. ಇದಕ್ಕೆ ತದ್ವಿರುದ್ಧವಾಗಿ, ಈ ಸಂಶೋಧನೆಗಳನ್ನು ಸಾಧ್ಯವಾಗಿಸುವ ಡಿಜಿಟಲ್ ಮೋಡಗಳ ಬಳಸುವಿಕೆಯು, ಇಂಗಾಲದ ಹೊರಸೂಸುವಿಕೆಯನ್ನು ಹೆಚ್ಚಿಸುತ್ತದೆ. ಹಾಗಿದ್ದರೆ ನಾವು ಈ ಎರಡೂ ಬಗೆಯ ಮೋಡಗಳ ಒಳನಂಟನ್ನು ಬಿಚ್ಚಿಡುವುದು ಹೇಗೆ? ಬಾನಿನಲ್ಲಿರುವ ಮೋಡಗಳು ಬದಲಾದ ಹಾಗೆಲ್ಲಾ ಅಂತರ್ಜಾಲ ತಂತಿಗಳಿಂದ ಹಿಡಿದು ಸರ್ವರ್ ತೋಟಗಳವರೆಗಿನ ನಮ್ಮ ಡಿಜಿಟಲ್ ಸೌಕರ್ಯಗಳ ಮೇಲೆ ಯಾವ ಪರಿಣಾಮಗಳಾಗುತ್ತವೆ?","color":"#8e6264","id":14,"image":"clouds-above-clouds-below.webp","link":"","medium":"ಮಿಶ್ರಚಿತ್ರ, ದತ್ತಾಂಶ ದೃಶ್ಯೀಕರಣ, ವೀಡಿಯೋ | 00:02:45","process":"","programmes":"","resources":"","strip":"","team":"Annelie_Berner","theme":"ಆಲ್ಟ್ C","uid":"clouds-above-clouds-below","year":"2019–2022"},{"alias":"ಡಿಜಿಟಲ್ ಕನ್ಸಂಪ್ಷನ್","audio":"Digital Consumption Kannada.mp3","blurb":"ನಾನ್ ಫಂಜಿಬಲ್ ಟೋಕನ್ಸ್ (ಎನ್.ಎಫ್.ಟಿಗಳು) ಭೌತಿಕ ಪ್ರಪಂಚದ ಮೇಲೆ ಹೇಗೆ ಪರಿಣಾಮ ಬೀರುತ್ತದೆ?
ಎನ್.ಎಫ಼್.ಟಿಗಳು ಡಿಜಿಟಲ್ ಸಾಮ್ರಾಜ್ಯದಿಂದ ಹುಟ್ಟಿದ್ದು, ಗಣನೀಯ ಪ್ರಮಾಣದ ವಿದ್ಯುತ್ತನ್ನು ಬಳಸುವುದಲ್ಲದೆ ಗಣನೀಯ ಪ್ರಮಾಣದ ಕಾರ್ಬನ್ ಡೈಆಕ್ಸೈಡನ್ನು ಹೊರಸೂಸುತ್ತದೆ. ‘ಡಿಜಿಟಲ್ ಕನ್ಸಂಪ್ಷನ್’ನಲ್ಲಿ ಒಂದು ಕಂಪ್ಯೂಟರ್ ಪ್ರೋಗ್ರಾಮ್ ಎನ್.ಎಫ್.ಟಿಯನ್ನು ಸಿದ್ಧಪಡಿಸುವುದರಿಂದ ಆಗುವ ಕಾರ್ಬನ್ ಡೈಆಕ್ಸೈಡ್ ಹೊರಸೂಸುವಿಕೆಯ ದತ್ತಾಂಶವನ್ನು ಬಳಸಿಕೊಂಡು, ಒಬ್ಬ ಗಣಿ ಕಾರ್ಮಿಕನ ಛಾಯಾಚಿತ್ರವನ್ನು ಕಪ್ಪು ಮತ್ತು ಬೂದುಬಣ್ಣಗಳಿಂದ ಮಸುಕು ಮಾಡಲಾಗುತ್ತದೆ. ಕಲಾವಿದರಾದ ಎಡ್ಸನ್ ಆಲ್ಬೆರ್ಟೋ ರೇಯ್ನಾ ಗುರೋಲ ಮತ್ತು ಲೂಯಿಸ್ ಕಾಂಟ್ರೆರಾಸ್ ಅವರುಗಳು ತಮ್ಮ ತವರೂರಾಗಿರುವ ಮೆಕ್ಸಿಕೋದ ಮೌಂತೆರೆ ಕೈಗಾರಿಕೀಕರಣದ ಬಗ್ಗೆ ಹೀಗೆ ಪ್ರತಿಕ್ರಿಯಿಸುತ್ತಾರೆ.
ಕೊನೆಯಲ್ಲಿ ಉಂಟಾಗುವ ಫೋಟೋಗಳ ಚಿತ್ತಾರವು—ಎನ್.ಎಫ್.ಟಿ ಗಣಿಗಾರಿಕೆ ಮತ್ತು ಅದಕ್ಕೆ ವಿದ್ಯುತ್ತಿನ ಪೂರೈಕೆಯ ಮೂಲವಾಗಿರುವ ನೈಜವಾದ ಗಣಿಗಳನ್ನು ಒಳಗೊಳ್ಳುತ್ತದೆ.
","color":"#8e6264","id":15,"image":"digital-consumption.webp","link":"","medium":"ಪ್ರೊಜೆಕ್ಷನ್, ಜಾವಾ ಸ್ಕ್ರಿಪ್ಟ್ ಕೋಡ್","process":"","programmes":"","resources":"","strip":"","team":"","theme":"ಆಲ್ಟ್ C","uid":"digital-consumption","year":" 2022–2023"},{"alias":"ನಾನು ಎಂಬುದರ ಬಹುರೂಪತೆ","audio":"Allotropy of Mine Kannada Edited.mp3","blurb":"ನಮ್ಮ ದೇಹದ ತೂಕದಲ್ಲಿ, ನೂರಕ್ಕೆ ಹದಿನೆಂಟು ಭಾಗ ಇಂಗಾಲ ಇದೆ. ಕಲಾವಿದರಾದ ದಾನಿಯೆಲ ಬ್ರಿಲ್ ಎಸ್ಟ್ರಡಾ ಅವರು ತಮ್ಮ ಆತ್ಮಶೋಧಕ ಕೃತಿಗಳನ್ನು ಸಂಯೋಜಿಸಲು ಈ ವಾಸ್ತವಾಂಶವನ್ನು ಆಧರಿಸಿದ್ದಾರೆ.
ಅವರ ಕಲಾಕೃತಿಯ ಪ್ರತಿಯೊಂದು ಗಾಜಿನ ಬಾಟಲಿಯು ಅವರ ದೇಹದ ಬೇರೆ ಬೇರೆ ಅಂಗಾಂಶಗಳು, ಅಂಗಗಳು ಮತ್ತು ಅಣುಗಳಲ್ಲಿರುವ ಇಂಗಾಲವನ್ನು ಬಣ್ಣಿಸುತ್ತವೆ.
ಗಾಜಿನ ಬಾಟಲಿಗಳಲ್ಲಿರುವ ಇಂಗಾಲ ಅಣುಗಳಿಗೂ ಮತ್ತು ನಮ್ಮ ದೇಹದಲ್ಲಿರುವ ಇಂಗಾಲ ಅಣುಗಳಿಗೂ ನಡುವೆ ಏನಾದರೂ ವ್ಯತ್ಯಾಸವಿದೆಯೇ? ನಾವು ನಮ್ಮ ದೇಹವನ್ನು ಇಂಗಾಲ ಮೂಲಕ ಹೇಗೆ ಅರ್ಥ ಮಾಡಿಕೊಳ್ಳಬಹುದು?","color":"#f48650","id":16,"image":"allotropy-of-mine.webp","link":"","medium":"ಸಂರಚನೆ, ಇದ್ದಿಲಿನ ಪುಡಿ, ಗಾಜಿನ ಬಾಟಲಿಗಳು","process":"","programmes":"","resources":"","strip":"","team":"Daniela_Brill","theme":"ದೇಹರಚನೆಯಲ್ಲಿ ಇಂಗಾಲ","uid":"allotropy-of-mine","year":2018},{"alias":"ದಿ ಕೋರ್ಸ್ ಫ್ಯಾಬ್ರಿಕ್ ಆಫ್ ಬೀಯಿಂಗ್ ಹ್ಯೂಮನ್ ","audio":"The Coarse Fabric of Being Human Kannada Edited.mp3","blurb":"ಮನುಷ್ಯನ ದೇಹದ ಸಾರವನ್ನೆಲ್ಲಾ ಒಂದೇ ಒಂದು ಅತ್ಯದ್ಭುತವಾದ ಅಣುವಾಗಿ ಭಟ್ಟಿ ಇಳಿಸಲು ಸಾಧ್ಯವಾದರೆ ಹೇಗಿರುತ್ತದೆ?
ರಕ್ಸ್ ಮೀಡಿಯಾ ಕಲೆಕ್ಟಿವ್ ಅವರಿಂದ ಸೃಷ್ಟಿಸಲಾಗಿರುವ ‘ದಿ ಕೋರ್ಸ್ ಫ್ಯಾಬ್ರಿಕ್ ಆಫ್ ಬೀಯಿಂಗ್ ಹ್ಯೂಮನ್’, ಈ ತತ್ವವನ್ನು ಕೈಯ್ಯಾರೆ ಹೆಣೆದ ರತ್ನಗಂಬಳಿಗಳ ಮೂಲಕ ಪ್ರಸ್ತುತಪಡಿಸುತ್ತದೆ. ಇದರಲ್ಲಿನ ಪ್ರತಿಯೊಂದು ನೂಲಿನ ಎಳೆಯೂ ಈ ಕಾಲ್ಪನಿಕ ಅಣುವಿನ ಒಂದು ಘಟಕವನ್ನು ಪ್ರತಿನಿಧಿಸುತ್ತದೆ. ಸ್ಟೆರ್ನರ್-ಎಲ್ಸರ್ ಮಾಲಿಕ್ಯುಲರ್ ಫಾರ್ಮುಲಾ ಎನ್ನುವ ಊಹಾತ್ಮಕ ನಿರ್ಮಾಣದಿಂದ ರೂಪುಗೊಂಡಿರುವ ಈ ಪ್ರದರ್ಶನವು ನಮ್ಮನ್ನು ಕೂರಲು, ಮಲಗಲು, ನಿದ್ರಿಸಲು, ವಿಶ್ರಮಿಸಲು ಮತ್ತು ನಮ್ಮ ದೇಹವು ಅಣುಗಳ ಕೂಟವಾಗಿ ಮತ್ತು ಒಂದು ಜೀವಜಾತಿಯಾಗಿ, ಯಾವುದರಿಂದ ಮಾಡಲ್ಪಟ್ಟಿದೆ ಎಂಬುದರ ಬಗ್ಗೆ ಆಲೋಚಿಸಲು ಆಹ್ವಾನಿಸುತ್ತದೆ.","color":"#f48650","id":17,"image":"the-coarse-fabric-of-being-human.webp","link":"","medium":"ಕೈಯ್ಯಾರೆ ಹೆಣೆದ ರತ್ನಗಂಬಳಿಗಳು, ವಿಸ್ಕೋಸ್, ಉಣ್ಣೆ","process":"","programmes":"","resources":"","strip":"","team":"raqs_media_collective","theme":"ದೇಹರಚನೆಯಲ್ಲಿ ಇಂಗಾಲ","uid":"the-coarse-fabric-of-being-human","year":2021},{"alias":"ಎಕ್ಸ್-ಕಾರ್ಬನ್","audio":"X-Carbon Kannada Edited.mp3","blurb":"ನೀವು ಎಂದಾದರೂ ದೂರದ, ಬೀಳುತ್ತಿರುವ ನಕ್ಷತ್ರ ಹಾಗೂ ಅದು ವಿನಾಶಗೊಳಿಸಬಹುದಾದ ನಾಗರೀಕತೆಗಳ ಸೆಳೆತಕ್ಕೆ ಒಳಗಾಗಿದ್ದೀರಾ?
‘ಎಕ್ಸ್–ಕಾರ್ಬನ್’ ವಿಶ್ವದಲ್ಲಿ, ಒಂದು ಶ್ವೇತಕುಬ್ಜ ತಾರೆಯೊಳಗೆ ದಂಗೆಯೊಂದು ಅನಾವರಣಗೊಳ್ಳುತ್ತಿದೆ. ಮುಕ್ತವಾದ ಚಲಿಸುವ ಇಲೆಕ್ಟ್ರಾನು ಕಣಗಳು ಈ ಸಾಯುತ್ತಿರುವ ನಕ್ಷತ್ರದ ಕೇಂದ್ರವನ್ನು ಅಸ್ಥಿರಗೊಳಿಸಿ ಸಮೀಪದ ನಾಗರೀಕತೆಯನ್ನು ಅಪಾಯಕ್ಕೊಡ್ಡಿದೆ. ಐಶ್ವರ್ಯ ಚಂದ್ರಶೇಖರ್ ಆಗಿ ನೀವು, ಒಂದು ಕಾರ್ಯಯೋಜನೆಯ ಭಾಗವಾಗಿ ‘ಎಕ್ಸ್–ಕಾರ್ಬನ್’ ಅಂತರಂಗಕ್ಕೆ ಹೋಗುತ್ತಿದ್ದೀರಿ. ಅಲ್ಲಿ ಈ ದಂಗೆಯೆದ್ದ ಇಲೆಕ್ಟ್ರಾನುಗಳನ್ನು ಸೆರೆಹಿಡಿದು ಮತ್ತೊಂದು ಗ್ರಹದಲ್ಲಿನ ಜೀವಿಗಳನ್ನು ಕಾಪಾಡುತ್ತೀರಿ. ಯಾನ್ ಸ್ವಿರ್ಕೊವ್ಸ್ಕಿಅವರು ಕಟ್ಟಿಕೊಟ್ಟಿರುವ, ಒಂದು ಇಡೀ ನಾಗರೀಕತೆಯ ಹಣೆಬರಹವೇ ನಿಮ್ಮ ಕೈಯ್ಯಲ್ಲಿರುವ, ಈ ರೋಮಾಂಚಕಾರಿ ಸಾಹಸದಲ್ಲಿ ಪಾಲ್ಗೊಳ್ಳಿ.
ಈ ಪ್ರದರ್ಶನವನ್ನು ಇನ್ಸ್ಟಿಟ್ಯೂಟ್ ಬಿ61 ಮತ್ತು ಪೋಲಿಶ್ ಇನ್ಸ್ಟಿಟ್ಯೂಟ್ ನವ ದೆಹಲಿ ಬೆಂಬಲಿಸಿವೆ.","color":"#627d93","id":18,"image":"x-carbon.webp","link":"","medium":"ಆರ್ಕೇಡ್ ಯಂತ್ರ, ಡಿಜಿಟಲ್ ಗೇಮ್","process":"","programmes":"","resources":"","strip":"","team":"jan-swierkowski ","theme":"ವಸ್ತುವಾಗಿ ಇಂಗಾಲ","uid":"x-carbon","year":2023},{"alias":"ಎನರ್ಜಿ ಸ್ಲೇವ್ ಟೋಕನ್ಸ್","audio":"Energy Slave Tokens Kannada Edited.mp3","blurb":"ಹೆಸರಾಂತ ಶಿಲ್ಪಶಾಸ್ತ್ರಜ್ಞ ಮತ್ತು ಭವಿಷ್ಯವಾದಿಯಾದ ಬಕ್ಮಿನ್ಸ್ಟರ್ ಫುಲರ್ ಅವರು ‘ಎನರ್ಜಿ ಸ್ಲಾವ್ಸ್’ ಎಂಬ ಪದವನ್ನು ಟಂಕಿಸಿದಾಗ, ಪಳೆಯುಳಿಕೆ ಇಂಧನದಿಂದ ಉತ್ಪಾದನೆಯಾಗುವ ಶಕ್ತಿಯನ್ನು ಮಾನವನ ದೈಹಿಕ ಶ್ರಮದೊಂದಿಗೆ ಸಮೀಕರಿಸಿದರು.
ನಿಮ್ಮ ದೈನಂದಿನ ಬದುಕಿಗೆ ಬಲ ತುಂಬಲು ನೀವು ಪಳೆಯುಳಿಕೆ ಇಂಧನವನ್ನು ಬಳಸಿದಾಗೆಲ್ಲಾ, ಎಷ್ಟು ‘ಎನರ್ಜಿ ಸ್ಲಾವ್ಸ್’ಗಳಿಗೆ ಒಡೆಯರಾಗಿದ್ದೀರಿ ಎಂದು ಗೊತ್ತೇ? ‘ಎನರ್ಜಿ ಸ್ಲೇವ್ ಟೋಕನ್ಸ್’, ಪೆಟ್ರೋಲಿಯಂನ ಅರೆಘನ ರೂಪವಾದ ಡಾಂಬರಿನಿಂದ ರೂಪುಗೊಂಡಿದ್ದು, ಮಾನವ ಶ್ರಮದ ನಿರ್ದಿಷ್ಟ ಅವಧಿಯನ್ನು (ಒಂದು ಗಂಟೆ, ಒಂದು ದಿನ, ಒಂದು ವರ್ಷ, ಒಂದು ಜೀವಿತಾವಧಿ) ಪ್ರತಿನಿಧಿಸುತ್ತದೆ. ಹಾಗೆ ಮಾಡುವಾಗ, ನಮ್ಮ ಆಧುನಿಕ ಜೀವನಶೈಲಿಗೆ ಬಲ ತುಂಬುತ್ತಿರುವ ಪಳೆಯುಳಿಕೆ ಇಂಧನ ಚಾಲಿತ ಶಕ್ತಿಯು ಹೇಗೆ ಮಾನವ ಶ್ರಮಕ್ಕಿಂತ ಬೇರೆ ಎಂಬುದನ್ನು, ಕಲಾಕೃತಿಗಳನ್ನು ಸಂಗ್ರಹಿಸುವ ಜಾಲತಾಣವಾದ ದಿಸ್ನೋವೆಷನ್.ಒರ್ಗ್ ಎತ್ತಿತೋರುತ್ತದೆ.","color":"#6c8773","id":19,"image":"energy-slave-tokens.webp","link":"","medium":"ಸಂರಚನೆ, 3D ಮುದ್ರಿತ ತೂಕಗಳು, ಪೋಸ್ಟರ್","process":"","programmes":"","resources":"","strip":"","team":"disnovation_org","theme":"ಇಂಗಾಲ ಮತ್ತು ಬಳಕೆ","uid":"energy-slave-tokens","year":2020},{"alias":"ಪೀಕ್ ಆಯಿಲ್ ","audio":"Peak Oil Edited Kannada.mp3","blurb":"ಪ್ರಪಂಚದ ತೈಲಪೂರೈಕೆಯ ಅರ್ಧದಷ್ಟನ್ನು ಈಗಾಗಲೇ ಬಳಕೆ ಮಾಡಲಾಗಿದೆ. ಉಳಿದರ್ಧ ಭಾಗವನ್ನು ನಾವು ಹೇಗೆ ಬಳಸಲಿದ್ದೇವೆ?
ಈ ರೇಖಾಚಿತ್ರವು ಅಮೇರಿಕಾದ ಭೂಶಾಸ್ತ್ರಜ್ಞ ಎಂ. ಕಿಂಗ್ ಹಬ್ಬರ್ಟ್ ಅವರ ಕಥೆಯಾಗಿದೆ. ಇವರು 1956ರಲ್ಲಿಯೇ ಅಮೇರಿಕಾದ ತೈಲೋದ್ಯಮವು 15 ವರ್ಷಗಳಲ್ಲಿ, ಗರಿಷ್ಟಮಟ್ಟಕ್ಕೇರಿ ಪಾತಾಳಕ್ಕಿಳಿಯಲಿದೆ ಎಂಬ ಭವಿಷ್ಯ ನುಡಿದಿದ್ದರು. ತೈಲಉದ್ದಿಮೆಗಳು ಇವರ ಮಾತಿಗೆ ವಿರೋಧ ತೋರ್ಪಡಿಸಿದ್ದರೂ, 1970ರ ದಶಕದಲ್ಲಿ ತೈಲಬಳಕೆಯು ತುಟ್ಟತುದಿಗೇರಿದಾಗ ಹಬ್ಬರ್ಟ್ ಅವರ ಮಾತು ಸತ್ಯವೆಂದು ಸಾಬೀತಾಯಿತು.
ರೇಖಾಚಿತ್ರ ಕಲಾವಿದರಾದ ಸ್ಟುವರ್ಟ್ ಮ್ಯಾಕ್ಮಿಲನ್ ಅವರ ಈ ಚಿತ್ರರೂಪದ ವಿವರಣೆಗಳು, ಹಿಂದೆಂದಿಗಿಂತಲ್ಲೂ ಹೆಚ್ಚಿನ ಪ್ರಮಾಣದಲ್ಲಿ ಶಕ್ತಿಮೂಲಗಳು ಲಭ್ಯವಿರುವ ಸಮಾಜದ ಬದುಕನ್ನು ತೋರಿಸುತ್ತದೆ.","color":"#6c8773","id":20,"image":"peak-oil.webp","link":"google.com","medium":"ಡಿಜಿಟಲ್ ರೇಖಾಚಿತ್ರಗಳು ","process":"","programmes":"the-sky-in-us, from-roots-to-pixels","resources":"peak-oil_r1, peak-oil_r2, peak-oil_r3, peak-oil_r4, peak-oil_w1, peak-oil_l1","strip":"","team":"stuart-mcmillen ","theme":"ಇಂಗಾಲ ಮತ್ತು ಬಳಕೆ","uid":"peak-oil","year":2015},{"alias":"ಕಾರ್ಬನ್ ಟೇಕ್ಸ್ ಫ್ಲೈಟ್","audio":"Carbon Takes Flight Kannada Edited.mp3","blurb":"‘ಕಾರ್ಬನ್ ಟೇಕ್ಸ್ ಫ್ಲೈಟ್’ ಎನ್ನುವುದು, ಬೆಂಗಳೂರಿನ ಸಂಶೋಧನಾ ಸಂಸ್ಥೆಗಳ ಕೆಲವು ವಿಜ್ಞಾನಿಗಳು ತಯಾರು ಮಾಡಿದ ವಿಶಿಷ್ಟವಾದ ತಿರುಗಾಣಿ ಮತ್ತು ಅಲುಗಿನ ವಿನ್ಯಾಸವಾಗಿದೆ. ಈ ವಿನ್ಯಾಸವು ವಿಮಾನದಲ್ಲುಂಟಾಗುವ ಡ್ರ್ಯಾಗ್ ಫೋರ್ಸ್ ಕಡಿಮೆ ಮಾಡುವ ಉದ್ದೇಶವನ್ನು ಹೊಂದಿದೆ. ಆ ಮೂಲಕ ಇಂಧನ ಕ್ಷಮತೆಯನ್ನು ಹೆಚ್ಚಿಸಿ ವಿಮಾನಯಾನದ ‘ಇಂಗಾಲ ಹೆಜ್ಜೆಗುರುತ’ನ್ನು ಕಡಿಮೆ ಮಾಡಲಿದೆ. ಮೊದಲಿಗೆ ಇದನ್ನು ಲೆಕ್ಕಾಚಾರದ ವಿಶ್ಲೇಷಣೆಯ ಮೂಲಕ ವಿನ್ಯಾಸಗೊಳಿಸಲಾಯಿತು. ನಂತರ ಮಾದರಿಯೊಂದನ್ನು ಸಿದ್ಧಪಡಿಸಿ ಭಾರತೀಯ ವಿಜ್ಞಾನ ಸಂಸ್ಥೆಯಲ್ಲಿ ಗಾಳಿಕೊಳವೆಯಲ್ಲಿ ಪರೀಕ್ಷಿಸಲಾಯಿತು. ಈ ತಿರುಗಾಣಿ ಮತ್ತು ಅಲುಗಿನ ವಿನ್ಯಾಸಗಳ ಹಕ್ಕುಸ್ವಾಮ್ಯವನ್ನು 2010ರಲ್ಲಿ ಪಡೆದುಕೊಳ್ಳಲಾಯಿತು.
ಈ ಮಾದರಿಯು ನಿಮ್ಮನ್ನು, ವಿನ್ಯಾಸ ಕ್ಷೇತ್ರದಲ್ಲಿನ ಆವಿಷ್ಕಾರಗಳು, ಹೇಗೆ ಜವಾಬ್ದಾರಿಯುತ ಇಂಧನ ಬಳಕೆ ಮತ್ತು ವಿಮಾನಯಾನದ ಉಲ್ಲಾಸಗಳ ನಡುವಿನ ಸಮತೋಲನವನ್ನು ಕಾಪಾಡಬಲ್ಲವು ಎಂಬುದರ ಬಗ್ಗೆ ಆಲೋಚಿಸಲು ಪ್ರೇರೇಪಿಸಿದೆಯೇ? ","color":"#49ba88","id":21,"image":"carbon-takes-flight.webp","link":"","medium":"ವಿಮಾನದ ಮಾದರಿ","process":"","programmes":"","resources":"carbon-takes-flight_r1, carbon-takes-flight_r2, carbon-takes-flight_r3, carbon-takes-flight_r4, carbon-takes-flight_w1, carbon-takes-flight_w2","strip":"","team":"Roddam_Narasimha, Suresh_Madhusudan_Deshpande, Chandrashekarappa_Praveen, Belur_Raghavan_Rakshith","theme":"ಇಂಗಾಲದ ನಾಳೆಗಳು","uid":"carbon-takes-flight","year":2010},{"alias":"ವೇಲ್ ಫಾಲ್ಸ್, ಕಾರ್ಬನ್ ಸಿಂಕ್ಸ್","audio":"Whale Falls Carbon Sinks Kannada Edited.mp3","blurb":"ತಿಮಿಂಗಿಲವನ್ನು ಸುಟ್ಟಾಗ ಯಾವ ವಾಸನೆ ಬರುತ್ತದೆ ಗೊತ್ತೇ?
‘ವೇಲ್ ಫಾಲ್ಸ್, ಕಾರ್ಬನ್ ಸಿಂಕ್ಸ್’ ಎನ್ನುವುದು, ಕಾರ್ಬನ್ ಏಸ್ತೆಟಿಕ್ಸ್ ಗ್ರೂಪ್ ಸಂಸ್ಥೆಯ ಸಂಶೋಧನೆಗಳನ್ನು ಆಧರಿಸಿ ಸಿದ್ಧಪಡಿಸಲಾದ ಅದ್ಭುತ ಅನುಭವದ ತಲ್ಲೀನಗೊಳಿಸುವ ಸಂರಚನೆಯಾಗಿದೆ. ಬೇರ್ಪಡಿಸಲು ಸಾಧ್ಯವಾಗದಂತೆ ಬೆಸೆದುಕೊಂಡಿರುವ ತಿಮಿಂಗಿಲಗಳ ನೈಸರ್ಗಿಕ ಹಾಗೂ ಸಾಂಸ್ಕೃತಿಕ ಇತಿಹಾಸಗಳ ಕುರಿತಾದ ಈ ಪ್ರದರ್ಶನದಲ್ಲಿ ನೀವು ತಿಮಿಂಗಿಲಗಳು ಸಂಚರಿಸುವ ವಿಶಾಲ ಕಡಲಿನ ಘಮಲನ್ನು ಹೀರಿಕೊಳ್ಳಿ ಮತ್ತು ತಿಮಿಂಗಿಲದೆಣ್ಣೆಯ ಸುಡುವಿಕೆಯನ್ನು ಗ್ರಹಿಸಿರಿ.","color":"#158fcf","id":22,"image":"whale-falls-carbon-sinks.webp","link":"","medium":"ವೀಡಿಯೋ ಮತ್ತು ಧ್ವನಿ ನಿಸಂರಚನೆ, ಹೇಳಿಮಾಡಿಸಿದ ಸುಗಂಧದ್ರವ್ಯ, ಡಿಜಿಟಲ್ ಮಿಶ್ರಚಿತ್ರ","process":"","programmes":"","resources":"","strip":"","team":"carbon-aesthetics-group ","theme":"ಇಂಗಾಲದ ಜೀವಿಗಳು","uid":"whale-falls-carbon-sinks","year":"2022-2023"},{"alias":"ಹೆಚ್ಚು! ಹೆಚ್ಚು! ಕಲ್ಲಿದ್ದಿಲು, ಪೆಟ್ರೋಲ್, ಸೀಮೆಎಣ್ಣೆ ","audio":"Extra Extra Kannada Edited.mp3","blurb":"ಹಿಂದಿನ ವರ್ಷಗಳ ಈ ಜಾಹೀರಾತುಗಳನ್ನು ಹಾದುಹೋಗುವಾಗ ಒಮ್ಮೆ ನಿಂತು ನೋಡಿ. ಅವು ನಿಮ್ಮ ಕಾರಿಗೆ ಕಡಿಮೆ ಬೆಲೆಯ ಪೆಟ್ರೋಲ್ ಎನ್ನುವ ಅಥವಾ ಸೀಮೆಎಣ್ಣೆಯಿಂದ ಓಡುವ ತಂಪುಪೆಟ್ಟಿಗೆಯ ಜಾಹೀರಾತುಗಳಾಗಿರಬಹುದು. ಈ ಜಾಹೀರಾತುಗಳು ಇಪ್ಪತ್ತನೇ ಶತಮಾನ ಆರಂಭದ ಅಥವಾ ಮಧ್ಯಕಾಲದಲ್ಲಿ ಟೈಮ್ಸ್ ಆಫ್ ಇಂಡಿಯಾ ಪತ್ರಿಕೆಯಲ್ಲಿ ಅಚ್ಚಾಗಿರುವಂಥವು.
ಪಳೆಯುಳಿಕೆ ಇಂಧನದ ಬಳಕೆಯು, ನಿರಂತರವಾಗಿ ಹೆಚ್ಚುತ್ತಿರುವ ನಮ್ಮ ಜೀವನದ ಕೇಂದ್ರಬಿಂದುವಾಗಿ ಈ ಪಳೆಯುಳಿಕೆ ಇಂಧನವು ಹೇಗೆ ಬಂದಿತು ಎಂಬುದರ ಕುರಿತಂತೆ ಈ ಜಾಹೀರಾತುಗಳು ಏನು ಹೇಳುತ್ತಿವೆ? ","color":"#6c8773","id":23,"image":"extra-extra-coal-petrol-kerosene.webp","link":"google.com","medium":"ಆರ್ಕೈವಲ್ ಚಿತ್ರಗಳು ","process":"","programmes":"the-sky-in-us, from-roots-to-pixels","resources":"extra!-extra!-coal-petrol-kerosene_r1, extra!-extra!-coal-petrol-kerosene_r2, extra!-extra!-coal-petrol-kerosene_r3, extra!-extra!, coal-petrol-kerosene_w1, extra!-extra!-coal-petrol-kerosene_w2, extra!-extra!-coal-petrol-kerosene_l1","strip":"","team":"","theme":"ಇಂಗಾಲ ಮತ್ತು ಬಳಕೆ","uid":"extra-extra-coal-petrol-kerosene","year":""},{"alias":"ಹೈಡ್ರೋಕಾರ್ಬನ್ಗಳು","audio":"Hydrocarbons Kannada .mp3","blurb":"ಹೈಡ್ರೋಕಾರ್ಬನ್ ಸರಪಳಿಗಳು, ಪಳೆಯುಳಿಕೆ ಇಂಧನಗಳಿಂದ ಪ್ಲಾಸ್ಟಿಕ್ವರೆಗೆ ನಮ್ಮ ಜೀವನದಲ್ಲಿ ಹಾಸುಹೊಕ್ಕಾಗಿದ್ದು ಎಲ್ಲೆಡೆ ಅಸ್ತಿತ್ವ ಹೊಂದಿವೆ. ಅವು ಹೇಗೆ ಇಷ್ಟೊಂದು ಹರಡಿಕೊಂಡಿವೆ?
ಪ್ರಚಾರೋದ್ದೇಶದ ‘ದಿ ಇನ್ಸೈಡ್ ಸ್ಟೋರಿ ಆಫ್ ಮಾಡರ್ನ್ ಗ್ಯಾಸೋಲಿನ್’ ಚಲನಚಿತ್ರವು, 1946 ರಲ್ಲಿ ‘ಸ್ಟ್ಯಾಂಡರ್ಡ್ ಆಯಿಲ್’ಗಾಗಿ ತಯಾರಿಸಲಾಯಿತು. ಇದು ಪಳೆಯುಳಿಕೆ ಇಂಧನವು ನಮ್ಮ ಬದುಕಿನೊಳಗೆ ಹೇಗೆ ಪ್ರವೇಶಿಸಿದವು ಎಂಬುದನ್ನು ತಿಳಿಸುತ್ತದೆ. ಕಲಾವಿದರಾದ ಮರಿನಾ ಜುರ್ಕೋವ್ ಅವರು, ಈ ಕೃತಿಯ ಮೂಲಕ, ಪಳಯುಳಿಕೆ ಇಂಧನಗಳ ಹಿಡಿತವಿಲ್ಲದ ಬಳಕೆಯನ್ನು ಎತ್ತಿತೋರಿದ್ದಾರೆ. ಮೂಲಚಿತ್ರವನ್ನು ಸಂಕಲಿಸಿ, ಮರುಹೊಂದಿಸುವ ಮೂಲಕ ಜುರ್ಕೋವ್ ಅವರು ನಮ್ಮ ಸುತ್ತಮುತ್ತಲೆಲ್ಲಾ ಹೈಡ್ರೋಕಾರ್ಬನ್ಗಳು ಉಸಿರುಗಟ್ಟಿಸುವಂತೆ ಶೇಖರಣೆ ಆಗುತ್ತಿರುವುದರ ಕುರಿತು ಬೆಳಕು ಚೆಲ್ಲಿದ್ದಾರೆ.
","color":"#6c8773","id":24,"image":"hydrocarbons.webp","link":"","medium":"ವೀಡಿಯೋ | 00:02:32 ","process":"","programmes":"","resources":"","strip":"","team":"marina_zurkow","theme":"ಇಂಗಾಲ ಮತ್ತು ಬಳಕೆ","uid":"hydrocarbons","year":2013},{"alias":"ಏರೋಸೀನ್ ಬ್ಯಾಕ್ಪ್ಯಾಕ್","audio":"Aerocene Backpack Kannada.mp3","blurb":"ಪಳೆಯುಳಿಕೆ ಇಂಧನಗಳ ಹಂಗಿಲ್ಲದೆ ನಾವು ಹಾರುವಂತಾದರೆ ಹೇಗಿರುತ್ತದೆ?
‘ಏರೋಸೀನ್ ಬ್ಯಾಕ್ಪ್ಯಾಕ್’ ಮೂಲಕ, ಏರೋಸೀನ್ ಸಂಸ್ಥೆ ಮತ್ತು ಕಲಾವಿದರಾದ ತೊಮಾಸ್ ಸರಸೇನೊ ಅವರು ವಿಶಿಷ್ಟವಾದ ತೇಲುಶಿಲ್ಪವನ್ನು ರೂಪಿಸಿದ್ದು ಅದು ಬಿಸಿಲಿನ ತಾಪ ಮತ್ತು ಭೂಮಿಯ ಮೇಲ್ಮೈ ಹೊರಸೂಸುವ ಕಡುಗೆಂಪುಕಿರಣಗಳ ಬಿಸಿಯನ್ನು ಬಳಸಿಕೊಂಡು ಹಾರಬಲ್ಲದಾಗಿದೆ. ಈ ಶಿಲ್ಪವು ತೆಳುವಾದ ಪ್ಲಾಸ್ಟಿಕ್ ಹಾಳೆಗಳಿಂದ ಮಾಡಲ್ಪಟ್ಟಿದ್ದು, ನೈಸರ್ಗಿಕವಾದ ಅಲೆಗಳ ಶಕ್ತಿಯನ್ನು ಬಳಸಿಕೊಂಡು ಗಾಳಿಯ ಮೂಲಕ ಸಾಗುತ್ತದೆ. ‘ಏರೋಸೀನ್ ಬ್ಯಾಕ್ಪ್ಯಾಕ್’ ತಿರುಳಿನಲ್ಲಿ, ಭೂಗ್ರಹದೊಂದಿಗಿನ ನಮ್ಮ ಸಂಬಂಧಗಳನ್ನು ಮರು ವ್ಯಾಖ್ಯಾನಿಸಲು ಆಹ್ವಾನವಿದೆ. ಜೊತೆಯಲ್ಲಿ ಇದು, ಸಾರಿಗೆಯ ಬದಲಿ ವಿಧಾನಗಳನ್ನು ಕಂಡುಕೊಳ್ಳುವ ಮೂಲಕ ಪಳೆಯುಳಿಕೆ ಇಂಧನದ ಮೇಲಿನ ನಮ್ಮ ಅವಲಂಬನೆಯನ್ನು ಕಡಿಮೆ ಮಾಡಿಕೊಳ್ಳುವುದರ ಬಗ್ಗೆ ಮರುಚಿಂತನೆಗೆ ಹಚ್ಚುತ್ತದೆ.","color":"#49ba88","id":25,"image":"aerocene.webp","link":"","medium":"ಏರೋಸೋಲಾರ್ ಶಿಲ್ಪ, ಕ್ಯಾನ್ವಾಸ್ ಬೆನ್ನುಚೀಲ, ಮರುಬಳಕೆಯ ಪ್ಲಾಸ್ಟಿಕ್ ಬಾಟಲ್, ರಿಪ್ಸ್ಟಾಪ್ ಬಲೂನು, ಸಂವೇದಕಗಳು","process":"","programmes":"","resources":"","strip":"","team":"tomas_saraceno, aerocene_foundation","theme":"ಇಂಗಾಲದ ನಾಳೆಗಳು","uid":"aerocene","year":"2015-Ongoing"},{"alias":"ಯಂತ್ರಗಳು ಮತ್ತು ಮನುಷ್ಯರು","audio":"Of Machines and Men Kannada Edited.mp3","blurb":"ಬೃಹತ್ ಕೈಗಾರಿಕೆಗಳು ಮತ್ತು ಶ್ರಮಿಕ ಕೂಲಿಕಾರರನ್ನು ಒಳಗೊಂಡಿರುವ ಈ ಛಾಯಾಚಿತ್ರಗಳು ಭಾರತದ ಕೈಗಾರಿಕೀಕರಣಕ್ಕೆ ಬಲನೀಡಿದ ಪೆಟ್ರೋಲಿಯಂ, ಕೋಕ್ , ಮತ್ತು ಕಲ್ಲಿದ್ದಿಲ ಅನಿಲಗಳ ಮೇಲೆ ಬೆಳಕು ಚೆಲ್ಲುತ್ತದೆ.
ಮಿತ್ತರ್ ಬೇಡಿಯವರ ಕಲಾಕೃತಿಗಳಲ್ಲಿ, ಕೈಗಾರಿಕಾ ಘಟಕಗಳು, ಮಿತಿಯಿಲ್ಲದ ಶಕ್ತಿಯ ಬಳಕೆಯ ದುಷ್ಪರಿಣಾಮಗಳ ಕರಿನೆರಳನ್ನು ಚಾಚುತ್ತಾ ನಮ್ಮನ್ನು ಆವರಿಸಿವೆ. ಇದಕ್ಕೆ ಬದಲಾಗಿ, ಟಿ. ಎಸ್. ಸತ್ಯನ್ ಅವರು ತಮ್ಮ ಕ್ಯಾಮೆರಾ ಕಣ್ಣನ್ನು ಇಬ್ಬರು ಗಣಿಕಾರ್ಮಿಕರ ಮೇಲೆ ಕೇಂದ್ರೀಕರಿಸಿದ್ದಾರೆ. ಈ ಕಾರ್ಮಿಕರು ನಮ್ಮ ಕೈಗಾರಿಕೆಗಳಿಗೆ ಶಕ್ತಿ ತುಂಬುವ ಮಾನವ ಶ್ರಮದ ಸಂಕೇತವಾಗಿದ್ದಾರೆ. ಇದರಲ್ಲಿನ ಕೈಗಾರಿಕೆ ಮತ್ತು ಕಾರ್ಮಿಕರ ಕುರಿತಾದ ಒಗ್ಗೂಡುವಿಕೆಯ ಬಣ್ಣನೆಗಳು, ಭಾರತದ ಕೈಗಾರಿಕಾ ಪ್ರಗತಿಯನ್ನು ರೂಪಿಸಿದ ಅಂಶಗಳನ್ನು ತೋರಿಸುತ್ತವೆ.
ಈ ಪ್ರದರ್ಶನವನ್ನು ಮ್ಯೂಸಿಯಂ ಆಫ್ ಆರ್ಟ್ & ಫೋಟೋಗ್ರಫಿ (ಎಂ ಎ ಪಿ), ಬೆಂಗಳೂರು ಬೆಂಬಲಿಸಿದೆ. ","color":"#e180b4","id":26,"image":"of-machines-and-men.webp","link":"","medium":"ಮರದ ಕೋಲುಗಳಿಗೆ ಸುತ್ತಿದ ಆಫ್ಸೆಟ್ ಮುದ್ರಣಗೊಂಡ ಬಟ್ಟೆಯ ಸುರುಳಿ, ಪ್ರದರ್ಶನದೇರ್ಪಾಡು, ಬೆಳ್ಳಿಯ ಜೆಲೆಟಿನ್ ಮುದ್ರಣಗಳು","process":"","programmes":"","resources":"","strip":"","team":"mitter-bedi, t-s-satyan","theme":"ಇಂಗಾಲ ಸಂಸ್ಕೃತಿಗಳು","uid":"of-machines-and-men","year":""},{"alias":"ಫೈರ್ ಕಂಟಿನ್ಯುವಮ್","audio":"Fire Continuum Kannada.mp3","blurb":"ಝಾರ್ಖಂಡ್ನ ಝಾರಿಯಾದ ಕಲ್ಲಿದ್ದಿಲು ಗಣಿಗಳ ಮೇಲ್ಮೈ ಪ್ರದೇಶದಲ್ಲಿ ನೂರಾರು ವರ್ಷಗಳಿಂದಲೂ ಬೆಂಕಿಯೊಂದು ಉರಿಯುತ್ತಿದೆ. ಜೀವಕಳೆಯಿಂದ ತುಂಬಿ ಅಭಿವೃದ್ಧಿ ಹೊಂದುತ್ತಿದ್ದ ಮನೆಗಳು, ಶಾಲೆಗಳು, ಗುಡಿಗಳು ಮತ್ತು ಮಸೀದಿಗಳು – ಈಗ ಈ ಬೆಂಕಿಯ ಜ್ವಾಲೆಗೆ ಬಲಿಯಾಗಿವೆ.
ಝರಿಯಾದ ಮೇಲೆ ತನ್ನ ಕ್ಯಾಮೆರಾವನ್ನು ಕೇಂದ್ರೀಕರಿಸುತ್ತಾ, ಛಾಯಾಗ್ರಾಹಕರಾದ ರೋನ್ನಿ ಸೆನ್ ಅವರು ಹೇಗೆ ಪರಿಸರ ನಾಶವು ವಾಸಕ್ಕೆ ಯೋಗ್ಯವಲ್ಲದ ಸ್ಥಿತಿಗೆ, ಇದನ್ನು ತಂದಿದೆ ಎಂಬುದಕ್ಕೆ ಬೆಳಕು ಚೆಲ್ಲುತ್ತಾರೆ. ಸರ್ವನಾಶಗೊಂಡ ಪ್ರದೇಶದಲ್ಲಿ ಕಲ್ಲಿದ್ದಿಲನ್ನು ಅರಸಲು ಒತ್ತಾಯಿಸಲ್ಪಟ್ಟು ಅಲೆಯುತ್ತಿರುವ ಸಮುದಾಯದ ಚಿತ್ರಗಳನ್ನೂ, ತಮ್ಮ ಭವಿಷ್ಯವನ್ನೇ ಕಳೆದುಕೊಂಡ ಜನಗಳನ್ನೂ ಈ ಛಾಯಾಚಿತ್ರಗಳು ತೋರಿಸುತ್ತವೆ.","color":"#f2736a","id":27,"image":"fire-continuum.webp","link":"","medium":"ಛಾಯಾಚಿತ್ರ ಸರಣಿಗಳು, ವರ್ಣದ್ರವ್ಯ ಮುದ್ರಣ","process":"","programmes":"","resources":"","strip":"","team":"Pe3_SGB_AAI","theme":"ವಿವಾದದಲ್ಲಿ ಇಂಗಾಲ","uid":"fire-continuum","year":2014},{"alias":"ಎ ಪೀಲ್ ಆಫ್ ಸ್ಪ್ರಿಂಗ್ ಥಂಡರ್ ","audio":"A Peal of Spring Thunder Kannada.mp3","blurb":"ಛತ್ತೀಸ್ಗಡದ ಕಲ್ಲಿದ್ದಿಲು ಗಣಿಗಳಿಂದ ನಿಮ್ಮ ಮನೆಯಲ್ಲಿ ಉರಿಯುವ ದೀಪಕ್ಕೆ ಸರಬರಾಜಾಗುವ ವಿದ್ಯುತ್ತಿನ ತನಕದ, ಕಲ್ಲಿದ್ದಿಲಿನ ಪಯಣವು ಸಂಪನ್ಮೂಲ ಹೊರತೆಗೆಯುವಿಕೆಯ ರಾಜಕೀಯದ ಬಗ್ಗೆ ಏನು ಹೇಳಬಲ್ಲದು?
ಛಾಯಾಚಿತ್ರ ವರದಿಗಾರರಾದ ಇಶಾನ್ ತಂಖ ಅವರು 8 ವರ್ಷಗಳಿಗಿಂತಾ ಹೆಚ್ಚು ಕಾಲದಿಂದಲೂ, ಮಧ್ಯಭಾರತದ ಸ್ಥಳೀಯ ಸಮುದಾಯಗಳ ಮೇಲೆ ಕಲ್ಲಿದ್ದಿಲು, ಕಬ್ಬಿಣ ಮತ್ತು ಬಾಕ್ಸೈಟ್ ಗಣಿಗಾರಿಕೆಗಳು ಉಂಟುಮಾಡಿರುವ ಪರಿಣಾಮಗಳನ್ನು ದಾಖಿಲಿಸುತ್ತಾ ಬಂದಿದ್ದಾರೆ. ಈ ಸಮುದಾಯಗಳು ಮಾವೋವಾದಿ ಯೋಧರು ಮತ್ತು ನೈಸರ್ಗಿಕ ಸಂಪನ್ಮೂಲಗಳಿಗೆ ಆದ್ಯತೆ ನೀಡುವ ಸರ್ಕಾರದ ನಡುವಿನ ತಿಕ್ಕಾಟದ ನಡುವೆ ಸಿಲುಕಿಕೊಂಡಿವೆ. ಈ ಸವಾಲಿನ ಪ್ರದೇಶದಲ್ಲಿ ಬದುಕು ಕಟ್ಟಿಕೊಂಡಿರುವ ಜನಗಳ ಬದುಕು, ದುಡಿಮೆ ಮತ್ತು ದೈನಂದಿನ ಒಡನಾಟಗಳಿಗೆ ಈ ಛಾಯಾಚಿತ್ರಗಳು ಪ್ರತ್ಯಕ್ಷ ಸಾಕ್ಷಿಗಳಾಗಿವೆ.","color":"#f2736a","id":28,"image":"a-peal-of-spring-thunder.webp","link":"","medium":"ಛಾಯಾಚಿತ್ರ ಸರಣಿಗಳು, ಆರ್ಕೈವಲ್ ಮುದ್ರಣ","process":"","programmes":"","resources":"","strip":"","team":"Ishan_Tankha","theme":"ವಿವಾದದಲ್ಲಿ ಇಂಗಾಲ","uid":"a-peal-of-spring-thunder","year":"2018–2016"},{"alias":"ಕಲ್ಲಿದ್ದಿಲು ವಿದ್ಯುತ್ ಸ್ಥಾವರ","audio":"Coal Power Plant Kannada.mp3","blurb":"ಒಂದು ಪಾಳುಬಿದ್ದ ಕಲ್ಲಿದ್ದಿಲು ವಿದ್ಯುತ್ ಘಟಕವು ಸ್ವಾತಂತ್ರ್ಯಾ ನಂತರದ ಭಾರತದ ಮಿಣುಕುನೋಟವನ್ನು ನೀಡುತ್ತದೆ. 1954ರಲ್ಲಿ ಸ್ಥಾಪನೆಯಾದ ಈ ವಿದ್ಯುತ್ ಸ್ಥಾವರವು, ಭಾರತದ ತಂತ್ರಜ್ಞಾನ ಚಾಲಿತ ಮಾರ್ಗದ ಭಾಗವಾಗಿತ್ತು. 2014ರಲ್ಲಿ ಈ ಕಲ್ಲಿದ್ದಿಲು ಚಾಲಿತ ವಿದ್ಯುತ್ ಉತ್ಪಾದನಾ ಸ್ಥಾವರವು, ಪರಿಸರದ ಮೇಲೆ ಉಂಟು ಮಾಡುವ ದುಷ್ಪರಿಣಾಮಗಳ ಕಾರಣದಿಂದಾಗಿ ಮುಚ್ಚಲ್ಪಟ್ಟು ಶಾಶ್ವತವಾಗಿ ಕಸದಬುಟ್ಟಿ ಸೇರಿತು. ಕಲಾವಿದರು ಹಾಗೂ ವಸ್ತುಸಂಗ್ರಹಾಲಯ ಮೇಲ್ವಿಚಾರಕರೂ ಆಗಿರುವ ರವಿ ಅಗರವಾಲ್ ಅವರ ಈ ಸರಣಿ ಛಾಯಾಚಿತ್ರಗಳು ಅಭಿವೃದ್ಧಿ, ತಂತ್ರಜ್ಞಾನ ಮತ್ತು ಹವಾಮಾನ ಬದಲಾವಣೆಗಳ ನಡುವಿನ ಬಿಕ್ಕಟ್ಟು ಮತ್ತು ಕೊಡು-ಬಿಡುಗಳ ಮಾತುಕತೆಗಳನ್ನು ಬಹಿರಂಗಪಡಿಸುತ್ತಲೇ, ನಾವು ಕಲ್ಲಿದ್ದಿಲು ಇಲ್ಲದ ಬದುಕನ್ನು ಕಲ್ಪಿಸಿಕೊಳ್ಳಲು ಸಾಧ್ಯವೇ ಎಂಬ ಪ್ರಶ್ನೆಯನ್ನು ಮುಂದಿಡುತ್ತದೆ.","color":"#6c8773","id":29,"image":"coal-power-plant.webp","link":"","medium":"ಛಾಯಾಚಿತ್ರ ಸರಣಿ, ಲೈಟ್ಬಾಕ್ಸ್","process":"","programmes":"","resources":"","strip":"","team":"CA_1","theme":"ಇಂಗಾಲ ಮತ್ತು ಬಳಕೆ","uid":"coal-power-plant","year":2014},{"alias":"ಗಣಿಕಾರ್ಮಿಕರ ಗೀತೆ","audio":"Mineworkers Song Kannada.mp3","blurb":"ಭಾರತದ ಅತಿದೊಡ್ಡ ಕಲ್ಲಿದ್ದಿಲು ನಿಕ್ಷೇಪವಾಗಿರುವ ಝಾರಿಯಾದಲ್ಲಿನ ಗಣಿಗಾರಿಕೆಯು, ಅದನ್ನೇ ಅನಿಶ್ಚಿತವಾಗಿ ನೆಚ್ಚಿಕೊಂಡಿರುವ ಹಲವಾರು ಸಮುದಾಯಗಳ ಬದುಕು, ಕಲ್ಲಿದ್ದಿಲಿನ ಸುತ್ತಲೇ ರೂಪುಗೊಂಡಿದೆ. ಆದರೆ ಕಲ್ಲಿದ್ದಿಲು ಗಣಿಕಾರ್ಮಿಕರ ಅನುಭವಗಳ ಹಾಗೂ ಆಶಯಗಳ ಬಗ್ಗೆ ನಿಜಕ್ಕೂ ನಾವೇನು ಬಲ್ಲೆವು?
ಸಮಾಜ ವಿಜ್ಞಾನಿಯಾದ ಧೀರಜ್ ಕುಮಾರ್ ನೀತೆ ಅವರ ಸಂಶೋಧನೆಯನ್ನು ಆಧರಿಸಿ, ಗಣಿಕಾರ್ಮಿಕರೂ ಹಾಗೂ ನಾಟಕಕಾರರೂ ಆದ ಪಿಲ್ಲೋ ದೇಶ್ವಾಲ್ ಅವರು ಸಂಯೋಜಿಸಿರುವ ಹಾಡೊಂದನ್ನು ಕೇಳೋಣ. ಝರಿಯಾದ ಗಣಿಗಳಲ್ಲಿ ಬಳಸುವ ಸಲಕರಣೆಗಳನ್ನಷ್ಟೇ ಅಲ್ಲದೆ ಗಣಿಕಾರ್ಮಿಕರ ಶ್ರಮದಾಯಕವಾದ ಬದುಕಿನ ಮಿಣುಕುನೋಟವನ್ನು ಅದು ನೀಡುತ್ತದೆ. ","color":"#e180b4","id":30,"image":"the-mineworkers-song.webp","link":"","medium":"ಧ್ವನಿ ಸಂರಚನೆ, ಗಣಿಗಾರಿಕೆ ಸಲಕರಣೆಗಳು","process":"","programmes":"","resources":"","strip":"","team":"Pe2_SGB_AAI","theme":"ಇಂಗಾಲ ಸಂಸ್ಕೃತಿಗಳು","uid":"the-mineworkers-song","year":2023},{"alias":"ಎಕ್ಸ್-ಹ್ಯುಮಸ್","audio":"Ex-Humus Kannada Edited.mp3","blurb":"ತೈಲ ಹಾಗೂ ಕಲ್ಲಿದ್ದಿಲುಗಳಂತಹ ನೈಸರ್ಗಿಕ ಸಂಪನ್ಮೂಲಗಳ ಅನ್ವೇಷಣೆಯು ನಮ್ಮ ಕಾಲಡಿಯ ನೆಲವನ್ನು ಹೇಗೆ ಬದಲಿಸುತ್ತಿದೆ?
ಕಲಾವಿದರಾದ ಅಲೆಕ್ಸಾಂಡರ್ ನಿಕೋಲ್ಸ್ಕಿ ಅವರು, ಗಣಿಗಾರಿಕೆಯಿಂದಾದ ವಿನಾಶಗಳು ಮೇಲ್ನೋಟಕ್ಕೇ ಕಾಣುತ್ತಿರುವ ಪಶ್ಚಿಮ ಸೈಬೀರಿಯಾದ, ಯಥೇಚ್ಛವಾಗಿ ಕಲ್ಲಿದ್ದಿಲು ದೊರೆಯುವ, ಕುಜ಼ಬಾಸ್ ಪ್ರದೇಶದಲ್ಲಿ ವಾಸಿಸುತ್ತಾರೆ. ಇವರ ಛಾಯಾಚಿತ್ರಗಳು ಆ ಪ್ರದೇಶದಲ್ಲಿನ ಮಣ್ಣನ್ನು ಗಮನದಲ್ಲಿರಿಸಿಕೊಂಡಿದ್ದು, ಕಾರಣ ಮತ್ತು ಪರಿಣಾಮಗಳನ್ನು ತೆರೆದಿಡುತ್ತಿವೆ. ಒಂದು ಪ್ರದೇಶದಲ್ಲಿ ಕಲ್ಲಿದ್ದಿಲ ಗಣಿಗಾರಿಕೆ ನಡೆದರೆ ಇನ್ನೆಲ್ಲೋ ಕುಳಿಗಳು ಹುಟ್ಟಿಕೊಳ್ಳುತ್ತವೆ. ಮತ್ತೆಲ್ಲೋ ನೀರ್ಗಲ್ಲುಗಳು ಕರಗುತ್ತವೆ. ಶಾಶ್ವತ ಹಿಮಬಂಡೆಗಳು ಮಾರ್ಪಾಡಾಗುತ್ತವೆ. ಕಪ್ಪು ಬಿಳುಪಿನಲ್ಲಿರುವ ಕಾರಣದಿಂದ ಈ ಛಾಯಾಚಿತ್ರಗಳು ಭೂತ ಮತ್ತು ವರ್ತಮಾನಗಳ ನಡುವಿನ ಗೆರೆಗಳನ್ನು ಮಸುಕಾಗಿಸುತ್ತವೆ. ಇವು ಗಣಿಗಾರಿಕೆಯು ಹೇಗೆ ಭೂಪ್ರದೇಶಗಳನ್ನು ರೂಪಿಸುತ್ತವೆ, ಮರುರೂಪಿಸುತ್ತವೆ ಎಂಬುದನ್ನು ತೋರಿಸಿಕೊಡುತ್ತವೆ.","color":"#f2736a","id":31,"image":"ex-humus.webp","link":"","medium":"ಛಾಯಾಚಿತ್ರ ಸರಣಿಗಳು, ಆರ್ಕೈವಲ್ ಮುದ್ರಣ, ಕ್ಯಾನ್ವಾಸ್ ಮುದ್ರಣ","process":"","programmes":"","resources":"","strip":"","team":"alexander_nikolsky","theme":"ವಿವಾದದಲ್ಲಿ ಇಂಗಾಲ","uid":"ex-humus","year":2022},{"alias":"ಸೋಲಾ ಸೋಲ್ಯೂ","audio":"Solla Sollew Kannada.mp3","blurb":"ಆಗ್ಗಾಗ್ಗೆ ಪರಿಸರ ಸಮಸ್ಯೆಗಳ ಪರಿಹಾರಗಳೇ ಹೊಸ ಸವಾಲುಗಳನ್ನು ಹುಟ್ಟುಹಾಕುತ್ತಿರುವ ಪ್ರಪಂಚದಲ್ಲಿ ನಾವು ಹೇಗೆ ಪಯಣಿಸಬಹುದು? ಉದಾಹರಣೆಗೆ, ಹವಾಮಾನ ಬದಲಾವಣೆಯ ಕುರಿತಾದ ಪ್ರದರ್ಶನಗಳೇ ಇಂಗಾಲದ ಹೆಜ್ಜೆಗುರುತನ್ನು ಇನ್ನಷ್ಟು ಮೂಡಿಸುತ್ತಿರಬಹುದು ಎನ್ನುವ ಹಾಗೆ. ‘ಸೋಲಾ ಸೋಲ್ಯೂ’ ಪ್ರದರ್ಶನದಲ್ಲಿ ಕಲಾವಿದರಾದ ಶಾಂತಾಮಣಿ ಮುದ್ದಯ್ಯ ಅವರು ಅಕ್ಷರಶಃ ನಾವು ಹೇಗೆ ಮುಂದೆ ಹೋಗಬಹುದೆಂದು ಕೇಳುತ್ತಾರೆ. ಈ ಸಂರಚನೆಯಲ್ಲಿ, ನಮ್ಮ ದೇಹವನ್ನು ಒಡ್ಡಿಕೊಳ್ಳುವ ಮೂಲಕ, ಭೂಮಿಯ ಪಾರಿಸಾರಿಕ ಸಮತೋಲನಕ್ಕಾಗುತ್ತಿರುವ ತೊಡಕುಗಳಿಗೆ ಯಾವುದೇ ಸರಳ ನೇರ ಪರಿಹಾರಗಳಿಲ್ಲವೆಂದು ಯೋಚಿಸಲು ನಮ್ಮನ್ನು ಆಹ್ವಾನಿಸುತ್ತದೆ.","color":"#627d93","id":32,"image":"solla-sollew.webp","link":"","medium":"ಸಂರಚನೆ, ಸುಟ್ಟ ಮರ, ಪ್ಲೈವುಡ್, ಬಣ್ಣಗಳು, ದೀಪಗಳು","process":"","programmes":"","resources":"","strip":"","team":"CSS_Pe7","theme":"ವಸ್ತುವಾಗಿ ಇಂಗಾಲ","uid":"solla-sollew","year":2023},{"alias":"ಡೀಪ್ ವೆದರ್","audio":"Deep Weather Kannada Edited.mp3","blurb":"ನಮ್ಮ ತೈಲದ ಮೇಲಿನ ಬೆನ್ನು ಬಿಡದ ಹುಡುಕಾಟವು ಗ್ರಹಗಳ ಲೆಕ್ಕದಲ್ಲಿ ಗಾಢವಾದ ಬದಲಾವಣೆಗಳನ್ನು ಹೇಗೆ ಉಂಟುಮಾಡುತ್ತದೆ?
‘ಡೀಪ್ ವೆದರ್’, ಒಂದು ವೀಡಿಯೋ ಪ್ರಬಂಧವಾಗಿದ್ದು, ಇದು ನಮ್ಮನ್ನು ಕೆನೆಡಾದ ತೈಲ ಮರಳುಗಾಡುಗಳಿಂದ ಬಾಂಗ್ಲಾದೇಶದ ಪ್ರವಾಹ ಭೀತಿಯಿಂದ ನಲುಗುತ್ತಿರುವ ಬಯಲು ಪ್ರದೇಶಗಳವರೆಗೆ ಒಂದು ರೋಚಕ ದೃಶ್ಯಪ್ರಯಾಣಕ್ಕೆ ಕರೆದೊಯ್ಯುತ್ತದೆ. ಎರಡು ತೀರಾ ಅಪರಿಚಿತ ಪ್ರದೇಶಗಳನ್ನು ತಳುಕು ಹಾಕುತ್ತಾ, ಕಲಾವಿದರಾದ ಅರ್ಸಲಾ ಬೇಮನ್ನ್ ಅವರು ಜಾಗತಿಕ ತಾಪಮಾನ ಹೆಚ್ಚಳದ ಕಾರಣ ಮತ್ತು ಪರಿಣಾಮಗಳನ್ನು ತಿಳಿಸುತ್ತಾರೆ. ಇದರೊಂದಿಗೆ ಭೂಮಿಯ ವ್ಯವಸ್ಥೆಗಳ ನಡುವಿನ ಒಳನಂಟನ್ನು ಎತ್ತಿ ತೋರಿಸುತ್ತಾರೆ. ಉತ್ತರ ಕೆನಡಾದಲ್ಲಿ ಪಳೆಯುಳಿಕೆ ಇಂಧನದ ತೆಗೆಯುವಿಕೆಯು, ಹೇಗೆ ದೂರದ ಬಾಂಗ್ಲಾದೇಶದಲ್ಲಿರುವ ಜನಸಾಮಾನ್ಯರನ್ನು ಏರುತ್ತಿರುವ ಕಡಲ ಮಟ್ಟ ಹಾಗೂ ಹವಾಮಾನ ವೈಪರೀತ್ಯ ಎದುರಿಸಬೇಕಾದ ಅನಿವಾರ್ಯತೆಗೆ ದೂಡುತ್ತದೆ ಎಂಬುದನ್ನು ಅವರ ಈ ಕಲಾಕೃತಿಯು ಬಯಲು ಮಾಡುತ್ತದೆ.
ಈ ಪ್ರದರ್ಶನವನ್ನು ಸ್ವಿಸ್ ಆರ್ಟ್ಸ್ ಕೌನ್ಸಿಲ್ ಪ್ರೊ ಹೆಲ್ವೇಷಿಯಾ ಬೆಂಬಲಿಸಿದೆ.","color":"#158fcf","id":33,"image":"deep-weather.webp","link":"","medium":"ವೀಡಿಯೋ | 00:08:58","process":"","programmes":"","resources":"","strip":"","team":"ursula-biemann","theme":"ಇಂಗಾಲದ ಜೀವಿಗಳು","uid":"deep-weather","year":2013},{"alias":"ಯಾರು ಕರೆ ಮಾಡುತ್ತಿದ್ದಾರೆ, ಕೇಳುತ್ತಿದ್ದೀರಾ ","audio":"Who_s Calling Kannada Edited.mp3","blurb":"ಕಾಡಿನಲ್ಲಿರುವ ಚಿಂಪಾಜಿಗಳ ಧ್ವನಿಯನ್ನು ಅಧ್ಯಯನ ಮಾಡುವುದು ನಮ್ಮನ್ನು ಹೇಗೆ, ನಮ್ಮ ಸುತ್ತಲಿನ ನೈಸರ್ಗಿಕ ಜಗತ್ತಿನೊಂದಿಗೆ ನಮಗಿರುವ ಸಂಪರ್ಕಗಳ ಕುರಿತು, ಮರುಚಿಂತನೆಗೆ ಪ್ರೇರೇಪಿಸುತ್ತದೆ?
ಗಿನಿಯಲ್ಲಿರುವ ನಿಂಬದಲ್ಲಿ ಅಡಗಿಸಿಟ್ಟಿದ್ದ ಕ್ಯಾಮರಾಗಳು, ಚಿಂಪಾಜಿಗಳು ತಮ್ಮೊಳಗಿನ ಪರಸ್ಪರ ಸಂವಹನಕ್ಕಾಗಿ ಬಡಿಯುವ ಸದ್ದು ಮಾಡುವುದನ್ನು ದಾಖಲಿಸಿವೆ. ಈ ಸದ್ದುಗಳ ಕಲಾಕೃತಿಗಳತ್ತ ಗಮನವನ್ನು ಕೇಂದ್ರೀಕರಿಸಿ, ಕಲಾವಿದರಾದ ನಿಕ್ಕಿ ಬುಜ್ಜಿ ಅವರು, ಮೂಲಭೂತವಾಗಿ ಇಂಗಾಲದಿಂದ ಸಂಪರ್ಕಿತವಾಗಿರುವಂಥಾ ಮನುಷ್ಯರನ್ನು, ಮನುಷ್ಯೇತರರನ್ನು ಮತ್ತು ನಮ್ಮ ಪರಿಸರವೆಲ್ಲವನ್ನೂ ಅರ್ಥಮಾಡಿಕೊಳ್ಳಲು ದಾರಿತೋರುತ್ತಾರೆ.
ಈ ಪ್ರದರ್ಶನವನ್ನು ಸ್ವಿಸ್ ಆರ್ಟ್ಸ್ ಕೌನ್ಸಿಲ್ ಪ್ರೊ ಹೆಲ್ವೇಷಿಯಾ ಬೆಂಬಲಿಸಿದೆ. ","color":"#158fcf","id":34,"image":"whos-calling-can-you-hear.webp","link":"","medium":"ಅಡಗಿಸಿಟ್ಟ ಕ್ಯಾಮರಾ ಸೆರೆಹಿಡಿದ ವೀಡಿಯೋ ಮುದ್ರಿಕೆಗಳು, ಕ್ಷೇತ್ರದ ಮುದ್ರಿಕೆಗಳು, ಸಂಸ್ಕರಿಸಿದ ಧ್ವನಿ ","process":"","programmes":"","resources":"","strip":"","team":"nikki-buzzi","theme":"ಇಂಗಾಲದ ಜೀವಿಗಳು","uid":"whos-calling-can-you-hear","year":2022},{"alias":"ಸ್ಟ್ರೈಕ್ಹಾಲ್ಜರ್. (ಬೆಂಕಿಕಡ್ಡಿಗಳು.)","audio":"Streichholzer (Matches) Kannada.mp3","blurb":"ಇಂಗಾಲದ ಬೇರೆ ಬೇರೆ ಆಯಾಮಗಳನ್ನು ಒಂದಿಷ್ಟು ಬೆಂಕಿಕಡ್ಡಿಗಳು ಹೇಗೆ ಬಯಲು ಮಾಡಬಲ್ಲವು?
‘ಸ್ಟ್ರೈಕ್ಹಾಲ್ಜರ್. (ಬೆಂಕಿಕಡ್ಡಿಗಳು.)’ ಪ್ರದರ್ಶನವು ವಿರೋಧಾಭಾಸದ ದೃಷ್ಟಿಕೋನವನ್ನು ಎತ್ತಿತೋರುವ ಒಂದು ಪ್ರದರ್ಶನವಾಗಿದೆ. ಇದರಲ್ಲಿ ಬೆಂಕಿಕಡ್ಡಿಗಳು ಜ್ವಾಲೆಯೇ ಇಲ್ಲದೆ ಹೊತ್ತಿಕೊಳ್ಳುತ್ತವೆ. ಬೆಂಕಿಕಡ್ಡಿಗಳನ್ನು ಅತ್ಯಂತ ಪ್ರಕಾಶಮಾನವಾದ ಬೆಳಕಿಗೆ ಒಡ್ಡುವ ಮೂಲಕ ಈ ಕಿರು ವೀಡಿಯೊವನ್ನು ಚಿತ್ರೀಕರಿಸಲಾಗಿದೆ. ಆ ಮೂಲಕ ನಮ್ಮ ದೈನಂದಿನ ಬದುಕಿನಲ್ಲಿ, ಇಂಗಾಲದ ಜ್ವಾಲೆಯ ಇರುವಿಕೆಯನ್ನು ಕಡೆಗಣಿಸುವ ಅಥವಾ ಸಾಧಾರಣವೆಂಬಂತೆ ಪರಿಗಣಿಸುವ ದೃಷ್ಟಿಕೋನಕ್ಕೆ ಸವಾಲನ್ನೆಸೆಯುತ್ತದೆ. ","color":"#6c8773","id":35,"image":"matches.webp","link":"","medium":"ಮಾಧ್ಯಮ: ವೀಡಿಯೋ | 00:01:43","process":"","programmes":"","resources":"","strip":"","team":"david_hochgatterer","theme":"ಇಂಗಾಲ ಮತ್ತು ಬಳಕೆ","uid":"matches","year":2011},{"alias":"ನಾಗರಿಕ ವಿಪತ್ತು ವರದಿಗಾರಿಕೆ ವೇದಿಕೆ","audio":"civic_data_lab_kannada_edited.mp3","blurb":"ಹವಾಮಾನ ಬದಲಾವಣೆಗಳ ಕಾರಣದಿಂದಾಗಿ ನೆರೆ, ಬರ ಮತ್ತು ಬಿಸಿಅಲೆಗಳ ತೀವ್ರತೆ ಹಾಗೂ ಮರುಕಳಿಕೆಗಳು ಹೆಚ್ಚಾಗುತ್ತಿರುವ ಈ ಸಂದರ್ಭದಲ್ಲಿ, ಹೇಗೆ ನಾವು ಬಲಿಷ್ಠವಾದ ಮಾಹಿತಿ ಹಾಗೂ ದತ್ತಾಂಶ ಸಂಗ್ರಹಣಾ ವ್ಯವಸ್ಥೆಗಳನ್ನು ರೂಪಿಸಬಲ್ಲೆವು? ಸೋಶಿಯಲ್ ಮೀಡಿಯಾ ಸಾರ್ವತ್ರಿಕ ಮುನ್ನೆಚ್ಚರಿಕೆ ಸಂದೇಶಗಳನ್ನು ಬಿತ್ತರಿಸುವುದರಿಂದ ಹಿಡಿದು ವೈಯಕ್ತಿಕ ಸುರಕ್ಷತಾ ಮಾಹಿತಿಗಳನ್ನು ಹಂಚಿಕೊಳ್ಳುವವರೆಗೆ, ವಿಪತ್ತುಗಳ ಜಾಡುಹಿಡಿಯುವಲ್ಲಿ ಸಾರ್ವಜನಿಕರನ್ನು ಸಶಕ್ತಗೊಳಿಸಿವೆ. ಇವುಗಳನ್ನು ಆಧರಿಸಿ, ಸಿವಿಕ್ಡೇಟಾಲ್ಯಾಬ್ ಸಂಸ್ಥೆಯು ಸಂಬಂಧಪಟ್ಟ ಸರ್ಕಾರಿ ಪಾಲುದಾರರ ಜೊತೆಗೂಡಿ ಒಂದು ವೇದಿಕೆಯನ್ನು ಅಭಿವೃದ್ಧಿಪಡಿಸಿದೆ. ಇದು ಇಂಡೋನೇಶಿಯಾದಲ್ಲಿ ಚಾಲ್ತಿಯಲ್ಲಿದ್ದು, ಅಲ್ಲಿನ ನಾಗರಿಕರು ವಿಪತ್ತುಗಳ ಬಗ್ಗೆ ಸೋಶಿಯಲ್ ಮೀಡಿಯಾ ವೇದಿಕೆಗಳಲ್ಲಿ ನೈಜ ಸಮಯದಲ್ಲಿ ವರದಿ ಮಾಡಲು ಅನುವು ಮಾಡಿಕೊಟ್ಟಿದೆ. ಈ ಸಂವಾದಾತ್ಮಕ ಪ್ರದರ್ಶನವು ದೇಶದಲ್ಲಿ ವರದಿಯಾದ ವಿಪತ್ತುಗಳ ಜಾಡನ್ನು ತೋರ್ಪಡಿಸುತ್ತದೆ. ಆ ಮೂಲಕ ನಾಗರಿಕರನ್ನು ವಿಪತ್ತು ಪ್ರತಿಕ್ರಿಯಾ ಪ್ರಕ್ರಿಯೆಯಲ್ಲಿ ಸಕ್ರಿಯವಾಗಿ ಪಾಲ್ಗೊಳ್ಳುವಂತೆ ಮಾಡುತ್ತದೆ. ಇಂತಹ ಒಂದು ವರದಿಗಾರಿಕೆಯ ವೇದಿಕೆಯು ಭಾರತದಲ್ಲಿ ಇದ್ದಿದ್ದರೆ ಹೇಗೆ ಕಾಣಿಸುತ್ತಿತ್ತು?","color":"#49ba88","id":36,"image":"citizen-disaster-reporting-platform.webp","link":"","medium":"ಮಾಧ್ಯಮ: ಅಂತರ್ಜಾಲ ಅಪ್ಲಿಕೇಶನ್","process":"","programmes":"","resources":"","strip":"","team":"","theme":"ಇಂಗಾಲದ ನಾಳೆಗಳು","uid":"citizen-disaster-reporting-platform","year":2015}],"films":[{"alias":"Damascus Dreams","blurb":"How does one remember a homeland they are so deeply connected to and disconnected from? Can one remember what they have not experienced, through others? Alienated from her Syrian heritage, filmmaker Émilie Serri grew up in Canada. In the liminal crevices between reality and myth, dream and nightmare, past and future, first and second generation, rests a homeland that is almost accessible. Through stories from refugees, conversations with her father, home movies, family photographs and illusory production, Serri attempts to repatriate to this place that once was and yet can never be.
The screening of this film will be followed by a discussion between filmmaker Émilie Serri and researcher Eylaf Bader Eddin.","close":"2022-04-14T18:30:00.000Z","discussant":"PF_B_Pe2_PSY","duration":"78 Minutes","embed":"","filmmaker":"PF_B_Pe1_PSY","id":0,"language":"French, English and Arabic with French and English subtitles","link":"https://vimeo.com/690797357","open":"2022-03-31T18:30:00.000Z","programme":"PF_B_PSY","thumbnail":"https://i.vimeocdn.com/video/1398653714-2295d5f2e01291dab30a587d3e70db0fe13c9a2549bd076870937fd2d81886a9-d_640","type":"primary","uid":"F_2","year":2021},{"alias":"Eyes of Stone","blurb":"Eyes of Stone is a film about spirit possession and healing shot in the interiors of Rajasthan at the temple of goddess Bhankya Mata legendary for her sway over the spirit world. The film is an eloquent feminist exploration of cultural expressions of ritual, faith, rebellion and healing that thrive within the confines of a stringent patriarchal order. Eyes of Stone is a deep and unsettling exploration of a single case of possession, that of 19-year-old Shanta. In what has been hailed as a path-breaking cinema vérité exploration, the viewer reaches a deep understanding of the many exploitations surrounding women's lives and the subversions through which they empower themselves. The screening of this film will be followed by a discussion between the filmmaker Nilita Vachani and psychologist Poornima Bhola.","close":"2022-04-29T18:30:00.000Z","discussant":"PF_A_Pe2_PSY","duration":"90 Minutes","embed":"","filmmaker":"PF_A_Pe1_PSY","id":1,"language":"Mewari and Hindi with English Subtitles","link":"https://vimeo.com/153402511","open":"2022-04-13T18:30:00.000Z","programme":"PF_A_PSY","thumbnail":"https://i.vimeocdn.com/video/1396941615-1d626c12cb18004dff04ea7dedc6a6e03be67bf2f53836480cfd5d27f683b90d-d_295x166","type":"open","uid":"F_1","year":1990},{"alias":"The Task","blurb":"What happens when 28 strangers, 10 psychoanalysts, a handful of silent observers, and a film crew come together to discuss their anxieties, hopes and fears? Leigh Ladare’s The Task is a fascinating examination of group dynamics and patterns of stereotyping. Ledare staged a three-day Group Relations conference to create interventions on The Tavistock method—a psychotherapeutic process of studying group dynamics.
The participants of the conference belong to different racial, sexual, economic and professional backgrounds, and have to collectively enact a temporary institution whose purpose is to study itself. Undertaking an abstract task allows participants to examine the identities, roles, desires and biases that individuals import into the group, as well as the emergence of conscious and unconscious group dynamics.
The screening of this film will be followed by a discussion between filmmaker Leigh Ledare and social psychologist Yashpal Jogdand.","close":"2022-05-05T18:30:00.000Z","discussant":"PF_C_Pe2_PSY","duration":"118 Minutes","embed":"","filmmaker":"PF_C_Pe1_PSY","id":2,"language":"English","link":"https://vimeo.com/693480333","open":"2022-04-21T18:30:00.000Z","programme":"PF_C_PSY","thumbnail":"https://i.vimeocdn.com/video/1403394516-a5f98cdbcbc6087d30a6a6cb81151b51a5bf545a36f076a170de905a1b3dde85-d_640","type":"open","uid":"F_3","year":2017},{"alias":"From Over Here","blurb":"Stuttering creates gaps in language and communication. This leads to gaps in interpersonal relationships. From Over Here attempts to flip this in-group / out-group dynamic and excludes people who are lacking the gap, thus rejoicing in the possible idiosyncratic perspectives that might be more than just a defect.
The screening of this film will be followed by a discussion between filmmaker Patrick Buhr and researcher Dane Isaacs.","close":"2022-05-08T18:30:00.000Z","discussant":"","duration":"09 Minutes","embed":"","filmmaker":"PF_D_Pe1_PSY","id":3,"language":"English","link":"https://vimeo.com/693084648","open":"2022-04-23T18:30:00.000Z","programme":"PF_D_PSY","thumbnail":"https://i.vimeocdn.com/video/1402727960-dfb9c2bc40f27af6010694a7b8520399ebfddcffe0589354ae70a23ec7bee004-d_640","type":"open","uid":"F_4","year":2020},{"alias":"Claire x Bosco","blurb":"In Claire X Bosco, Mutiganda wa Nkunda explores the psychological impact the pandemic has had on working class women in Rwanda. The film was produced as part of ‘Visualizing the Virus’ project by the University of Global Health Equity, in which four Rwandan filmmakers were invited to make short films that explored how Rwandans coped with the COVID-19 pandemic.
The screening of this film will be followed by a discussion with the filmmaker Mutiganda wa Nkunda, researcher Injonge Karangwa, and lawyer Alice Bullard.","close":"2022-05-14T18:30:00.000Z","discussant":"PF_E_Pe2_PSY","duration":"23 Minutes","embed":"","filmmaker":"PF_E_Pe1_PSY","id":4,"language":"Kinyarwanda with English subtitles","link":"https://vimeo.com/694755321","open":"2022-04-30T18:30:00.000Z","programme":"PF_E_PSY","thumbnail":"https://i.vimeocdn.com/video/1405526023-39f9c9596e44a16059440a4e34c815d86fa84cfd4059fe05d4a5cf90fad3f287-d_640","type":"open","uid":"F_5","year":2021},{"alias":"Music and Clowns","blurb":"Filmmaker Alex Widdowson’s brother, Jamie has a profound learning disability. Despite being close to nonverbal, he demonstrates charisma, a sharp sense of humor and emotional sensitivity. Alex teams up with his parents to discuss what it's like caring for someone with Down syndrome. Their differing perspectives reveal as much about them as they do Jamie. Music and Clowns rejects the medicalised narrative of people with Down syndrome, opting for a grounded perspective on the experiences of neurodivergent people and those who care for them.
The screening of this film will be followed by a discussion between filmmaker Alex Widdowson and sociologist Gareth Thomas.","close":"2022-05-14T18:30:00.000Z","discussant":"PF_G_Pe2_PSY","duration":"07 Minutes","embed":"","filmmaker":"PF_G_Pe1_PSY","id":5,"language":"English","link":"https://vimeo.com/690462637","open":"2022-04-30T18:30:00.000Z","programme":"PF_F_PSY","thumbnail":"https://i.vimeocdn.com/video/1398093438-27b0dbbe787b921169822fd648f96005c88a3166b8b447f0d9454441213f6578-d_640","type":"open","uid":"F_6","year":2018}],"media":[{"data":"M_A_1.gif","id":0,"supplement":"","type":"image","uid":"M_A_1"}],"people":[{"alias":"ಬರ್ನಡೆಟ್ ಬೆನ್ಸಾ ಡೆ-ವಿನ್ಸೆಂಟ್","bio":"ಬರ್ನಡೆಟ್ ಬೆನ್ಸಾಡೆ-ವಿನ್ಸೆಂಟ್ ಅವರೊಬ್ಬ ಫ್ರೆಂಚ್ ತತ್ವಜ್ಞಾನಿ, ಇತಿಹಾಸಕಾರರು ಮತ್ತು ವಿಜ್ಞಾನ ಇತಿಹಾಸಕಾರರಾಗಿದ್ದಾರೆ. ಇವರು ಯೂನಿವರ್ಸಿಟಿ ಆಫ್ ಪ್ಯಾರಿಸ್ 1, ಪ್ಯಾಂಥಿಯನ್ ಸೊರ್ಬಾನ್ನ ವಿಶ್ರಾಂತ ಪ್ರಾಧ್ಯಾಪಕರಾಗಿದ್ದಾರೆ. ಬೆನ್ಸಾಡೆ-ವಿನ್ಸೆಂಟ್ ಅವರು ಹನ್ನೆರಡಕ್ಕೂ ಹೆಚ್ಚು ಪುಸ್ತಕಗಳನ್ನೂ ಮತ್ತು 80ಕ್ಕೂ ಹೆಚ್ಚು ಬರಹಗಳನ್ನು ಹಾಗೂ ಪ್ರಬಂಧಗಳನ್ನು ಪ್ರಕಟಿಸಿದ್ದಾರೆ. ಇವರು ರಸಾಯನ ಶಾಸ್ತ್ರ ಮತ್ತು ವಸ್ತು ವಿಜ್ಞಾನದ ಇತಿಹಾಸಗಳ ಬಗ್ಗೆ ಗಮನವನ್ನು ಕೇಂದ್ರೀಕರಿಸಿದ್ದಾರೆ. 1993ರಲ್ಲಿ ಅವರು ಇಸಬೆಲ್ ಸ್ಟ್ಯಾಂಗರ್ಸ್ ಅವರ ಜೊತೆಗೂಡಿ ‘ಇಸ್ಟ್ವಾಹ್ ಡಿ ಲಾ ಶಿಮಿ’ ವನ್ನು ಪಕಟಿಸಿದ್ದಾರೆ. ಅದಕ್ಕೆ ಇವರಿಗೆ ಪ್ರಿಕ್ಸ್ ಜೀನ್-ರೋಸ್ಟ್ಯಾಂಡ್ ದೊರೆತಿದೆ. ಇದು 1996ರಲ್ಲಿ, ‘ಎ ಹಿಸ್ಟರಿ ಆಫ್ ಕೆಮಿಸ್ಟ್ರಿ’ ಎಂಬ ಹೆಸರಿನಲ್ಲಿ ಇಂಗ್ಲೀಶಿಗೆ ತರ್ಜುಮೆಯಾಗಿದೆ. 1997ರಲ್ಲಿ ಇವರು ತಮ್ಮ ವಿಜ್ಞಾನದ ಇತಿಹಾಸದಲ್ಲಿನ ಕೆಲಸಕ್ಕಾಗಿ ಡೆಕ್ಸ್ಟರ್ ಪ್ರಶಸ್ತಿ ಗಳಿಸಿದ್ದಾರೆ.","descriptor":"ವಿಜ್ಞಾನದ ಇತಿಹಾಸಕಾರರು ","id":0,"image":"AA_1_CAR.jpg","uid":"AA_1"},{"alias":"ಡಾಲಿ ಕಿಕಾನ್","bio":"ಡಾಲಿ ಕಿಕಾನ್ ಅವರು ಮೆಲ್ಬೋರ್ನ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಮಾನವ ಶಾಸ್ತ್ರ ಮತ್ತು ಅಭಿವೃದ್ಧಿ ಅಧ್ಯಯನ ಯೋಜನೆಗಳ ಉಪನ್ಯಾಸಕರಾಗಿದ್ದಾರೆ. ಇವರು 2013ರಲ್ಲಿ ಸ್ಟಾನ್ಫೋರ್ಡ್ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಮಾನವ ಶಾಸ್ತ್ರ ವಿಭಾಗದಿಂದ ತಮ್ಮ ಪಿ.ಎಚ್.ಡಿ ಪದವಿಯನ್ನು ಗಳಿಸಿದ್ದಾರೆ. ಇವರು 2013–2015ರ ಅವಧಿಯಲ್ಲಿ, ಸ್ಟಾಕ್ಹೋಮ್ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಸಾಮಾಜಿಕ ಮಾನವ ಶಾಸ್ತ್ರ ವಿಭಾಗದಲ್ಲಿ ಪೋಸ್ಟ್ ಡಾಕ್ಟರೊಲ್ ಫೆಲ್ಲೊ ಆಗಿದ್ದರು. ಅದಕ್ಕೂ ಮುನ್ನ, 2001ರಲ್ಲಿ ಅವರು, ತಮ್ಮ ಕಾನೂನು ಪದವಿ (ಎಲ್.ಎಲ್.ಬಿ)ಯನ್ನು ದೆಹಲಿ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಫ್ಯಾಕಲ್ಟಿ ಆಫ್ ಲಾ ವಿಷಯದಲ್ಲಿ ಗಳಿಸಿದ್ದಾರೆ. ಇವರು ಭಾರತದ ಸರ್ವೋಚ್ಚ ನ್ಯಾಯಾಲಯ ಹಾಗೂ ಅಸ್ಸಾಮ್ ಉಚ್ಚ ನ್ಯಾಯಾಲಯಗಳಲ್ಲಿ ವಕೀಲರಾಗಿ ಕೆಲಸ ಮಾಡಿದ್ದಾರೆ. ಇವರ ಕಾನೂನು ವಕಾಲತ್ತು ಕೆಲಸಗಳು, ಸಂವಿಧಾನೇತರ ನಿಯಮಗಳಾದ ಸಶಸ್ತ್ರ ಪಡೆಗಳ ವಿಶೇಷ ಅಧಿಕಾರ ಕಾಯ್ದೆ (1958) ಸೇರಿದಂತೆ ಈಶಾನ್ಯ ಭಾರತದಲ್ಲಿನ ಭೂ ಮಾಲಿಕತ್ವ ಹಾಗೂ ನಿರ್ವಹಣೆಗಳನ್ನು ಗಮನದಲ್ಲಿ ಇರಿಸಿಕೊಂಡಿವೆ.","descriptor":"ಮಾನವ ಶಾಸ್ತ್ರಜ್ಞರು","id":1,"image":"AA_2_CAR.jpg","uid":"AA_2"},{"alias":"ವಿಕ್ಟರ್ ಸಿಯಾವ್","bio":"ವಿಕ್ಟರ್ ಸಿಯಾವ್ ಅವರೊಬ್ಬ ತಂತ್ರಜ್ಞಾನ, ವಿಜ್ಞಾನ ಮತ್ತು ಕೈಗಾರಿಕಾ ಇತಿಹಾಸಕಾರ. ಅವರು 20ನೆಯ ಶತಮಾನದ ಚೀನಾ ಮತ್ತು ಜಪಾನುಗಳ ಕುರಿತು ಪರಿಣಿತಿ ಹೊಂದಿದ್ದಾರೆ. ಇವರು ಶಕ್ತಿ ಮತ್ತು ಕೆಲಸಗಳ ಇತಿಹಾಸದ ವಿಷಯದಲ್ಲಿಯೂ ಪರಿಣಿತಿ ಹೊಂದಿದ್ದಾರೆ. ಮೂಲಭೂತವಾಗಿ ಅವರ ಸಂಶೋಧನೆಗಳು ಕೆಲವು ಮಹತ್ವದ ಪ್ರಶ್ನೆಗಳ ಸುತ್ತಲೇ ಸುತ್ತುತ್ತವೆ. ಇವು ಕೈಗಾರಿಕಾ ಸಮಾಜವನ್ನು ಕಟ್ಟುವ ಮತ್ತು ಕಳಚುವಲ್ಲಿ ಆರ್ಥಿಕ ಜೀವನ ಮತ್ತು ಪರಿಸರದ ಬದಲಾವಣೆಗಳ ಜೊತೆಯಲ್ಲಿ ತಾಂತ್ರಿಕ-ವೈಜ್ಞಾನಿಕ ಬೆಳವಣಿಗೆಗಳು ಹೇಗೆ ಅಡ್ಡ ಹಾಯುತ್ತವೆ ಎನ್ನುವುದರ ಸುತ್ತ ಇವೆ. ಸಿಯಾವ್ ಅವರು “ಕಾರ್ಬನ್ ಟೆಕ್ನೋಕ್ರಸಿ: ಎನರ್ಜಿ ರೆಜಿಮ್ಸ್ ಇನ್ ಮಾಡರ್ನ್ ಈಸ್ಟ್ ಏಷ್ಯಾ”ದ ಬರಹಗಾರರಾಗಿದ್ದಾರೆ. ಇದರಲ್ಲಿ, ಶಕ್ತಿ ಹೊರತೆಗೆಯುವಿಕೆ ಮತ್ತು ತಾಂತ್ರಿಕ ರಾಜಕಾರಣಗಳ ನಡುವಿನ ಆಳವಾದ ಸಂಬಂಧಗಳನ್ನು, ಪೂರ್ವ ಏಷ್ಯಾದ ಒಂದು ಕಾಲದ ಅತಿದೊಡ್ಡ ಕಲ್ಲಿದ್ದಲು ಗಣಿಯ ಇತಿಹಾಸದ ಮೂಲಕ ಅಧ್ಯಯನ ಮಾಡಲಾಗಿದೆ.","descriptor":"ವಿಜ್ಞಾನ ಇತಿಹಾಸಕಾರ","id":2,"image":"AA_3_CAR.jpg","uid":"AA_3"},{"alias":"Dr N H Ravindranath","bio":"Vikram Patel is the Pershing Square Professor of Global Health in the Blavatnik Institute's Department of Global Health and Social Medicine at Harvard Medical School. He is an Adjunct Professor at the Public Health Foundation of India, honorary professor at the London School of Hygiene and Tropical Medicine, and is a co-founder of Sangath, an Indian NGO which won the MacArthur Foundation’s International Prize for Creative and Effective Institutions in 2008 and the WHO Public Health Champion of India award in 2016. He is also co-chair of the Lancet Commission on Reimagining India’s Health System.","descriptor":"Ecologist","id":3,"image":"AA_4.jpg","uid":"AA_4"},{"alias":"ರವಿ ಅಗರ್ವಾಲ್","bio":"ರವಿ ಅಗರ್ವಾಲ್ ಅವರೊಬ್ಬ ಕಲಾವಿದರು, ಛಾಯಗ್ರಾಹಕರು, ಪರಿಸರ ಚಳವಳಿಗಾರರು, ಬರಹಗಾರರು ಮತ್ತು ಮೇಲ್ವಿಚಾರಕರಾಗಿ ಬಹುವಿಭಾಗೀಯ ಅಭ್ಯಾಸವನ್ನು ಹೊಂದಿದ್ದಾರೆ. ಅವರ ಕೆಲಸಗಳು ಪರಿಸರ ವಿಜ್ಞಾನ, ಸಮಾಜ, ನಗರ ಸ್ಥಳ ಮತ್ತು ರಾಜಧಾನಿಗಳ ಕುರಿತ ಪ್ರಮುಖ ಸಮಕಾಲೀನ ಪ್ರಶ್ನೆಗಳನ್ನು ಪರಿಶೋಧಿಸುತ್ತದೆ. ಸುಮಾರು ನಾಲ್ಕು ದಶಕಗಳಿಗೂ ಹೆಚ್ಚು ಸಮಯ ಛಾಯಾಗ್ರಹಣವು ಇವರ ಪ್ರಮುಖ ಮಾಧ್ಯಮವಾಗಿತ್ತು. ಇದು ಕಾಲಾಂತರದಲ್ಲಿ ವೀಡಿಯೋ, ಸಾರ್ವಜನಿಕ ಪ್ರದರ್ಶನ ಚಿತ್ರಕಲೆ, ಮಾದರಿ ಪ್ರದರ್ಶನ ಮತ್ತು ಅಚ್ಚುಕಲೆಗಳಿಗೆ ಹಬ್ಬಿಕೊಂಡಿತು.
ಇವರ ಪ್ರಮುಖವಾದ ಯೋಜನೆಗಳು ಹಲವಾರು ವರ್ಷಗಳ ಅವಧಿಯ ಸುದೀರ್ಘ ತೊಡಗುವಿಕೆಗಳನ್ನು ಹೊಂದಿದ್ದು, ಆಗ್ಗಾಗ್ಗೆ ಪ್ರಕಟವಾಗುವ ದಿನಚರಿಗಳನ್ನೂ, ಬರಹಗಳನ್ನೂ ಒಳಗೊಂಡಿವೆ. ಇವರ ಕಲಾಕೃತಿಗಳು ಯಿನ್ ಚ್ವಾನ್ (2018), ಕೊಚಿನ್ (2016), ಶಾರ್ಜಾ (2013) ದಲ್ಲಿನ ದ್ವೈವಾರ್ಷಿಕ ಮೇಳಗಳಲ್ಲಿ ಹಾಗೂ ಡಾಕ್ಯುಮೆಂಟಾ (2002) ಸೇರಿದಂತೆ ಹಲವೆಡೆಗಳಲ್ಲಿ ಪ್ರದರ್ಶನಗೊಂಡಿವೆ. ಇವರು ಯಮುನಾ-ಎಲ್ಬೆ ಯೋಜನೆ, ಇಂಡೊ ಜರ್ಮನ್ ಅವಳಿ ನಗರಗಳ ಸಾರ್ವಜನಿಕ ಕಲೆ ಮತ್ತು ಪರಿಸರವಿಜ್ಞಾನ ಯೋಜನೆ (2011) ಮತ್ತು ಚೆನ್ನೈನಲ್ಲಿ (2018) ನಡೆದ ಒಂದು ಇಂಡೋ ಯೂರೋಪಿಯನ್ ಯೋಜನೆಯಾದ ಎಂಬ್ರೇಸ್ ಅವರ್ ರಿವರ್ಸ್-ಗಳ ಸಹ-ಮೇಲ್ವಿಚಾರಕರಾಗಿದ್ದರು. ಮತ್ತು ಛಾಯಾಚಿತ್ರ ಮೇಲ್ವಿಚಾರಕರಾಗಿ ಸೆರೆಂಡಿಪಿಟಿ ಆರ್ಟ್ಸ್ ಫೆಸ್ಟಿವಲ್ (ಗೋವಾ, ಭಾರತ, 2018) ರಲ್ಲಿ ನೇಮಕವಾಗಿದ್ದರು. ಇವರ ಕೃತಿಗಳು ಹಲವಾರು ಖಾಸಗಿ ಮತ್ತು ಸಾರ್ವಜನಿಕ ಸಂಗ್ರಹಗಳಲ್ಲಿವೆ ಮತ್ತು ಇವರು ಹಲವಾರು ಕಲಾ ತೀರ್ಪುಗಾರ ಮಂಡಳಿಗಳಲ್ಲಿ ಮತ್ತು ಸಮಿತಿಗಳಲ್ಲಿ ಸೇವೆ ಸಲ್ಲಿಸಿದ್ದಾರೆ.
ಅಗರವಾಲ್ ಅವರು ‘ಟಾಕ್ಸಿಕ್ಸ್ ಲಿಂಕ್’ ಎನ್ನುವ ಸರ್ಕಾರೇತರ ಸಂಸ್ಥೆಯ ಸ್ಥಾಪಕ ನಿರ್ದೇಶಕರೂ ಆಗಿದ್ದಾರೆ ಮತ್ತು ಭಾರತದಲ್ಲಿ ತ್ಯಾಜ್ಯ ಮತ್ತು ರಾಸಾಯನಿಕಗಳ ಕಾರ್ಯದಲ್ಲಿ ಪರಿಣಿತಿಯನ್ನು ಸಾಧಿಸಿದ್ದಾರೆ.","descriptor":"ಮೇಲ್ವಿಚಾರಕರು","id":4,"image":"CA_1_CAR.jpg","uid":"CA_1"},{"alias":"ಜಾಹ್ನವಿ ಫಾಲ್ಕೆ","bio":"ಜಾಹ್ನವಿ ಪಾಲ್ಕಿಯವರು, 2018ರ ನವೆಂಬರ್ನಲ್ಲಿ ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು – ಇದರ ಸ್ಥಾಪಕ ನಿರ್ದೇಶಕರಾಗಿ ನೇಮಕವಾದರು. ಈ ಮುನ್ನ, ಅವರು ಲಂಡನ್ನ ಕಿಂಗ್ಸ್ ಕಾಲೇಜಿನಲ್ಲಿ ಅಧ್ಯಾಪಕರಾಗಿದ್ದರು. ಅವರು ತಮ್ಮ ಶೈಕ್ಷಣಿಕ ವೃತ್ತಿಜೀವನವನ್ನು ಹೈಡಲ್ಬರ್ಗ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಆರಂಭಿಸಿದರು. ನಂತರ ಫ್ರಾನ್ಸ್ನ ಜಾರ್ಜಿಯಾ ಟೆಕ್-ಲೊರ್ರೈನ್ನಲ್ಲಿ ಹಾಗೂ ಲಂಡನ್ನ ಇಂಪೀರಿಯಲ್ ಕಾಲೇಜ್ನಲ್ಲಿ ಕೂಡಾ ಸೇವೆ ಸಲ್ಲಿಸಿದರು.
ಫಾಲ್ಕಿ ಅವರು ಬರ್ಲಿನ್ನ ದಿ ಇನ್ಸ್ಟಿಟ್ಯೂಟ್ ಆಫ್ ಅಡ್ವಾನ್ಸ್ಡ್ ಸ್ಟಡಿಯಲ್ಲಿ (ವೀಸೆನ್ಶಾಟ್ಕಾಲೇಗ್ ಜು ಬರ್ಲಿನ್) ಫೆಲ್ಲೋ ಆಗಿದ್ದರು. ಇವರು ಲಂಡನ್ನ ದಿ ಸೈನ್ಸ್ ಮ್ಯೂಸಿಯಂನ ಬಾಹ್ಯ ಮೇಲ್ವಿಚಾರಕರಾಗಿದ್ದರು ಮತ್ತು ಮ್ಯುನಿಚ್ನ ದಿ ಡೋಯಿಶಸ್ ಮ್ಯೂಸಿಯಂನ ನಿವಾಸಿ ವಿದ್ವಾಂಸರಾಗಿದ್ದರು. ಇವರು ‘ಅಟಾಮಿಕ್ ಸ್ಟೇಟ್: ಬಿಗ್ ಸೈನ್ಸ್ ಇನ್ ಟ್ವೆಂಟಿಯತ್ ಸೆಂಚುರಿ ಇಂಡಿಯಾ’ ದ ಬರಹಗಾರರಾಗಿದ್ದಾರೆ ಮತ್ತು ಸೈನ್ಸ್ ಆಫ್ ಜಯಿಂಟ್ಸ್: ಚೈನಾ ಅಂಡ್ ಇಂಡಿಯಾ ಇನ್ ಟ್ವೆನ್ಟಿಯತ್ ಸೆಂಚುರಿ ಎಂಬ ಲೇಖನದ ಸಹ ಸಂಪಾದಕರಾಗಿದ್ದಾರೆ. ಇವರು ‘ಸೈಕ್ಲೋಟ್ರಾನ್’ ಎನ್ನುವ ವಾರ್ತಾಚಿತ್ರದ ನಿರ್ಮಾಪಕರು-ನಿರ್ದೇಶಕರೂ ಆಗಿದ್ದಾರೆ.","descriptor":"ವಿಜ್ಞಾನ ಇತಿಹಾಸಕಾರರು","id":5,"image":"Jahnavi_Phalkey_CARBON_w.jpeg","uid":"CA_2"},{"alias":"ಮಧುಶ್ರೀ ಕಮಕ್","bio":"ಮಧುಶ್ರೀ ಕಮಕ್ ಅವರೊಬ್ಬ ಸಾಹಸ ಪ್ರವೃತ್ತಿಯ ವಿಜ್ಞಾನಿ, ಚಿತ್ರಕಲಾವಿದರು ಮತ್ತು ಮಾಹಿತಿ ವಿನ್ಯಾಸಕಾರರಾಗಿದ್ದಾರೆ. ಇವರು ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು – ಇದರ ಕಾರ್ಯಕ್ರಮ ನಿರ್ವಾಹಕರಾಗಿದ್ದಾರೆ. ಇವರು ವಿಜ್ಞಾನ ಮತ್ತು ಸಂಸ್ಕೃತಿಗಳು ಸೇರುವೆಡೆಯಲ್ಲಿನ ಮೇಲ್ವಿಚಾರಣೆ, ತೊಡಗುವಿಕೆ, ಪಾಲ್ಗೊಳ್ಳುವಿಕೆಯ ಅನುಭವಗಳನ್ನು ಆನಂದಿಸುತ್ತಾರೆ.
ಕಮಕ್ ಅವರು 2022ರ ಬೆರ್ಲಿನ್ ಬಿಯಾನೆಲ್ ಕ್ಯುರೇಟರ್ಸ್ ಪ್ರೊಗ್ರಾಮ್ನ ಭಾಗವಾಗಿದ್ದರು. ಅಲ್ಲದೆ 2021ರಲ್ಲಿ ಖೋಜ್ ಕ್ಯುರೇಟೋರಿಯಲ್ ಇಂಟೆನ್ಸಿವ್ ಸೌತ್ ಏಷಿಯಾದ ಫೆಲ್ಲೋ ಆಗಿಯೂ, 2021ರ ಆರ್ಸ್ ಇಲೆಕ್ಟ್ರಾನಿಕಾ ಕ್ರಿಯೇಟಿವ್ ಪ್ರೊಡ್ಯೂಸರ್ಸ್ ಪ್ರೊಗ್ರಾಮ್ನ ಸದಸ್ಯರೂ ಆಗಿದ್ದರು.
ಟಾಟಾ ಇನ್ಸ್ಟಿಟ್ಯೂಟ್ ಆಫ್ ಫಂಡಮೆಂಟಲ್ ರಿಸರ್ಚ್ ಸಂಸ್ಥೆಯಲ್ಲಿ ಜೈವಿಕ ವಿಜ್ಞಾನಗಳ ಸಂಶೋಧನೆಯಲ್ಲಿ ತಮ್ಮ ಮೊದಲ ಸ್ನಾತಕೋತ್ತರ ಪದವಿಯನ್ನು ಪೂರೈಸಿದ ನಂತರ, ನ್ಯಾಶನಲ್ ಇನ್ಸ್ಟಿಟ್ಯೂಟ್ ಆಫ್ ಡಿಸೈನ್ ಸಂಸ್ಥೆಯಲ್ಲಿ ವಿನ್ಯಾಸ ವಿಷಯದಲ್ಲಿ ಸ್ನಾತಕೋತ್ತರ ಪದವಿಯನ್ನು ಪೂರೈಸಿದ್ದಾರೆ. ಇಲ್ಲಿ ಅವರು ವಿಜ್ಞಾನದೊಂದಿಗೆ ಸಾರ್ವಜನಿಕರ ತೊಡಗುವಿಕೆಯ ಸಾಧನಗಳಾಗಿ ಪ್ರದರ್ಶನಗಳನ್ನು ಬಳಸುವ ಕಡೆಗೆ ಗಮನ ಹರಿಸಿದ್ದಾರೆ. ಹಲವಾರು ವರ್ಷಗಳಿಂದ ಇವರು ಸಾರ್ವಜನಿಕರನ್ನು ತೊಡಗಿಸಿಕೊಳ್ಳುವಂತಹ, 'ಫ್ರಾಂಟೇರ್ಸ್ ಆಫ್ ಸೈನ್ಸ್ (ವಿಜ್ಞಾನದ ಯೋಧರು)' ಮತ್ತು 'ಚಾಯ್ ಆಂಡ್ ವೈ (ಚಹಾ ಮತ್ತು ಏಕೆ)' ಯೂ ಸೇರಿದಂತೆ, ಅನೇಕ ಕಾರ್ಯಕ್ರಮಗಳನ್ನು ಆಯೋಜಿಸುವ ಕಾರ್ಯದಲ್ಲಿ ಭಾಗಿಯಾಗಿದ್ದಾರೆ.","descriptor":"ವಿನ್ಯಾಸಗಾರರು","id":6,"image":"CA_3_CAR.jpeg","uid":"CA_3"},{"alias":"","bio":"","descriptor":"","id":7,"image":"Jay_Barber_w.jpeg","uid":"Y5"},{"alias":"ಜೇ ಬಾರ್ಬರ್","bio":"ಜೇ ಬಾರ್ಬರ್ ಅವರು 2023ರ ಫುಲ್ಬ್ರೈಟ್- ನೆಹ್ರೂ ಅಕಾಡೆಮಿಕ್ ಅಂಡ್ ಪ್ರೊಫೆಶನಲ್ ಟೀಚಿಂಗ್ ಸ್ಕಾಲರ್ (ನೆಹ್ರೂ ಶಿಕ್ಷಣಿಕ ಮತ್ತು ವೃತ್ತಿಪರ ಬೋಧಕ ವಿದ್ವಾಂಸರು) ಆಗಿದ್ದಾರೆ. ಇವರು ನ್ಯೂಯಾರ್ಕ್ನ ಬಫ್ಫೆಲೋದಲ್ಲಿ ವಾಸಿಸುತ್ತಿದ್ದಾರೆ. ಬಫ್ಫೆಲೋ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಬರವಣಿಗೆಯ ಪ್ರಾಧ್ಯಾಪಕರು ಮತ್ತು ಪತ್ರಿಕೋದ್ಯಮ ಸರ್ಟಫಿಕೇಟ್ ಕಾರ್ಯಕ್ರಮದ ನಿರ್ದೇಶಕರೂ ಆಗಿದ್ದಾರೆ. ಜೇ ಅವರು ಬ್ರೆವಿಟಿ ಮತ್ತು ಫ್ಲೈವೇ ಗಳಿಗೆ ಪ್ರಬಂಧಗಳನ್ನು ಬರೆದಿದ್ದಾರೆ. ಟೆಂಬ್ಲರ್ಗೆ ವೈಜ್ಞಾನಿಕ ಬರಹಗಳನ್ನೂ ಬರೆದಿದ್ದಾರೆ. ಬಫ್ಫೆಲೋ ರೈಸಿಂಗ್ಗಾಗಿ ಹಲವು ಸಮುದಾಯಾಧಾರಿತ ಪತ್ರಿಕೋದ್ಯಮವನ್ನೂ ಮಾಡಿದ್ದಾರೆ. ಜೇ ಅವರು 15 ವರ್ಷಗಳಿಗಿಂತಾ ಹೆಚ್ಚು ಕಾಲ ’ಸೃಜನಶೀಲ ಹಾಗೂ ಶೈಕ್ಷಣಿಕ ಬರಹ’ವನ್ನು ಬೋಧಿಸಿದ್ದಾರೆ. ಅವರ ಬೋಧನೆಯು ವಿದ್ಯಾರ್ಥಿ ಸಂಸ್ಥೆ ಮತ್ತು ಭಾಷಿಕ ನ್ಯಾಯಗಳನ್ನು ಕೇಂದ್ರೀಕರಿಸಿವೆ.","descriptor":"ಬರಹಗಾರರು","id":8,"image":"Jay_Barber_w.jpeg","uid":"YM_1"},{"alias":"ಮನನ್ ಭಾನ್","bio":"ಮನನ್ ಭಾನ್ ಅವರು, ಸದ್ಯ ಪರಿಸರ ಸಂಬಂಧಿ ಥಿಂಕ್ ಟ್ಯಾಂಕ್ನ (ವಿಚಾರ ವೇದಿಕೆಯ) ಜಾಗತಿಕ ಮುಂದಾಳು ಸಂಸ್ಥೆಯಾದ ಅಶೋಕ ಟ್ರಸ್ಟ್ ಫಾರ್ ರಿಸರ್ಚ್ ಇನ್ ಇಕಾಲಜಿ ಅಂಡ್ ದಿ ಎನ್ವಿರಾನ್ಮೆಂಟ್ (ಎ.ಟಿ.ಆರ್.ಇ.ಇ)ನ ನಿವಾಸಿ ಫೆಲ್ಲೋ ಆಗಿದ್ದಾರೆ. ಬಹುವಿಭಾಗೀಯತೆ ಎನ್ನುವುದು ಅವರ ಅಭ್ಯಾಸದ ಜೀವಾಳವಾಗಿದೆ. ಇವರು ಭಾರತಾದ್ಯಂತ ಪರಿಸರ ವ್ಯವಸ್ಥೆಯ ವಿನ್ಯಾಸ ಹಾಗೂ ಮರುಸ್ಥಾಪನೆ ಕಾರ್ಯಕ್ರಮಗಳ ನಿರ್ವಹಣೆಗಳಲ್ಲಿ ತೊಡಗಿದ್ದಾರೆ. ಇದಕ್ಕಾಗಿ ಭಾರತದಾದ್ಯಂತ ಕೃಷಿ ಉತ್ಪನ್ನಗಳ ಬೆಳೆಯುವಿಕೆಯು ಸುಸ್ಥಿರವಾಗಿರಲು ಬೇಕಾದ ಸಾಧನಗಳನ್ನೂ, ವಿಧಾನಗಳನ್ನೂ ರೂಪಿಸುತ್ತಿದ್ದಾರೆ. ಬೆಂಗಳೂರಿನಲ್ಲಿ, ಇವರು ತಾಪಮಾನ ಒತ್ತಡವನ್ನು ಎದುರಿಸಲು ಬೇಕಿರುವ ಹೈಪರ್-ಲೋಕಲ್ ಟೂಲ್ಕಿಟ್ (ತೀರಾ/ ಅತಿ ಸ್ಥಳೀಯ ಸಲಕರಣೆ) ಗಳನ್ನು ಅಭಿವೃದ್ಧಿಪಡಿಸುವ ಪ್ರಯತ್ನಗಳನ್ನು ಮುನ್ನಡೆಸುತ್ತಿದ್ದಾರೆ. ಸಾರ್ವಜನಿಕ ಮುಖಾಮುಖಿಯ ಸಂಶೋಧನೆಗಳ ಮೂಲಕ ಅವರು - ಭಾರತದಲ್ಲಿ ಸುಸ್ಥಿರವಾದ ಭೂಮಿ ಬಳಕೆಯ ವಿಧಾನಗಳು, ಪರಿಸರ ಚಟುವಟಿಕೆ ಹಾಗೂ ಮಾನವ ಯೋಗಕ್ಷೇಮಗಳ ಸಕಾರಾತ್ಮಕ ಫಲಿತಾಂಶಗಳಿಗೆ ದಾರಿಮಾಡಿಕೊಡುತ್ತವೆ - ಎಂಬುದನ್ನು ತೋರಿಸಿಕೊಡುವ ಗುರಿ ಹೊಂದಿದ್ದಾರೆ.","descriptor":"ಸುಸ್ಥಿರತೆ ವಿಜ್ಞಾನಿ","id":9,"image":"Manan_Bhan_w.jpeg","uid":"YM_2"},{"alias":"","bio":"","descriptor":"","id":10,"image":"","uid":"YM_3"},{"alias":"","bio":"","descriptor":"","id":11,"image":"","uid":"YM_4"},{"alias":"","bio":"","descriptor":"","id":12,"image":"","uid":"YM_5"},{"alias":"","bio":"","descriptor":"","id":13,"image":"","uid":"YM_6"},{"alias":"","bio":"","descriptor":"","id":14,"image":"","uid":"YM_7"},{"alias":"Mahesh Rangarajan","bio":"Mahesh Rangarajan holds a BA (Hons.) in History from Hindu College University of Delhi, and an MA and DPhil, both from Oxford University, where he was a Rhodes Scholar. His wide experience in academia includes faculty positions as Professor of Modern Indian History at the University of Delhi, and Professor of History and Environmental Studies at Ashoka University, where he previously served as the Dean of Academic Affairs. He has also taught at Cornell University, Indian Institute of Science, and National Centre for Biological Sciences.
His first book Fencing the Forest was published in 1996. His co-edited works include India’s Environmental History, and At Nature’s Edge. Having started his career as a journalist, he has also served in roles outside academia, including as the Director of the Nehru Memorial Museum and Library, New Delhi.
Know more.","descriptor":"Environmental Historian","id":15,"image":"CSS_Pe1.jpg","uid":"CSS_Pe1"},{"alias":"Sharachchandra Lele","bio":"Sharachchandra (Sharad) Lele holds a B. Tech. in Electrical Engineering from Indian Institute of Technology, Bombay, an M.S. from Indian Institute of Science on the environmental impacts of large dams, and a PhD in Energy and Resources from University of California, Berkeley on sustainable forest use in the Western Ghats. Lele is an interdisciplinary environmental researcher—bridging the gap between the natural sciences, economics, and political science. His research unpacks the concepts of and pathways to environmentally sustainable and socially just development.
He has worked on sustainable forest management and forest governance, forest hydrology and farmer linkages, land use change, watershed development, water governance, urban water management, and pollution regulation. He is heavily engaged in environmental policy-related work at the local, state, and national level.
Know more.","descriptor":"Interdisciplinary Environmental Researcher","id":16,"image":"CSS_Pe2.jpg","uid":"CSS_Pe2"},{"alias":"Govindasamy Bala","bio":"Govindasamy Bala is currently a Professor at the Center for Atmospheric and Oceanic Sciences, Indian Institute of Science, Bangalore. He received his PhD in Atmospheric and Oceanic Sciences in 1994 from McGill University, Canada. After two years as a postdoctoral fellow at the Geophysical Fluid Dynamics Laboratory, Princeton University, he served as a Climate Scientist at the Lawrence Livermore National Laboratory (LLNL), USA between 1996 and 2008.
Bala’s main research interests are modelling of global climate change, carbon and water cycles, climatic effects of land cover and land use change, solar geoengineering, and global and regional monsoon systems. He has served as a Lead Author for the fifth and sixth assessment Intergovernmental Panel on Climate Change (IPCC) Working Group 1 reports.
Know more.","descriptor":"Climate Scientist","id":17,"image":"CSS_Pe3.jpg","uid":"CSS_Pe3"},{"alias":"N H Ravindranath","bio":"N. H. Ravindranath is a Professor at the Centre for Sustainable Technologies at the Indian Institute of Science, Bangalore. He received a doctorate in economics from the Indian Institute of Technology, Bombay. His research interests include climate change impacts and mitigation, climate adaptation in the land use and forest sector, and renewable energy.
He has contributed to a number of assessment reports for the Intergovernmental Panel on Climate Change and advises many organisations, including the United Nations Framework Convention on Climate Change, the World Bank, and the United Nations Development Programme. One among his four published books related to climate change and bioenergy is entitled Carbon Inventory Methods.
Know more.","descriptor":"Climate Change Policy Expert ","id":18,"image":"CSS_Pe4.jpg","uid":"CSS_Pe4"},{"alias":"Mahesh Sankaran","bio":"Mahesh Sankaran is Professor of Ecology and Evolution at the National Centre for Biological Sciences (NCBS) in Bangalore. He got his PhD from Syracuse University in the US and carried out postdoctoral research in both the UK and the US before joining NCBS in 2009. Sankaran is part of a new wave of Indian ecologists and ecosystem scientists who are reshaping the way both India and the world view ecosystems and their relationship to climate change.
Sankaran’s distinction has been recognized by election to the Fellowship of the Indian Academy of Science (2020) and the Indian National Science Academy (2021). He was also awarded the 2021 Infosys Prize in Life Sciences, in recognition of his pioneering work on the ecology of tropical savannah ecosystems, his contributions to highlighting the biodiversity of important Indian ecosystems such as the Western Ghats, and his input to international reports on climate change and biodiversity that have provided scientific evidence to policy makers.
Know more.","descriptor":"Ecologist","id":19,"image":"CSS_Pe5.png","uid":"CSS_Pe5"},{"alias":"Sarah Benabou","bio":"Sarah Benabou is an anthropologist and research fellow at the French National Research Institute for Sustainable Development (IRD), Paris. Her principal research interest is in the politics and social impacts of nature conservation in India, as part of a wider interest in the political economy of nature conservation. Besides her ethnographic work in Northern India (at the Nanda Devi biosphere reserve and the Khasi Hills REDD+ project), she has been actively following the development of international expertise on biodiversity offsets.
Know more.","descriptor":"Anthropologist","id":20,"image":"CSS_Pe6.jpg","uid":"CSS_Pe6"},{"alias":"ಶಾಂತಾಮಣಿ ಮುದ್ದಯ್ಯ ","bio":"ಶಾಂತಾಮಣಿ ಮುದ್ದಯ್ಯ ಅವರು, ಬೆಂಗಳೂರಿನಲ್ಲಿ ವಾಸಿಸುತ್ತಿರುವ ಓರ್ವ ದೃಶ್ಯ ಕಲಾವಿದೆಯಾಗಿದ್ದಾರೆ. ಅವರು ಗುಜರಾತಿನ ಎಂ.ಎಸ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಿಂದ ಲಲಿತ ಕಲೆಗಳಲ್ಲಿ ಸ್ನಾತಕೋತ್ತರ ಪದವಿಯನ್ನು ಗಳಿಸಿದ್ದಾರೆ. ಅವರ ಕೆಲಸವು ಅವರು ಬಳಸಿಕೊಳ್ಳುವ ವಸ್ತುಗಳ ಭೌತಿಕತೆಗೆ ನಿಕಟವಾಗಿ ಸಂಬಂಧಿಸಿದೆ. ಅವರು ಸಾಮಾನ್ಯವಾಗಿ ತಮ್ಮ ಕಲಾಕೃತಿಗಳು ಮತ್ತು ಮಾದರಿಗಳನ್ನು ತಯಾರಿಸಲು ಇದ್ದಿಲನ್ನು ಬಳಸುತ್ತಾರೆ. ಇದ್ದಿಲಿನಂತಹ ವಸ್ತುಗಳ ಮರುಬಳಕೆಯ ಜೊತೆಯಲ್ಲಿ, ಅವರು ಜನಪ್ರಿಯವಾದ ಪಾಶ್ಚಿಮಾತ್ಯ ಪುರಾಣಗಳನ್ನು ಬಳಸಿಕೊಂಡು ಅವಕ್ಕೆ ಹೊಸ ಅರ್ಥವನ್ನು ಕೂಡಾ ನೀಡುತ್ತಾರೆ. ತಮ್ಮ ವೃತ್ತಿಜೀವನ ಪಯಣದಲ್ಲಿ ಶಾಂತಾಮಣಿ ಮುದ್ದಯ್ಯ ಅವರು ಚಾರ್ಲ್ಸ್ ವಲ್ಲೇಸ್ ಫೆಲ್ಲೊಶಿಪ್ ಅನ್ನು 2004ರಲ್ಲಿ ಗಳಿಸಿದ್ದಾರೆ. ಅಲ್ಲದೆ 2006-2008ರ ಅವಧಿಗಾಗಿ ನವದೆಹಲಿಯ ಪ್ರವಾಸೋದ್ಯಮ ಮತ್ತು ಸಂಸ್ಕೃತಿ ಇಲಾಖೆಯ ವತಿಯಿಂದ ನ್ಯಾಶನಲ್ ಜ್ಯೂನಿಯರ್ ಫೆಲ್ಲೋಶಿಪ್ ಕೂಡಾ ಗಳಿಸಿದ್ದಾರೆ.","descriptor":"Visual Artist","id":21,"image":"CSS_Pe7.jpg","uid":"CSS_Pe7"},{"alias":"Chitra Vishwanath","bio":"Chitra Vishwanath is an ardent ecological architect. Early into her career, she set up her own architectural practice that came to be known as ‘Chitra Vishwanath Architects’. With a commitment to sustainable architecture, her practice has spanned 15 years during which she has executed around 500 projects—residential, institutional, and tourism related. Her practice now resides under the umbrella of ‘Biome Environmental Solutions’, where she is the Principal Architect and Managing Director.
Know more.","descriptor":"Ecological Architect","id":22,"image":"CSS_Pe8.jpg","uid":"CSS_Pe8"},{"alias":"Vishwanath Srikantaiah","bio":"Vishwanath Srikantaiah is a water conservation expert, renowned for his tireless and pioneering efforts to find solutions to India’s freshwater crisis. Popularly known as ‘Zenrainman’ on social media channels, his insightful articles on water and environmental issues frequently appear in mainstream news publications.
A Civil Engineer and Urban Planner by qualification, Vishwanath worked with Housing and Urban Development Corporation (HUDCO) for 14 years before dedicating himself full-time to solving water issues faced by both urban and rural communities. He is the Director of Biome Environmental Solutions Pvt. Ltd., an architectural firm specialising in sustainable design.
Know more.","descriptor":"Water Conservation Expert","id":23,"image":"CSS_Pe9.jpg","uid":"CSS_Pe9"},{"alias":"Sebastian Peter","bio":"Sebastian Peter joined Jawaharlal Nehru Centre for Advanced Scientific Research (JNCASR), Bangalore in 2010 as a Ramanujan Fellow and has been an Associate Professor since 2017. His research interests include fuel cells, water splitting and carbon dioxide reduction.
He is the recipient of the prestigious Swarnajayanti Fellowship (2017–18). Apart from fundamental research, he is involved in translational research and is the founder and director of the start-up ‘Breathe India’, which aims to convert carbon dioxide into chemicals and fuels. This technology received the National Award from the Technology Development Board, Department of Science and Technology in 2021.
Know more.","descriptor":"Chemist","id":24,"image":"CSS_Pe10.jpg","uid":"CSS_Pe10"},{"alias":"Meera Anna Oommen","bio":"Meera Anna Oommen is a trustee of Dakshin Foundation, Bangalore, and the Madras Crocodile Bank Trust. She works on issues related to ecology, conservation science, and environmental history. Her work focuses on incorporating insights from multiple disciplines to understand the dynamics of human-wildlife conflict involving large, free-ranging vertebrates such as elephants, wild boar, and saltwater crocodiles.
Her recent work also attempts to apply heuristics, satisficing approaches, and elements of bounded rationality to understand complex, uncertain systems. She is also interested in human-animal relationships, the histories of big-game hunting, and hunting and foraging by traditional societies. Her work experience has largely been in mountains (Trans-Himalaya, Western Himalaya and the Western Ghats) and island systems (Andaman and Nicobar Islands).
Know more.","descriptor":"Ecologist and Environmental Historian","id":25,"image":"CSS_Pe11.JPG","uid":"CSS_Pe11"},{"alias":"Jagdish Krishnaswamy","bio":"Jagdish Krishnaswamy is the Dean, School of Environment and Sustainability, Indian Institute for Human Settlements (IIHS). Krishnaswamy holds a B. Tech. in Civil Engineering from the Indian Institute of Technology, Mumbai, a Masters in Statistics and Decision Sciences, and a PhD in Environmental Studies from Duke University, USA. His research and teaching interests are in ecohydrology, landscape ecology, and the applications of Bayesian statistics in ecology and environmental science.
Know more.","descriptor":"Ecohydrologist","id":26,"image":"CSS_Pe12.jpg","uid":"CSS_Pe12"},{"alias":"Aromar Revi","bio":"Aromar Revi is the Director of the Indian Institute for Human Settlements (IIHS). He is an alumnus of Indian Institute of Technology, Delhi and the Law and Management schools of the University of Delhi. He has over 35 years of interdisciplinary experience in sustainable development, public policy and governance, human settlements, as well as global environmental and technological change.
Revi is Co-Chair of the United Nations (UN) Sustainable Development Solutions Network, from where he helped lead a successful global campaign for an urban Sustainable Development Goal (SDG 11) as part of the UN’s 2030 development agenda. Revi’s practice and research work lie at the interface of sustainability science and climate science; and the emerging discipline of ‘urban science’ that he is helping define internationally.
Know more.","descriptor":"Interdisciplinary Researcher","id":27,"image":"CSS_Pe13.jpg","uid":"CSS_Pe13"},{"alias":"Jonak Das","bio":"Jonak Das is faculty and Discipline Lead for Exhibition Design at the National Institute of Design (NID). He guides projects in exhibit design, design in a social context, and pavilion design. He is interested in research around the design of learning spaces.
Outside of the classroom, he is actively involved in professional design projects that involve pavilion and exhibit design, product design, crafts and pedagogic structure. He has worked with various design firms based in Delhi, such as Design Habit, Kaaru, Itu Chaudhuri Design, and Lopez Design, where he served as the Project Director before joining NID.
Know more.","descriptor":"Exhibition Designer","id":28,"image":"CSS_M_Pe1.jpg","uid":"CSS_M_Pe1"},{"alias":"Sarjapura Curries","bio":"Sarjapura Curries is a community and inclusion based art and video project that aims to include edible weeds into our food, and document recipes of the same. It extends to conserving knowledge on those weeds and reviving their popularity in vegetable markets.
Suresh Kumar, the founder of Sarjapura Curries, is facilitating this session. A visual artist and art teacher, he moonlights as an ecological pioneer in his native village Volagerekallahalli near Sarjapur, in Bengaluru.
Know more.","descriptor":"","id":29,"image":"CSS_LF_Pe1.png","uid":"CSS_LF_Pe1"},{"alias":"Echo Network","bio":"The Echo Network is a social innovation partnership with a specific focus on increasing trust between and across sectors, increasing the value of science for society, and instilling a sense of public responsibility for India’s human and environmental ecosystems. They have built a 1200 member international community spanning 24 countries that enables organisations and individuals to interact and generate a shared purpose through collaborative science-based activities and research.
This workshop with the Echo Network is facilitated by chemical ecologist Shannon Olsson, as well as other members of the team—Akshata Pradhan, Digangana Mukherjee, and Tina Patrao.
Know more.","descriptor":"","id":30,"image":"CSS_LF_Pe2.png","uid":"CSS_LF_Pe2"},{"alias":"Centre for Cellular and Molecular Platforms (C-CAMP)","bio":"An initiative supported by the Department of Biotechnology, Government of India, the Centre for Cellular and Molecular Platforms (C-CAMP) has been a catalyst of cutting-edge research and innovation in the life sciences since 2009. C-CAMP aims to facilitate bioscience research and entrepreneurship by providing research, development, and training services in state-of-the-art Technology Platforms.
Know more.","descriptor":"","id":31,"image":"CSS_LF_Pe3.png","uid":"CSS_LF_Pe3"},{"alias":"As The Drain Goes","bio":"Storm water drains are crucial to a city’s health. However, unplanned urbanisation, indiscriminate disposal of garbage and sewage, encroachments, and industrial discharges disrupt the flow of these drains. The project ‘As the Drain Goes’ proposes to map the Koramangala Valley pathway in Bangalore (from Majestic to Bellandur lake), and look at the communities residing along the line, with a special focus on garbage from water and sanitation interplay and urban flooding vulnerability.
This field visit and walk is facilitated by journalist Pinky Chandran.
Know more.","descriptor":"","id":32,"image":"CSS_LF_Pe4.png","uid":"CSS_LF_Pe4"},{"alias":"Transforming Education for Sustainable Futures","bio":"","descriptor":"","id":33,"image":"CSS_PL_Pe1.png","uid":"CSS_PL_Pe1"},{"alias":"Indian Institute for Human Settlements ","bio":"","descriptor":"","id":34,"image":"CSS_PL_Pe2.png","uid":"CSS_PL_Pe2"},{"alias":"National Centre for Biological Sciences ","bio":"","descriptor":"","id":35,"image":"CSS_PL_Pe3.png","uid":"CSS_PL_Pe3"},{"alias":"Lake Health Index","bio":"Using citizen science initiatives, the Lake Health Index project focuses on the indicative parameters which affect lake health. It involves developing a robust dynamic index to represent the lake’s environment and biodiversity in the form of an app or list, which can be assessed by the public, and can serve as a repository for experts and researchers interested in the field.
This seminar and field visit is conducted by V Ramprasad, the convenor of this project.
Know more.","descriptor":"","id":36,"image":"CSS_LF_Pe4.png","uid":"CSS_LF_Pe5"},{"alias":"Museum of Art & Photography (MAP)","bio":"The Museum of Art & Photography (MAP) is a new and innovative museum, opening in Bangalore in 2022. Its mission is to take arts and culture to the heart of the community, making it accessible to the widest possible audience. MAP is a space for new ideas and conversations that are initiated through its collection.
MAP is custodian to a growing collection of over 60,000 art works, predominantly from South Asia and dating from the 10th century to the present. Its 44,000 sq. ft. flagship site will include five galleries, an auditorium, an art and research library, education centre, a multimedia center and a specialised research and conservation facility.
Know more.","descriptor":"","id":37,"image":"CSS_LF_Pe6.png","uid":"CSS_LF_Pe6"},{"alias":"BIC","bio":"Hidbsc apiosbajk","descriptor":"","id":38,"image":"LG_A_AAI.png","uid":"LG_A_AAI"},{"alias":"Arnika Ahldag","bio":"Arnika Ahldag is the chief curator at the Museum of Art and Photography. As an art historian, she investigates the representation of labour in Indian contemporary art. As an artist she works in video and performance and her projects were shown at the Bhubaneswar Art Trail, the Kiran Nadar Museum of Modern Art and Max Mueller Bhavan, New Delhi. She co-founded the Feminist Syllabus, which is part of the workshop series ‘Pact of Silence — How to break it?’, a programme for intersectional feminist discourses in the arts. She holds a Ph.D. in Visual Studies from the School of Arts and Aesthetics, Jawaharlal Nehru University, and an MA from University College in London, UK and Albert Ludwigs University in Freiburg, Germany.","descriptor":"Art Historian and Curator","id":39,"image":"Pe1_SGB_AAI.jpg","uid":"Pe1_SGB_AAI"},{"alias":"ಧೀರಜ್ ಕುಮಾರ್ ನೀತೆ","bio":"ಧೀರಜ್ ಕುಮಾರ್ ನೀತೆಯವರು ನವದೆಹಲಿಯ ಅಂಬೇಡ್ಕರ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಸಮಾಜ ವಿಜ್ಞಾನಿಯಾಗಿದ್ದಾರೆ. ಇವರು ದಕ್ಷಿಣ ಆಫ್ರಿಕಾದ ಜೊಹಾನ್ಸ್ಬರ್ಗ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಹಿರಿಯ ಸಂಶೋಧನಾ ಸಹಾಯಕರಾಗಿದ್ದಾರೆ. ಇವರು ಯೋಗಕ್ಷೇಮದ ಇತಿಹಾಸ, ಕಾರ್ಮಿಕ ಸಂಬಂಧಗಳು ಮತ್ತು ಉದ್ದಿಮೆಶೀಲತೆಗಳ ವಿಷಯದಲ್ಲಿ ಪರಿಣಿತಿ ಹೊಂದಿದ್ದಾರೆ. ನವದೆಹಲಿಯ ಜವಾಹರಲಾಲ್ ನೆಹರೂ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಪಿಎಚ್.ಡಿ ಪದವಿಯನ್ನು ಗಳಿಸಿದ್ದಾರೆ. “ವರ್ಕ್ ಅಂಡ್ ಕಲ್ಚರ್ ಆನ್ ದಿ ಮೈನ್ಸ್: ಯಾನ್ ಇಂಡಿಯನ್ ಕೋಲ್ಫೀಲ್ಡ್ (ಝಾರಿಯಾ) 1895-1070” [ಗಣಿಗಳಲ್ಲಿ ಕೆಲಸ ಮತ್ತು ಸಂಸ್ಕೃತಿ: ಭಾರತದ ಒಂದು ಕಲ್ಲಿದ್ದಿಲ ಗಣಿ(ಝಾರಿಯಾ)] ಎಂಬ ಹೆಸರಿನ ಐತಿಹಾಸಿಕ ಅಧ್ಯಯನಗಳ ವಿಷಯದಲ್ಲಿ ಇದನ್ನು ಗಳಿಸಿದ್ದಾರೆ. ಇವರು ಸ್ವೀಡನ್ನಿನ ಲಿನ್ನಾಯೆಸ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಹಾಗೂ ಜೊಹಾನ್ಸ್ಬರ್ಗ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಪೋಸ್ಟ್ಡಾಕ್ಟೊರಲ್ ಫೆಲ್ಲೋ ಆಗಿದ್ದರು. ಇವರ ಹಲವಾರು ಪ್ರಕಾಶನಗಳಲ್ಲಿ ’ದಿ ಆಸ್ಪಿರೇಶನ್ ಫಾರ್ ಎ “ಸಿವಿಲಯ್ಸ್ಡ್”, “ಹ್ಯುಮನ್” ಅಂಡ್ “ಡಿಗ್ನಿಫೈಡ್” ಲೈಫ್: ಯಾನ್ ಎನ್ಕ್ವೇರಿ ಇನ್ಟು ಸೋಶಿಯಬಿಲಿಟಿ, ಸೋಶಿಯಾಲಿಟಿ ಅಂಡ್ ವೆಲ್ಬೀಯಿಂಗ್ ಆಫ್ ಮೈಗ್ರೆಂಟ್ಸ್ ಇನ್ ಇಂಡಿಯನ್ ಕೋಲ್ಫೀಲ್ಡ್’ (2021) ಕೂಡಾ ಒಂದಾಗಿದೆ. ಪ್ರಸ್ತುತ, ಇವರು 19ನೆಯ ಶತಮಾನದ ಪಶ್ಚಿಮ ಭಾರತದಲ್ಲಿನ ನಿರ್ಮಾಣ ಕ್ಷೇತ್ರ, ಕೌಶಲ್ಯ ಅಭಿವೃದ್ಧಿ ಮತ್ತು ಯೋಗಕ್ಷೇಮಗಳ ಕುರಿತು ವಿಚಾರಣೆ/ ಕೆಲಸ ಮಾಡುತ್ತಿದ್ದಾರೆ","descriptor":"Social Scientist","id":40,"image":"Pe2_SGB_AAI.jpg","uid":"Pe2_SGB_AAI"},{"alias":"ರೋನ್ನಿ ಸೆನ್","bio":"ಕೊಲ್ಕತ್ತಾ ನಿವಾಸಿಯಾಗಿರುವ ರೋನ್ನಿ ಸೆನ್ ಅವರೊಬ್ಬ ಚಲನಚಿತ್ರ ನಿರ್ದೇಶಕ, ಚಿತ್ರಕತೆ ಸಾಹಿತಿ ಮತ್ತು ಛಾಯಾಗ್ರಾಹಕರಾಗಿದ್ದಾರೆ. ಇವರ ಮೊತ್ತಮೊದಲನೆಯ ಚಿತ್ರವಾದ “ಕ್ಯಾಟ್ ಸ್ಟಿಕ್ಸ್”, 2019ರಲ್ಲಿ ಸ್ಲ್ಯಾಮ್ಡಾನ್ಸ್ನಲ್ಲಿ ಮೊದಲ ಜಾಗತಿಕ ಪ್ರದರ್ಶನವನ್ನು ಕಂಡಿದ್ದಲ್ಲದೆ ಜೂರಿಗಳ ಪ್ರಶಸ್ತಿಯನ್ನು ಗಳಿಸಿತು. ಇವರು ಬಿಬಿಸಿಗಾಗಿ ದೂರದರ್ಶನ ವಾರ್ತಾಚಿತ್ರಗಳನ್ನು ನಿರ್ದೇಶಿಸಿದ್ದಾರೆ. ಇವರು ತಮ್ಮ ವೃತ್ತಿಜೀವನವನ್ನು ಛಾಯಾಗ್ರಾಹಕರಾಗಿ ಆರಂಭಿಸಿ, ಖ್ಮೇರ್ ದಿನ್ (2013) ಮತ್ತು ಎಂಡ್ ಆಫ್ ಟೈಮ್ (2016) ಎಂಬ ಎರಡು ಕಲಾ ಪುಸ್ತಕಗಳನ್ನು ಮಾಡಿದರು. 2013ರಲ್ಲಿ ಇವರನ್ನು ಜಪಾನ್ ಪ್ರತಿಷ್ಠಾನದ ವತಿಯಿಂದ ಜಪಾನಿನಲ್ಲೂ, 2016ರಲ್ಲಿ ಪೋಲಿಶ್ ಸಂಸ್ಥೆಯಿಂದ ಪೋಲೆಂಡಿನಲ್ಲೂ ನಿವಾಸಿ ಕಲಾವಿದರಾಗಿರಲು ಆಹ್ವಾನ ಬಂದಿತ್ತು. ಇವರು 2016ರಲ್ಲಿ ಝಾರಿಯಾ ಕಲ್ಲಿದ್ದಿಲ ಗಣಿಗಳ ಕಲಾಕೃತಿಗಾಗಿ ಗೆಟ್ಟಿ ಇನ್ಸ್ಟಾಗ್ರಾಮ್ ಚಿತ್ರ ಅನುದಾನವನ್ನು ಪಡೆದಿದ್ದಾರೆ, ಈ ಕಲಾಕೃತಿಗಳು 2018ರಲ್ಲಿ ಮುಂಬೈನ ಟರ್ಕ್ ಚಿತ್ರಶಾಲೆಯಲ್ಲಿ ಏಕವ್ಯಕ್ತಿ ಪ್ರದರ್ಶನವಾಗಿ “ನಿರಂತರ ಬೆಂಕಿ(ಕಂಟಿನೂಮ್ ಫೈರ್)” ಎನ್ನುವ ತಲೆಬರಹದಡಿಯಲ್ಲಿ ಪ್ರದರ್ಶಿತವಾಗಿವೆ. ಇವರ ಕಲಾಕೃತಿಗಳು, ಅಲ್ಕಾಜಿ ಛಾಯಾಚಿತ್ರ ಸಂಗ್ರಹಾಲಯದಲ್ಲಿ ಶಾಶ್ವತ ಸಂಗ್ರಹಗಳಲ್ಲಿ ಸೇರಿವೆ.","descriptor":"Filmmaker and Photographer
","id":41,"image":"Pe3_SGB_AAI.jpg","uid":"Pe3_SGB_AAI"},{"alias":"ಶಾಂತಾಮಣಿ ಮುದ್ದಯ್ಯ ","bio":"ಶಾಂತಾಮಣಿ ಮುದ್ದಯ್ಯ ಅವರು, ಬೆಂಗಳೂರಿನಲ್ಲಿ ವಾಸಿಸುತ್ತಿರುವ ಓರ್ವ ದೃಶ್ಯ ಕಲಾವಿದೆಯಾಗಿದ್ದಾರೆ. ಅವರು ಗುಜರಾತಿನ ಎಂ.ಎಸ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಿಂದ ಲಲಿತ ಕಲೆಗಳಲ್ಲಿ ಸ್ನಾತಕೋತ್ತರ ಪದವಿಯನ್ನು ಗಳಿಸಿದ್ದಾರೆ. ಅವರ ಕೆಲಸವು ಅವರು ಬಳಸಿಕೊಳ್ಳುವ ವಸ್ತುಗಳ ಭೌತಿಕತೆಗೆ ನಿಕಟವಾಗಿ ಸಂಬಂಧಿಸಿದೆ. ಅವರು ಸಾಮಾನ್ಯವಾಗಿ ತಮ್ಮ ಕಲಾಕೃತಿಗಳು ಮತ್ತು ಮಾದರಿಗಳನ್ನು ತಯಾರಿಸಲು ಇದ್ದಿಲನ್ನು ಬಳಸುತ್ತಾರೆ. ಇದ್ದಿಲಿನಂತಹ ವಸ್ತುಗಳ ಮರುಬಳಕೆಯ ಜೊತೆಯಲ್ಲಿ, ಅವರು ಜನಪ್ರಿಯವಾದ ಪಾಶ್ಚಿಮಾತ್ಯ ಪುರಾಣಗಳನ್ನು ಬಳಸಿಕೊಂಡು ಅವಕ್ಕೆ ಹೊಸ ಅರ್ಥವನ್ನು ಕೂಡಾ ನೀಡುತ್ತಾರೆ. ತಮ್ಮ ವೃತ್ತಿಜೀವನ ಪಯಣದಲ್ಲಿ ಶಾಂತಾಮಣಿ ಮುದ್ದಯ್ಯ ಅವರು ಚಾರ್ಲ್ಸ್ ವಲ್ಲೇಸ್ ಫೆಲ್ಲೊಶಿಪ್ ಅನ್ನು 2004ರಲ್ಲಿ ಗಳಿಸಿದ್ದಾರೆ. ಅಲ್ಲದೆ 2006-2008ರ ಅವಧಿಗಾಗಿ ನವದೆಹಲಿಯ ಪ್ರವಾಸೋದ್ಯಮ ಮತ್ತು ಸಂಸ್ಕೃತಿ ಇಲಾಖೆಯ ವತಿಯಿಂದ ನ್ಯಾಶನಲ್ ಜ್ಯೂನಿಯರ್ ಫೆಲ್ಲೋಶಿಪ್ ಕೂಡಾ ಗಳಿಸಿದ್ದಾರೆ.","descriptor":"Visual Artist","id":42,"image":"Pe4_SGB_AAI.jpg","uid":"Pe4_SGB_AAI"},{"alias":"Shrabonti Bagchi","bio":"Shrabonti Bagchi has been a feature writer and editor for over 20 years with publications such as The Telegraph, Business Standard, DNA and The Times of India. She was Culture Editor at Factor Daily, a niche digital publication focusing on technology and its intersections with society. Currently, she is National Features Editor at Mint, where she writes on business, art, culture, and technology. ","descriptor":"Journalist","id":43,"image":"Pe5_SGB_AAI.jpg","uid":"Pe5_SGB_AAI"},{"alias":"Zehra Jumabhoy","bio":"Zehra Jumabhoy is a Lecturer in the History of Art at the University of Bristol. She is a critic, curator and art historian specializing in modern & contemporary art with a decolonizing focus. She was the Steven and Elena Heinz Scholar at the Courtauld Institute of Art, London, where she completed her doctorate on contemporary Indian art, nationalism and postcolonial theory. Her book, The Empire Strikes Back: Indian Art Today, was published by Random House, London, in 2010.
Zehra is currently curatorial research fellow at the Glynn Vivian Art Gallery funded by the Paul Mellon Centre for British Art, working on a major project Imperial Subjects (Post)Colonial Conversations between Wales and South Asia. The exhibition based on this project will be co-curated with Katy Freer, Head of Exhibitions at the Glynn Vivian in Spring 2023. For more information see the Glynn Vivian website or www.zehrajumabhoy.com","descriptor":"Art Historian and Curator","id":44,"image":"Pe4_GV_AAI.jpg","uid":"Pe4_GV_AAI"},{"alias":"Samuel Raybone","bio":"Samuel Raybone is an art historian, specialising in the history and historiography of Impressionism, and presently Lecturer in Art History at Aberystwyth University.
His current research examines transnational and decolonial approaches to Impressionism, including the complex relationships between transnational circuits and national imaginaries in the collection, display, and reception of Impressionism in Wales. His chapter ‘Provincializing impressionism: the Davies sisters, French impressionism, and Welsh identity in 1913’ is forthcoming in the bilingual edited volume Collectionner l’impressionnisme / Collecting Impressionism.
","descriptor":"Art Historian","id":45,"image":"Pe3_GV_AAI.jpg","uid":"Pe3_GV_AAI"},{"alias":"Ceri Thompson","bio":"Ceri Thompson left school at 16 and spent the next 16 years on the coal face at Cwm Colliery, Llantwit Fardre. After redundancy in 1986, he attended Coleg Harlech and University of Wales, Cardiff. Since graduating he worked in various museums and archives before becoming the curator of Big Pit: National Coal Museum in 1999.
At present he is researching the rescue and recovery aspect of the Aberfan disaster of 1966.","descriptor":"Curator","id":46,"image":"Pe2_GV_AAI.jpg","uid":"Pe2_GV_AAI"},{"alias":"Abby Poulson","bio":"Abby Poulson is an artist currently based in Wales. Using photography in a multi-disciplinary sense, she often combines digital and alternative processes to explore ideas surrounding our relationship with y tir (the land), the environment and Welsh identity whilst drawing inspiration from her immediate surroundings in the rural.
Poulson graduated from Swansea College of Art in 2020, where she achieved a BA in Photography in the Arts. Since graduating, she has been practising as a freelance artist, photographer and emerging curator. She is currently a research assistant for We Live with The Land, The Land as Other a transdisciplinary project interrogating artists’ use of landscape as a subject in Wales.
Poulson's recent projects include The Gathering Ground, a photographic document that explores Wales’ relationship to water, and Y Chwarel, a continuous exploration into the quarried landscapes of Wales, which is currently on ‘The Screen’ at Mission Gallery, Swansea.
","descriptor":"Artist","id":47,"image":"Pe1_GV_AAI.jpg","uid":"Pe1_GV_AAI"},{"alias":"Bangalore International Centre (BIC)","bio":"The Bangalore International Centre (BIC) platform fosters intellectual activity, dialogue, cultural enterprise and innovation. BIC strives to bring together a diverse and engaged community of thinkers, artists, academicians and professional in order to promote social harmony by providing an inclusive platform for dialogue and fostering relevant theme based programs.
BIC's programs including talks, discussions, performances, film screenings and explorations on varied subjects that reflect the ethos and culture of Bangalore as a dynamic, futuristic, aspirational and growing metropolis.
Know more.","descriptor":"","id":48,"image":"PP_1_AAI.png","uid":"PP_1_AAI"},{"alias":"British Council","bio":"The British Council supports peace and prosperity by building connections, understanding and trust between people in the UK and countries worldwide.
The British council finds new ways of connecting with and understanding each other through arts and culture, bringing artists and audiences together to share and exchange creative ideas, and tackling global challenges through arts and culture to create positive change.
Know more.","descriptor":"","id":49,"image":"PP_2_AAI.png","uid":"PP_2_AAI"},{"alias":"Glynn Vivian Art Gallery","bio":"Set within the heart of the City, Swansea Council’s Glynn Vivian Art Gallery is a centre of excellence for the visual arts and a world class gallery for Wales.
The Gallery is a vibrant and inspiring free art space for everyone and provides a place for historical, modern and contemporary art exhibitions, talks, lectures and conferences, live music, performance and events in the heart of Swansea’s bustling artistic quarter.
Know more.","descriptor":"","id":50,"image":"PP_3_AAI.png","uid":"PP_3_AAI"},{"alias":"Wales Arts International","bio":"Wales Arts International is the international agency of the Arts Council of Wales. Wales Arts International provide advice and support to artists and arts organisations from Wales who work internationally. Wales Arts International are a contact point for international artists organisations and agencies working in or connecting with Wales.
Know more.","descriptor":"","id":51,"image":"PP_4_AAI.png","uid":"PP_4_AAI"},{"alias":"Museum Society of Mumbai","bio":"The Museum Society of Mumbai is a premier institution, established in 1963, and has been successfully carrying out activities related to Indian art and culture, in conjunction with the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya. The programmes of the Museum Society of Mumbai include interactive lectures, curatorial walks, lecture demonstrations for Indian performing arts, cultural tours, exhibitions, outreach and in-house activities for children and adults. ","descriptor":"","id":52,"image":"PP_5_AAI.png","uid":"PP_5_AAI"},{"alias":"ಅಶಾಂಕ್ ಚಂದಪಿಳ್ಳೈ","bio":"ಅಶಾಂಕ್ ಚಂದ್ರಪಿಳ್ಳೈ ಅವರು ನವದೆಹಲಿಯ ನೆಹರೂ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಸಮಾಜಶಾಸ್ತ್ರ ಮತ್ತು ಆಧುನಿಕ ಇತಿಹಾಸದ ವಿಷಯದಲ್ಲಿ ಸ್ನಾತಕೋತ್ತರ ಪದವಿಯನ್ನು ಗಳಿಸಿದ್ದಾರೆ. ಕಳೆದ ಕೆಲವು ವರ್ಷಗಳಲ್ಲಿ ಇವರ ಸಂಶೋಧನಾ ಆಸಕ್ತಿಯು ವಿಜ್ಞಾನದ ಇತಿಹಾಸ ಮತ್ತು ತತ್ವಶಾಸ್ತ್ರಗಳತ್ತ ಮುಖಮಾಡಿವೆ. ಅವರು ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು ಸಂಸ್ಥೆಗೆ ಕೊಡುಗೆ ನೀಡುತ್ತಲೇ ತಮ್ಮ ಆಸಕ್ತಿಗಳಿಗೆ ನೀರೆರೆಯುವ ಭರವಸೆಯನ್ನು ಹೊಂದಿದ್ದಾರೆ. ಇವರು ತಮ್ಮ ಬಿಡುವಿನ ವೇಳೆಯಲ್ಲಿ, ಗೊತ್ತುಗುರಿಯಿಲ್ಲದ ಸುದೀರ್ಘ ನಡಿಗೆಯಲ್ಲಿ ತೊಡಗುತ್ತಾರೆ. ಆಗ ಇವರು ತಮ್ಮನ್ನು ತಾವು ಗತಕಾಲದ ಸುತ್ತಾಟಗಾರನೆಂದು ಭಾವಿಸಿಕೊಂಡರೂ, ಇವರ ಬೆಂಗಳೂರಿನ ಜೊತೆಗಾರರು ಇವರನ್ನು ಅಲೆಮಾರಿ ಎಂದು ಕರೆಯುತ್ತಾರೆ.","descriptor":"ಸಂಶೋಧಕರು","id":53,"image":"CA_4.jpeg","uid":"CA_4"},{"alias":"ಗಾಯತ್ರಿ ಮನು","bio":"ಗಾಯತ್ರಿ ಮನು ಅವರೊಬ್ಬ ಬರಹಗಾರರು ಮತ್ತು ಸಂಶೋಧಕರು ಆಗಿದ್ದಾರೆ. ವರದಿಗಾರಿಕೆ, ಪ್ರಕಾಶನ ಮತ್ತು ಸಾಂಸ್ಕೃತಿಕ ಕಾರ್ಯಕ್ರಮಗಳ ಕ್ಷೇತ್ರದಲ್ಲಿ ಅನುಭವವನ್ನು ಹೊಂದಿದ್ದಾರೆ. ಅವರು ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು – ಇಲ್ಲಿ ಪ್ರದರ್ಶನಗಳು ಮತ್ತು ಕಾರ್ಯಕ್ರಮಗಳನ್ನು ರೂಪಿಸುತ್ತಾರೆ. ಇವರು ದೆಹಲಿಯ ಅಂಬೇಡ್ಕರ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಸೃಜನಶೀಲ ಬರವಣಿಗೆ ಹಾಗೂ ಸಾಹಿತ್ಯ ಕಲೆಗಳಲ್ಲಿ ಸ್ನಾತಕೋತ್ತರ ಪದವಿಯನ್ನು ಪೂರೈಸಿದ್ದಾರೆ. ಅಲ್ಲಿ ಅವರು ತಮ್ಮ ಗಮನವನ್ನು ಊಹಾತ್ಮಕ, ಕಾಲ್ಪನಿಕ ಶೈಲಿಯ ಬರವಣಿಗೆಗಳಲ್ಲಿ ಅಳವಡಿಸಿಕೊಂಡಿರುವ ನಿರೂಪಣಾ ತಂತ್ರಗಳ ಹಾಗೂ ಬಳಸಿರುವ ಸಾಹಿತ್ಯ ಸಾಧನಗಳ ಮೇಲೆ ಗಮನ ಹರಿಸಿದ್ದಾರೆ. ಅವರ ಕೃತಿಗಳು ಫರ್ಸ್ಟ್ ಪೋಸ್ಟ್, ದಿ ಬೆಟರ್ ಇಂಡಿಯಾ, ದಿ ಲೇಡಿಸ್ ಫಿಂಗರ್ ಮತ್ತು ಯಾಹೂ ಇಂಡಿಯಾಗಳಲ್ಲಿ ಕಾಣಿಸಿಕೊಂಡಿವೆ. ಇವರ ಬಿಡುವಿನ ವೇಳೆಯಲ್ಲಿ,ಓದುವುದನ್ನು ಹೊರತುಪಡಿಸಿ, ತಮ್ಮ ಕಥಾವಸ್ತುವಿನಲ್ಲಿರುವ ಹುಳುಕುಗಳನ್ನು ಸರಿಪಡಿಸುವದರ ಜೊತೆಯಲ್ಲಿ ಅಂತರ್ಜಾಲದಲ್ಲಿ ತಿಳಿಯದ ವಿದೇಶಿ ಭಾಷೆಗಳ ಚಲನಚಿತ್ರಗಳನ್ನೂ ನೋಡುತ್ತಾರೆ.","descriptor":"ಸಂಶೋಧಕರು","id":54,"image":"CA_5.jpeg","uid":"CA_5"},{"alias":"ವಸುಧಾ ಮಲಾನಿ","bio":"ವಸುಧಾ ಮಲಾನಿಯವರು ಬಹುವಿಭಾಗೀಯ ಸಂಶೋಧನೆಯಲ್ಲಿ ಆಸಕ್ತಿ ಹೊಂದಿದ್ದಾರೆ. ಅದರಲ್ಲೂ ನಿರ್ದಿಷ್ಟವಾಗಿ ಆರೋಗ್ಯ ಮಾನವಿಕ ಕ್ಷೇತ್ರದಲ್ಲಿ ವಿಶೇಷ ಆಸಕ್ತಿ ಹೊಂದಿದ್ದಾರೆ. ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು—ಇಲ್ಲಿ ಇವರು ಆಸಕ್ತ ಯುವಕರಿಗೆ ಪ್ರದರ್ಶನಗಳನ್ನು ಮತ್ತು ಮಾರ್ಗದರ್ಶಕ ಕಾರ್ಯಕ್ರಮಗಳನ್ನು ರೂಪಿಸುವ ಕಾರ್ಯದಲ್ಲಿ ತೊಡಗಿದ್ದಾರೆ. ಇವರು ಅಶೋಕ ವಿಶ್ವವಿದ್ಯಾಲಯದಿಂದ ಇಂಗ್ಲೀಶ್ ಭಾಷೆಯಲ್ಲಿ ಪದವಿಯನ್ನು ಪಡೆದಿದ್ದಾರೆ ಮತ್ತು ಅಲ್ಲಿಯೇ ಬೋಧನಾ ಸಹಾಯಕರಾಗಿ ಕೆಲಸ ಮಾಡಿದ್ದಾರೆ. ತಮ್ಮ ಸ್ನಾತಕೋತ್ತರ ಡಿಪ್ಲೊಮಾದ ಭಾಗವಾಗಿ, ಅವರು 19 ಮತ್ತು 20ನೆಯ ಶತಮಾನಗಳಿಂದಲೂ ಕಾದಂಬರಿಗಳಲ್ಲಿ ಕ್ರಿಯಾಶೀಲ ವಸ್ತುವಾಗಿ ಧೂಳಿನ ಪಾತ್ರವನ್ನು ಅನ್ವೇಷಿಸಿದ್ದಾರೆ. ಅವರು ಬರವಣಿಗೆ, ಸಂಕಲನ ಮತ್ತು ಕಾರ್ಯಕ್ರಮ ನಿರ್ವಹಣೆಗಳಲ್ಲಿ ಅನುಭವ ಹೊಂದಿದ್ದಾರೆ.","descriptor":"ಸಂಶೋಧಕರು","id":55,"image":"CA_6.jpg","uid":"CA_6"},{"alias":"ಅನೈಸ್ ತೊಂದ್ಯುರ್","bio":"ನೈಸರ್ಗಿಕ ವಿಜ್ಞಾನಗಳು ಮತ್ತು ಮಾನವಶಾಸ್ತ್ರ, ಕಾಲ್ಪನಿಕ ಸೃಷ್ಟಿ ಮತ್ತು ನವೀನ ಮಾಧ್ಯಮಗಳನ್ನು ಒಗ್ಗೂಡಿಸಿಕೊಂಡಿರುವ ದೃಶ್ಯ ಕಲಾವಿದೆಯಾದ ಅನೈಸ್ ತೊಂದ್ಯುರ್ ಅವರ ಕಲಾಕೃತಿಗಳು ಪರಿಸರ ಚಿಂತನೆಯನ್ನುಆಧಾರವಾಗಿಸಿ ಕೇಂದ್ರೀಕರಿಸಿವೆ. ಹೊಸತನದ ಸಂರಚನೆಗಳನ್ನು, ಛಾಯಚಿತ್ರಗಳನ್ನು ಅಥವಾ ವೀಡಿಯೋಗಳನ್ನು ಸೃಷ್ಟಿಸುವ ಮೂಲಕ ತೊಂಡೇರ್ ಅವರು ನಾವು ಬದುಕುತ್ತಿರುವ ಪರಿಸರದ ಸ್ಥಿತಿಗತಿಯನ್ನು ಬೇರೆ ಆಯಾಮಗಳಿಂದ ನೋಡುವುದನ್ನು ಪ್ರೇರೇಪಿಸುವ, ನವೀಕರಣದ ದೃಷ್ಟಿಕೋನವನ್ನು ತರುವ ಉದ್ದೇಶಹೊಂದಿದ್ದಾರೆ.
ಇವರು ಲೆಸಾನ್ಕ್ಯಾಥರ್ ಗ್ರಾಂಡ್ ಪ್ಯಾರಿಸ್ ಎಕ್ಸ್ಪ್ರೆಸ್ಸ್(2018-2019), ಆರ್ಟ್ಲಿಂಕ್(ಐಲ್ಯಾಂಡ್, 2019), ದಿ ಮ್ಯೂಸಿಯಂ ಆಫ್ ಆರ್ಟ್ಸ್ ಎ ಮೇಟೇರ್(ಪ್ಯಾರಿಸ್. 2018-2017) ಮತ್ತು ದಿ ನ್ಯಾಶನಲ್ ಸೆಂಟರ್ ಫಾರ್ ಸ್ಪೇಸ್ ಸ್ಟಡೀಸ್( ಸಿಎನ್ಇಎಸ್, ಪ್ಯಾರಿಸ್, 2016) ಸೇರಿದಂತೆ ಹಲವು ಕಲಾಕೇಂದ್ರಗಳಲ್ಲಿ ಮತ್ತು ವೈಜ್ಞಾನಿಕ ಪ್ರಯೋಗಾಲಯಗಳಲ್ಲಿ ನಿವಾಸಿ ಕಲಾವಿದರಾಗಿದ್ದಾರೆ (ಆರ್ಟಿಸ್ಟ್-ಇನ್-ರೆಸಿಡೆನ್ಸ್)","descriptor":"","id":56,"image":"Anais_Tondeur.jpeg","uid":"anais-tondeur"},{"alias":"ವರ್ಗಿಲ್ ವಿಡ್ರಿಚ್","bio":"ವರ್ಗಿಲ್ ವಿಡ್ರಿಚ್ ಅವರೊಬ್ಬ ಚಿತ್ರಕಥೆ ಬರಹಗಾರರು, ನಿರ್ದೇಶಕರು, ಬಹುಮಾಧ್ಯಮ ಕಲಾವಿದರು ಮತ್ತು ವಿಯೆನ್ನಾದ ಅನ್ವೈಯಿಕ ಕಲೆಗಳ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಕಲೆ ಮತ್ತು ವಿಜ್ಞಾನದ ಪ್ರಾಧ್ಯಾಪಕರೂ ಆಗಿದ್ದಾರೆ. ಅವರ ‘ಕಾಪಿ ಶಾಪ್’ ಕಿರುಚಿತ್ರವು ಆಸ್ಕರ್ಗೆ ನಾಮನಿರ್ದೇಶನಗೊಂಡಿತ್ತು. ಒಟ್ಟಾರೆಯಾಗಿ, ಅವರ ಚಲನಚಿತ್ರಗಳು 290ಕ್ಕೂ ಹೆಚ್ಚು ಅಂತರರಾಷ್ಟ್ರೀಯ ಪ್ರಶಸ್ತಿಗಳನ್ನು ಗಳಿಸಿವೆ. ವರ್ಗಿಲ್ ವಿಡ್ರಿಚ್ ಅವರು ಹಲವಾರು ಕಿರುಚಿತ್ರ, ಚಲನಚಿತ್ರಗಳಲ್ಲಿ, ಸಂಗೀತದ ವೀಡಿಯೋಗಳಲ್ಲಿ, ಸಂರಚನೆಗಳಲ್ಲಿ, ಪ್ರದರ್ಶನಗಳಲ್ಲಿ ಮತ್ತು ಸಮಗ್ರ ವಸ್ತುಸಂಗ್ರಹಾಲಯಗಳಲ್ಲಷ್ಟೇ ಅಲ್ಲದೆ ಅನೇಕ ಅಂತರರಾಷ್ಟ್ರೀಯ ಸಂಶೋಧನಾ ಯೋಜನೆಗಳಲ್ಲಿ ಪಾಲ್ಗೊಂಡಿದ್ದಾರೆ. ಅವುಗಳಲ್ಲಿ ಇವರು ಯೋಜನಾ ನಿರ್ವಾಹಕ, ಪರಿಕಲ್ಪನೆಗಾರ, ಪ್ರದರ್ಶನ ವಿನ್ಯಾಸಕ ಅಥವಾ ಕಲಾತ್ಮಕ ನಿರ್ದೇಶಕರಂತಹ ನಾನಾ ಹೊಣೆಗಾರಿಕೆಗಳನ್ನು ನಿಭಾಯಿಸಿದ್ದಾರೆ.","descriptor":"ಚಲನಚಿತ್ರ ತಯಾರಕರು","id":57,"image":"Virgil Widrich_w.jpg","uid":"virgil-widrich"},{"alias":"ರಶ್ಮಿ ಸಾನಿ","bio":"ರಶ್ಮಿ ಸಾನಿಯವರು ಬೆಂಗಳೂರಿನಲ್ಲಿ ನೆಲೆಸಿರುವ ಸಂಸ್ಕೃತಿ ಸಿದ್ಧಾಂತಿಯಾಗಿದ್ದಾರೆ. ಇವರು ಕ್ರೈಸ್ಟ್ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಸಿನಿಮಾ ಮತ್ತು ಸಾಂಸ್ಕೃತಿಕ ಅಧ್ಯಯನಗಳ ವಿಭಾಗದಲ್ಲಿ ಸಹ-ಪ್ರಾಧ್ಯಾಪಕರಾಗಿದ್ದಾರೆ. ಇವರು ಲೂಸಿಯಾ ಇಮಾಜ್ ಕಿಂಗ್ ಅವರೊಡನೆ—ಕಲಾವಿದರು, ಚಲನಚಿತ್ರ ತಯಾರಕರು ಮತ್ತು ಸಂಶೋಧಕರುಗಳ ಅಂತರಾಷ್ಟ್ರೀಯ ಜಾಲವಾಗಿರುವ—ವಿಜನ್ ಮಿಕ್ಸ್ನ ಸಹ ಸ್ಥಾಪಕರಾಗಿದ್ದಾರೆ. ಅವರ ಮಾರ್ಗದರ್ಶಕ ಯೋಜನೆಗಳು, ಫ್ಯೂಚರ್ ಆರ್ಬಿಟ್ಸ್ ಮತ್ತು ವೀಡಿಯೋ ವೊರ್ಟೆಕ್ಸ್ XI ಗಳನ್ನು ಒಳಗೊಂಡಿವೆ. ಈ ಎರಡೂ ಯೋಜನೆಗಳು - 2017ರ ಕೊಚಿ ಮುಜಿರಿಸ್ ಬಿನಾಲೆ; 2018ರಲ್ಲಿ ಗೋವಾದ ದಿ ಹೌಸ್ ಆಫ್ ಇಂಕ್ವೈರಿಯಲ್ಲಿ ನಡೆದ ಸೆಟ್.ರಿಸೆಟ್ ಆನ್ ‘ಸಿನಿಮಾ ಅಂಡ್ ಲೇಬರ್’; ಹಾಗೂ ಮಾರ್ಚ್-ಮೇ 2021ರಲ್ಲಿ ತೈಪೆಯ ಹಾಂಗ್-ಗಾಹ್ ಮ್ಯೂಸಿಯಮ್ಮಿನಲ್ಲಿ ನಡೆದ ಲಾಸ್ ಅಂಡ್ ಟ್ರಾನ್ಸಿಯೆನ್ಸ್ಗಳ ಸಹಕಾರ್ಯಕ್ರಮಗಳಾಗಿವೆ. ಇತ್ತೀಚಿಗೆ ಅವರು ಸಂಪಾದಿಸಿರುವ ಕೃತಿಗಳೆಂದರೆ ‘ವುಮೆನ್ ಅಟ್ ವರ್ಕ್: ದಿ ಕಲ್ಚರಲ್ ಅಂಡ್ ಕ್ರಿಯೇಟಿವ್ ಇಂಡಸ್ಟ್ರೀಸ್’ (2020) ಮತ್ತು ‘ದಿ ಮೂವಿಂಗ್ ಇಮೇಜ್: ಸೌತ್ ಏಶಿಯನ್ ಟ್ರ್ಯಾಜೆಕ್ಟರೀಸ್’ (2018).","descriptor":"ಸಂಸ್ಕೃತಿ ಸಿದ್ಧಾಂತಿ","id":58,"image":"Rashmi_Sawhney_w.jpg","uid":"rashmi-sawhney"},{"alias":"ಊರ್ಮಿಳಾ ಲಕ್ಷ್ಮಣನ್","bio":"ಊರ್ಮಿಳಾ ಲಕ್ಷ್ಮಣನ್ ಅವರು ಬ್ಯಾಂಕ್, ಶಾಲೆ ಮತ್ತು ಹಲವಾರು ಸಲಹಾ ಸಂಸ್ಥೆಗಳು, ವಾರ್ತಾ ಪತ್ರಿಕೆ ಮತ್ತು ಸಾಫ್ಟ್ವೇರ್ ಸಂಸ್ಥೆಯಲ್ಲಿ ಕೆಲಸ ಮಾಡಿದ್ದಾರೆ. ಇವರು ವಿಭಿನ್ನ ರೀತಿಯ ಒಗಟುಗಳನ್ನು ಇಷ್ಟಪಡುತ್ತಾರಲ್ಲದೆ ಅನೇಕ ರಸಪ್ರಶ್ನೆ ಕಾರ್ಯಕ್ರಮಗಳಲ್ಲಿ ಪಾಲ್ಗೊಳ್ಳುತ್ತಾರೆ ಮತ್ತು ತಾವೇ ಸ್ವತಃ ರಸಪ್ರಶ್ನೆ ನಡೆಸುತ್ತಾರೆ.","descriptor":"ರಸಪ್ರಶ್ನೆ ನಡೆಸುಗರು","id":59,"image":"Urmila_Lakshmanan_w.jpg","uid":"urmila-lakshmanan"},{"alias":"ಅರಿಂದಮ್ ಘೋಶ್","bio":"ಅರಿಂದಮ್ ಘೋಷ್ ಅವರು ಬೆಂಗಳೂರಿನ ಭಾರತೀಯ ವಿಜ್ಞಾನ ಸಂಸ್ಥೆ (ಐಐಎಸ್ಸಿ) ಯಲ್ಲಿ ಪ್ರಾಧ್ಯಾಪಕರಾಗಿದ್ದಾರೆ. ಇವರು ಕೇಂಬ್ರಿಜ್ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಹಳೆಯ ವಿದ್ಯಾರ್ಥಿಯಾಗಿದ್ದು, ಐ.ಬಿ.ಎಂನ ಟಿ ಜೆ ವಾಟ್ಸನ್ ಸಂಶೋಧನಾ ಕೇಂದ್ರದಲ್ಲಿ ನ್ಯಾನೋ ತಂತ್ರಜ್ಞಾನ ವಿಭಾಗದಲ್ಲಿ ಸಂದರ್ಶಕ ಸಂಶೋಧನಾ ಫೆಲ್ಲೋ ಆಗಿದ್ದಾರೆ. ಇವರು ಭಾರತದ ಹಲವಾರು ಸಂಸ್ಥೆಗಳಲ್ಲಿ ಪೂರಕ ಪ್ರಾಧ್ಯಾಪಕರಾಗಿಯೂ, ಹಲವಾರು ಸಂಶೋಧನಾ ಪರಿಷತ್ತುಗಳಲ್ಲಿ ಸದಸ್ಯರಾಗಿಯೂ ಸೇವೆ ಸಲ್ಲಿಸುತ್ತಿದ್ದಾರೆ. ಇವರ ಸಂಶೋಧನೆಗಳು 2ಡಿ ವಸ್ತುಗಳ ಮೂಲಭೂತ ಹಾಗೂ ಅನ್ವಯಿಕ ಅಂಶಗಳೆರಡನ್ನೂ ಹೊಂದಿವೆ. ಇವು ವಿದ್ಯುತ್ ಸಾಗಣೆ ಮತ್ತು ಶಬ್ದ, ಬೆಳಕು-ದ್ರವ್ಯಗಳ ಒಡನಾಟ ಹಾಗೂ ತಾಪ ನಿರ್ವಹಣೆಗಳ ಮೇಲೆ ಕೇಂದ್ರೀಕೃತವಾಗಿವೆ. ಇವರು 2012ರ ಶಾಂತಿ ಸ್ವರೂಪ್ ಭಟ್ನಾಗರ್ ಪ್ರಶಸ್ತಿ ಹಾಗೂ 2020ರಲ್ಲಿ ಭೌತ ವಿಜ್ಞಾನಗಳ ಇನ್ಫ಼ೋಸಿಸ್ ವಿಜ್ಞಾನ ಪ್ರಶಸ್ತಿಯೂ ಸೇರಿದಂತೆ ಅನೇಕ ಪುರಸ್ಕಾರಗಳನ್ನು ಗಳಿಸಿದ್ದಾರೆ.","descriptor":"ಭೌತಶಾಸ್ತ್ರಜ್ಞರು","id":60,"image":"Arindam_Ghosh_w.jpg","uid":"arindam-ghosh"},{"alias":"ಮಾಳವಿಕಾ ಭಾಟಿಯಾ","bio":"ಮಾಳವಿಕಾ ಭಾಟಿಯಾ ಅವರು, ಓರ್ವ ಬೋಧಕರಾಗಿದ್ದು ಸಾರ್ವಜನಿಕರಲ್ಲಿ ಜಾಗೃತಿ ಮೂಡಿಸುವ ಮೂಲಕ ಶಿಲೀಂದ್ರ ಹಾಗೂ ಜನರನ್ನು ಪರಸ್ಪರ ಬೆಸೆಯುವಲ್ಲಿ ತೊಡಗಿದ್ದಾರೆ. ಅವರು ಅಣಬೆಗಳ ಅರಸುವಿಕೆಯನ್ನು ದಶಕದ ಹಿಂದೆಯೇ ಆರಂಭಿಸಿದರು. ಇದು ಅವರನ್ನು ಶಿಲೀಂದ್ರಗಳ ಸಾಮ್ರಾಜ್ಯದ ಸಾಮಾಜಿಕ, ಸಾಂಸ್ಕೃತಿಕ ಮತ್ತು ಪಾರಿಸಾರಿಕ ಶೋಧನೆಗಳೆಡೆ ಕರೆತಂದಿತು. ಅವರ ಕೆಲಸಗಳು, ಶಿಲೀಂದ್ರಗಳ ದೃಷ್ಟಿಕೋನದಿಂದ ಸಮುದಾಯ ಹಾಗೂ ಪರಿಸರದ ನಡುವಿನ ಒಡನಾಟಗಳನ್ನು ಸಂಶೋಧಿಸುವ ಕಡೆಗೆ ಕೇಂದ್ರೀಕೃತವಾಗಿವೆ. ಅವರು ನಗರ ಪ್ರದೇಶಗಳಲ್ಲಿ ಶಿಲೀಂದ್ರಗಳ ಕುರಿತು ಕ್ಷಿಪ್ರ ಭೇಟಿಗಳನ್ನು ಆಯೋಜಿಸುತ್ತಾರೆ. ಆ ಮೂಲಕ ನಗರವನ್ನು ಒಂದು ಕ್ರಿಯಾಶೀಲವಾದ ಸಾಮಾಜಿಕ-ಆರ್ಥಿಕ ವ್ಯವಸ್ಥೆಯಾಗಿ ಪರಿಶೀಲಿಸುತ್ತಾರೆ. ಅವರ ಸಾರ್ವಜನಿಕ ಕಾರ್ಯಾಗಾರಗಳು, ತಮ್ಮ ಮತ್ತು ಇತರ ಬದಲಿ ಮಾದರಿಗಳನ್ನು ಬೆಳೆಸುವ ಗುರಿಯನ್ನು ಹೊಂದಿದ್ದು, ಅಣಬೆಯರಿಮೆ (ಮೈಕಾಲಜಿ) ಮತ್ತು ಕ್ವೀರ್ ಸಿದ್ಧಾಂತಗಳನ್ನು ಹೆಣೆದುಕೊಂಡಿವೆ. ತಮ್ಮ ಕೆಲಸದ ಮೂಲಕ, ಇವರು ಭಾರತಾದ್ಯಂತ ಅಣಬೆ ಪ್ರೇಮಿಗಳ ಸಮುದಾಯವನ್ನು ಉತ್ತೇಜಿಸುತ್ತಾರೆ. ಆ ಮೂಲಕ ವೈಜ್ಞಾನಿಕ ಕಲಿಕೆ ಮತ್ತು ಹಂಚಿಕೊಂಡ ಪರಿಸರದ, ಹೊಸ ವ್ಯಾಖ್ಯಾನಗಳಿಗೆ ಅವಕಾಶ ಒದಗಿಸುತ್ತಾರೆ.","descriptor":"ಸಾಮಾಜಿಕ ಪರಿಸರತಜ್ಞರು","id":61,"image":"Malavika_Bhatia_w.jpg","uid":"malavika-bhatia"},{"alias":"ನೀಲಾದ್ರಿ ಚೌಧುರಿ","bio":"ನೀಲಾದ್ರಿ ಚೌಧುರಿಯವರು ವೃತ್ತಿಯಲ್ಲಿ ಓರ್ವ ವಿಜ್ಞಾನಿ ಆಗಿದ್ದಾರೆ. ಇವರು ಸಾಧಾರಣವಾಗಿ ಜೈವಿಕ ತಂತ್ರಜ್ಞಾನದ ಕ್ಷೇತ್ರದಲ್ಲಿ ತೊಡಗಿಕೊಂಡಿದ್ದಾರೆ. ಇವರು, ಸಾಮಾಜಿಕ ಸಮಸ್ಯೆಗಳನ್ನು ಬಗೆಹರಿಸಲು, ತಮ್ಮ ಜೀವಶಾಸ್ತ್ರ ಹಾಗೂ ಇಂಜಿನಿಯರಿಂಗ್ನ ಜ್ಞಾನವನ್ನು ಬಳಸಿಕೊಂಡು ತಂತ್ರಜ್ಞಾನಗಳನ್ನೂ, ಉತ್ಪನ್ನಗಳನ್ನೂ ಅಭಿವೃದ್ಧಿಪಡಿಸುವತ್ತ ತಮ್ಮ ಗಮನ ಹರಿಸಿದ್ದಾರೆ. ಇವರು ಅಣಬೆಗಳನ್ನು ಕೇಂದ್ರವಾಗಿರಿಸಿಕೊಂಡಿರುವ, ನುವೆಡೋ ಲ್ಯಾಬ್ಸ್ ಪ್ರೈ. ಲಿ. ಎಂಬ ಸಂಸ್ಥೆಯಲ್ಲಿ, ಸಂಶೋಧನೆ ಮತ್ತು ಅಭಿವೃದ್ಧಿ ವಿಭಾಗದ ಮುಖ್ಯಸ್ಥರಾಗಿದ್ದಾರೆ. ಈ ಸಂಸ್ಥೆಯು ಭಾರತೀಯ ನಾಗರಿಕರಿಗೆ ಔಷಧೀಯ ಅಣಬೆಗಳ ಲಾಭಗಳನ್ನು ತಲುಪಿಸುವ ಗುರಿಯನ್ನು ಹೊಂದಿದೆ. ಇವರು ಸಿ-ಕ್ಯಾಂಪ್ ಸಂಸ್ಥೆಯಲ್ಲಿ ಸಾಕಾರ ವಿಜ್ಞಾನಿಯಾಗಿ ಕೆಲಸ ಮಾಡುತ್ತಿದ್ದಾರೆ. ಈ ಸಂಸ್ಥೆಯು ಭಾರತದ ಪ್ರಮುಖವಾದ ಜೀವವಿಜ್ಞಾನದ ಕಾವುತೊಟ್ಟಿಲಾಗಿದ್ದು, ಇವರು ಹೊಸತನದ ಉತ್ಪನ್ನಗಳನ್ನು ಅಭಿವೃದ್ಧಿಪಡಿಸುವ ಮೂಲಕ ಅತ್ಯುತ್ತಮವಾದ ಶೈಕ್ಷಣಿಕ ವಿಜ್ಞಾನವನ್ನು ಮಾರುಕಟ್ಟೆಗೆ ತರುವ ಯೋಜನೆಗಳಲ್ಲಿ ಕೆಲಸ ಮಾಡುತ್ತಿದ್ದಾರೆ. ","descriptor":"ಜೀವಶಾಸ್ತ್ರಜ್ಞ ಮತ್ತು ಇಂಜಿನಿಯರ್","id":62,"image":"Neeladri_Chowdhury_w.jpg","uid":"neeladri-chowdhury"},{"alias":"ಸ್ವಾತಿ ಸುಮನ್","bio":"ಸ್ವಾತಿ ಸುಮನ್ ಅವರು ಕಲಿಕೆ, ಕೌಶಲ್ಯ ಅಭಿವೃದ್ಧಿ ಮತ್ತು ಸಾಮಾಜಿಕ ಪರಿಣಾಮಗಳಂತಹ ವಿಷಯಗಳ ಬಗ್ಗೆ ತುಂಬು ಒಲವನ್ನು ಹೊಂದಿರುವ ವೃತ್ತಿಪರರಾಗಿದ್ದಾರೆ. ವಿನ್ಯಾಸ ಮತ್ತು ತರಬೇತಿಗಳ ಕಲಿಕೆಯ ಅನುಭವಗಳ ಗಾಢ ಹಿನ್ನೆಲೆಯನ್ನು ಹೊಂದಿರುವ ಇವರು, ‘ದಿ ಆರ್ಟ್ ಆಫ್ ಮೇಕಿಂಗ್ ಫೌಂಡೇಷನ್’ ಸಂಸ್ಥೆಯ ಸಹ-ಸ್ಥಾಪಕರಾಗಿ ಗಮನಾರ್ಹ ಕೊಡುಗೆಯನ್ನು ನೀಡಿದ್ದಾರೆ. ಈ ಸಾಮಾಜಿಕ ಉದ್ದಿಮೆಯ ಗುರಿಯು ತನ್ನ ಹಲವಾರು ಕಾರ್ಯಕ್ರಮಗಳ ಮೂಲಕ, ಉನ್ನತ ಕಲಿಕೆಯ ಕುರಿತಾದ ಒಲವುಗಳನ್ನು ಮರುರೂಪಿಸುವುದೂ ಮತ್ತು ಅನ್ವೇಷಣೆಗಳನ್ನು ಉತ್ತೇಜಿಸುವುದಾಗಿದೆ.
ಸುಮನ್ರವರು ಇಂಡಸ್ಟ್ರಿ 4.0 ತಂತ್ರಜ್ಞಾನದ ಪೂರ್ಣ ಲಾಭ ಪಡೆಯುವುದರಲ್ಲಿ ಮತ್ತು ಕಲಿಕೆಯ ಅನುಭವಗಳನ್ನು ಅತ್ಯುತ್ತಮಗೊಳಿಸಲು ನೆರವಾಗುವಂತಹ ಮೂಲಮಾದರಿಗಳನ್ನು ಶೀಘ್ರವಾಗಿ ಮಾಡುವುದರಲ್ಲಿ ಪರಿಣಿತಿ ಹೊಂದಿದ್ದಾರೆ. ಇವರು, 3ಡಿ ವಿನ್ಯಾಸ ಮತ್ತು ಅಚ್ಚುಗಾರಿಕೆಯಲ್ಲಿ ಪಠ್ಯಕ್ರಮಗಳನ್ನು ನೀಡುವ ಇ-ಕಲಿಕೆಯ ವೇದಿಕೆಯೊಂದನ್ನು ಯಶಸ್ವಿಯಾಗಿ ರೂಪಿಸಿದ್ದಾರೆ. ಆ ಮೂಲಕ, ಈ ಉದಯೋನ್ಮುಖ ಕ್ಷೇತ್ರದಲ್ಲಿ, ವಿದ್ಯಾರ್ಥಿಗಳಿಗೆ ಹಾಗೂ ಶಿಕ್ಷಕರಿಗೆ ತಮ್ಮ ಕೌಶಲ್ಯಗಳನ್ನು ಹೆಚ್ಚಿಸಿಕೊಳ್ಳಲು ಅವಕಾಶ ಒದಗಿಸುತ್ತಿದ್ದಾರೆ. ಅವರ ಪಠ್ಯಕ್ರಮದ ವಿನ್ಯಾಸದ ಕೌಶಲ್ಯ ಹಾಗೂ ಸೂಚನಾತ್ಮಕ ವಿನ್ಯಾಸ ಪರಿಣಿತಿಗಳು, ವೀಡಿಯೋಗಳು, ರಸಪ್ರಶ್ನೆಗಳು ಹಾಗೂ ಚಟುವಟಿಕೆಗಳೂ ಸೇರಿದಂಥಾ ಆಕರ್ಷಣೀಯವಾದ ವಿಷಯಗಳನ್ನು ಅಭಿವೃದ್ಧಿಪಡಿಸಲು ಸಹಕಾರಿಯಾಗಿದೆ.","descriptor":"ಶಿಕ್ಷಣ ತಜ್ಞರು","id":63,"image":"Swati_Suman_w.jpg","uid":"swati-suman"},{"alias":"ರಾಜೇಶ್ ರಾಧಾಕೃಷ್ಣನ್","bio":"ತಮ್ಮ ಗೆಳೆಯರಿಂದ ಆರ್.ಆರ್.ಕೆ ಎಂದು ಕರೆಯಲ್ಪಡುವ ರಾಜೇಶ್ ರಾಧಾಕೃಷ್ಣನ್ರವರು ಯಾವುದೇ ಗುಂಪಿನಲ್ಲಿರಬಹುದಾದ, ಗುಂಪಿಗೆ ಸೇರದ ವ್ಯಕ್ತಿಯಾಗಿರುತ್ತಾರೆ. ರಸಪ್ರಶ್ನೆಯಲ್ಲಿ ಪಾಲ್ಗೊಳ್ಳುವವರ ನಡುವೆ ಗಾಯಕರಾಗಿ, ನೃತ್ಯಪಟುಗಳ ನಡುವೆ ನಿರೂಪಕರಾಗಿ, ಸಂಗೀತಗಾರರ ನಡುವೆ ರಸಪ್ರಶ್ನೆ ನಡೆಸುಗರಾಗಿ, ಕಂಪ್ಯೂಟರ್ ವಿಜ್ಞಾನಿಗಳ ನಡುವೆ ಆಟೋಟಗಾರರಾಗಿ ಕಂಗೊಳಿಸುವಂಥವರು. ಅವರು ಕರೀಓಕಿಗಳಲ್ಲಿ ಹಾಡಲು ಹೋಗದೆ ಇದ್ದಾಗ ಅಥವಾ ಮ್ಯಾಶ್-ಅಪ್ ಹಾಡುಗಳ ವೀಡಿಯೋ ಮಾಡದೆ ಇದ್ದಾಗ (ಅವರನ್ನು ಇದರ ಬಗ್ಗೆ ಕೇಳಿದರೆ ಸಾಕು ಅತ್ಯುತ್ಸಾಹದಿಂದ ಬಣ್ಣಿಸುತ್ತಾರೆ) ಅವರು ಫೋನ್ಪೇ-ಯಲ್ಲಿ ಮುಖ್ಯ ವಿನೋದಾಧಿಕಾರಿಯಾಗಿ ಕಾರ್ಯನಿರ್ವಹಿಸುತ್ತಾರೆ. ಇವರು ಹಲವಾರು ವಾದ್ಯಗೋಷ್ಟಿಗಳಲ್ಲಿ ಪ್ರಮುಖ ಗಾಯಕರಾಗಿದ್ದಾರೆ. ಅವುಗಳಲ್ಲಿ ಮುಖ್ಯವಾದುವೆಂದರೆ ‘ಆರ್.ಆರ್.ಕೆ ಆಂಡ್ ದಿ ಸ್ಟೂಲ್ ಪಿಜನ್ಸ್’ ಮತ್ತು ‘ಗ್ರೂವ್ ಬೆಂಗಳೂರು’. ಇವರಿಗೆ ನಿದ್ದೆ ಹೊಡೆಯುವುದೆಂದರೆ ಅಚ್ಚುಮೆಚ್ಚು! ","descriptor":"ಕಾರ್ಪೊರೇಟ್ ದಂಶಕ ","id":64,"image":"Rajesh_Radhakrishnan_w.png","uid":"rajesh-radhakrishnan"},{"alias":"ಬೆರ್ಟ್ಲಿ ಆಶ್ಲೇ","bio":"ಬೆರ್ಟ್ಲಿ ಆಶ್ಲೇಯವರು ಡಿಸ್ಟ್ರೊಫಿ ಅನ್ನಿಹಿಲೇಶನ್ ರೀಸರ್ಚ್ ಟ್ರಸ್ಟ್ (ಡಿಎಆರ್ಟಿ)ನಲ್ಲಿ ಓರ್ವ ಅಣ್ವಿಕ ತಳಿಶಾಸ್ತ್ರಜ್ಞರಾಗಿದ್ದಾರೆ. ‘ಡಿಎಆರ್ಟಿ’-ಯಲ್ಲಿ, ಅವರು ಅಪರೂಪದ ಅಸ್ವಸ್ಥತೆಯಾದ ಡುಶೆನ್ ಸ್ನಾಯುನಾಶ ರೋಗಪೀಡಿತರಿಗೆ ವೈಯುಕ್ತೀಕರಿಸಲಾದ ತಳಿ ಚಿಕಿತ್ಸೆಯನ್ನು ಅಭಿವೃದ್ಧಿ ಪಡಿಸುವುದರತ್ತ ಗಮನಹರಿಸಿದ್ದಾರೆ. ಪೋಷಕರಿಂದ ನಡೆಸಲಾಗುತ್ತಿರುವ ಸಂಸ್ಥೆಯಾಗಿರುವ ಡಿಎಆರ್ಟಿ-ಗೆ ಕೃತಕವಾದ ಡಿಎನ್ಎ ಹುಟ್ಟುಹಾಕುವ ಅನನ್ಯವಾದ ಸಾಮರ್ಥ್ಯವಿದೆ. ಡಿಎಆರ್ಟಿ ಸಂಸ್ಥೆಯು, 2020ರಲ್ಲಿ ತಳಿ ಚಿಕಿತ್ಸೆಯ ವೈದ್ಯಕೀಯ ಪ್ರಯೋಗ ನಡೆಸಲು ಅನುಮತಿಯನ್ನು ಪಡೆದ ಭಾರತದಲ್ಲಿನ ಮೊಟ್ಟಮೊದಲ ಸಂಸ್ಥೆಯಾಗಿ ಹೊರಹೊಮ್ಮಿದೆ. ಬೆರ್ಟ್ಲಿ ಅವರು ಪ್ರಯೋಗದ ಫಲಿತಾಂಶಗಳನ್ನು ಕಾತರದಿಂದ ಎದುರು ನೋಡುತ್ತಿದ್ದಾರೆ.
ಸಂಶೋಧನೆಯನ್ನು ಹೊರತು ಪಡಿಸಿ ಬೆರ್ಟ್ಲಿಯವರು ಸಂಗೀತ ಕಚೇರಿಗಳಲ್ಲಿ ಮತ್ತು ರಸಪ್ರಶ್ನೆಗಳಲ್ಲಿ ಪಾಲ್ಗೊಳ್ಳುವುದನ್ನು ಆನಂದಿಸುತ್ತಾರೆ. ಸಾಕಷ್ಟು ಸಂಗೀತದ ಗ್ರಾಮಾಫೋನ್ ಡಿಸ್ಕುಗಳನ್ನು ಹೊಂದಿರುವುದು ಹಾಗೂ ಮೂರು ವಾದ್ಯಗೋಷ್ಟಿಗಳಲ್ಲಿ ಗಿಟಾರ್, ಕೀಬೋರ್ಡ್ ಮತ್ತು ಡ್ರಮ್ಸ್ ವಾದ್ಯಗಳನ್ನು ನುಡಿಸುತ್ತಿರುವುದು, ಬೆರ್ಟ್ಲಿಯವರ ಸಂಗೀತ ಪ್ರೇಮಕ್ಕೆ ಪುರಾವೆಯಾಗಿವೆ. ಶಾಲಾದಿನಗಳಿಂದಲೂ ರಸಪ್ರಶ್ನೆಯಲ್ಲಿ ಪಾಲ್ಗೊಳ್ಳುವುದು ಅವರ ಅಚ್ಚುಮೆಚ್ಚಿನ ಸಂಗತಿಯಾಗಿದ್ದು, ಬೆರ್ಟ್ಲಿಯವರು ಹಾಸ್ಯ ಮತ್ತು ಪಾಪ್ ಸಂಸ್ಕೃತಿಯ ಉಲ್ಲೇಖಗಳನ್ನು ಬೆರೆಸಿದ ತಮ್ಮದೇ ವಿಭಿನ್ನ ಶೈಲಿಯನ್ನು ಬೆಳೆಸಿಕೊಂಡಿದ್ದಾರೆ. ","descriptor":"ಅಣ್ವಿಕ ತಳಿಶಾಸ್ತ್ರಜ್ಞ, ರಸಪ್ರಶ್ನೆ ನಡೆಸುಗ, ಸಂಗೀತಕಾರ","id":65,"image":"Berty_Ashley_w.jpeg","uid":"berty-ashley"},{"alias":"ದೇವಪ್ರಿಯ ಚಟ್ಟೋಪಧ್ಯಾಯ","bio":"ದೇವಪ್ರಿಯಾ ಚಟ್ಟೋಪಧ್ಯಾಯ ಅವರೊಬ್ಬ ಪಳೆಯುಳಿಕೆ ಜೀವಶಾಸ್ತ್ರಜ್ಞರಾಗಿದ್ದು, ಕಡಲ ಮೃದ್ವಂಗಿಗಳ ವಿಕಾಸ ಹಾಗೂ ಪರಿಸರಗಳ ಬಗ್ಗೆ ತೀವ್ರವಾದ ಆಸಕ್ತಿ ಹೊಂದಿದ್ದಾರೆ. ಇವರು ಮಿಚಿಗನ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಿಂದ, ಭೂವಿಜ್ಞಾನದಲ್ಲಿ ಪಿಎಚ್ಡಿ ಪದವಿಯನ್ನು ಪಡೆದಿದ್ದಾರೆ. ಸದ್ಯ ಇವರು ಪುಣೆಯಲ್ಲಿನ ಐ.ಐ.ಎಸ್.ಇ.ಆರ್ ಸಂಸ್ಥೆಯಲ್ಲಿ ಭೂಮಿ ಮತ್ತು ಹವಾಮಾನ ವಿಜ್ಞಾನಗಳ ವಿಭಾಗದಲ್ಲಿ ಸಹಾಯಕ ಪ್ರಾಧ್ಯಾಪಕರಾಗಿ ಸೇವೆ ಸಲ್ಲಿಸುತ್ತಿದ್ದಾರೆ. ಇವರು ಇತ್ತೀಚಿನ ಹಾಗೂ ಪಳೆಯುಳಿಕೆಯ ಮೃದ್ವಂಗಿಗಳ ಸಂಯೋಜನೆಯನ್ನು ಬಳಸಿಕೊಂಡು, ಜೈವಿಕ ಕೊಡುಕೊಳ್ಳುವಿಕೆಗಳಿಗೆ ವೈಯುಕ್ತಿಕ ಪ್ರತಿಕ್ರಿಯೆ, ಹವಾಮಾನ ಬದಲಾವಣೆಗೆ ಪರಿಸರಾತ್ಮಕ ಪ್ರತಿಕ್ರಿಯೆ, ಕಡಲಾಳದ ಜೀವ ವೈವಿಧ್ಯತೆಯ ಮೇಲೆ ಭೌತಿಕ ಪರಿಸರದ ಪರಿಣಾಮಗಳನ್ನು ಕುರಿತಂತೆ ಕೆಲಸ ಮಾಡುತ್ತಾರೆ. ಪಳೆಯುಳಿಕೆಗಳ ಅಧ್ಯಯನದ ಜೊತೆಯಲ್ಲೇ ಇವರು ನೀರೊಳಗಿನ ಗಮನಿಸುವಿಕೆಗಳ ಮೂಲಕ, ಮೀನುತೊಟ್ಟಿಗಳಲ್ಲಿ ಪ್ರಯೋಗಗಳನ್ನು ನಡೆಸುವ ಮೂಲಕ ಮತ್ತು ಸಂಖ್ಯಾಶಾಸ್ತ್ರದ ಮಾದರಿಗಳ ಮೂಲಕ ಆಧುನಿಕ ಜೀವಿಗಳ ಅಧ್ಯಯನ ಮಾಡುತ್ತಾರೆ.","descriptor":"ಪಳೆಯುಳಿಕೆ ಜೀವವಿಜ್ಞಾನಿ","id":66,"image":"Devapriya_Chattopadhyay_w.png","uid":"devapriya-chattopadhyay"},{"alias":"ಸಿಬಿ ಅರಸು","bio":"ಸಿಬಿ ಅರಸು ಅವರು ಕೆಲವು ಪತ್ರಿಕೆಗಳೊಂದಿಗೆ ಸಹಯೋಗ ಹೊಂದಿದ್ದು, ಅವುಗಳಲ್ಲಿ ಹವಾಮಾನ ಬದಲಾವಣೆ ಹಾಗೂ ಪರಿಸರ ಸಂಬಂಧಿ ಸಮಸ್ಯೆಗಳ ಬಗ್ಗೆ ವರದಿ ಮಾಡುತ್ತಾರೆ. ಬೆಂಗಳೂರಿನ ನಿವಾಸಿಯಾಗಿರುವ ಇವರು, ಹಲವಾರು ವರ್ಷಗಳಿಂದ ಓರ್ವ ವರದಿಗಾರರಾಗಿ, ಹವಾಮಾನ ಮತ್ತು ಪರಿಸರ ಸಂಬಂಧಿ ಸಮಸ್ಯೆಗಳ ಬಗ್ಗೆ ಭಾರತೀಯ ಸುದ್ದಿಹಾಳೆಗಳು ಮತ್ತು ಅನೇಕ ಅಂತರಾಷ್ಟ್ರೀಯ ಮಾಧ್ಯಮಗಳಲ್ಲಿ ಬರೆದಿದ್ದಾರೆ. ಇವುಗಳಲ್ಲಿ ಬಿಬಿಸಿ ಹಾಗೂ ನ್ಯಾಷನಲ್ ಜಿಯಾಗ್ರಫಿಕ್ಗಳಿಗೆ ಸ್ವತಂತ್ರ ವರದಿಗಾರರಾಗಿ ಬರೆದಿರುವುದೂ ಸೇರಿದೆ. ಇವರು ವಿಸ್ತೃತ ಹವಾಮಾನ ಕತೆಗಳ ಅನೇಕ ಅಂಶಗಳ ಬಗ್ಗೆ ವ್ಯಾಪಕವಾಗಿ ಬರೆದಿದ್ದಾರೆ. ತಮ್ಮ ಪತ್ರಿಕಾ ವರದಿಗಾಗಿ ಅನೇಕ ಪ್ರಶಸ್ತಿಗಳನ್ನೂ ಪಡೆದಿದ್ದಾರೆ. ಅವುಗಳಲ್ಲಿ 2021ನೇ ಸಾಲಿನ ವಿಶ್ವಸಂಸ್ಥೆಯ ವರದಿಗಾರ ಪ್ರಶಸ್ತಿ ಹಾಗೂ ಪ್ರೇಮ್ ಭಾಟಿಯಾ ಪ್ರತಿಷ್ಠಾನದ ವತಿಯಿಂದ 2018ರ ’ವರ್ಷದ ಭಾರತೀಯ ಪರಿಸರ ಪತ್ರಕರ್’ ಪ್ರಶಸ್ತಿಗಳೂ ಸೇರಿವೆ.","descriptor":"ಹವಾಮಾನ ಪತ್ರಕರ್ತರು","id":67,"image":"Sibi_Arasu_w.png","uid":"sibi-arasu"},{"alias":"ಪ್ರವರ್ ಚೌಧರಿ","bio":"ಪ್ರವರ್ ಅವರು ವಾಸ್ತುಶಿಲ್ಪ, ಗ್ರಾಫಿಕ್ ವಿನ್ಯಾಸ, ಚಲನಚಿತ್ರ ತಯಾರಿಕೆ ಹಾಗೂ ನಗರ ಯೋಜನೆಗಳಲ್ಲಿ ಅನುಭವವನ್ನು ಹೊಂದಿರುವ ವಿನ್ಯಾಸಕಾರರಾಗಿದ್ದಾರೆ. ಇವರು ತಮ್ಮ ಇನ್ಸ್ಟಾಗ್ರಾಂ ಖಾತೆಯಾದ bengawalk ಮೂಲಕ ಬೆಂಗಳೂರಿನ ಕತೆಗಳನ್ನು ಹೇಳಲು ಇಷ್ಟ ಪಡುತ್ತಾರೆ. ","descriptor":"ವಿನ್ಯಾಸಗಾರರು","id":68,"image":"Pravar_Chaudhary_w.png","uid":"pravar-chaudhary"},{"alias":"ಜಯಂತ್ ಹುಬ್ಳಿ","bio":"ಜಯಂತ್ ಬಿ ಹುಬ್ಳಿಯವರು, ಮೈಸೂರಿನ ಕಾವಾ (ಚಾಮರಾಜ ಅಕಾಡೆಮಿ ಆಫ್ ವಿಜುಯಲ್ ಆರ್ಟ್ಸ್) ಹಾಗೂ ಮೈಸೂರು ವಿಶ್ವವಿದ್ಯಾಲಯದ ಕಲಾನಿಕೇತನಗಳಿಂದ ಪದವಿ ಹಾಗೂ ಸ್ನಾತಕೋತ್ತರ ಪದವಿಗಳನ್ನು ಗಳಿಸಿದ್ದಾರೆ ಮತ್ತು ಕಲೆಗೆ ಸಂಬಂಧಿಸಿದಂತೆ ಅತ್ಯಂತ ವಿದ್ವತ್ಪೂರ್ಣವಾದ ವೃತ್ತಿಜೀವನ ನಡೆಸಿದ್ದಾರೆ. ಕಲೆಯನ್ನು ಅಭ್ಯಾಸ ಮಾಡುತ್ತಾ, ಬಗೆಬಗೆಯ ಪ್ರತಿಷ್ಠಿತ ಪ್ರದರ್ಶನಗಳಲ್ಲಿ ಪಾಲ್ಗೊಳ್ಳುತ್ತಾ, ಹೊರಾಂಗಣದಲ್ಲಿ ಹಾಗೂ ಕಲಾಶಿಬಿರಗಳಲ್ಲಿ ಏಕವ್ಯಕ್ತಿ ಹಾಗೂ ಸಮೂಹ ಚಟುವಟಿಕೆಗಳಲ್ಲಿ ಪಾಲ್ಗೊಂಡಿದ್ದಾರೆ. ಇವರು 1997ರಲ್ಲಿ ವಿನ್ಸರ್ ನ್ಯೂಟನ್ ಸ್ಪರ್ಧೆಯಲ್ಲಿ ಜಗತ್ತಿನ ಎರಡನೇ ಅತ್ಯುತ್ತಮ ವರ್ಣಚಿತ್ರಕಾರ ಪ್ರಶಸ್ತಿಯನ್ನೂ ಗಳಿಸಿದ್ದಾರೆ. ಇವರಿಗೆ 2003ರ ಸಾಲಿನಲ್ಲಿ, ಪ್ರತಿಷ್ಠಿತವಾದ ಕರ್ನಾಟಕ ರಾಜ್ಯ ಲಲಿತಕಲಾ ಅಕಾಡೆಮಿಯ ಪ್ರಶಸ್ತಿಯೂ ದೊರಕಿರುವುದಲ್ಲದೆ ಸಾವಿರಾರು ಕಲಾವಿದರು ಸ್ಪರ್ಧಿಗಳ ನಡುವೆ ಜಯಶಾಲಿಯಾಗಿ ಮೈಸೂರು ದಸರಾ ಪ್ರಶಸ್ತಿಯನ್ನೂ ಗಳಿಸಿದ್ದಾರೆ.
ಸದ್ಯ, ಇವರು ತಮ್ಮ ಕಲಾಸೇವೆಯನ್ನು ಇದ್ದಿಲು ಮತ್ತು ಅಕ್ರಲಿಕ್ ಸಾಧನಗಳನ್ನು ಬಳಸಿ ಮಾಡುವಂತಹ ಕಲಾಕೃತಿಗಳ ರಚನೆಗಳಲ್ಲಿ ತೊಡಗಿದ್ದಾರೆ ಮತ್ತು ಇವರ ಈ ಕಲಾಕೃತಿಗಳಿಗೆ ಭಾರತದಲ್ಲಷ್ಟೇ ಅಲ್ಲದೆ ವಿದೇಶಗಳಲ್ಲಿನ ಕಲಾ ಸಂಗ್ರಹಕಾರರಿಂದ, ಕಾರ್ಪೋರೇಟ್ ಸಂಸ್ಥೆಗಳಿಂದ ಅಪಾರವಾದ ಬೇಡಿಕೆಯಿದೆ. ಜಯಂತ್ ಬಿ ಹುಬ್ಳಿಯವರು ಆರ್ಟ್ ಬೇರು ಇಂಡಿಯಾದ ಸಹಯೋಗಿ ಅಧ್ಯಕ್ಷರಾಗಿ ಕ್ರಿಯಾಶೀಲರಾಗಿದ್ದಾರೆ. ಈ ಸಂಸ್ಥೆಯು ಬೇರೆಬೇರೆ ಸಂಸ್ಥೆಗಳು ಹಾಗೂ ಸರ್ಕಾರೇತರ ಸಂಸ್ಥೆಗಳಲ್ಲಿ ಕಲಾ ಚಟುವಟಿಕೆಗಳನ್ನೂ ಪ್ರದರ್ಶನಗಳನ್ನೂ ಏರ್ಪಡಿಸುತ್ತದೆ.","descriptor":"ದೃಶ್ಯ ಕಲಾವಿದರು","id":69,"image":"Jayant_Hubli_w.png","uid":"jayant-hubli"},{"alias":"ನವೀನ್ ಕುಶ್ವಾ","bio":"ನವೀನ್ ಕುಶ್ವ ಅವರು ಬಹುಮುಖ ಸೃಜನಶೀಲ ವೃತ್ತಿಪರರಾಗಿದ್ದು ಕಲಾವಿದರಾಗಿ, ಚಲನಚಿತ್ರ ತಯಾರಕರಾಗಿ, ಉತ್ಪಾದನಾ ವಿನ್ಯಾಸಕಾರರಾಗಿ ಹಾಗೂ ನಡೆಸುಗರಾಗಿ ಹೆಸರುವಾಸಿಯಾಗಿದ್ದಾರೆ. ಇವರು ಪ್ರತಿಯೊಂದು ಪ್ರದೇಶಕ್ಕೆ ಅನನ್ಯವಾಗಿರುವಂತಹ ಸಾಂಸ್ಕೃತಿಕ ಅಭ್ಯಾಸಗಳು ಮತ್ತು ಸಂಪ್ರದಾಯಗಳಿಗೆ ಒತ್ತು ಕೊಡುತ್ತಾ, ಭೂಪ್ರದೇಶಗಳ ಸತ್ವವನ್ನು ಗ್ರಹಿಸುವತ್ತ ಗಮನವನ್ನು ಕೇಂದ್ರೀಕರಿಸಿದ್ದಾರೆ. ಕುಶ್ವ ಅವರ ಕಲಾ ಪ್ರಯಾಣವು ವಿಭಿನ್ನ ಪರಿಸರಗಳೊಂದಿಗೆ ಒಡನಾಟ ಮತ್ತು ಪ್ರದೇಶಗಳಲ್ಲಾಗುವ ಬದಲಾವಣೆಗಳನ್ನು ದಾಖಲಿಸಬೇಕೆಂಬ ನಂಬಿಕೆಗಳ ಸುತ್ತಲೇ ಸುತ್ತುತ್ತದೆ. ಇವರು ದಕ್ಖನ್ ವಲಯದಲ್ಲಿ ಕಾರ್ಯಚಟುವಟಿಕೆ ಹೊಂದಿರುವ ಸಂಸ್ಥೆಯಾದ ಎಲ್.ಎಲ್.ಎನ್ (ಲಿವಿಂಗ್ ಲ್ಯಾಬ್ಸ್ ನೆಟ್ವರ್ಕ್ & ಫೋರಮ್)ನಲ್ಲಿ ನಿವಾಸಿ ಕಲಾವಿದರು ಮತ್ತು ನಡೆಸುಗರಾಗಿದ್ದಾರೆ.
ಇವರು ಆಗ್ಗಾಗ್ಗೆ ಸರ್ಕಾರೇತರ ಸಂಸ್ಥೆಗಳೊಂದಿಗೆ ಕೆಲಸ ಮಾಡುವ, ಪರಸ್ಪರ ಕಲಿಕೆ ಹಾಗೂ ಸಹಯೋಗದ ರಚನೆಗಳಿಗೆಂದೇ ಮೀಸಲಾಗಿರುವ “ಅಗಂಶಾಲಾ”ದ ಚಾಲನಾ ಶಕ್ತಿಯಾಗಿದ್ದಾರೆ. ಇವರು ಸಮುದಾಯಗಳೊಂದಿಗಿನ ಒಟ್ಟಾಗಿ ಕಲಿಯುವುದಕ್ಕೆ ಹಾಗೂ ಒಟ್ಟಾಗಿ ರಚಿಸುವುದಕ್ಕೆ ಒತ್ತು ಕೊಡುವಂತಹ ಅನುಭವಾತ್ಮಕ ವಲಯಗಳು ಮತ್ತು ಸಹಯೋಗಿ ಪ್ರದರ್ಶನಗಳ ಕಲ್ಪನೆಯನ್ನು ಹೊಂದಿದ್ದಾರೆ. “ಅಗಂಶಾಲಾ”ದ ತತ್ವಗಳು ಸೃಜನಶೀಲ ಪಯಣವನ್ನು ಮಾಡಲು ಆಸಕ್ತಿ ಇರುವ ಎಲ್ಲಾ ವ್ಯಕ್ತಿಗಳನ್ನೂ ಸ್ವಾಗತಿಸುವಂತಹ ಪರಿಸರವನ್ನು ಕಟ್ಟುವುದರ ಸುತ್ತಲೇ ಕೇಂದ್ರೀಕೃತವಾಗಿವೆ.","descriptor":"ಸೃಜನಾತ್ಮಕ ಅಭ್ಯಾಸಿಗ","id":70,"image":"Navin_Kushwah_w.png","uid":"navin-kushwah"},{"alias":"ನಿಕ್ಕಿ ಬುಜ್ಜಿ","bio":"ನಿಕ್ಕಿ ಬುಜ್ಜಿಯವರು ಒಬ್ಬ ಸಂಗೀತ ಸಂಯೋಜಕ, ಪ್ರದರ್ಶನಕಾರ ಮತ್ತು ಧ್ವನಿ ಕಲಾವಿದರಾಗಿದ್ದು ಜೂರಿಚ್, ಸ್ವಿಜ್ಲ್ಯಾಂಡ್, ಮತ್ತು ಫ್ರಾಂಕ್ಫರ್ಟ್ ಅಮ್ ಮೈನ್, ಜರ್ಮನಿಯಲ್ಲಿ ನೆಲೆಸಿದ್ದಾರೆ. ಇವರ ಕಾರ್ಯಗಳು ಸಂಗೀತ, ಸಂರಚನಾ ಕಲೆ, ಮಾಧ್ಯಮ ಕಲೆ, ಪ್ರದರ್ಶನ ಕಲೆ, ಸಿನಿಮಾ ಮತ್ತು ಶಿಕ್ಷಣಗಳಂತಹ ಹಲವಾರು ಕ್ಷೇತ್ರಗಳಿಗೆ ಹರಡಿದೆ. ಇವರು ಇಲೆಕ್ಟ್ರೋ ಅಕೌಸ್ಟಿಕ್ ಸಂಯೋಜನೆಯಲ್ಲಿ ಸ್ನಾತಕೋತರ ಪದವಿ ಗಳಿಸಿದ್ದಾರೆ. ಪ್ರಸ್ತುತ ಫ್ರಾಂಕ್ಫರ್ಟ್ನ ಎಚ್ಎಫ್ಎಂಡಿಕೆ ನಲ್ಲಿ ಇಲೆಕ್ಟ್ರಾನಿಕ್ ಮ್ಯೂಸಿಕ್ ಮತ್ತು ಅಕೌಸ್ಟಿಕ್ಗಳಿಗಾಗಿರುವ ಸ್ಟೂಡಿಯೋದ ತಾಂತ್ರಿಕ ನಿರ್ದೇಶಕರಾಗಿದ್ದಾರೆ. ಬುಜ್ಜಿ ಅವರು ಯೂರೋಪಿನ ಕಾಲದಾಳದಲ್ಲಿ ಬೇರುಗಳನ್ನು ಹೊಂದಿರುವ ಸಾಂಸ್ಕೃತಿಕ ಅಭ್ಯಾಸಗಳ ಐತಿಹಾಸಿಕ ತಲಾಭಾರವನ್ನು ಕಳಚುವುದಕ್ಕಾಗಿ ಆಧುನಿಕ ತಾಂತ್ರಿಕ ಜ್ಞಾನವನ್ನು ಬಳಸಿಕೊಳ್ಳುವಿಕೆ ಮತ್ತು ವಿನಿಯೋಗ ಸಾಮರ್ಥ್ಯಗಳ ಕುರಿತು ಗಮನವನ್ನು ಕೇಂದ್ರಿಕರಿಸುತ್ತಾರೆ. ಅವರ ಏಕವ್ಯಕ್ತಿ ಮತ್ತು ಸಹಯೋಗದ ಅಭ್ಯಾಸಗಳು ಸಾಮಾನ್ಯವಾಗಿ ಕ್ಷೇತ್ರಕಾರ್ಯ ನಿರ್ದಿಷ್ಟ, ಪ್ರದರ್ಶನ ಆಧಾರಿತ ಮತ್ತು ಧ್ವನಿಸಂಬಂಧಿ ವಿದ್ಯಮಾನಗಳು ಮತ್ತು ಗ್ರಹಿಕೆಯ ಕಾರ್ಯವಿಧಾನಗಳಿಗೆ ನಿಕಟವಾಗಿ ಸಂಬಂಧಿಸಿವೆ.","descriptor":"","id":71,"image":"NikkiBuzzi_W.png","uid":"nikki-buzzi"},{"alias":"ಅರ್ಸಲಾ ಬೀಮೆನ್","bio":"ಅರ್ಸಲಾ ಬೀಮೆನ್ ಅವರೊಬ್ಬ ಸ್ವಿಜ್ ಮೂಲದ ಕಲಾವಿದರು ಮತ್ತು ಸಿದ್ಧಾಂತಿಗಳೂ ಆಗಿದ್ದಾರೆ. ಇವರ ಕಲಾಭ್ಯಾಸವು ಕ್ಷೇತ್ರಕಾರ್ಯಗಳಲ್ಲಿ, ಅದರಲ್ಲೂ ಸಾಮಾನ್ಯವಾಗಿ ಪಾರಂಪರಿಕ ನೆಲೆಗಳಲ್ಲಿ ಕೇಂದ್ರಿತವಾಗಿವೆ. ಇವರು ವಿವಿಧ ಜ್ಞಾನಕ್ಷೇತ್ರಗಳ(ಅರಿವಿನ ವಲಯಗಳ) ನಡುವೆ ಜಾಲ ಹುಟ್ಟುಹಾಕುವಿಕೆಯಲ್ಲಿಯೂ ತೊಡಗಿದ್ದಾರೆ. ಇವರ ಕಲಾಕೃತಿಗಳು ಕಾಡುಗಳು, ತೈಲ ಮತ್ತು ನೀರಿನ ಕುರಿತಾದ ರಾಜಕೀಯ ಪರಿಸರಗಳನ್ನು ಬಿಂಬಿಸುತ್ತವೆ. ಸಾಮಾನ್ಯವಾಗಿ ಇವುಗಳನ್ನು ವೀಡಿಯೋಗಳು, ಪುಸ್ತಕಗಳು ಮತ್ತು ಸಂರಚನೆಗಳ ಮೂಲಕ ರಚಿಸಲಾಗಿರುತ್ತದೆ. ಇವುಗಳು ಹೊರತೆಗೆಯುವಿಕೆಯ ಕ್ರಿಯಾತ್ಮಕತೆಯ ಬಗ್ಗೆ ವಿಮರ್ಶಾತ್ಮಕವಾದ ದೃಷ್ಟಿಕೋನವನ್ನು ಹೊಂದಿರುತ್ತವೆ ಮತ್ತು ಬದಲಿ, ಪರಿಸರ ಮತ್ತು ಜ್ಞಾನಶಾಸ್ತ್ರಗಳ (ಅರಿವಿನ ವಲಯಗಳ) ನಂಟುಗಳಿಗೆ ಸಂಬಂಧಿಸಿದ ಪರಿಸರ ಕೇಂದ್ರಿತ ವಿಧಾನಗಳನ್ನು ಪ್ರಸ್ತಾಪಿಸುತ್ತವೆ. ಇವರು ಅಂತರ್ಜಾಲತಾಣದ ಮೂಲಕ ತಮ್ಮ ಹತ್ತು ವರ್ಷಗಳ ಪರಿಶ್ರಮದ ಪರಿಸರ ಸಂಬಂಧಿತ ವೀಡಿಯೋಗಳ ಕುರಿತು “ಬಿಕಮಿಂಗ್ ಅರ್ತ್” ಎಂಬ ಪ್ರಬಂಧವನ್ನು ಪ್ರಕಟಿಸಿದ್ದಾರೆ. “ಫಾರೆಸ್ಟ್ ಮೈಂಡ್ – ಆನ್ ದಿ ಇಂಟರ್ಕನೆಕ್ಷನ್ ಆಫ್ ಆಲ್ ಲೈಫ್” (ಕಾಡಿನ ಮನಸ್ಸು – ಎಲ್ಲಾ ಜೀವಗಳ ಒಳನಂಟಿನ ಕುರಿತು) ಎಂಬ ಪುಸ್ತಕವನ್ನು ಸ್ಪೆಕ್ಟರ್ ಬುಕ್ಸ್ ಸಹಯೋಗದಲ್ಲಿ ಹೊರತಂದಿದ್ದಾರೆ.","descriptor":"","id":72,"image":"UrsulaBeimann_W.png","uid":"ursula-biemann"},{"alias":"Kate Coleman","bio":"","descriptor":"","id":73,"image":"Kate and Sarah_Resized.png","uid":"kate-coleman"},{"alias":"Sarah Healy ","bio":"","descriptor":"","id":74,"image":"SarahHealy_W.png","uid":"sarah-healy"},{"alias":"ಇಶಾನ್ ತಂಖ","bio":"ನವದೆಹಲಿಯಲ್ಲಿ ನೆಲೆಸಿರುವ ಸ್ವತಂತ್ರ ಛಾಯಾಗ್ರಾಹಕರಾದ ಇಶಾನ್ ತಂಖ ಅವರು ಭಾರತದ ಸಂಕೀರ್ಣತೆಗಳ ಸೂಕ್ಷ್ಮವಾದ ನೇಯ್ಗೆಯನ್ನು ಸೆರೆಹಿಡಿಯುತ್ತಾರೆ. ಕಡೆಗಣನೆಗೆ ಒಳಗಾದ ರಾಜ್ಯಗಳ ಪ್ರತ್ಯೇಕತಾವಾದಿ ಚಳವಳಿಗಳಿಂದ ಹಿಡಿದು ರಾಜಧಾನಿಯಲ್ಲಿನ ಪ್ರತಿಭಟನೆಗಳವರೆಗೆ ಮತ್ತು ಹವಾಮಾನ ಬದಲಾವಣೆಯು ದೂರದ ಹಳ್ಳಿಗಳ ಮೇಲೆ ಉಂಟುಮಾಡಿರುವ ದುಷ್ಪರಿಣಾಮಗಳ ಬಗ್ಗೆ ಛಾಯಾಚಿತ್ರಗಳನ್ನು ಸೆರೆಹಿಡಿಯುವ ತಂಖಾ ಅವರು ಪ್ರಮುಖ ಘಟನೆಗಳ ಮತ್ತು ರಾಷ್ಟ್ರ ರಾಜಕಾರಣದ ಕವಲುದಾರಿಗಳನ್ನು ಶೋಧಿಸುತ್ತಾರೆ. ಇವರ ಕೃತಿಗಳು ‘ಲ ಮೊಂಡ್’, ‘ದಿ ವಾಲ್ ಸ್ಟ್ರೀಟ್ ಜರ್ನಲ್’ ಮತ್ತು ‘ದಿ ಗಾರ್ಡಿಯನ್’ ತರಹದ ಪ್ರಕಾಶನಗಳಲ್ಲಿ ಪ್ರಕಟಗೊಂಡಿದ್ದು, ಪ್ರಕ್ಷುಬ್ಧತೆಯ ಸನ್ನಿವೇಶಗಳ ನಡುವಿನ ದೈನಂದಿನ ಬದುಕಿನೆಡೆಗಿನ ಅತೀವ ಗಮನವನ್ನು ಬಿಂಬಿಸುತ್ತವೆ. ಗೋವಾ ಫೋಟೊ ಸಂಸ್ಥೆಯ ಸ್ಥಾಪಕ ಸದಸ್ಯರಾಗಿರುವ ತಂಖಾ ಅವರು ’ವಿಟ್ನೆಸ್: ಕಾಶ್ಮೀರ್ 1986-2017’(2017)ರ ಛಾಯಾಚಿತ್ರ ಸಂಪಾದಕ ಸಲಹೆಗಾರರಾಗಿ ಕೊಡುಗೆ ನೀಡಿದ್ದಾರೆ. ತೆಹೆಲ್ಕಾದಲ್ಲಿ ಛಾಯಾಚಿತ್ರ ಸಂಪಾದಕರಾಗಿದ್ದ ಮತ್ತು ಪ್ರಮುಖ ಭಾರತೀಯ ಪ್ರಕಾಶನ ಸಂಸ್ಥೆಗಳ ಸಿಬ್ಬಂದಿ ಛಾಯಾಗ್ರಾಹಕರಾಗಿದ್ದ ಹಿನ್ನೆಲೆಯ ತಂಖಾ ಅವರ ಛಾಯಾಚಿತ್ರಗಳು ಕೊಚ್ಚಿ ಮ್ಯುಜಿರಿಸ್ ಬಿಎನ್ನಾಲೆ, ನೂರ್ದ್ರ್ಲಿಚ್ ಫೋಟೋ ಫೆಸ್ಟಿವಲ್ ಮತ್ತು 2019ರ ಬರ್ಲಿನೇಲ್ ಸೇರಿದಂತೆ ಜಗತ್ತಿನ ಹಲವಾರು ಪ್ರತಿಷ್ಠಿತ ಪ್ರದರ್ಶನಗಳಲ್ಲಿ ಪ್ರದರ್ಶನಗೊಂಡಿವೆ.","descriptor":"","id":75,"image":"Ishan_Tankha_w.png","uid":"Ishan_Tankha"},{"alias":"ಆನ್ನೆಲೀ ಬರ್ನರ್","bio":"ಅನ್ನೆಲೀ ಬರ್ನರ್ ಅವರೊಬ್ಬ ಸ್ವತಂತ್ರ ವಿನ್ಯಾಸಕಾರರು ಮತ್ತು ಸಂಶೋಧಕರುತಮ್ಮ ಕಾರ್ಯದಲ್ಲಿ ಇವರು ದತ್ತಾಂಶಗಳ ದೃಶ್ಯೀಕರಣ, ಅನುಭವ ವಿನ್ಯಾಸ ಮತ್ತು ಭವಿಷ್ಯದ ವಿನ್ಯಾಸಗಳನ್ನು ಬಳಸಿಕೊಂಡು ವಿಜ್ಞಾನ, ಶಿಕ್ಷಣ ಮತ್ತು ಸಾರ್ವಜನಿಕರ ನಡುವಿನ ಅಂತರ ಬಳಸುತ್ತಾರೆ. ಇವರ ಕಾರ್ಯಗಳು, ಹೊಸ ತಂತ್ರಜ್ಞಾನಗಳ ನೀತಿಶಾಸ್ತ್ರದಿಂದ ಹಿಡಿದು ಹವಾಮಾನ ವಿಜ್ಞಾನದವರೆಗಿನ ವಿಶಾಲ ಹರವಿನ ವಿಷಯಗಳ ಕುರಿತು ಸಂಶೋಧನೆಗಳನ್ನು ಒಳಗೊಂಡಿವೆ. ಇವರು ಕೋರ್77 ವಿನ್ಯಾಸ ಪ್ರಶಸ್ತಿಗಳಲ್ಲಿ ಅನೇಕ ಪುರಸ್ಕಾರಗಳನ್ನು ಪಡಿದಿದ್ದಾರೆ. ಸ್ಮಿತ್ಸೋನಿಯನ್ ವಸ್ತುಸಂಗ್ರಹಾಲಯ, ವಿಶ್ವ ಆರೋಗ್ಯ ಸಂಸ್ಥೆ, ರೆಡ್ ಬುಲ್ ಆರ್ಟ್ಸ್ ಮತ್ತು ಆರ್ಟ್ಸ್ ಇಲೆಕ್ಟ್ರಾನಿಕಾ ಸೇರಿದಂತೆ ಹಲವೆಡೆ ತಮ್ಮ ಯೋಜನೆಗಳನ್ನು ಪ್ರದರ್ಶಿಸಿದ್ದಾರೆ.","descriptor":"","id":76,"image":"Annelie_Berner_w.png","uid":"Annelie_Berner"},{"alias":"ಅಲೆಕ್ಸಾಂಡರ್ ನಿಕೋಲ್ಸ್ಕಿ","bio":"ಕಲಾವಿದ, ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಕ, ಸಂಶೋಧಕ ಹಾಗೂ ಶಿಕ್ಷಕರಾದ ಅಲೆಕ್ಸಾಂಡರ್ ನಿಕೋಲ್ಸ್ಕಿ ಅವರು, ಯಥೇಚ್ಛವಾಗಿ ಕಲ್ಲಿದ್ದಿಲು ದೊರೆಯುವ, ಪಶ್ಚಿಮ ಸೈಬೀರಿಯಾದ ಕುಜ಼ಬಾಸ್ ಪ್ರದೇಶದಲ್ಲಿ ವಾಸಿಸುತ್ತಾರೆ. ಛಾಯಾಗ್ರಹಣ, ವೀಡಿಯೋ ಮತ್ತು ವಸ್ತುಗಳ ವಿಷಯದಲ್ಲಿ ಪರಿಣಿತಿ ಪಡೆದಿರುವ ಇವರ ಕೃತಿಗಳು “ಕಗ್ಗತ್ತಲ ಪರಿಸರ ವಿಜ್ಞಾನ” ಮತ್ತು “ಶ್ರೇಣಿರಹಿತ ಇರುವಿಕೆಯ ಅರಿಮೆ” ಗಳ ತಾತ್ವಿಕ ಲೋಕದಲ್ಲಿ ನೆಲೆಗೊಂಡಿವೆ. ನಿಕೊಲಸ್ಕಿ ಅವರು ಮಾನವರು, ವಸ್ತುಗಳು ಮತ್ತು ಪ್ರಕೃತಿಗಳ ನಡುವಿನ ಒಡನಾಟಗಳ ಕುರಿತು ಶೋಧಿಸುತ್ತಾರೆ. ಆ ಮೂಲಕ ಭೌತಿಕ ವಲಯ, ವಸ್ತುಗಳು ಮತ್ತು ಮಾನವ ಅಭ್ಯಾಸಗಳನ್ನು ಈ ಒಡನಾಟಗಳಲ್ಲಿ ಕ್ರಿಯಾತ್ಮಕ ಹಾಗೂ ಸರಿಸಮಾನ ಕೊಡುಗೆದಾರರೆಂಬುದಾಗಿ ಗುರುತಿಸುತ್ತಾರೆ.","descriptor":"","id":77,"image":"alexander_nikolsky_w.png","uid":"alexander_nikolsky"},{"alias":"ಡೇವಿಡ್ ಹೋಕ್ಗಾತೆರೆರ್","bio":"ಡೇವಿಡ್ ಹೋಕ್ಗಾತೆರೆರ್ ಅವರು ಆಸ್ಟ್ರಿಯಾದ ಲಿನ್ಸ್ನ ಮೂಲದ ಕಲಾವಿದರಾಗಿದ್ದಾರೆ. ಹೋಕ್ಗಾತೆರೆರ್ ಅವರ ಕಲಾ ಅಭ್ಯಾಸವು ದೃಷ್ಟಿಕೋನದ ತಾಂತ್ರಿಕತೆಗಳನ್ನು ಮರುಹೊಂದಿಸುವುದರ ಕೇಂದ್ರಿತವಾಗಿದೆ. ಅವರು ತಮ್ಮ ಮಾಧ್ಯಮವನ್ನು ತಾವು ತಲುಪಿಸಬೇಕಾಗಿರುವ ಅನುಭವಗಳ ವಿಧಾನಗಳ ಆಧಾರದ ಮೇಲೆ ಆರಿಸಿಕೊಳ್ಳುತ್ತಾರೆ. ಸಂವಹನಾತ್ಮಕ ಮತ್ತು ನಿರೂಪಣಾತ್ಮಕ ಕಲಾ ವಿಧಾನಗಳ ನಡುವೆ ಮಾಧ್ಯಮಗಳ ಬದಲಾವಣೆ ಮಾಡುತ್ತಾರೆ. ವಿಷಯಾಧಾರಿತವಾಗಿ, ಹೋಕ್ಗಾತೆರೆರ್ ಅವರ ಕೆಲಸಗಳು ವೈಜ್ಞಾನಿಕ ತತ್ವಗಳ ಮೇಲೆ ಕೇಂದ್ರೀಕೃತವಾಗಿವೆ. ಅವು ತಿಳುವಳಿಕೆಯನ್ನು ಮತ್ತು ತಾತ್ವಿಕ ಚರ್ಚೆಗಳನ್ನು ಪ್ರಚೋದಿಸಲು ಸೌಂದರ್ಯಾತ್ಮಕ ವಿಧಾನಗಳ ಮೂಲಕ ಸಂವಹನ ಮಾಡುತ್ತವೆ.","descriptor":"","id":78,"image":"david_hochgatterer_w.png","uid":"david_hochgatterer"},{"alias":"ಮರೀನಾ ಜುರ್ಕೊವ್","bio":"ಮರಿನಾ ಜ಼ುರ್ಕವ್ ಅವರೊಬ್ಬ ಮಾಧ್ಯಮ ಮತ್ತು ಪಾಲ್ಗೊಳ್ಳುವಿಕೆಯ ಅಭ್ಯಾಸ ಕಲಾವಿದೆಯಾಗಿದ್ದಾರೆ. ಇವರು ಪ್ರಕೃತಿ ಹಾಗೂ ಸಂಸ್ಕೃತಿಗಳ ನಡುವಿನ ತಿಕ್ಕಾಟಗಳು ಉಂಟುಮಾಡುವ ಒತ್ತಡಗಳು ಮತ್ತು ಪರಿಸರದ ಗೊಂದಲಗಳಂಥಾ ಮಹತ್ವದ ವಿಷಯಗಳನ್ನು ಜನರೊಂದಿಗೆ ಹೆಣೆಯುತ್ತಾರೆ. ಇದಕ್ಕಾಗಿ ಅರ್ಥಮಾಡಿಕೊಳ್ಳುವಿಕೆ, ಸಂಪರ್ಕಿಸುವಿಕೆ ಮತ್ತು ಭಾವೋದ್ದೀಪನೆಯ ಹೊಸವಿಧಾನಗಳನ್ನು ಮುಂದಿಡುತ್ತಾರೆ. ಸಂಶೋಧನೆ ಹಾಗೂ ತಂತ್ರಾಂಶ, ಅನಿಮೇಶನ್ಗಳು ಮತ್ತು ಜೈವಿಕ ಪದಾರ್ಥಗಳನ್ನು ತೊಡಗಿಸಿಕೊಳ್ಳುವ ಮೂಲಕ ಇವರು ಭೂ-ಭೌತಿಕ ಧಾತುಗಳೊಂದಿಗೆ ವಿಭಿನ್ನ ಜೀವಜಾತಿಗಳ ನಿಕಟ ಸಂಪರ್ಕವನ್ನು ಬೆಳೆಸುತ್ತಾರೆ. ಜ಼ುರ್ಕವ್ ಅವರು ಸಹಯೋಗದ ಉಪಕ್ರಮಗಳಾದ ಇನ್ವೆಸ್ಟಿಂಗ್ ಇನ್ ಫ್ಯೂಚರ್, ಡಿಯರ್ ಕ್ಲೈಮೇಟ್ ಮತ್ತು ಕ್ಲಿಮೋಜಿಯಂತಹ ಸಂಸ್ಥೆಗಳ ಸ್ಥಾಪಕ ಸದಸ್ಯರಾಗಿದ್ದಾರೆ. ಇವರು ತಮ್ಮ ಏಕವ್ಯಕ್ತಿ ಪ್ರದರ್ಶನಗಳನ್ನು ಬಿಟ್ಫಾರ್ಮ್ಸ್ ಗ್ಯಾಲರಿ, ಗೂಗಲ್ಸ್ ಹಡ್ಸನ್ ರಿವರ್ ಕ್ಯಾಂಪಸ್, ಸ್ಯಾನ್ ಡಿಯಾಗೋದ ಸಮಕಾಲೀನ ಕಲೆಗಳ ಸಂಸ್ಥೆ ಮತ್ತು ಇಸ್ತಾಂಬುಲ್ನ ಬೋರುಸನ್ ಕಾಂಟೆಂಪರರಿಯಂತಹ ಹಲವಾರು ಪ್ರತಿಷ್ಠಿತ ಸ್ಥಳಗಳಲ್ಲಿ ಮಾಡಿದ್ದಾರೆ. ಜ಼ುರ್ಕವ್ ಅವರು ಪ್ರಿನ್ಸ್ಟನ್ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಎನ್ವಿರಾನ್ಮೆಂಟಲ್ ಮೀಡಿಯಾ ಲ್ಯಾಬ್ (ಪಾರಿಸಾರಿಕ ಮಾಧ್ಯಮ ಪ್ರಯೋಗಾಲಯ)ದಲ್ಲಿ 202ರಲ್ಲಿ ಫ಼ೆಲ್ಲೋ ಆಗಿದ್ದರು. ಅವರು 2011ರರ ಗುಗೆನ್ಹೈಮ್ ಫ಼ೆಲ್ಲೋ ತರಹದ ಮನ್ನಣೆಗಳನ್ನು ಗಳಿಸುವುದರ ಜತೆಯಲ್ಲಿ ನ್ಯೂಯಾರ್ಕ್ ಫಿಲ್ಮ್ ಅಕಾಡೆಮಿ ಮತ್ತು ದಿ ರಾಕ್ಫ಼ೆಲ್ಲರ್ ಫೌಂಡೇಶನ್ ಅರಹದ ಸಂಸ್ಥೆಗಳಿಂದ ಅನುದಾನಗಳನ್ನು ಪಡೆದಿದ್ದಾರೆ.","descriptor":"","id":79,"image":"marina_zurkow_w.png","uid":"marina_zurkow"},{"alias":"ದಿಸ್ನೋವೆಷನ್.ಒರ್ಗ್ ","bio":"ದಿಸ್ನೋವೆಷನ್.ಒರ್ಗ್ ಸಂಸ್ಥೆಯು 2012ರಲ್ಲಿ ಪ್ರಾರಂಭಗೊಂಡಿತು. ಇದು ಮಾರಿಯಾ ರೋಸ್ಕೌಸ್ಕ, ನಿಕೊಲಸ್ ಮೈಗ್ರೆಟ್ ಮತ್ತು ಬರುಚ್ ಗೊತ್ಲಿಯೆಬ್ರನ್ನು ಕೇಂದ್ರಸದಸ್ಯರಾಗಿ ಹೊಂದಿರುವ ಸಂಶೋಧನಾ ಸಮೂಹವಾಗಿದೆ. ಇದು ಸಮಕಾಲೀನ ಕಲೆ, ಸಂಶೋಧನೆ ಮತ್ತು ಹ್ಯಾಕಿಂಗ್(ದತ್ತಾಂಶ ಕನ್ನ)ಗಳಿಗೆ ಸೇತುವೆಯಾಗುವ ಕಾರ್ಯದಲ್ಲಿ ತೊಡಗಿದೆ. ಇವರು ಶೈಕ್ಷಣಿಕ, ಹೋರಾಟ, ಇಂಜಿನಿಯರಿಂಗ್ ಮತ್ತು ವಿನ್ಯಾಸಗಳಂತಹ ವಿಭಿನ್ನ ಕ್ಷೇತ್ರಗಳ ವೃತ್ತಿಪರರೊಂದಿಗೆ ಸಹಯೋಗ ಹೊಂದಿದ್ದಾರೆ. ಇವರ ಇತ್ತೀಚಿನ ಕಲಾತ್ಮಕ ಪ್ರಯತ್ನಗಳು “ಆರ್ಥಿಕ ಬೆಳವಣಿಗೆ”ಯ ಪರಿಣಾಮಕಾರಿತ್ವದ ಬಗೆಗಿನ ಸ್ಥಾಪಿತ ನಂಬಿಕೆಗಳನ್ನು ಪ್ರಶ್ನಿಸುತ್ತವೆ. ಇವು ಅವುಗಳೇ ಉಂಟುಮಾಡಿರುವ ಪರಿಸರ ಹಾನಿಗಳ ಸರಿಪಡಿಸುವಿಕೆಯ “ತಂತ್ರಜ್ಞಾನಾಧಾರಿಯ ಪರಿಹಾರ”ಗಳನ್ನು ಕೂಡಾ ಪ್ರಶ್ನಿಸುತ್ತವೆ.","descriptor":"","id":80,"image":"disnovation_org_w.png","uid":"disnovation_org"},{"alias":"ಸುಸಾನ್ ಏಯರ್","bio":"ಸುಸಾನ್ ಏಯರ್ ಅವರು ವಿಶ್ವದ ವಿಸ್ಮಯಗಳ ಬಗೆಗಿನ ಕುತೂಹಲದಿಂದ ಪ್ರೇರೇಪಿತರಾದ ಕಲಾವಿದರಾಗಿದ್ದಾರೆ. ವೀಡಿಯೋ, ಶಿಲ್ಪಕಲೆ ಮತ್ತು ಮುದ್ರಣಗಳನ್ನೆಲ್ಲಾ ಬಳಸಿಕೊಳ್ಳುವ ಇವರು ಕಣ ಭೌತಶಾಸ್ತ್ರದ ಅದ್ಭುತ ಗುಣಸ್ವಭಾವದ ಮೂಲಕ ದೈನಂದಿನ ಬದುಕಿನ ಬಗ್ಗೆ ಅಚ್ಚರಿಯ ಭಾವನೆಗಳನ್ನು ಹುಟ್ಟುಹಾಕುತ್ತಾರೆ. ಇದರೊಟ್ಟಿಗೆ ಪರಿಸರದ ಜೊತೆಗೆ ಬೆಸೆದುಕೊಂಡಿರುವ ನಮ್ಮ ಅಸ್ತಿತ್ವದ ಬಗ್ಗೆ ಎಚ್ಚರ ಮೂಡಿಸಿಕೊಳ್ಳುವುದನ್ನು ಪ್ರೇರೇಪಿಸುತ್ತಾರೆ. ಇವರು ಅಂತರ್-ಶಿಸ್ತಿನ ಯೋಜನೆಗಳಲ್ಲಿ ಕೆಲಸಮಾಡುತ್ತಿರುವ ಮುಂಚೂಣಿ ವಿಶ್ವವಿದ್ಯಾಲಯಗಳಲ್ಲಿನ ವಿಜ್ಞಾನಿಗಳು ಮತ್ತು ಶಿಕ್ಷಣತಜ್ಞರ ಸಹಯೋಗ ಹೊಂದಿದ್ದಾರೆ.
ತಮ್ಮದೇ ಆದ ಸ್ವಂತ ಕ್ಲೌಡ್ಚೇಂಬರ್ (ಮೋಡಗೂಡು) ಕಟ್ಟಿಕೊಂಡಿರುವ ಮತ್ತು ಬ್ರಹ್ಮಾಂಡ ಕಣಗಳ ದೃಶ್ಯೀಕರಣಕ್ಕಾಗಿ ಅನೇಕ ಕಾರ್ಯಾಗಾರಗಳನ್ನು ನಡೆಸುತ್ತಿರುವ ಇವರು, “ಬ್ಲಾಕ್ ಮ್ಯಾಟರ್ (ಕಪ್ಪುರಾಶಿ) ಪ್ರಯೋಗಾಲಯ”ವನ್ನು ಮುನ್ನಡೆಸುತ್ತಿದ್ದಾರೆ. ಅದರಲ್ಲಿನ ಸಂಶೋಧನೆ, ನಿವಾಸಿ ಹಾಗೂ ಕಾರ್ಯಕ್ರಮ ಯೋಜನೆಗಳು ಈಶಾನ್ಯ ಇಂಗ್ಲೇಂಡಿನಲ್ಲಿರುವ, ಬ್ರಹ್ಮಾಂಡದ ಕಪ್ಪುರಾಶಿಗಳ ಕುರಿತ ಸಂಶೋಧನೆಯ ಸೌಲಭ್ಯಗಳುಳ್ಳ ಬೌಲ್ಬಿ ನೆಲದಡಿಯ ಪ್ರಯೋಗಾಲಯಕ್ಕೆ ನೀಡಿದ ಭೇಟಿಯಿಂದ ಪ್ರೇರಣೆ ಪಡೆದುಕೊಂಡಿವೆ. ಇವರು ಇಂಗ್ಲೇಂಡಿನ ಆರ್ಟ್ಸ್ ಕೌನ್ಸಿಲ್, ಭೌತಶಾಸ್ತ್ರ ಸಂಸ್ಥೆ ಹಾಗೂ ವಿಜ್ಞಾನ ಮತ್ತು ತಂತ್ರಜ್ಞಾನ ಸೌಲಭ್ಯ ಪರಿಷತ್ತುಗಳಿಂದ ಸಹಾಯಧನ ಪದೆದುಕೊಂಡಿದ್ದಾರೆ.
","descriptor":"","id":81,"image":"susan_eyre_w.png","uid":"susan_eyre"},{"alias":"ಅರುಣ್ಕುಮಾರ್ ಎಚ್ ಜಿ","bio":"ಅರುಣ್ಕುಮಾರ್ ಎಚ್ ಜಿ ಅವರು, ಲಲಿತ ಕಲೆ (ಶಿಲ್ಪಕಲೆ) ವಿಷಯದಲ್ಲಿ ಪದವಿ ಹಾಗೂ ಸ್ನಾತಕೋತ್ತರ ಪದವಿಗಳನ್ನು ಬರೋಡಾದ ಮಹಾರಾಜ ಸಯ್ಯಾಜಿರಾವ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಿಂದ ಅನುಕ್ರಮವಾಗಿ 1993 ಹಾಗೂ 1995ರಲ್ಲಿ ಪಡೆದಿದ್ದಾರೆ. ಇವರು 2014ರಲ್ಲಿ ಕರ್ನಾಟಕದ ಪಶ್ಚಿಮ ಘಟ್ಟಗಳ ಪ್ರದೇಶದಲ್ಲಿ “ಜ್ಞಾನ ಮತ್ತು ಪರಿಸರ ಕೇಂದ್ರ”ವನ್ನು ಸ್ಥಾಪಿಸಿದ್ದಾರೆ.
ಇವರು ನವದೆಹಲಿಯ ಗ್ಯಾಲರಿ ಈ-ಸ್ಪೇಸ್ನಲ್ಲಿ “ಕನ್-ಸ್ಟ್ರಕ್ಷನ್” ಎಂಬ ಮತ್ತು ಮುಂಬೈ ಆರ್ಟ್ ರೂಮ್ನಲ್ಲಿ “ಸೀಡ್ ಆಫ್ ರೆಕನಿಂಗ್” ಎಂಬ ಹೆಸರಿನ ಏಕವ್ಯಕ್ತಿ ಕಲಾಪ್ರದರ್ಶನಗಳ ಮೂಲಕ ಜನಪ್ರಿಯರಾಗಿದ್ದಾರೆ. ಮುಂಬೈನ ಎಂ.ಎಂ.ಬಿ ಹಾಗೂ ಕೊಚ್ಚಿಯ ಮೂಜಿರಸ್ ಬಿಎನಯಲ್ಗಳಲ್ಲಿ ನಡೆದ “ನ್ಯೂ ನೇಚರ್ಸ್: ಎ ಟೆರಿಬಲ್ ಬ್ಯೂಟಿ ಈಸ್ ಬಾರ್ನ್” ಎಂಬ ಪ್ರದರ್ಶನ, ಚೆನ್ನೈನ ಗೊಯ್ಟಾ-ಸಂಸ್ಥೆ/ಮ್ಯಾಕ್ಸ್ ಮುಲ್ಲರ್ ಭವನದಲ್ಲಿ ನಡೆದ “ಎಂಬ್ರೇಸ್ ಅವರ್ ರಿವರ್ಸ್” ಎಂಬ ಪ್ರದರ್ಶನಗಳೂ ಸೇರಿದಂತೆ ಹಲವು ಪ್ರಮುಖವಾದ ಸಮೂಹ ಪ್ರದರ್ಶನಗಳಲ್ಲಿ ಪಾಲ್ಗೊಂಡಿದ್ದಾರೆ. ಅರುಣ್ಕುಮಾರ್ ಎಚ್.ಜಿ ಅವರ ಕಲಾತ್ಮಕತೆಯು ಪರಿಸರದ ಉಸ್ತುವಾರಿಯೊಂದಿಗೆ ಹೆಣೆದುಕೊಂಡಿದೆ, ಇದು ಅವರ ಬಹುಮುಖಿ ಪ್ರದರ್ಶನಗಳು ಮತ್ತು ಪ್ರಭಾವಶಾಲಿ ನಿವಾಸಗಳಲ್ಲಿ ಸ್ಪಷ್ಟವಾಗಿದೆ, ಇದರಿಂದಾಗಿ ಸಮಕಾಲೀನ ಕಲಾ ದೃಶ್ಯದಲ್ಲಿ ಗಮನಾರ್ಹ ಗುರುತನ್ನು ಮೂಡಿಸುತ್ತದೆ.","descriptor":"","id":82,"image":"arunkumar_hg_w.png","uid":"arunkumar_hg"},{"alias":"ಪ್ರಭಾಕರ್ ಪಚ್ಪುತೆ","bio":"ಪ್ರಭಾಕರ್ ಪಚ್ಪುತೆಯವರ ಕಲಾಭ್ಯಾಸವು ಅವರ ತವರಾದ “ಕಪ್ಪುಚಿನ್ನದ ನಗರ”ವೆಂದೇ ಹೆಸರಾದ ಮಹಾರಾಷ್ಟ್ರದ ಚಂದ್ರಪುರದಲ್ಲಿನ, ಸವಾಲಿನ ವಾಸ್ತವಗಳ ಆಳಕ್ಕಿಳಿಯುತ್ತವೆ. ಇವು ಅಲ್ಲಿನ ಎಡೆಬಿಡದ ಭೂಮಿಯಗೆತ ಹಾಗು ನಿರಂತರ ಉತ್ಪನ್ನ ,ಸಾಮಾಜಿಕ ಅಭಿವೃದ್ಧಿಯಲ್ಲಿನ ಅಸಮಾನತೆಗಳು ಮತ್ತು ಭೂಮಿಯ ಸುತ್ತಲಿನ ರಾಜಕೀಯಗಳಿಗೆ ಸಂಬಂಧಿಸಿದ ಸಮಸ್ಯೆಗಳನ್ನು ಉದ್ದೇಶಿಸಿರುತ್ತವೆ. ಮೂರು ತಲೆಮಾರುಗಳಿಂದಲೂ ಗಣಿಕಾರ್ಮಿಕರಾಗಿ ಇರುವಂಥಾ ಮನೆತನದಿಂದ ಬಂದಿರುವ ಪಚ್ಪುತೆಯವರ ಸಂಕೀರ್ಣವಾದ ರೇಖಾಚಿತ್ರಗಳು, ಅನಿಮೇಶನ್ಗಳು, ಮತ್ತು ಕಲ್ಲಿದ್ದಿಲಿನ ಬಳಕೆಗಳು ಇವರ ಕೌಟುಂಬಿಕ ಬೇರುಗಳೊಂದಿಗೆ ಸಂಪರ್ಕ ಕಲ್ಪಿಸುತ್ತದೆ.
ರೇಖಾಚಿತ್ರಗಳು, ಬೆಳಕು, ಸ್ಟಾಪ್ ಮೋಶನ್ ಅನಿಮೇಶನ್ಗಳು, ಧ್ವನಿ, ಮತ್ತು ಶಿಲ್ಪಕಲೆಗಳಂತಹ ಹಲವಾರು ವಿಭಿನ್ನ ಮಾಧ್ಯಮಗಳನ್ನು ಬಳಸಿಕೊಂಡು, ಗಣಿ ಕಾರ್ಮಿಕರ ಸಮಸ್ಯೆಗಳ ಮತ್ತವುಗಳು ಭೂಪ್ರದೇಶಗಳು ಹಾಗೂ ಮಾನವ ಜೀವನದ ಮೇಲೆ ಉಂಟುಮಾಡುವ ಪರಿಣಾಮಗಳ ಕುರಿತಾಗಿ, ತಲ್ಲೀನಗೊಳಿಸುವ ಮತ್ತು ಸೈಟ್-ನಿರ್ದಿಷ್ಟ ಕೃತಿಗಳನ್ನು ರಚಿಸುತ್ತಾರೆ.
ಇಂದಿರಾ ಕಲಾ ಸಂಗೀತ್ ವಿಶ್ವವಿದ್ಯಾನಿಲಯದಿಂದ ಲಲಿತಕಲೆಯಲ್ಲಿ ಪದವಿ ಮತ್ತು ಬರೋಡಾದ ಮಹಾರಾಜ ಸಯಾಜಿರಾವ್ ವಿಶ್ವವಿದ್ಯಾನಿಲಯದಿಂದ ಎಂಎಫ್ಎಯೊಂದಿಗೆ, ಪಚ್ಪುಟ್ ಅವರ ಕೆಲಸವನ್ನು ಟೇಟ್, ಸೇಂಟ್ ಐವ್ಸ್ ಮತ್ತು 31 ನೇ ಸಾವೊ ಪಾಲೊ ದ್ವೈವಾರ್ಷಿಕ ಸ್ಥಳಗಳಲ್ಲಿ ಪ್ರದರ್ಶಿಸಲಾಗಿದೆ.","descriptor":"","id":83,"image":"Prabhakar_Pachpute_w.png","uid":"prabhakar_pachpute"},{"alias":"ಆಂಡ್ರಿಯಾ ರಸೆಲ್","bio":"ಆಂಡ್ರಿಯಾ ರಸೆಲ್ ಅವರು ಚಲನಚಿತ್ರ ನಿರ್ಮಾಪಕಿ, ಮಾಧ್ಯಮ ಕಲಾವಿದೆ ಮತ್ತು ವಿಜ್ಞಾನ ಕಲೆಯಲ್ಲಿ ಬಹುವಿಭಾಗೀಯ ಸಂಶೋಧಕರಾಗಿದ್ದಾರೆ. ನ್ಯಾನೋವಿಜ್ಞಾನ ಮತ್ತು ನ್ಯಾನೋತಂತ್ರಜ್ಞಾನಗಳೊಂದಿಗೆ ತೊಡಗಿಕೊಂಡ ಕಲಾಪ್ರಕಾರವಾದ ನ್ಯಾನೋಕಲೆಯಲ್ಲಿ ಇವರು ಕಾರ್ಯನಿರ್ವಹಿಸುತ್ತಾ ಪ್ರಯೋಗಾತ್ಮಕ ಚಿತ್ರಗಳನ್ನು ಮತ್ತು ಚಲಿಸುವ ಚಿತ್ರಗಳ ಸಂರಚನೆಗಳನ್ನೂ ಮಾಡುತ್ತಾರೆ. ಇವರ ಕಲಾಕೃತಿಗಳು ಉಪ-ಅಣುಗಳ ಜಗತ್ತಿನ ಬಗೆಗಿನ ಬಹುಗ್ರಹಿಕೆಯ ದೃಷ್ಟಿಕೋನ ಮತ್ತು ತಂತ್ರಜ್ಞಾನ ಬಳಕೆಗಳನ್ನು ಅನ್ವೇಶಿಸುತ್ತವೆ.
ಇವರ ಚಲನಚಿತ್ರಗಳನ್ನು ನ್ಯೂಯಾರ್ಕ್ ಇಮ್ಯಾಜಿನ್ ಸೈನ್ಸ್ ಫೆಸ್ಟಿವಲ್ನಲ್ಲಿ, ಓಹಾಕಾ ಚಿತ್ರೋತ್ಸವ, ನ್ಯೂಜಿಲ್ಯಾಂಡ್ ಅಂತರರಾಷ್ತ್ರೀಯ ಚಿತ್ರೋತ್ಸವ, ವೈಟ್ ನೈಟ್ ಮತ್ತು ಸೋನಾರ್+ಡಿ ಗಳಲ್ಲಿ ಪ್ರದರ್ಶಿಸಲಾಗಿದೆ. ರಸ್ಸೆಲ್ ಅವರು 2019ರಲ್ಲಿ, ಕಲೆ ಮತ್ತು ತಂತ್ರಜ್ಞಾನಗಳ ಆಸ್ಟ್ರೇಲಿಯಾ ಜಾಲದ (ಎಎನ್ಎಟಿ-ಯ) ಸೈನಾಪ್ಸ್ ರೆಸಿಡೆನ್ಸಿ ಕಾರ್ಯಕ್ರಮಕ್ಕೆ ಆಯ್ಕೆಯಾಗಿದ್ದರು. ಅಲ್ಲಿ ಇವರು ಇಯಾನ್ ಪಾಟ್ಟರ್ ನ್ಯಾನೋಬಯೋಸೆನ್ಸಿಂಗ್ ತಂತ್ರಜ್ಞಾನದೊಂದಿಗಿನ ಸಹಭಾಗಿತ್ವದ ರೋಗತಪಾಸಣಾ ವಿಧಾನಗಳು ಉಂಟುಮಾಡುತ್ತಿರುವ ಸಾಮಾಜಿಕ ಮತ್ತು ಸಾಂಸ್ಕೃತಿಕ ಪರಿಣಾಮಗಳನ್ನು ಅನ್ವೇಷಿಸುವ ಚಲಿಸುವ ಚಿತ್ರ ಕೃತಿಗಳನ್ನು ಅಭಿವೃದ್ಧಿಪಡಿಸಿದರು. ರಸ್ಸೆಲ್ ಅವರು 2020ರಲ್ಲಿ ಟೆಕ್ನೊಲಾಜಿಕೊ ಡಿ ಮಾಂಟೆರ್ರೆಯ್ನ ನಿವಾಸಿ ಕಲಾವಿದರಾಗಿದ್ದರು ಮತ್ತು ಎಎನ್ಎಟಿ ಐಡಿಯೇಟ್ ಕಾರ್ಯಕ್ರಮದ ಸದಸ್ಯರಾಗಿದ್ದರು.","descriptor":"","id":84,"image":"andrea_rassell_w.png","uid":"andrea-rassell"},{"alias":"ಜೇಕಬ್ ಮಾರ್ಟಿನ್","bio":"ಜೇಕಬ್ ಮಾರ್ಟಿನ್ ಅವರೊಬ್ಬ ಇಂಗಾಲದ ಪದಾರ್ಥಗಳ ವಿಜ್ಞಾನಿ ಮತ್ತು ನ್ಯಾನೋತಂತ್ರಜ್ಞರಾಗಿದ್ದಾರೆ. ಇವರು ಮರುಬಳಕೆಯ ಶಕ್ತಿಮೂಲಗಳ ಅಭಿವೃದ್ಧಿಯಲ್ಲಿ ಬಳಸಲು ಸಾಧ್ಯವಾಗುವಂತೆ ಇಂಗಾಲವನ್ನು ಹೇಗೆ ತಯಾರಿಸುವುದು ಎಂಬುದರ ಕುರಿತು ಅಧ್ಯಯನ ಮಾಡುತ್ತಿದ್ದಾರೆ. ಇವರೊಬ್ಬ ಭೌತಶಾಸ್ತ್ರಜ್ಞ, ರಸಾಯನ ಶಾಸ್ತ್ರಜ್ಞ ಮತ್ತು ರಸಾಯನಿಕ ಇಂಜಿನಿಯರ್ ಆಗಿದ್ದು 2020ರಲ್ಲಿ ಕೇಂಬ್ರಿಜ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ತಮ್ಮ ಪಿಎಚ್ಡಿ ಪದವಿಯನ್ನು ಪೂರ್ಣಗೊಳಿಸಿದ್ದಾರೆ. ನಂತರ ಇವರು ಸಿಂಗಪುರದಲ್ಲಿ, “ಕೇಂಬ್ರಿಜ್ ರಾಸಾಯನಿಕ ತಂತ್ರಜ್ಞಾನದಲ್ಲಿ ಇಂಗಾಲ ಇಳಿಕೆ ಕೇಂದ್ರ”ದಲ್ಲಿ ಇಂಗಾಲ ಕಳೆಯುವಿಕೆಯ ಕುರಿತು ಉದ್ದಿಮೆಗಳೊಡನೆ ಕೆಲಸಮಾಡಿದ್ದಾರೆ. ಇವರು ಆಸ್ಟ್ರೇಲಿಯಾದ ಪರ್ತ್ನ ಕರ್ಟಿನ್ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಭೌತಶಾಸ್ತ್ರ ಮತ್ತು ಖಗೋಳಶಾಸ್ತ್ರ ವಿಭಾಗದಲ್ಲಿ ಫಾರೆಸ್ಟ್ ಫ಼ೆಲ್ಲೋ ಆಗಿದ್ದು, ಹೈಡ್ರೋಜನ್ ಹಾಗೂ ಬ್ಯಾಟರಿಗಳನ್ನು ಬಳಸಿಕೊಂಡು, ಇಂಗಾಲದ ಇಳಿಕೆ ಮಾಡಬಲ್ಲ, ಆಧುನಿಕ ಇಂಗಾಲ ಪದಾರ್ಥಗಳ ಕುರಿತು ಅಧ್ಯಯನ ಮಾಡುತ್ತಿದ್ದಾರೆ.","descriptor":"","id":85,"image":"jacob_martin_w.png","uid":"jacob-martin"},{"alias":"ರಕ್ಸ್ ಮೀಡಿಯಾ ಕಲೆಕ್ಟಿವ್","bio":"1992 ರಲ್ಲಿ ಜೀಬೇಶ್ ಬಾಗ್ಚಿ, ಮೋನಿಕಾ ನರುಲಾ ಮತ್ತು ಶುದ್ಧಬ್ರತ ಸೇನ್ಗುಪ್ತಾ ಅವರು ಪ್ರಾರಂಭಿಸಿದರು. ರಕ್ಸ್ ಮೀಡಿಯಾ ಕಲೆಕ್ಟಿವ್ ತನ್ನ ಹೆಸರನ್ನು 'ರಕ್ಸ್' ಪರಿಕಲ್ಪನೆಯಿಂದ ಪಡೆದುಕೊಂಡಿದೆ, ಇದು ಕ್ರಾಂತಿ ಮತ್ತು ತಿರುವುಗಳ ಮೂಲಕ ಸಾಧಿಸಿದ ಜಾಗೃತಿಯ ತೀವ್ರ ಸ್ಥಿತಿಯನ್ನು ಸೂಚಿಸುತ್ತದೆ. ರಕ್ಸ್ಗೆ ಇದು “ಚಲನಾತ್ಮಕ ಚಿಂತನೆ”ಯಾಗಿ ಮಾರ್ಪಾಡಾಗುತ್ತದೆ ಮತ್ತು ಪ್ರಪಂಚದೊಂದಿಗಿನ ಸಕ್ರಿಯ ತೊಡಗುವಿಕೆಯಾಗಿದೆ. ಸಂರಚನೆಗಳು, ಶಿಲ್ಪಕಲೆಗಳು, ವೀಡಿಯೋ ಮತ್ತು ಸಂಗ್ರಹಿಸುವಿಕೆಗಳಂತಹ ವೈವಿಧ್ಯಮಯ ಮಾಧ್ಯಮವನ್ನು ಬಳಸಿಕೊಳ್ಳುವ ಮೂಲಕ ಇವರು ವಸ್ತುಗಳನ್ನು, ಅಸ್ಮಯವನ್ನು ಶೋಧಿಸುವ ಪರಿಕರಗಳಾಗಿ ಪರಿವರ್ತಿಸುತ್ತಾರೆ. ಸಮಕಾಲೀನ ಕಲೆ, ತತ್ವಶಾಸ್ತ್ರ ಮತ್ತು ಐತಿಹಾಸಿಕ ವಿಚಾರಣೆಗಳು ಸೇರುವೆಡೆಯಲ್ಲಿ ಕಾರ್ಯನಿರ್ವಹಿಸುವ ಮೂಲಕ ರಾಕ್ಸ್ ಜಾಗತಿಕ ಅಸ್ತಿತ್ವವನ್ನು ಗಳಿಸಿಕೊಂಡಿದೆ.ಇವರ ಕಾರ್ಯಗಳು ಇವುಗಳನ್ನು ಸಮಕಾಲೀನ ಕಲೆ, ತಾತ್ವಿಕ ಚರ್ಚೆ ಮತ್ತು ಐತಿಹಾಸಿಕ ವಿಚಾರಣೆಗಳು ಸೇರುವೆಡೆಯಲ್ಲಿ ಕಂಡುಕೊಳ್ಳುತ್ತವೆ.
ದೆಹಲಿಯಲ್ಲಿ ನೆಲೆಸಿರುವ ಇವರು ಸರಯ್ ಕಾರ್ಯಕ್ರಮದ ಸಹಸ್ಥಾಪಕರಾಗಿದ್ದಾರೆ. ಶಾಂಘಾಯ್ ಬಿಯೆನ್ನಾಲೆ 2016 ತರಹದ ಪ್ರದರ್ಶನಗಳ, ಪ್ರದರ್ಶನ-ಮೇಲ್ವಿಚಾರಕರಾಗಿದ್ದಾರೆ ಮತ್ತು ಯೊಕೊಹಮ ಟ್ರಿಯೆನ್ನಾಲೆ 2020ರ ಕಲಾತ್ಮಕ ನಿರ್ದೇಶಕರುಗಳಾಗಿದ್ದಾರೆ.
","descriptor":"ಇವರ ಚಲನಚಿತ್ರಗಳನ್ನು ನ್ಯೂಯಾರ್ಕ್ ಇಮ್ಯಾಜಿನ್ ಸೈನ್ಸ್ ಫೆಸ್ಟಿವಲ್ನಲ್ಲಿ, ಓಹಾಕಾ ಚಿತ್ರೋತ್ಸವ, ನ್ಯೂಜಿಲ್ಯಾಂಡ್ ಅಂತರರಾಷ್ತ್ರೀಯ ಚಿತ್ರೋತ್ಸವ, ವೈಟ್ ನೈಟ್ ಮತ್ತು ಸೋನಾರ್+ಡಿ ಗಳಲ್ಲಿ ಪ್ರದರ್ಶಿಸಲಾಗಿದೆ. ರಸ್ಸೆಲ್ ಅವರು 2019ರಲ್ಲಿ, ಕಲೆ ಮತ್ತು ತಂತ್ರಜ್ಞಾನಗಳ ಆಸ್ಟ್ರೇಲಿಯಾ ಜಾಲದ (ಎಎನ್ಎಟಿ-ಯ) ಸೈನಾಪ್ಸ್ ರೆಸಿಡೆನ್ಸಿ ಕಾರ್ಯಕ್ರಮಕ್ಕೆ ಆಯ್ಕೆಯಾಗಿದ್ದರು. ಅಲ್ಲಿ ಇವರು ಇಯಾನ್ ಪಾಟ್ಟರ್ ನ್ಯಾನೋಬಯೋಸೆನ್ಸಿಂಗ್ ತಂತ್ರಜ್ಞಾನದೊಂದಿಗಿನ ಸಹಭಾಗಿತ್ವದ ರೋಗತಪಾಸಣಾ ವಿಧಾನಗಳು ಉಂಟುಮಾಡುತ್ತಿರುವ ಸಾಮಾಜಿಕ ಮತ್ತು ಸಾಂಸ್ಕೃತಿಕ ಪರಿಣಾಮಗಳನ್ನು ಅನ್ವೇಷಿಸುವ ಚಲಿಸುವ ಚಿತ್ರ ಕೃತಿಗಳನ್ನು ಅಭಿವೃದ್ಧಿಪಡಿಸಿದರು. ರಸ್ಸೆಲ್ ಅವರು 2020ರಲ್ಲಿ ಟೆಕ್ನೊಲಾಜಿಕೊ ಡಿ ಮಾಂಟೆರ್ರೆಯ್ನ ನಿವಾಸಿ ಕಲಾವಿದರಾಗಿದ್ದರು ಮತ್ತು ಎಎನ್ಎಟಿ ಐಡಿಯೇಟ್ ಕಾರ್ಯಕ್ರಮದ ಸದಸ್ಯರಾಗಿದ್ದರು.","id":86,"image":"Raqs_Media_Collective_w.png","uid":"raqs_media_collective"},{"alias":"ತೊಮಾಸ್ ಸರಸೇನೊ","bio":"ಕಲಾವಿದರಾದ ತೊಮಾಸ್ ಸರಸೇನೊ ಅವರು ಅರ್ಜೆಂಟೈನಾದಲ್ಲಿ ಜನಿಸಿದ್ದು ಬರ್ಲಿನ್ನಲ್ಲಿ ನೆಲೆಸಿದ್ದಾರೆ. ಇವರು ಜೀವ-ರೂಪಿಸುವಿಕೆ ಮತ್ತು ಬಂಡವಾಳಯುಗದ ಸ್ಥಾಪಿತ ಜ್ಞಾನಕ್ಕೆ ಸವಾಲೊಡ್ಡುವ ಕಾರ್ಯದಲ್ಲಿ ತೊಡಗಿದ್ದಾರೆ. ಮ್ಯೂಸಿಯೋ ಏರೋ ಸೋಲಾರ್ (2007-) ಮತ್ತು ಏರೋಸಿನ್ ಸಂಸ್ಥೆ(2015-)ಗಳೂ ಸೇರಿದಂತೆ ಇಪ್ಪತ್ತಕ್ಕೂ ಹೆಚ್ಚು ವರ್ಷಗಳಿಂದ ನಡೆದುಬಂದಿರುವ ಇವರ ಯೋಜನೆಗಳು ವಾಯುಮಂಡಲದ ಸಹನಿರ್ಮಾಣವನ್ನು ಸಕ್ರಿಯವಾಗಿ ಪುನವಿರ್ಮಶಿಸುತ್ತವೆ. ಸಾರಸೇನೋ ಅವರ ಕಾರ್ಯಗಳು ಇಂಗಾಲ ಹೊರಸೂಸುವಿಕೆಯಿಂದ ಮತ್ತು ಬಂಡವಾಳಯುಗದ ಶೋಷಣೆಯಿಂದ ಮುಕ್ತವಾದ ಸಮಾಜವನ್ನು ಹುಡುಕಾಡುತ್ತದೆ. ಗಮನಾರ್ಹವೆಂಬಂತೆ, ಏರೋಸಿನ್ ಇದುವರೆಗೆ 110 ಹಾರುವ ಬಲೂನುಗಳ ಮೂಲಕ, 15 ನಿಯಂತ್ರಣ ಮುಕ್ತ ವಿಮಾನಗಳ ಮೂಲಕ ಮತ್ತು 8 ಮಾನವ ವಿಮಾನಗಳ ಮೂಲಕ ಒಟ್ಟು 7060 ನಿಮಿಷಗಳನ್ನು ಪೂರೈಸಿದೆ. 2020ರಲ್ಲಿ, ಅರ್ಜೆಂಟೈನಾದಲ್ಲಿ ಲೀಥಿಯಂ ಹೊರತೆಗೆಯುವಿಕೆಯನ್ನು ವಿರೋಧಿಸಿ ಪ್ರತಿಭಟಿಸುತ್ತಿದ್ದ ಸ್ಥಳೀಯ ಸಮುದಾಯಗಳನ್ನು ಬೆಂಬಲಿಸುವ ಸಲುವಾಗಿ ನಡೆಸಲಾದ ಫ್ಲೈ ವಿತ್ ಏರೋಸಿನ್ ಪಚ ಎಂಬ ಯೋಜನೆಯು, ಮಾನವ ಇತಿಹಾಸದಲ್ಲಿಯೇ ಅತ್ಯಂತ ಸುಸ್ಥಿರ ಹಾರಾಟವೆಂದು 32 ವಿಶ್ವದಾಖಲೆಗಳನ್ನು ಮಾಡಿದೆ. ಸಾರಸೇನಾರವರ ಕಲಾಕೃತಿಗಳು ಜೀವಜಾಲದಲ್ಲಿನ ಕಂಪನಗಳ ಬಹುತ್ವಗಳನ್ನು ಶೋಧಿಸುತ್ತವೆ. ಆ ಮೂಲಕ ಪರಿಸರದೊಂದಿಗಿನ ನಮ್ಮ ಸಂಬಂಧದ ಆಳವಾದ ಸ್ವರೂಪವನ್ನು ತೆರೆದಿಡುತ್ತದೆ.","descriptor":"","id":87,"image":"tomas_saraceno_w.png","uid":"tomas_saraceno"},{"alias":"ಏರೋಸೀನ್ ಸಂಸ್ಥೆ","bio":"ದಿ ಏರೋಸಿನ್ ಸಂಸ್ತೆ ಕಲಾವಿದರಾದ ತೊಮಾಸ್ ಸರಸೇನೊ ಅವರಿಂದ ಸ್ಥಾಪನೆಗೊಂಡ ಲಾಭರಹಿತ ಸಂಸ್ಥೆಯಾಗಿದ್ದು ಸಮುದಾಯ ನಿರ್ಮಾಣ, ವೈಜ್ಞಾನಿಕ ಸಂಶೋಧನೆ, ಕಲಾನುಭವ ಮತ್ತು ಶಿಕ್ಷಣಗಳಿಗೆ ಮುಡುಪಾಗಿದೆ. ಈ ಸಂಸ್ತೆ ಕಲಾವಿದರು, ಚಿಂತಕರು, ವಿಜ್ಞಾನಿಗಳು, ಸಂಶೋಧಕರು, ಬಲೂನ್ ಪರಿಣಿತರು, ತಂತ್ರಜ್ಞರು, ಸಾಮಾಜಿಕ ಕಾರ್ಯಕರ್ತರು, ಪ್ರಭಾವಿಗಳು ಮತ್ತು ದಾರ್ಶನಿಕರ ಜೊತೆಗೂಡಿ ಕೆಲಸ ಮಾಡುವ ಮೂಲಕ ಭೌಗೋಳಿಕ ಸಂಪನ್ಮೂಲ ಪರಿಚಲನೆ ಬಗ್ಗೆ ಸಾರ್ವಜನಿಕ ಜಾಗೃತಿ ಮೂಡಿಸುತ್ತದೆ. ಇದರೊಂದಿಗೆ ಭೂಮಿಯೊಂದಿಗಿನ ಹೊಸ ಸಹಜೀವನದ ಸಂಬಂಧಗಳೆಡೆಗಿನ ಸಾಮಾನ್ಯ ಕಲ್ಪನೆಗಳನ್ನು ಮರುಚಾಲನೆಗೊಳಿಸಲು ಶ್ರಮಿಸುತ್ತದೆ.","descriptor":"","id":88,"image":"aerocene_foundation_w.png","uid":"aerocene_foundation"},{"alias":"ಕ್ಯಾಥರೀನಾ ವೀಕಲ್","bio":"ಸ್ವಿಜ಼್-ಜರ್ಮನ್ ಮೂಲದವರಾದ ಕ್ಯಾಥರೀನಾ ವೀಕಲ್ರವರು ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಕರು, ಚಲನಚಿತ್ರ ತಯಾರಕರು ಮತ್ತು ವಿಜ್ಞಾನ ಸಂವಹನಕಾರರಾಗಿದ್ದಾರೆ. ಇವರು ಬರ್ಲಿನ್ನ ಹಂಬಲ್ಟ್ ಯೂನಿವರ್ಸಿವರ್ಸಿಟಿಯಲ್ಲಿ ವಿಜ್ಞಾನದ ಇತಿಹಾಸ ಎಂಬ ವಿಷಯದಲ್ಲಿ ಪಿಎಚ್ಡಿ ಪದವಿಯನ್ನು ಪಡೆದಿದ್ದಾರೆ. ಪ್ರಸ್ತುತ, ಇವರು ಜೂರಿಚ್ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಗ್ರಾಜುಯೇಟ್ ಕ್ಯಾಂಪಸ್ನ ಉಪನಿರ್ದೇಶಕರಾಗಿದ್ದಾರೆ. ಆ ಮೂಲಕ ಯುವ ವಿಜ್ಞಾನಿಗಳನ್ನು ಬೆಂಬಲಿಸುತ್ತಾ, ಅಂತರ್ಶಿಸ್ತು ಸಹಯೋಗವನ್ನು ಬೆಳೆಸಲು ಮತ್ತು ಸಾರ್ವಜನಿಕ ಸಂವಾದದಲ್ಲಿ ತೊಡಗಿಸಿಕೊಳ್ಳಲು ಸಮರ್ಪಿಸಿದ್ದಾರೆ.ವೀಕಲ್ ಅವರು ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಕರಾಗಿ ವಿಜ್ಞಾನ ಮತ್ತು ಕಲೆಗಳ ಸೇರುವೆಡೆಯನ್ನು ಸಕ್ರಿಯವಾಗಿ ಉತ್ತೇಜಿಸುತ್ತಾರೆ. 2022ರ ಮ್ಯೂಸಿಯಮ್ ಫ಼ರ್ ಗಿಸ್ಟಾಲ್ಟಂಗ್ ಪ್ಲಾನೆಟ್ ಡಿಜಿಟಲ್ನಲ್ಲಿ ನಡೆದ “ಪ್ಲಾನೆಟ್ ಡಿಜಿಟಲ್”, 2018ರ ಜೂರಿಚ್ನ ಕುನ್ಸ್ಟಾಲೆಯಲ್ಲಿ ನಡೆದ “100 ವೇಸ್ ಆಫ್ ಥಿಂಕಿಂಗ್” ಮತ್ತು 2016ರ ಮ್ಯಾನಿಫೆಸ್ಟಾ11 ರಲ್ಲಿ ನಡೆದ “ಟ್ರ್ಯಾನ್ಸಾಕ್ಷನ್ಸ್”ಗಳು ಇವರು ಮೇಲ್ವಿಚಾರಕರಾಗಿ ನಡೆಸಿಕೊಟ್ಟ ಕೆಲವು ಪ್ರಮುಖ ಪ್ರದರ್ಶನಗಳಾಗಿವೆ.
ಇವರ ಕೆಲಸವು ವೈಜ್ಞಾನಿಕ ವಿಚಾರಣೆ ಮತ್ತು ಕಲಾತ್ಮಕ ಅಭಿವ್ಯಕ್ತಿಯ ನಡುವಿನ ಅಂತರವನ್ನುಅಳಿಸುವ ಬದ್ಧತೆಯನ್ನು ಪ್ರತಿಬಿಂಬಿಸುತ್ತದೆ.
","descriptor":"","id":89,"image":"katharine_weikl_w.png","uid":"katharina_weikl"},{"alias":"‘ಟ್ರಿಗರ್ಡ್ ಬೈ ಮೋಶನ್’ ಸಂಶೋಧನಾ ಜಾಲ","bio":"ಟ್ರಿಗರ್ಡ್ ಬೈ ಮೋಶನ್ ತಂಡದ ಹಿಂದೆ ಕಲೆ ವಿಜ್ಞಾನ ಕಚೇರಿ, ಜೂರಿಚ್ ವಿಶ್ವವಿದ್ಯಾಲಯದ ವಿಕಸನಾತ್ಮಕ ಜೀವಶಾಸ್ತ್ರ ವಿಭಾಗ ಮತ್ತು ಪಾರಿಸಾರಿಕ ಅಧ್ಯಯನಗಳ ವಿಭಾಗಗಳಿವೆ. ಇವು ಒಂದು ಸಂಶೋಧಕರ ಅಂತರರಾಷ್ಟ್ರೀಯ ಜಾಲ, ಕೆಲವು ಸರ್ಕಾರೇತರ ಸಂಸ್ಥೆಗಳು ಮತ್ತು ನಾಗರಿಕ ವಿಜ್ಞಾನಿಗಳನ್ನು ಜೊತೆಗೂಡಿ ಕೆಲಸ ಮಾಡುತ್ತಿವೆ.","descriptor":"","id":90,"image":"triggered_by_motion_research_network_w.png","uid":"triggered_by_motion_research_network"},{"alias":"ಕಾರ್ಬನ್ ಏಸ್ತೆಟಿಕ್ಸ್ ಗ್ರೂಪ್","bio":"ಕಾರ್ಬನ್ ಏಸ್ತೆಟಿಕ್ಸ್ ಗ್ರೂಪ್ ಎಂದರೆ ಅದು ಡಿಸೈರಿ ಫಾರೆಸ್ಟರ್, ಆಂದ್ರೆಸ್ ಬರ್ಬನೊ, ಮಿರಿಯಲ್ ಮಿಲಿಸ್ವಿಕ್, ಅಲೆಕ್ಸ್ ಟೊಲ್ಯಾಂಡ್, ಕ್ಲೆಮೆನ್ಸ್ ವಿಂಕ್ಲರ್ ಮತ್ತು ಕೆರೊಲಿನಾ ಸೊಬೆಸ್ಕಾ ಆಗಿದ್ದಾರೆ. ಈ ತಂಡವು, ಪದಾರ್ಥ ಮತ್ತು ಧಾತುಗಳತ್ತ ಆಸಕ್ತರಾಗಿರುವ ಮತ್ತು ಇಂಗಾಲಚಕ್ರದೊಂದಿಗೆ ಬೆಸೆದುಕೊಂಡಿರುವ ಜೀವ-ರಾಸಾಯನಿಕ ಮತ್ತು ತಾಂತ್ರಿಕ ಪ್ರಕ್ರಿಯೆಗಳ ಪರಸ್ಪರ ನಂಟಿನ ಕಾಲ್ಪನಿಕ ಮತ್ತು ಸಾಮಾನ್ಯ ಪ್ರತೀಕಗಳ ಕುರಿತು ಕೆಲಸ ಮಾಡುತ್ತಿರುವ ಸಂಶೋಧಕರು ಮತ್ತು ಕಲಾವಿದರನ್ನು ಒಗ್ಗೂಡಿಸುತ್ತದೆ. ಈ ಗುಂಪಿನ ಸದಸ್ಯರುಗಳು, ಸರಕುಗಳ ಸಾಗಣೆಯನ್ನು ಸಾಧ್ಯವಾಗಿಸುವ ಮತ್ತು ಆ ಮೂಲಕ ಪ್ರಪಂಚದೊಂದಿಗೆ ನಮ್ಮ ಅರ್ಥಪೂರ್ಣ ಒಡನಾಟ ಉಂಟುಮಾಡುವ ಮೂಲಭೂತಸೌಕರ್ಯಗಳನ್ನು ರೂಪಿಸುವ ವಸ್ತುಗಳನ್ನು ಒಳಗೊಂಡ ಸಂಬಂಧಗಳ ಬಗ್ಗೆ ಒತ್ತುನೀಡುತ್ತಾರೆ.","descriptor":"","id":91,"image":"Pentagon_Portrait.jpg","uid":"carbon-aesthetics-group"},{"alias":"ಮಿತ್ತರ್ ಬೇಡಿ","bio":"ಭಾರತೀಯರಾದ ಮಿತ್ತರ್ ಬೇಡಿಯವರೊಬ್ಬ ಹೆಸರಾಂತ ಕೈಗಾರಿಕಾ ಛಾಯಾಗ್ರಾಹಕರಾಗಿದ್ದಾರೆ. ಇವರು ಹಲವಾರು ಸಾರ್ವಜನಿಕ ಹಾಗೂ ಖಾಸಗಿ ಸಂಸ್ಥೆಗಳಿಂದ ನೇಮಕಗೊಂಡು ಹಲವಾರು ಕೈಗಾರಿಕೆಗಳ ಯೋಜನೆಗಳನ್ನು ವ್ಯಾಪಕವಾಗಿ ಚಿತ್ರೀಕರಿಸಿದ್ದಾರೆ. ಈ ಕೈಗಾರಿಕೆಗಳಲ್ಲಿ ಉಕ್ಕು, ತೈಲ, ಗಣಿ, ಸೇವಾಉದ್ದಿಮೆಗಳು, ಸಕ್ಕರೆ ಕಾರ್ಖಾನೆಗಳೂ ಕೂಡಾ ಸೇರಿವೆ. ಇವುಗಳ ಛಾಯಾಚಿತ್ರಗಳನ್ನು ಸೆರೆಹಿಡಿಯುವುದರ ಜತೆಯಲ್ಲೇ ಜಾಹೀರಾತು ಉದ್ದಿಮೆ, ಫ್ಯಾಶನ್ ಉದ್ದಿಮೆ ಮತ್ತು ಚಲನಚಿತ್ರಗಳಿಗೂ ಇವರು ಕೆಲಸ ಮಾಡಿದ್ದಾರೆ. ಕಪ್ಪುಬಿಳುಪಿನಲ್ಲಿರುವ ಇವರ ಗಾಢವಾದ ಚಿತ್ರಗಳು ನೆಹ್ರೂಯುಗದ ಭಾರತದ ಮಹತ್ವದ ದಾಖಲೆಯಾಗಿವೆ. ಇವು ಕೈಗಾರಿಕಾ ಛಾಯಾಗ್ರಹಣವು ಬೆಳೆದು ಬಂದ ದಾರಿಯನ್ನು ತೋರಿಸುತ್ತವೆ. ಇವರ ಛಾಯಾಚಿತ್ರಗಳು ಕೇವಲ ಕ್ರಿಯಾತ್ಮಕ ಹಾಗೂ ಪ್ರಾತಿನಿಧಿಕವಾಗಿ ಇರುವುದು ಮಾತ್ರವಲ್ಲದೆ ಕಲಾತ್ಮಕವಾಗಿಯೂ ಇವೆ. ಇವರ ಛಾಯಾಚಿತ್ರಗಳು ವಸ್ತುಗಳ ನಿಕಟ ಅಧ್ಯಯನದ ಜೊತೆಯಲ್ಲಿ, ವಸ್ತುಗಳು ಮತ್ತು ಅವುಗಳ ಸ್ವರೂಪಗಳ ನಡುವಿನ ನೆಂಟನ್ನು, ವಸ್ತುಗಳ ಆಕಾರ, ವಿನ್ಯಾಸ ಅಥವಾ ಜ್ಯಾಮಿತಿಗಳ ಮೂಲಕ ತೆರೆದಿಡುತ್ತವೆ.","descriptor":"","id":92,"image":"Pentagon_Portrait.jpg","uid":"mitter-bedi"},{"alias":"ಟಿ. ಎಸ್. ಸತ್ಯನ್","bio":"ಟಿ. ಎಸ್. ಸತ್ಯನ್ ಎಂದೇ ಜನಪ್ರಿಯರಾಗಿರುವ ತಾಂಬ್ರಹಳ್ಳಿ ಸುಬ್ರಮಣ್ಯ ಸತ್ಯನಾರಾಯಣ ಅಯ್ಯರ್ ಅವರು ಭಾರತದ ಹಳೆಯ ತಲೆಮಾರಿನ ಛಾಯಾಚಿತ್ರ-ಪತ್ರಕರ್ತರ ಸಾಲಿನಲ್ಲಿ ಪ್ರಮುಖರಾಗಿದ್ದಾರೆ. ಕಪ್ಪುಬಿಳುಪು ಛಾಯಾಚಿತ್ರಗಳಿಗೆ ಹೆಸರಾಗಿರುವ ಇವರು, ಹಲವಾರು ಅಪ್ರತಿಮ ವ್ಯಕ್ತಿಗಳ, ದಕ್ಷಿಣ ಏಷ್ಯಾ ಇತಿಹಾಸದ ಅನೇಕ ಪ್ರಮುಖ ಘಟನೆಗಳ ಮತ್ತು ಇಪ್ಪತ್ತನೆ ಶತಮಾನದಲ್ಲಿನ ಭಾರತದ ದೈನಂದಿನ ಬದುಕನ್ನು ತಮ್ಮ ಕ್ಯಾಮರಾದಲ್ಲಿ ಸೆರೆಹಿಡಿದಿದ್ದಾರೆ. ಸತ್ಯನ್ ಅವರು ತಮ್ಮ ಕ್ಯಾಮೆರಾ ಕಣ್ಣನ್ನು ಸೌಂದರ್ಯದಾಚೆಗೆ ಅಂದರೆ ಮಕ್ಕಳ ಕಲ್ಯಾಣ, ಕಲಿಕೆ ಮತ್ತು ವೈದ್ಯಕೀಯ ಪ್ರಗತಿಗಳ ಬಗ್ಗೆಯೂ ಹಾಯಿಸಿದ್ದಾರೆ. ಆ ಕಾಲದ ನಿಷ್ಪಕ್ಷಪಾತ ಚರಿತ್ರಕಾರನಾಗಿದ್ದ ಇವರು, ಕ್ಯಾಮೆರಾದ ಪಾತ್ರವನ್ನು ಅವರು ತೀವ್ರವಾಗಿ ನಂಬಿದ್ದಷ್ಟೇ ಅಲ್ಲದೆ ಈ ತತ್ವವನ್ನು ತಮ್ಮ ವೃತ್ತಿಜೀವನದುದ್ದಕ್ಕೂ ದೃಢವಾಗಿ ಎತ್ತಿಹಿಡಿದರು. ಸತ್ಯನ್ ಅವರ ಕೃತಿಗಳು ಬರಿಯ ಭಾರತದ ಇತಿಹಾಸದ ಚಿತ್ರಣವಷ್ಟೇ ಆಗಿರದೆ ಸಾಮಾಜಿಕ ಸಮಸ್ಯೆಗಳ ಬಗ್ಗೆ ಅವರಿಗಿದ್ದ ಕಾಳಜಿಯ ಪ್ರತೀಕವೂ ಆಗಿವೆ. ಆ ಕಾರಣದಿಂದಲೇ ಅವರು ಭಾರತೀಯ ಛಾಯಾಚಿತ್ರ ಪತ್ರಿಕೋದ್ಯಮದ ಧ್ರುವತಾರೆಯಾಗಿದ್ದಾರೆ.","descriptor":"","id":93,"image":"Pentagon_Portrait.jpg","uid":"t-s-satyan"},{"alias":"ನಯನ್ ಚಕ್ರಬೋರ್ತಿ","bio":"ನಯನ್ ಚಕ್ರಬೋರ್ತಿ ಅವರ ವೈವಿಧ್ಯಮಯ ಆಸಕ್ತಿಗಳು ಅವರನ್ನು ವಿವಿಧ ಕ್ಷೇತ್ರಗಳಲ್ಲಿ ಆಸಕ್ತಿಕರ ಮಾದರಿಗಳನ್ನು ಹುಡುಕಾಡುವಲ್ಲಿ ಮಾರ್ಗದರ್ಶನ ನೀಡುದತ್ತದೆ. ಪ್ರಸ್ತುತವಾಗಿ ಅವರು ಬೆಂಗಳೂರಿನಲ್ಲಿರುವ ಟಾಟಾ ಮೂಲಭೂತ ಸಂಶೋಧನಾ ಸಂಸ್ಥೆಯಲ್ಲಿರುವ ರಾಷ್ಟ್ರೀಯ ಜೀವ ವಿಜ್ಞಾನಗಳ ಕೇಂದ್ರದಲ್ಲಿ, ಸಿಮನ್ಸ್ನ ಜೀವಂತ ಯಂತ್ರಗಳ ಅಧ್ಯಯನ ಕೇಂದ್ರದಲ್ಲಿ ತಮ್ಮ ಪಿಎಚ್.ಡಿ ಮಾಡುತ್ತಿದ್ದಾರೆ. ಅವರ ಶೈಕ್ಷಣಿಕ ಸಾಧನೆಗಳ ಜೊತೆಗೆ, ಅವರು ಥರ್ಡ್ ವರ್ಲ್ಡ್ ನೆಟ್ವರ್ಕ್ನೊಂದಿಗೆ ಸಹಕರಿಸುವ ಕಾನೂನು ಸಂಸ್ಥೆಗಳಿಗೆ ರಸಾಯನಶಾಸ್ತ್ರ ಸಲಹೆಗಾರರಾಗಿ ಸೇವೆ ಸಲ್ಲಿಸುತ್ತಾರೆ, ಇದು ವೈದ್ಯಕೀಯ ಪ್ರವೇಶವನ್ನು ಹೆಚ್ಚಿಸಲು ಮೀಸಲಾಗಿರುವ ಜಾಗತಿಕ ಎನ್ಜಿಒ. ನಯನ್ ಅವರು ತಮ್ಮ ಬಿಡುವಿನ ವೇಳೆಯಲ್ಲಿ, ಹೊಸಹೊಸ ಜಾಗಗಳಿಗೆ ಪ್ರವಾಸ ಹೋಗುವುದನ್ನು, ಪುಸ್ತಕದ ಪುಟಗಳ ಒಳಗೆ ಅಥವಾ ಸಂಗೀತದ ಮಾಧುರ್ಯದಲ್ಲಿ ಮುಳುಗುವುದನ್ನು ಆನಂದಿಸುತ್ತಾರೆ.","descriptor":"","id":94,"image":"nayan_chakraborty_w.png","uid":"nayan-chakraborty"},{"alias":"ಶಶಿ ತುಟುಪಲ್ಲಿ","bio":"ಪ್ರಸ್ತುತ, ಶಶಿ ತುಟುಪಲ್ಲಿ ಅವರು ಬೆಂಗಳೂರಿನಲ್ಲಿರುವ ಟಾಟಾ ಮೂಲಭೂತ ಸಂಶೋಧನಾ ಸಂಸ್ಥೆಯಲ್ಲಿರುವ ಜೈವಿಕ ವಿಜ್ಞಾನಗಳ ರಾಷ್ಟ್ರೀಯ ಕೇಂದ್ರದಲ್ಲಿ ಸೀಮನ್ಸ್ ಜೀವಂತ ಯಂತ್ರ ಅಧ್ಯಯನ ಕೇಂದ್ರದ ಅಂಗವಾಗಿದ್ದಾರೆ. 2011ರಲ್ಲಿ ಇವರು ತಮ್ಮ ಪಿಎಚ್ಡಿ ಪದವಿಯನ್ನು ಜರ್ಮನಿಯಲ್ಲಿರುವ ಮ್ಯಾಕ್ಸ್ ಪ್ಲಾಂಕ್ ಕ್ರಿಯಾಶಾಸ್ತ್ರ ಮತ್ತು ಸ್ವಯಂ-ಸಂಘಟನಾ ಸಂಸ್ಥೆಯಲ್ಲಿ, ಆಕ್ಟಿವ್ ಮ್ಯಾಟರ್ (ಸಕ್ರಿಯ ವಸ್ತು)ಗಳೆಂಬ ವಿಷಯದಲ್ಲಿ ಗಳಿಸಿದ್ದಾರೆ. ಇದರ ಹಿಂದೆಯೇ ಇವರು ಪ್ರಿನ್ಸ್ಟನ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಪೋಸ್ಟ್ಡಾಕ್ಟೋರಲ್ ಫ಼ೆಲ್ಲೋಶಿಪ್ ಕೂಡಾ ತೆಗೆದುಕೊಂಡಿದ್ದಾರೆ. ತುಟುಪಲ್ಲಿಯವರು ಭಾರತದಲ್ಲಿ, 2015ರಿಂದಲೂ ಕೌತುಕ ಪ್ರೇರಿತ ಸಂಶೋಧನಾ ಕಾರ್ಯಕ್ರಮಗಳನ್ನು ಮುನ್ನಡೆಸುತ್ತಿದ್ದಾರೆ. ಅದರ ಮೂಲಕ ಕ್ರಿಯಾಶೀಲ ಹಾಗೂ ಜೀವಂತ ವ್ಯವಸ್ಥೆಗಳಿಗೆ ಸಂಬಂಧಿಸಿದ ವಿಷಯಗಳ ಕುರಿತು ಅನ್ವೇಷಿಸುತ್ತಿದ್ದಾರೆ.","descriptor":"","id":95,"image":"shashi_thutupalli_w.png","uid":"shashi-thutupalli"},{"alias":"ಟೆಕ್ನಾಲಜಿ ಫಾರ್ ವೈಲ್ಡ್ಲೈಫ್ ಫ಼ೌಂಡೇಶನ್","bio":"ದಿ ಟೆಕ್ನಾಲಜಿ ಫಾರ್ ವೈಲ್ಡ್ಲೈಫ್ ಫ಼ೌಂಡೇಶನ್, ಗೋವಾ ಮೂಲದ ಲಾಭೋದ್ದೇಶವಿಲ್ಲದ ಸಂಸ್ಥೆಯಾಗಿದ್ದು ಸೂಕ್ತವಾದ ತಂತ್ರಜ್ಞಾನದ ಕಾರ್ಯತಂತ್ರದ ಅನ್ವಯದ ಮೂಲಕ ಸಂರಕ್ಷಣೆ ಪರಿಣಾಮವನ್ನು ಹೆಚ್ಚಿಸಲು ಸಮರ್ಪಿಸಲಾಗಿದೆ. ವ್ಯಾಪಕವಾದ ಸಂಶೋಧನೆ, ಅನುಭವ ಮತ್ತು ಸಹಯೋಗಿಗಳೊಂದಿನ ಸಮಾಲೋಚನೆಗಳ ನೆರವಿನಿಂದ, ಅವರು ಸಂರಕ್ಷಣೆಗ ಸಂಬಂಧಿಸಿದ ದತ್ತಾಂಶಗಳನ್ನು ಕಲೆಹಾಕುತ್ತಾರೆ. ಇದನ್ನು ಅವರು ಉಪಗ್ರಹಗಳು, ಕ್ಷೇತ್ರಕಾರ್ಯ, ಮತ್ತು ತಮ್ಮದೇ ಆದ ವೈಮಾನಿಕ ಮತ್ತು ನೀರಿನಡಿಯಲ್ಲಿ ಕಾರ್ಯನಿರ್ವಹಿಸುವ ರೋಬೋಟುಗಳ ಮೂಲಕ ಸಂಗ್ರಹಿಸುತ್ತಾರೆ. ಇವರ ಧ್ಯೇಯವು ಈ ದತ್ತಾಂಶಗಳನ್ನು ಒಗ್ಗೂಡಿಸುವುದನ್ನು, ಸರಳಗೊಳಿಸುವುದನ್ನು ಮತ್ತು ದೃಶ್ಯರೂಪಕ್ಕೆ ತರುವುದನ್ನು ಒಳಗೊಂಡಿರುತ್ತದೆ. ಆ ಮೂಲಕ ಸಂರಕ್ಷಣಾ ಕಾರ್ಯದಲ್ಲಿ ತೊಡಗಿರುವವರು, ವಾಸ್ತವಾಂಶಾಧಾರಿತ ತೀರ್ಮಾನಗಳನ್ನು ಕೈಗೊಂಡು ಭೂಮಿಯ ನಾಳೆಗಳನ್ನು ರೂಪುಗೊಳಿಸಲು ನೆರವಾಗುತ್ತವೆ. 21ನೆಯ ಶತಮಾನದ ಸಂರಕ್ಷಣಾ ಪ್ರಯತ್ನಗಳನ್ನು ಮುಂದೊಯ್ಯಲು ತಂತ್ರಜ್ಞಾನಗಳ ಅಳವಡಿಕೆ ಮತ್ತು ಮುಕ್ತ ಆವಿಷ್ಕಾರಗಳನ್ನು ಬಳಸುವ ಬಗ್ಗೆ ಅಪಾರ ಆಸಕ್ತಿಹೊಂದಿರುವ ಫ಼ೌಂಡೇಶನ್ ಮುಂದಿನದಿನಗಳಲ್ಲಿ ವನ್ಯಜೀವಿ ಹಾಗೂ ಪರಿಸರದ ಸಂರಕ್ಷಣೆಗಾಗಿ ನೈತಿಕಮೌಲ್ಯದೊಂದಿಗಿನ ತಂತ್ರಜ್ಞಾನಗಳನ್ನು ಅಭಿವೃದ್ಧಿ ಪಡಿಸುವ ದೂರದೃಷ್ಟಿಯನ್ನು ಹೊಂದಿದೆ. ರೋಬೋಟಿಕ್ಸ್, ಭೂಗೋಳದ ವಿಶ್ಲೇಷಣೆಯಲ್ಲಿ, ಕೃತಕ ಬುದ್ಧಿಮತ್ತೆಯಲ್ಲಿ ಮತ್ತು ಹೆಚ್ಚಿಸಿದ/ ಹುಸಿ ವಾಸ್ತವ ವಿಷಯಗಳಲ್ಲಿ ಹೊಂದಿರುವ ಪರಿಣತಿಯೊಂದಿಗೆ ಸಂಶೋಧನೆಗಳನ್ನು ನಡೆಸುತ್ತಾರೆ. ಈ ಎಲ್ಲವನ್ನೂ ಒಟ್ಟುಗೂಡಿಸಿಕೊಂಡು ತಮ್ಮ ಯೋಜನೆಗಳನ್ನು ಕಾರ್ಯಗತಗೊಳಿಸುತ್ತಾರೆ.","descriptor":"\"ಇವರ ಸಂಶೋಧನೆಗಳು ವಿಶೇಷವಾಗಿ ಪರಿಸರ ವಿಕಾಸ ಪ್ರಕ್ರಿಯೆಗಳು ಮತ್ತು ಹೊರಹೊಮ್ಮುತ್ತಿರುವ ಯಂತ್ರಶಾಸ್ತ್ರಗಳ ನಡುವಿನ ಪರಸ್ಪರ ಒಡನಾಟಗಳನ್ನು ಕೇಂದ್ರೀಕರಿಸಿವೆ.\"","id":96,"image":"tech-for-wildlife_w.png","uid":"tech-for-wildlife"},{"alias":"ಯಾನ್ ಸ್ವಿರ್ಕೊವ್ಸ್ಕಿ","bio":"ಯಾನ್ ಸ್ವಿರ್ಕೊವೋಸ್ಕಿ ಅವರೊಬ್ಬ ಕಲಾವಿದರು, ವಿಜ್ಞಾನಿ ಮತ್ತು ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಾಗಿದ್ದಾರೆ. ಇವರಿಗೆ 2018ರಲ್ಲಿ ಪೋಲ್ಯಾಂಡ್ ದೇಶದಲ್ಲಿ “ಸೈನ್ಸ್ ಪಾಪುಲರೈಸರ್(ವಿಜ್ಞಾನ ಜನಪ್ರಿಯಗೊಳಿಸುವಾತ)” ಎಂಬ ಮನ್ನಣೆ ದೊರೆತಿದೆ. ಇವರು ಅಂತರರಾಷ್ಟ್ರೀಯ ಕಲೆ ಮತ್ತು ವಿಜ್ಞಾನ ಸಮಗ್ರ ಸಂಸ್ಥೆ, ಇನ್ಸ್ಟಿಟ್ಯೂಟ್ ಬಿ61 ಎಂಬ ಸಂಸ್ಥೆಯನ್ನು ಸ್ಥಾಪಿಸಿದ ದಾರ್ಶನಿಕರಾಗಿದ್ದಾರೆ. ಶ್ವಿರ್ಕೋವ್ಸ್ಕಿಯ ಯೂರೋಪಿಯನ್ ಆಯೋಗದಿಂದ ದೇಣಿಗೆಯನ್ನು ಪಡೆದಿರುವ ಕಲೆ ಮತ್ತು ವಿಜ್ಞಾನಗಳ ಕ್ರಾಂತಿಕಾರಿ ಸಹಯೋಗದ ಅತಿ ವಿಶಿಷ್ಟವಾದ, ತಲ್ಲಿನ್ನ್ನಿಂದ ಲಿಸ್ಬನ್ವರೆಗಿನ ಸರಕು ರೈಲು ಪಯಣವಾದ “ಕಾಸ್ಮಿಕ್ ಅಂಡರ್ಗ್ರೌಂಡ್”ನ ಚಿತ್ರಕತೆ ಬರೆದಿದ್ದಾರೆ ಮತ್ತು ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಕರಾಗಿದ್ದಾರೆ. ಈ ಪ್ರದರ್ಶನವು ವಿಭಿನ್ನ ಶಿಸ್ತುಗಳ ಅನನ್ಯವಾದ ಬೆಸುಗೆಯನ್ನು ಪ್ರದರ್ಶಿಸಿದೆ. ಗಮನಾರ್ಹ ಸಂಗತಿಯೆಂದರೆ, ಇವರು ಯೂರೋಪಿಯನ್ ಆಯೋಗದಿಂದ ಸ್ಥಾಪಿತವಾದ ಇನ್ಸ್ಟಾಗ್ರಾಂಗೆಂದೇ ವಿಶೇಷವಾಗಿ ರೂಪಿಸಲಾದ ಹೊಸತನದ, ಕಲೆ ಮತ್ತು ವಿಜ್ಞಾನ ಸಾಹಸಗಳ ಸರಣಿಯಾದ ದಿ ಪೋರ್ಟಲ್ ಡೈರೀಸ್ನ ನಿರ್ಮಾಪಕರಾಗಿದ್ದಾರೆ. ಇವರು 2010ರಲ್ಲಿ ಟೋರನ್ನಲ್ಲಿರುವ ನಿಕೋಲಸ್ ಕೋಪರ್ನಿಕಸ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಿಂದ ಖಗೋಳ ಭೌತಶಾಸ್ತ್ರದಲ್ಲಿ ಸ್ನಾತಕೋತ್ತರ ಪದವಿಯನ್ನು ಪಡೆದಿದ್ದಾರೆ. 2021ರಲ್ಲಿ ಪೋರ್ಚುಗಲ್ನ ಕ್ಯಾಥೋಲಿಕ್ ವಿಶ್ವವಿದ್ಯಾಲಯ ಹಾಗೂ ಕೋಪನ್ಹೇಗನ್ ವಿಶ್ವವಿದ್ಯಾಲಗಳಿಂದ “ಟ್ರಾನ್ಸ್ಲೇಟಿಂಗ್ ದಿ ಇನ್ವಿಸಿಬಲ್: ಕಾನ್ಸೆಪ್ಚುಯಲ್ ಬ್ಲೆಂಡಿಂಗ್ ಇನ್ ಆರ್ಟ್ ಅಂಡ್ ಸೈನ್ಸ್” ಎಂಬ ಸಾಂಸ್ಕೃತಿಕ ಅಧ್ಯಯನಕ್ಕಾಗಿ ಪಿಎಚ್ಡಿ ಪದವಿಯನ್ನೂ ಪಡೆದಿದ್ದಾರೆ. ಸ್ವಿರ್ಕೊವೋಸ್ಕಿಯವರು ಕಲೆ ಮತ್ತು ವಿಜ್ಞಾನಗಳ ಸೇರುವೆಡೆಯ ಕುರಿತಂತೆ ಪರಿಣಿತಿ ಹೊಂದಿದ್ದಾರೆ.","descriptor":"","id":97,"image":"jan_swierkowski_w.png","uid":"jan-swierkowski"},{"alias":"ಸ್ಟುವರ್ಟ್ ಮ್ಯಾಕ್ಮಿಲನ್","bio":"ಸ್ಟುವರ್ಟ್ ಮ್ಯಾಕ್ಮಿಲನ್ ಅವರೊಬ್ಬ ವ್ಯಂಗ್ಯಚಿತ್ರ ಕಲಾವಿದರಾಗಿದ್ದು ಆಸ್ಟ್ರೇಲಿಯಾದ ಕ್ಯಾನ್ಬೆರ್ರಾದಲ್ಲಿ ನೆಲೆಸಿದ್ದಾರೆ. ಇವರು ನಿಜ ಜೀವನದ ಐತಿಹಾಸಿಕ ಘಟನೆಗಳನ್ನು ಮೂಲವಾಗಿರಿಸಿಕೊಂಡ ಸುದೀರ್ಘವಾದ ಸಾಮಾಜಿಕ ವಿಶ್ಲೇಷಣೆಗಳ ವ್ಯಂಗ್ಯಚಿತ್ರಗಳನ್ನು ರೂಪಿಸುವಲ್ಲಿ ಪರಿಣಿತಿ ಹೊಂದಿದ್ದಾರೆ. 2011ರಲ್ಲಿ ಪೂರ್ಣಾವಧಿ ವ್ಯಂಗ್ಯಚಿತ್ರ ಕಲೆಗೆ ಮಾರ್ಪಾಡಾದಾಗಿನಿಂದ ಇವರ ಅಂತರ್ಜಾಲ ತಾಣವಾದ stuartmcmillen.comಗೆ 1.5 ಮಿಲಿಯನ್ ಜನರು ಭೇಟಿ ನೀಡಿದ್ದಾರೆ. ಇವರ ಗಮನಾರ್ಹ ಕೃತಿಗಳೆಂದರೆ, ಪಳೆಯುಳಿಕೆ ಇಂಧನದ ಬಳಕೆಯು ಉಂಟುಮಾಡಿರುವ ಸಾಮಾಜಿಕ ಪರಿಣಾಮಗಳತ್ತ ಆಳ ಒಳನೋಟ ಬೀರುವಂಥಾ ಪೀಕ್ ಆಯಿಲ್ (2015) ಮತ್ತು ಎನರ್ಜಿ ಸ್ಲೇವ್ಸ್ (2017) ಗಳು. 2023ರಲ್ಲಿ ಸ್ಕ್ರೈಬ್ ಪಬ್ಲಿಕೇಶನ್ ಸಂಸ್ಥೆಯವರು ಸ್ಟುವರ್ಟ್ ಅವರಿಗೊಂದು ಹೊಣೆ ಹೊರೆಸಿದ್ದಾರೆ. ಅದು ಸ್ಟುವರ್ಟ್ ಅವರ ಅಂತರ್ಜಾಲ ತಾಣದಲ್ಲಿ ಜನಪ್ರಿಯವಾಗಿರುವ, ದೂರದರ್ಶನವನ್ನು ಪಡೆದುಕೊಂಡ ಅಮೇರಿಕಾದ ಕಟ್ಟಕಡೆಯ ಹಳ್ಳಿಯ ಕುರಿತಾದ, “ದಿ ಟೌನ್ ವಿತ್ಔಟ್ ಟೆಲಿವಿಶನ್” ಎಂಬ ವ್ಯಂಗ್ಯಚಿತ್ರವನ್ನು ವಿಸ್ತರಿಸಿ ಅಭಿವೃದ್ಧಿಪಡಿಸುವುದು. ಇದು ಆಸ್ಟ್ರೇಲಿಯಾ ಹಾಗೂ ಅಮೇರಿಕಾಗಳಲ್ಲಿ ಸ್ಕ್ರೈಬ್ ಸಂಸ್ಥೆಯ ವತಿಯಿಂದ ಪ್ರಕಟಗೊಳ್ಳುತ್ತಿರುವ ಸ್ಟುವರ್ಟ್ರ ಮೊದಲ ಪುಸ್ತಕವಾಗಿದೆ. ಜನಸಮೂಹದಿಂದ ದೇಣಿಗೆ ಪಡೆದುಕೊಂಡು ಪ್ರಸ್ತುತ ನಡೆಸಲಾಗುತ್ತಿರುವ ಪೋಷಕ ಅಭಿಯಾನ, ಓದುಗರ ಕೊಡುಗೆಗಳು ಇಂದು ಸ್ಟುವರ್ಟ್ ಅವರೊಬ್ಬ ಸ್ವಯಂ-ಉದ್ಯೋಗಿಯಾದ ಸ್ವತಂತ್ರ ವ್ಯಂಗ್ಯಚಿತ್ರ ಕಲಾವಿದರಾಗಿರಲು ಸಾಧ್ಯವಾಗಿದೆ.","descriptor":"","id":98,"image":"stuart_mcmillen_w.png","uid":"stuart-mcmillen"},{"alias":"ಮಾರಿಯಾ ಜೋಸೆಫ್","bio":"ಮಾರಿಯಾ ಮರಿಲಿನ್ ಜೋಸೆಫ್ ಅವರೊಬ್ಬ ಬಹುಮುಖ ಉತ್ಪನ್ನ ವಿನ್ಯಾಸಕರಾಗಿದ್ದಾರೆ. ಇವರು ಬಗೆಬಗೆಯ ಯೋಜನೆಗಳಲ್ಲಿ, ವ್ಯಾಪಕವಾದ ಹೊಸಪದಾರ್ಥಗಳ ಅಭಿವೃದ್ಧಿಯಲ್ಲಿ, ದೊಡ್ಡಪ್ರಮಾಣದಲ್ಲಿ ವಸ್ತುಗಳ ತಯಾರಿಕೆ, ತಂತ್ರಜ್ಞಾನಾಧಾರಿತ ಪರಿಹಾರೋಪಾಯಗಳು ಮತ್ತು ಕೌಶಲ್ಯಾಧಾರಿತ ಉತ್ಪನ್ನಗಳ ಕ್ಷೇತ್ರಗಳಲ್ಲಿ ತೊಡಗಿದ್ದಾರೆ. ಬಹುಶಿಸ್ತುಗಳ ನಡುವಿನ ಸಹಯೋಗಗಳನ್ನು ಆರಂಭಿಸುವುದರ ಬಗ್ಗೆ ಒಲವಿರುವ ಇವರು, ಸಹಾನುಭೂತಿ ಮತ್ತು ಪರಿಸರ ಪ್ರಜ್ಞೆಗಳಿಂದ ಪ್ರೇರಿತವಾದ ಫಲಿತಾಂಶಗಳನ್ನು ನೀಡಬಲ್ಲ ವಿಜ್ಞಾನ ಹಾಗೂ ವಿನ್ಯಾಸಗಳ ಸಮನ್ವಯತೆಯನ್ನುರೂಪಿಸುತ್ತಾರೆ. ಜೋಸೆಫ್ ಅವರು ವಿನ್ಯಾಸ ಸಂಶೋಧನೆಯನ್ನು ಬಳಸಿಕೊಂಡು ಮುಂದಿನದಿನಗಳಲ್ಲಿ ಸುಸ್ಥಿರವಾದ ಸ್ಥಳೀಯ ಆಚರಣೆಗಳನ್ನು ಸಾಧ್ಯವಾಗಿಸಬಲ್ಲ ಮಧ್ಯಸ್ಥಿಕೆಗಳನ್ನು ಕಲ್ಪಿಸಿಕೊಳ್ಳುತ್ತಾರೆ. ಪ್ರಸ್ತುತ, ವಿನ್ಯಾಸದ ನಾಳೆಗಳು ಎಂಬ ವಿಷಯದಲ್ಲಿ ಲಂಡನ್ನಿನ ರಾಯಲ್ ಕಾಲೇಜ್ ಆಫ್ ಆರ್ಟ್ನಲ್ಲಿ ಸ್ನಾತಕೋತ್ತರ ಪದವಿ ಶಿಕ್ಷಣ ಪಡೆಯುತ್ತಿದ್ದಾರೆ. ಮುಕ್ತ ವಿನ್ಯಾಸ, ಉತ್ಪಾದನೆ, ಪಾಲ್ಗೊಳ್ಳುವಿಕೆಯ ವಿನ್ಯಾಸ, ಊಹಾತ್ಮಕ ವಿನ್ಯಾಸ, ಜೈವಿಕಪದಾರ್ಥಗಳ ಅನ್ವಯಿಸುವಿಕೆ ಮತ್ತು ಸೇವಾ ವಿನ್ಯಾಸಗಳು ಇವರ ಆಸಕ್ತಿಯ ಕ್ಷೇತ್ರಗಳಾಗಿವೆ.","descriptor":"","id":99,"image":"maria_joseph_w.png","uid":"maria-joseph"},{"alias":"ನುವೇದೋ","bio":"ನುವೇದೋ ಎನ್ನುವುದು ಬೆಂಗಳೂರಿನಲ್ಲಿ ನೆಲೆಗೊಂಡಿರುವ ಒಂದು ಕ್ರಿಯಾತ್ಮಕ ಅಣಬೆ ಬ್ರಾಂಡ್ ಆಗಿದೆ. ಇದರ ಉದ್ದೇಶವು ಅಣಬೆಗಳ ಪರಿವರ್ತಕ ಶಕ್ತಿಯ ಗುಣಪಡಿಸುವ ಗುಣಸ್ವಭಾವಗಳನ್ನು ಜನರಿಗೆ ತಲುಪಿಸುವ ಉದ್ದೇಶವನ್ನು ಹೊಂದಿದೆ. ಇವರು ಅಣಬೆಗಳ ಪರಿಸರಾತ್ಮಕ ಪ್ರಭಾವಗಳ ಮತ್ತು ವಿಶಾಲ ತಳಹದಿಯಲ್ಲಿ ಮೈಸೀಲಿಯಂನ ಮಹತ್ವದ ಮೇಲೆ ಬೆಳಕು ಚೆಲ್ಲುವ ಗುರಿಯನ್ನು ಹೊಂದಿದ್ದಾರೆ.","descriptor":"","id":100,"image":"Nuvedo.png","uid":"nuvedo"},{"alias":"ಎಡ್ಸನ್ ಆಲ್ಬೆರ್ಟೋ ರೇಯ್ನಾ ಗುರೋಲ","bio":"ಎಡ್ಸನ್ ರೇಯ್ನಾ ಮತ್ತು ಲೂಯಿಸ್ ಕಾಂಟ್ರೆರಾಸ್ ಅವರಿಬ್ಬರೂ ಮೆಕ್ಸಿಕೋದಾ ಟೆಕ್ನಾಲಜಿಕೊ ಡೆ ಮಾಂಟೇರ್ರೆಯ್ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಜೈವಿಕ ತಂತ್ರಜ್ಞಾನ ಇಂಜಿನಿಯರಿಂಗ್ ಪದವಿಯನ್ನು ಪಡೆದಿದ್ದಾರೆ. ಇವರು ಜೈವಿಕ-ಕಲಾವಿದರಾಗಿದ್ದಾರೆ ಮತ್ತು ಇಂಟರ್ನ್ಯಾಶನಲ್ ಜೆನೆಟಿಕಲಿ ಇಂಜಿನಿಯರ್ಡ್ ಮೆಶಿನ್ (ಐಜಿಇಎಂ)ನ ಜೈವಿಕಕಲೆ ಚಾಲನಾ ಗುಂಪಿನ ಸದಸ್ಯರಾಗಿದ್ದಾರೆ. ಇದರೊಂದಿಗೆ ಕಲೆ ವಿಜ್ಞಾನ ಮತ್ತು ತಂತ್ರಜ್ಞಾನಗಳ ಪ್ರಯೋಗಾಲಯದ ಸದಸ್ಯರೂ ಕೂಡಾ ಆಗಿದ್ದಾರೆ. ಇವರ ಕಲಾಕೃತಿಗಳು ಜೈವಿಕತಂತ್ರಜ್ಞಾನ ತಂತ್ರಗಳು ಮತ್ತು ಕಲೆಗಳು ಸೇರುವೆಡೆಗೆ ಸಂಬಂಧಿಸಿದ್ದು ನಮ್ಮ ಪ್ರಪಂಚದ ಬಗ್ಗೆ ಆತ್ಮಸಾಕ್ಷಿಯನ್ನು ಹುಟ್ಟುಹಾಕುವಂಥದ್ದಾಗಿವೆ. ಇವು ಸಂಶ್ಲೇಷಿತ ಜೀವಶಾಸ್ತ್ರವನ್ನು ವಿನ್ಯಾಸದ ಒಂದು ಅವಕಾಶ ನೋಡುತ್ತವೆ.","descriptor":"","id":101,"image":"Edson_Reyna.jpeg","uid":"edson-reyna"},{"alias":"ಲೂಯಿಸ್ ಕಾಂಟ್ರೆರಾಸ್","bio":"ಎಡ್ಸನ್ ರೇಯ್ನಾ ಮತ್ತು ಲೂಯಿಸ್ ಕಾಂಟ್ರೆರಾಸ್ ಅವರಿಬ್ಬರೂ ಮೆಕ್ಸಿಕೋದಾ ಟೆಕ್ನಾಲಜಿಕೊ ಡೆ ಮಾಂಟೇರ್ರೆಯ್ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಜೈವಿಕ ತಂತ್ರಜ್ಞಾನ ಇಂಜಿನಿಯರಿಂಗ್ ಪದವಿಯನ್ನು ಪಡೆದಿದ್ದಾರೆ. ಇವರು ಜೈವಿಕ-ಕಲಾವಿದರಾಗಿದ್ದಾರೆ ಮತ್ತು ಇಂಟರ್ನ್ಯಾಶನಲ್ ಜೆನೆಟಿಕಲಿ ಇಂಜಿನಿಯರ್ಡ್ ಮೆಶಿನ್ (ಐಜಿಇಎಂ)ನ ಜೈವಿಕಕಲೆ ಚಾಲನಾ ಗುಂಪಿನ ಸದಸ್ಯರಾಗಿದ್ದಾರೆ. ಇದರೊಂದಿಗೆ ಕಲೆ ವಿಜ್ಞಾನ ಮತ್ತು ತಂತ್ರಜ್ಞಾನಗಳ ಪ್ರಯೋಗಾಲಯದ ಸದಸ್ಯರೂ ಕೂಡಾ ಆಗಿದ್ದಾರೆ. ಇವರ ಕಲಾಕೃತಿಗಳು ಜೈವಿಕತಂತ್ರಜ್ಞಾನ ತಂತ್ರಗಳು ಮತ್ತು ಕಲೆಗಳು ಸೇರುವೆಡೆಗೆ ಸಂಬಂಧಿಸಿದ್ದು ನಮ್ಮ ಪ್ರಪಂಚದ ಬಗ್ಗೆ ಆತ್ಮಸಾಕ್ಷಿಯನ್ನು ಹುಟ್ಟುಹಾಕುವಂಥದ್ದಾಗಿವೆ. ಇವು ಸಂಶ್ಲೇಷಿತ ಜೀವಶಾಸ್ತ್ರವನ್ನು ವಿನ್ಯಾಸದ ಒಂದು ಅವಕಾಶ ನೋಡುತ್ತವೆ.","descriptor":"","id":102,"image":"Luis_Contreras.jpeg","uid":"luis-contreras"},{"alias":"ದಾನಿಯೆಲ ಬ್ರಿಲ್ ಎಸ್ಟ್ರಡಾ","bio":"ದಾನಿಯೆಲ ಬ್ರಿಲ್ ಎಸ್ಟ್ರಡಾ ಅವರು ಬೊಗೊಟಾದಲ್ಲಿ ಜನಿಸಿ, ಸದ್ಯ ವಿಯೆನ್ನಾದಲ್ಲಿ ನೆಲೆಸಿರುವ ಕಲಾವಿದೆಯಾಗಿದ್ದಾರೆ. ಅವರ ಸೃಜನಾತ್ಮಕ ಪ್ರಕ್ರಿಯೆಗಳು ಅವರ ಸಂಕೀರ್ಣತೆಯ ವಿಜ್ಞಾನಗಳು, ಸೌಂದರ್ಯಶಾಸ್ತ್ರ ಮತ್ತು ಜ್ಞಾನದ ಶ್ರೇಣೀಕೃತವಲ್ಲದ ಸ್ವರೂಪಗಳಲ್ಲಿನ ಆಸಕ್ತಿಯನ್ನು ತೋರಿಸುತ್ತವೆ. ಎಲ್ಲೆಯಿರದ ಬಹುವಿಭಾಗೀಯ ತತ್ವದ ಮೇಲೆ, ಅವರು ಸಹ-ರಚಿಸಿರುವ ಮತ್ತು ಪ್ರಸ್ತುತ ಸಹ-ಸಂಘಟಿಸುವ ಸುರಟೋಮಿಕಾ ನೆಟ್ವರ್ಕ್ನ ಸಹಯೋಗದೊಂದಿಗೆ ನಿರ್ಮಿಸಲಾಗಿದೆ. ಅವರು ಸಿ.ಇ.ಆರ್.ಎನ್ನ ಆರಿಜನ್ ನೆಟ್ವರ್ಕ್ ಆಫ್ ಹೈ-ಎನರ್ಜಿ ಫಿಸಿಕ್ಸ್ ತರಹದ ವೈಜ್ಞಾನಿಕ ಸಂಸ್ಥೆಗಳು ಹಾಗೂ ಜಾಲಗಳೊಂದಿಗೆ ಮತ್ತು ಆರ್ಟ್ಸೈ ಸೆಂಟರ್ + ಯು.ಸಿ.ಎಲ್.ಎ ಪ್ರಯೋಗಾಲಯದಂತಹ ಕಲಾ ಸಂಸ್ಥೆಗಳೊಂದಿಗೆ ಸಹಯೋಗ ಹೊಂದಿದ್ದಾರೆ.
ಪ್ರಸ್ತುತ, ಅವರು ತಮ್ಮ ಪಿಎಚ್ಡಿಯ ಅಂಗವಾಗಿ ಆಸ್ಟ್ರಿಯಾದ ಜೊಹಾನ್ಸ್ ಕೆಪ್ಲರ್ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಡಿಐಜಿಐ-ಸೆನ್ಸ್ ಯೋಜನೆಯಲ್ಲಿ ಸಂಶೋಧಕರಾಗಿದ್ದಾರೆ.
","descriptor":"","id":103,"image":"Daniela_Estrada_w.jpg","uid":"Daniela_Brill"},{"alias":"ರೊದ್ದಂ ನರಸಿಂಹ","bio":"ರೊದ್ದಮ್ ನರಸಿಂಹ ಅವರೊಬ್ಬ ಭಾರತೀಯ ಅಂತರಿಕ್ಷಯಾನ ವಿಜ್ಞಾನಿ ಮತ್ತು ದ್ರವ ಚಲನಶಾಸ್ತ್ರಜ್ಞರಾಗಿದ್ದಾರೆ. ಅವರು ಭಾರತೀಯ ವಿಜ್ಞಾನ ಸಂಸ್ಥೆಯಲ್ಲಿ ಅಂತರಿಕ್ಷಯಾನ ಇಂಜಿನಿಯರಿಂಗ್ ಪ್ರಾಧ್ಯಾಪಕರಾಗಿದ್ದರು. ಅಲ್ಲದೇ ರಾಷ್ಟ್ರೀಯ ಅಂತರಿಕ್ಷಯಾನ ಪ್ರಯೋಗಾಲಯಗಳು (ಎನ್.ಎ.ಎಲ್) ಲ್ಲಿ ನಿರ್ದೇಶಕರಾಗಿ ಮತ್ತು ಜೆ. ಎನ್. ಸಿ. ಎ. ಎಸ್. ಆರ್. ನ ಇಂಜಿನಿಯರಿಂಗ್ ಮೆಕ್ಯಾನಿಕ್ಸ್ ಘಟಕದ ಅಧ್ಯಕ್ಷರಾಗಿ ಕಾರ್ಯನಿರ್ವಹಿಸಿದ್ದಾರೆ. ಇವರು ಜೆ. ಎನ್. ಸಿ. ಎ. ಎಸ್. ಆರ್. ನಲ್ಲಿ ಗೌರವ ಪ್ರಾಧ್ಯಾಪಕರಾಗಿ ಮತ್ತು ಹೈದರಾಬಾದ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಪ್ರಾಟ್ & ವಿಟ್ನಿ ವಿಜ್ಞಾನ ಮತ್ತು ಇಂಜಿನಿಯರಿಂಗ್ ಪೀಠದ ಮುಖ್ಯಸ್ಥರಾಗಿ ಸೇವೆ ಸಲ್ಲಿಸಿದ್ದಾರೆ. ಅವರಿಗೆ 2013ರಲ್ಲಿ ಭಾರತದ ಎರಡನೇ ಅತ್ಯುನ್ನತ ನಾಗರಿಕ ಪ್ರಶಸ್ತಿಯಾದ ಪದ್ಮ ವಿಭೂಷಣ ಪ್ರಶಸ್ತಿಯನ್ನು ನೀಡಲಾಯಿತು. ಪ್ರಮುಖವಾಗಿ, ನರಸಿಂಹ ಅವರ ಸಂಶೋಧನೆಯು ಅಂತರಿಕ್ಷಯಾನ ದ್ರವ ಚಲನಶಾಸ್ತ್ರ ಮತ್ತು ವಾಯುಮಂಡಲದಲ್ಲಿನ ಕೆಲ ಸಂಬಂಧಿತ ಸಮಸ್ಯೆಗಳನ್ನು ಕುರಿತಾದುದಾಗಿದೆ. ಇವರು ಪದರು ಹರಿವು (ಲ್ಯಾಮಿನಾರ್ ಫ್ಲೋ) ಮತ್ತು ಬಿರುಸು ಹರಿವು(ಟರ್ಬುಲೆಂಟ್ ಫ್ಲೋ)ಗಳ ನಡುವಿನ ಬದಲಾಗುವಿಕೆ (ಎರಡೂ ದಿಕ್ಕುಗಳಲ್ಲಿ ಹೋಗುವಿಕೆ), ಆಘಾತ ಅಲೆಗಳ ಸ್ವರೂಪ, ಸಂಪೂರ್ಣವಾಗಿ ಅಭಿವೃದ್ಧಿಗೊಂಡ ಬಿರುಸು ಅಲೆಗಳ ವಿಭಿನ್ನ ಗುಣಲಕ್ಷಣಗಳು (ಉದಾ: ಅವುಗಳ ನೆನಪು, ಎಲ್ಲೆ ಪದರಗಳಲ್ಲಿ ಸಿಡಿಯುವ ವಿದ್ಯಾಮಾನ), ಮೋಡಗಳ ದ್ರವ ಚಲನಶಾಸ್ತ್ರ, ಮೇಲ್ಮೆ ಸಮೀಪದ ತಾಪಮಾನ ಹರಡುವಿಕೆ ಮತ್ತು ವಾಯುಮಂಡಲದ ಎಲ್ಲೆ ಪದರಗಳಲ್ಲಿ ಎಡ್ಡಿ ಹರಿವು ಮುಂತಾದ ವಿಷಯಗಳ ಕುರಿತು ವ್ಯಾಪಕವಾದ ಅಧ್ಯಯನ ಮಾಡಿದ್ದಾರೆ.","descriptor":"","id":104,"image":"Pentagon_w.jpg","uid":"Roddam_Narasimha"},{"alias":"ಸುರೇಶ ಮಧುಸೂದನ್ ದೇಶಪಾಂಡೆ","bio":"","descriptor":"","id":105,"image":"Pentagon_w.jpg","uid":"Suresh_Madhusudan_Deshpande"},{"alias":"ಚಂದ್ರಶೇಖರಪ್ಪ ಪ್ರವೀಣ್","bio":"","descriptor":"","id":106,"image":"Pentagon_w.jpg","uid":"Chandrashekarappa_Praveen"},{"alias":"ಬೇಲೂರ್ ರಾಘವನ್ ರಕ್ಷಿತ್","bio":"","descriptor":"","id":107,"image":"Pentagon_w.jpg","uid":"Belur_Raghavan_Rakshith"},{"alias":"ಮಹಾಂತೇಶ ಎಂ","bio":"","descriptor":"","id":108,"image":"Pentagon_w.jpg","uid":"Mahanthesha_M"},{"alias":"ದಿನೇಶ","bio":"","descriptor":"","id":109,"image":"Pentagon_w.jpg","uid":"Dinesha"},{"alias":"ಪ್ರಹಲಾದ","bio":"","descriptor":"","id":110,"image":"Pentagon_w.jpg","uid":"Prahalada"},{"alias":"ರಘು","bio":"","descriptor":"","id":111,"image":"Pentagon_w.jpg","uid":"Raghu"},{"alias":"ನೊಪೊ ನ್ಯಾನೊಟೆಕ್ನಾಲಜೀಸ್ ","bio":"ನೊಪೊ ನ್ಯಾನೊಟೆಕ್ನಾಲಜೀಸ್ ಸಂಸ್ಥೆಯು 2011ರಿಂದ, ಒಂಟಿಪದರದ ಇಂಗಾಲದ ನ್ಯಾನೋಕೊಳವೆಗಳ ಸಂಶೋಧನೆ ಹಾಗೂ ಅಭಿವೃದ್ಧಿ ಮತ್ತು ಬಳಕೆಯ ವಿಷಯಗಳಲ್ಲಿ ಮುಂಚೂಣಿಯಲ್ಲಿದೆ. ಸಂಸ್ಥೆಯು ಕೈಗಾರಿಕೆಗಳ ಮೂಲಕ ದೊಡ್ಡಪ್ರಮಾಣದಲ್ಲಿ ಒಂಟಿಪದರದ ಸಣ್ಣದುಂಡಿನ ಇಂಗಾಲದ ನ್ಯಾನೋಕೊಳವೆಗಳ ತಯಾರಿಕೆಯನ್ನು ಸಿದ್ಧಿಸಿಕೊಂಡಿದೆ. 2018ರಿಂದ ಈ ಉತ್ಪನ್ನಗಳನ್ನು ಸೆಮಿಕಂಡಕ್ಟರ್ಸ್, ಇಲೆಕ್ಟ್ರಾನಿಕ್ಸ್, ವಿದ್ಯುತ್ ವಾಹನಗಳ ಬ್ಯಾಟರಿಗಳು, ಆರೋಗ್ಯಸೇವೆಯೂ ಸೇರಿದಂತೆ ಬಗೆಬಗೆಯ ಸಂಸ್ಥೆಗಳಿಗೆ ಪೂರೈಸುತ್ತಿದ್ದಾರೆ.","descriptor":"","id":112,"image":"Pentagon_w.jpg","uid":"NoPo_Nanotechnologies"},{"alias":"ಹಿಮಾಂಶಿ ಪರ್ಮರ್","bio":"ಹಿಮಾಂಶಿ ಪಾರ್ಮರ್ ಅವರು ಬ್ರ್ಯಾಂಡ್ ವಿನ್ಯಾಸ ಮತ್ತು ಸಮಾಜಿಕವಾಗಿ ಪ್ರಭಾವ ಬೀರುವ ಸಂಸ್ಥೆಗಳ ಕಾರ್ಯತಂತ್ರಗಳನ್ನು ರೂಪಿಸುವುದರಲ್ಲಿ ಬಹುಮುಖ ಪ್ರತಿಭೆಯ ಸೃಜನಶೀಲ ವ್ಯಕ್ತಿಯಾಗಿದ್ದಾರೆ. ಇವರು ಬಹುಶಿಸ್ತುಗಳ ದೃಷ್ಟಿಕೋನವನ್ನು ಅಳವಡಿಸಿಕೊಳ್ಳುತ್ತಾರೆ. ಆ ಮೂಲಕ ಮಗುವಿನಂತ ಅಧ್ಭುತ ಪ್ರಜ್ಞೆಯನ್ನು ತಮ್ಮ ಕಲಾಕೃತಿಗಳ ಮೂಲಕ ಸಲಹುತ್ತಾರೆ.","descriptor":"","id":113,"image":"Himanshi_Parmar_w.jpg","uid":"Himanshi_Parmar"},{"alias":"ಸ್ವಭು ಕೊಹ್ಲಿ","bio":"ಸ್ವಭು ಕೊಹ್ಲಿಯವರ ಕಲಾಭ್ಯಾಸದಲ್ಲಿ ಮಾಯಾಲೋಕ, ಸಂರಕ್ಷಣೆ ಮತ್ತು ಕಲೆಗಳು ಹೆಣೆದುಕೊಂಡಿರುತ್ತದೆ. ಆ ಮೂಲಕ ಸಂಕೀರ್ಣವಾದ ಜೀವಜಾಲದೊಂದಿಗೆ ನಮ್ಮ ಒಡನಾಟವನ್ನು ಪ್ರಯೋಗಾತ್ಮಕವಾಗಿ ನಿರೂಪಣೆಗಳನ್ನು ನೀಡುತ್ತದೆ.ಇವುಗಳು ಸ್ಥಳೀಯ, ರಾಜಕೀಯ ಮತ್ತು ವೈಜ್ಞಾನಿಕ ದೃಷ್ಟಿಕೋನಗಳಿಂದ ಪ್ರಭಾವಿತವಾಗಿವೆ.","descriptor":"","id":114,"image":"Svabhu_Kohli_w.jpg","uid":"Svabhu_Kohli"},{"alias":"ಗಾಯತ್ರಿ ಕೋಡಿಕಲ್","bio":"ಗಾಯತ್ರಿ ಕೋಡಿಕಲ್ ಅವರು ಆಟೋಟ ವಿನ್ಯಾಸ, ಪ್ರದರ್ಶನ, ಮನೋಪ್ರಭಾವಿ ಭೂಗೋಳ, ಚಲನಚಿತ್ರ ಮತ್ತು ಕತೆ ಹೇಳುವಿಕೆಗಳನ್ನೆಲ್ಲಾ ಬಳಸಿಕೊಂಡು ಪರಿಶೋಧಿಸುತ್ತಾರೆ. ಅವರ ಕಲಾಕೃತಿಗಳಲ್ಲಿ ನಿರ್ದಿಷ್ಟ ಐತಿಹಾಸಿಕ ಸಂದರ್ಭಗಳು ಮತ್ತು ಪ್ರತಿಯೊಂದರಲ್ಲೂ ಜೀವ ಇರುವಿಕೆಯೊಂದಿಗೆ ಪ್ರಾದೇಶಿಕ ಸ್ಮರಣೆಯೊಂದಿಗೂ ತುಂಬಿರುತ್ತದೆ.
","descriptor":"","id":115,"image":"Gayatri_Kodikal_w.jpg","uid":"Gayatri_Kodikal"},{"alias":"ಆನಾ ಲಾರಾ ಕ್ಯಾಂಟೇರಾ","bio":"ಆನಾ ಲಾರಾ ಕ್ಯಾಂಟೇರಾ ಅವರೊಬ್ಬ ಬಹುಮಾಧ್ಯಮ ಕಲಾವಿದೆ, ಸಂಶೋಧಕಿ ಮತ್ತು ಪ್ರಾಧ್ಯಾಪಕಿ. ಅವರು ಡಿಕಲೋನಿಯಲ್ ದೃಷ್ಟಿಕೋನದಿಂದ ಕಲೆ, ತಂತ್ರಜ್ಞಾನ, ವಿಜ್ಞಾನ ಮತ್ತು ಸುಸ್ಥಿರತೆಯ ಸೇರುವೆಡೆಯಲ್ಲಿ ಕೆಲಸ ಮಾಡುತ್ತಾರೆ. ಪ್ರಸ್ತುತ ಅವರು ಕಲೆ ಮತ್ತು ತಂತ್ರಜ್ಞಾನ ಸೌಂದರ್ಯಶಾಸ್ತ್ರದ (ಟೆಕ್ನೋಆಸ್ತೆಟಿಕ್ಸ್) ಪಿಎಚ್ಡಿ ಅಭ್ಯರ್ಥಿಯಾಗಿದ್ದಾರೆ ಮತ್ತು ಟ್ರೆಸ್ ಡಿ ಫೆಬ್ರೆರೋದ ರಾಷ್ಟ್ರೀಯ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಇಲೆಕ್ಟ್ರಾನಿಕ್ ಕಲೆ ವಿಭಾಗದಲ್ಲಿ ಸ್ನಾತಕೋತ್ತರ ಪದವೀಧರರಾಗಿದ್ದಾರೆ. ಕಲಾ ವಿಶ್ವವಿದ್ಯಾಲಯ (ಯುಎನ್ಎ)ದಲ್ಲಿ ಲಲಿತ ಕಲೆ ಮತ್ತು ಕಲಾಶಿಕ್ಷಕ ವಿಭಾಗಗಳಲ್ಲಿ ಪದವಿಯನ್ನು ಹೊಂದಿದ್ದಾರೆ.
ಕ್ಯಾಂಟೇರಾ ಅವರು ಜೈವಿಕ-ಪದಾರ್ಥಗಳನ್ನು ಅಭಿವೃದ್ಧಿಪಡಿಸುವ, ಸೃಷ್ಟಿಸುವ ಕೆಲಸದಲ್ಲಿ ತೊಡಗಿದ್ದಾರೆ. ಮಶ್ರೂಮ್ ಕವಕಜಾಲದಿಂದ (ಮೈಸಿಲಿಯಂ) ಬೆಳೆದ ವಿನ್ಯಾಸಗಳಲ್ಲಿ ಮತ್ತು ಸ್ಥಳೀಯ ತ್ಯಾಜ್ಯದಿಂದ ಮಾಡಿದ ಜೈವಿಕ-ಆಧಾರಿತ ವಸ್ತುಗಳಲ್ಲಿ ಪರಿಣತಿ ಹೊಂದಿದ್ದಾರೆ.
ಇತ್ತೀಚೆಗೆ, ಅವರು ರೊಬೊಟಿಕ್ ಆರ್ಟ್ಸ್ ವಿಭಾಗದಲ್ಲಿ ಪ್ರಥಮ ಬಹುಮಾನ ಮತ್ತು MIT ಯಲ್ಲಿ ಗ್ಲೋಬಲ್ ಕಮ್ಯುನಿಟಿ ಬಯೋ ಫೆಲೋಸ್ ಫೆಲೋಶಿಪ್ ಪಡೆದರು. ಅವರು ಜೈವಿಕ ಅಂತರ್ ಚಟುವಟಿಕೆಗೆ ಸಂಬಂಧಿಸಿದ ಸಂಶೋಧನಾ ಯೋಜನೆಗಳನ್ನು ಮುನ್ನಡೆಸಿದ್ದಾರೆ. ಪ್ರಪಂಚದಾದ್ಯಂತದ ಪ್ರದರ್ಶನಗಳು ಮತ್ತು ಉತ್ಸವಗಳಲ್ಲಿ ಅವರು ತಮ್ಮ ಕಲಾಕೃತಿಗಳನ್ನು ಪ್ರದರ್ಶಿಸಿದ್ದಾರೆ.","descriptor":"","id":116,"image":"Ana_Cantera_w.jpeg","uid":"ana-cantera"},{"alias":"ಜೇನ್ ಟಿಂಗ್ಲೀ","bio":"ಜೇನ್ ಟಿಂಗ್ಲೀ ಅವರೊಬ್ಬ ಕಲಾವಿದೆ, ಮೇಲ್ವಿಚಾರಕರು, ಸಿಂಪೊಯೆಟಿಕ್ ಲಿವಿಂಗ್ ಆಂಟೋಲಜೀಸ್ ಲ್ಯಾಬ್(ಎಸ್ಎಲ್ಲ್ಯಾಬ್ )ನಿರ್ದೇಶಕಿ ಮತ್ತು ಕೆನಡಾದ ಟೊರೊಂಟೋದ ಯಾರ್ಕ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಸಹಾಯಕ ಪ್ರಾಧ್ಯಾಪಕಿಯಾಗಿದ್ದಾರೆ. ಇವರ ಕಲಾಶಾಲೆಯ ಕೆಲಸಗಳು, ಸಾಂಪ್ರದಾಯಿಕ ಕಲಾಶಾಲೆಯ ಅಭ್ಯಾಸದೊಂದಿಗೆ ಹೊಸಮಾಧ್ಯಮ ಪರಿಕರಗಳನ್ನು ಒಳಗೊಂಡಿದೆ. ಇದರ ವ್ಯಾಪ್ತಿ ಪ್ರತಿಕ್ರಿಯಾತ್ಮಕ/ ಸಂವಾದಾತ್ಮಕ ಸಂರಚನೆಗಳನ್ನು, ಕಾರ್ಯಕ್ಷಮತೆಯ ರೋಬೋಟಿಕ್ಸ್ಗಳನ್ನು, ಟೆಲಿಮ್ಯಾಟಿಕ್ ಮೂಲಕ ಸಂಪರ್ಕಿತವಾದ, ಅಲ್ಲಲ್ಲಿ ಹರಡಿಕೊಂಡಿರುವ ಕಲಾಕೃತಿಗಳನ್ನು/ ಸಂರಚನೆಗಳನ್ನು ಒಳಗೊಂಡಿವೆ.
ಇವರ ಕಲಾಕೃತಿಗಳು ವಿವಿಧ ವಿಷಯಾಸಕ್ತಿಯ ಸ್ವಭಾವವನ್ನು ಹೊಂದಿವೆ. ಅವು ವಿಜ್ಞಾನ ಮತ್ತು ಮಾಯಾಜಾಲದ ನಡುವಿನ ಗಡಿಗಳನ್ನು ತೆಳುವಾಗಿಸುವ, ಪರಸ್ಪರ ಕೊಡುಕೊಳ್ಳುವಿಕೆ ಮತ್ತು ಲವಲವಿಕೆಯನ್ನು ಹೊಂದಿವೆ. ಅಲ್ಲದೇ ನೋಡುಗರಿಗೆ ತಾಂತ್ರಿಕವಾಗಿಯೂ, ಬೌದ್ಧಿಕವಾಗಿಯೂ ಎಟುಕುವಂತಹ ಅನುಭವಗಳನ್ನು ಮತ್ತು ವಲಯಗಳನ್ನು ಪ್ರವೇಶಿಸಬಹುದಾದ ಅನುಭವವನ್ನು ವೀಕ್ಷಕರಿಗೆ ನೀಡುತ್ತದೆ.ಹಲವಾರು ತಂತ್ರಜ್ಞಾನಗಳನ್ನು ಬಳಸಿಕೊಂಡು, ಅವರ ಕಲಾಕೃತಿಗಳು ನಿಸರ್ಗದಲ್ಲಿ ಅಡಗಿರುವ ಸಂಕೀರ್ಣತೆಗಳನ್ನು ಶೋಧಿಸುತ್ತವೆ. ಮಾನವ ಮತ್ತು ಮಾನವೇತರ ಸಂಬಂಧಗಳ ನಡುವಿನ ಆಳವಾದ ಪರಸ್ಪರ ಸಂಬಂಧಗಳನ್ನು ಪರಿಶೋಧಿಸುತ್ತದೆ","descriptor":"","id":117,"image":"Jane_Tingley_w.jpeg","uid":"jane-tingley"},{"alias":"ಸಾರಾಹ್ ಕೆಂಡರ್ಡಿನ್","bio":"ಸಾರಾ ಕೆಂಡರ್ಡಿನ್ ಅವರು ಗ್ಯಾಲರಿಗಳು, ಗ್ರಂಥಾಲಯಗಳು, ದೀರ್ಘಕಾಲಿಕ ಸಂಗ್ರಹಾಗಾರಗಳು ಮತ್ತು ಪ್ರದರ್ಶನಾಲಯಗಳಿಗೆ ಸಂಬಂಧಿಸಿದಂತೆ ಸಂವಾದಾತ್ಮಕ ಹಾಗೂ ತಲ್ಲೀನಗೊಳಿಸಿಕೊಳ್ಳುವ ಅನುಭವಗಳ ಮುಂಚೂಣಿಯಲ್ಲಿ ಸಂಶೋಧನೆ ಮಾಡುತ್ತಾರೆ.ತಮ್ಮ ವ್ಯಾಪಕವಾಗಿ ಪ್ರದರ್ಶನಗೊಂಡ ಸಂರಚನಾ ಕೃತಿಗಳಲ್ಲಿ ಇವರು, ಮೂರ್ತ ಹಾಗೂ ಅಮೂರ್ತ ಸಾಂಸ್ಕೃತಿಕ ಪರಂಪರೆಗಳನ್ನು ಹೊಸ ಮಾಧ್ಯಮ ಕಲಾಭ್ಯಾಸದೊಂದಿಗೆ ಬೆಸೆಯುತ್ತಾರೆ. ಇವುಗಳನ್ನು ವಿಶೇಷವಾಗಿ ಸಂವಾದಾತ್ಮಕ ಸಿನಿಮಾ ಪ್ರಪಂಚದಲ್ಲಿ, ಹೆಚ್ಚಿಸಿದ ವಾಸ್ತಗಳು ಮತ್ತು ಸಾಕಾರಗೊಂಡ ನಿರೂಪಣೆಗಳಲ್ಲಿ ಮಾಡುತ್ತಾರೆ. ಕೆಂಡರ್ಡಿನ್ ಅವರು,ಭಾರತದಲ್ಲಿನ ಒಂದು ಪ್ರದರ್ಶನಾಲಯ ಸಂಕೀರ್, ತೈವಾನಿನಲ್ಲಿ ಮತ್ತೊಂದು ಸೇರಿದಂತೆ, ಜಗತ್ತಿನ ಉದ್ದಗಲಕ್ಕೂ ಇರುವ ಬೇರೆ ಬೇರೆ ಮ್ಯೂಸಿಯಮ್ಗಳಲ್ಲಿ ನೂರಕ್ಕೂ ಹೆಚ್ಚು ಪ್ರದರ್ಶನಗಳನ್ನೂ, ಸಂರಚನೆಗಳನ್ನೂ ನಿರ್ಮಾಣ ಮಾಡಿದ್ದಾರೆ. ಇವರು ತಮ್ಮ ಈ ಕೆಲಸಕ್ಕಾಗಿ ಹಲವಾರು ಪ್ರತಿಷ್ಠಿತ ಅಂತರರಾಷ್ಟ್ರೀಯ ಪ್ರಶಸ್ತಿಗಳನ್ನೂ ಗಳಿಸಿದ್ದಾರೆ.
2017ರಲ್ಲಿ, ಕೆಂಡರ್ಡಿನ್ ಅವರನ್ನು ಸ್ವಿಟ್ಜರ್ಲ್ಯಾಂಡಿನ ಎಕೊ ಪಾಲಿಟೆಕ್ನಿಕ್ ಫೆಡರಲ್ ಡೆ ಲಾಸನ್ನ್ (ಇಪಿಎಫ್ಎಲ್)ನಲ್ಲಿ ಪ್ರಾಧ್ಯಾಪಕರಾಗಿ ನೇಮಕವಾದರು. ಅಲ್ಲಿ ಇವರು ಪ್ರಯೋಗಾತ್ಮಕ ಮ್ಯೂಸಿಯಾಲಜಿ (eM+) ಎಂಬ ಪ್ರಯೋಗಶಾಲೆಯೊಂದನ್ನು ನಿರ್ಮಿಸಿದರು. ಇವರು ಇಪಿಎಫ್ಎಲ್ ಪೆವಿಲಿಯನ್ಸ್ನ ಪ್ರಮುಖ ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಕರೂ ಹಾಗೂ ನಿರ್ದೇಶಕರು ಆಗಿದ್ದಾರೆ. ಇದು ಸೆಮಿನಲ್ ಕೆಂಗೋ ಕುಮಾರ್ ಕಟ್ಟಡದಲ್ಲಿರುವ ಕಲೆ/ ವಿಜ್ಞಾನಗಳ ಹೊಸ ಉಪಕ್ರಮವಾಗಿದೆ. ಪೆವಿಲಿಯನ್ಸ್ನಲ್ಲಿ, ಪ್ರದರ್ಶನಗಳು ಹಾಗೂ ಕಾರ್ಯಕ್ರಮಗಳೂ ವೈಜ್ಞಾನಿಕ ಅನ್ವೇಶಣೆಗಳು ಮತ್ತು ಸಾಮಾಜಿಕ ಸವಾಲುಗಳೊಂದಿಗಿನ ಮಾತುಕತೆಯಲ್ಲಿ ವಿಕಾಸಗೊಳ್ಳುತ್ತವೆ. ಆ ಮೂಲಕ ಸಮಕಾಲೀನತೆಯ ಬಗ್ಗೆ ದಾರ್ಶನೀಕತೆಯ ದೃಷ್ಟಿಕೋನಗಳನ್ನು ತೊಡಗಿಸಿಕೊಳ್ಳಲಾಗುತ್ತದೆ. 2020 ಮತ್ತು 2022ರಲ್ಲಿ, ಇವರನ್ನು ಪ್ರದರ್ಶನಾಲಯ ಪ್ರಭಾವಿಗಳ ಪಟ್ಟಿ 2020 – ದಿ ಪವರ್ 10 ಬೈ ಬ್ಲೂಲೂಪ್ನಲ್ಲಿ ಹೆಸರಿಸಲಾಯಿತು. 2021ರಲ್ಲಿ ಸ್ವಿಟ್ಜರ್ಲ್ಯಾಂಡಿನ ಮೊದಲು 100 ಡಿಜಿಟಲ್ ಶೇಪರ್ಸ್ ಬೈ ಬಿಲಾನ್ಜ್ ಪಟ್ಟಿಯಲ್ಲಿ ನಮೂದಿಸಲಾಯಿತು. 2021ರಲ್ಲಿ, ಕಿಂಡರ್ಡಿನ್ ಅವರನ್ನು ಬ್ರಿಟಿಷ್ ಅಕಾಡೆಮಿಯ ಕರೆಸ್ಪಾಂಡಿಂಗ್ ಫೆಲ್ಲೋ ಆಗಿ ನೇಮಿಸಲಾಯಿತು. ಇವರು ಹೊರತರುತ್ತಿರುವ ಪುಸ್ತಕದ ಹೆಸರು – ಡೀಪ್ ಫೇಕ್ಸ್: ಎ ಕ್ರಿಟಿಕಲ್ ಲೆಕ್ಸಿಕಾನ್ ಆಫ್ ಡಿಜಿಟಲ್ ಮ್ಯೂಸಿಯಮಾಲಜಿ (2024).","descriptor":"ಸಂಶೋಧಕರು","id":118,"image":"Sarah_Kenderdine.jpeg","uid":"sarah-kenderdine"},{"alias":"ಎಡಿಬಲ್ ಇಶ್ಯೂಸ್","bio":"ಎಡಿಬಲ್ ಇಶ್ಯೂಸ್ ಭಾರತೀಯ ಆಹಾರ ವ್ಯವಸ್ಥೆಯಲ್ಲಿ ಚಿಂತನೆ ಮತ್ತು ಸಂಭಾಷಣೆಯನ್ನು ಬೆಳೆಸುವ ಆಹಾರ ವ್ಯವಸ್ಥೆಗಳ ಸಾಮೂಹಿಕವಾಗಿದೆ. ಇದು ಸಾರ್ವಜನಿಕರು ಪಾಲ್ಗೊಳ್ಳುವಂತಹ ಕಾರ್ಯಕ್ರಮಗಳು, ಸಂಶೋಧನಾ ಯೋಜನೆಗಳು, ಸಭೆಗಳು ಹಾಗೂ ಇನ್ನೂ ಹಲವು ಬಗೆಗಳಲ್ಲಿ ಇದನ್ನು ಸಾಧಿಸುತ್ತಾರೆ.","descriptor":"ಫುಡ್ ಕಲೆಕ್ಟಿವ್ ","id":119,"image":"edible_issues.jpg","uid":"edible-issues"},{"alias":"ಡೇಮಿಯನ್ ಕ್ರಿಸ್ಟಿಂಗರ್","bio":"ಡೇಮಿಯನ್ ಕ್ರಿಸ್ಟಿಂಗರ್ ಅವರು ಜಾಗತಿಕ ಕಲಾ ಇತಿಹಾಸ ಮತ್ತು ಅಂತರ್ ಸಾಂಸ್ಕೃತಿಕ ಅಧ್ಯಯನಗಳನ್ನು ಓದಿದ್ದಾರೆ. ಈಗ ಅವರು ಓರ್ವ ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಕರೂ, ಬರಹಗಾರರೂ ಆಗಿದ್ದು ಬೇರೆ ಬೇರೆ ಸಂಸ್ಥೆಗಳಲ್ಲಿ ಬಹು-ಸಂಸ್ಕೃತೀಯ ಸಿದ್ಧಾಂತ ಮತ್ತು ಅಭ್ಯಾಸಗಳು, ಮಾನವ ಚಟುವಟಿಕೆ ಪ್ರಭಾವಿತ ಯುಗ ಮತ್ತು ಸ್ಥಳೀಯ ಜ್ಞಾನಗಳ ಕುರಿತು ಉಪನ್ಯಾಸಗಳನ್ನು ನೀಡುತ್ತಾರೆ. ಇವರು ಜೂರಿಕ್ನ ಮ್ಯೂಸಿಯಂ ರೀಟ್ಬರ್ಗ್ನಲ್ಲಿ (2014/15), ಟಿಬಿಎ21’ಸ್ಗಾಗಿ “ದಿ ಕರೆಂಟ್”(2015/16), ಎರ್ನೆಸ್ಟೋ ನೆಟೋ, ಫೌಂಡೇಶನ್ ಬೆಯೆಲರ್ ಮತ್ತು ಡೇನಿಯಲ್ ಜೈಮನ್ ಅವರ ಸಹಯೋಗದಲ್ಲಿ ”ಅಸ್ಸೆಂಬ್ಲಿಯಾ ಮದರ್ಟ್ರೀ” (2018) ಮತ್ತು ಜೂರಿಕ್ನ ಜೊಹಾನ್ನ್ ಜೇಕಬ್ಸ್ ಮ್ಯೂಸಿಯಂ (2019), ಬರ್ನ್, ವೆಂಟಿಯಾನ್, ನೈರೋಬಿ ಮತ್ತು ಲೀಮಾಗಳ ವಿಸ್ ಅಕಾಡೆಮಿ ಫಾರ್ ನೇಚರ್ ನೆಲೆವೀಡುಗಳಲ್ಲಿ, ಮತ್ತು 2022ರಿಂದ ಜೂರಿಕ್ನ ಲೂವೆನ್ ಬ್ರೊಯ್ನ ಎಸ್ಪೇಸ್ ಡೈಫನ್ಸ್ ಗಳಲ್ಲಿ ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಣೆ ಮಾಡಿದ್ದಾರೆ. ಇವರು ರವಿ ಅಗರವಾಲ್ ಅವರೊಡನೆ ಗೋವಾದ ಪಣಜಿಂನಲ್ಲಿ 2023ರಲ್ಲಿ ನಡೆದ ಸೆರೆಂಡಿಪಿಟಿ ಉತ್ಸವದಲ್ಲಿನ “ಟೈಮ್ ಅಸ್ ಅ ಮದರ್”ನಲ್ಲಿ ಸಹ-ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಕರಾಗಿಯೂ ಕಾರ್ಯ ನಿರ್ವಹಿಸಿದ್ದಾರೆ.","descriptor":"ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಕರು ಮತ್ತು ಬರಹಗಾರರು","id":120,"image":"Damian_Christinger_w.jpeg","uid":"damian-christinger"},{"alias":"ಶೆಲ್ವಿನ್ ಜೇಮ್ಸ್ ಎಸ್","bio":"","descriptor":"ಶಿಕ್ಷಕ","id":121,"image":"Shelwyn_James_w.jpeg","uid":"shelwyn-james"},{"alias":"ಕೆ. ರಾಮನಾಥ್ ಚಂದ್ರಶೇಖರ್","bio":"ರಾಮನಾಥ್ ಅವರು ಏಷ್ಯಾ-ಪೆಸಿಫಿಕ್ ಪ್ರದೇಶಕ್ಕೆ ಸಂಬಂಧಿಸಿ ಅನ್ವೇಷಣೆ ನಡೆಸಲು, ಅಲ್ಲಿನ ಕಥೆಗಳನ್ನು ಹೇಳಲು ಮತ್ತು ನಾಗರಿಕರ ಜೊತೆಗೆ ಸತತ ಸಂವಾದ ನಡೆಸಲು ಶೈಕ್ಷಣಿಕ ಕಾರ್ಯಕ್ರಮಗಳ ಯೋಜನೆ ಹಾಕಿಕೊಂಡು ಕಾರ್ಯಗತಗೊಳಿಸುವ ತಜ್ಞ. ಓರ್ವ ಛಾಯಾಗ್ರಹಕರೂ ಆಗಿರುವ ಇವರು ಚಲನಚಿತ್ರಗಳ ಮೂಲಕ ಪರಿಸರ ಸಂರಕ್ಷಣೆಯ ಕಥೆಗಳನ್ನು ಹೇಳುತ್ತಾರೆ. ಅವರು ಸಮುದಾಯವನ್ನು ಕಟ್ಟುವ ಮೂಲಕ, ಅನುಭವದಿಂದ ಕಲಿಯುತ್ತಾ ಮತ್ತು ದೃಶ್ಯ ಕಥೆಗಳನ್ನು ಹೇಳುವ ಮೂಲಕ ಭೂಮಿಯ ಉಸ್ತುವಾರಿಯನ್ನು ಪ್ರತಿಪಾದಿಸುತ್ತಾರೆ. ತಮಿಳುನಾಡು ರಾಜ್ಯ ಸರ್ಕಾರದ ರೋಲೆಕ್ಸ್ ಯಂಗ್ ಲಾರೆಟ್ಸ್ ಪ್ರೋಗ್ರಾಂಗೆ ಆಯ್ಕೆಯಾದ ಇವರು ಓರ್ವ ನ್ಯಾಷನಲ್ ಜಿಯಾಗ್ರಫಿ ಅನ್ವೇ಼ಷಕ. ರಾಮನಾಥ್ ಅವರು ಭೂಮಿಯ ಉಸ್ತುವಾರಿಯನ್ನು ಹೊರುವವರಿಗೆ ಶಕ್ತಿಯನ್ನು ತುಂಬುವ ಲಾಭರಹಿತ ಸಂಸ್ಥೆ YouCANನ ಮುಖ್ಯ ಕಾರ್ಯನಿರ್ವಹಣಾಧಿಕಾರಿ. ಇದು ಸಕಲ ಜೀವಿಗಳ ಬದುಕನ್ನು ಉಳಿಸುವ ನ್ಯಾಯದ ಕೆಲಸವಾಗಿದೆ. ","descriptor":"ಚಲನಚಿತ್ರ ನಿರ್ಮಾಪಕ, ಶಿಕ್ಷಕ, ನ್ಯಾಷನಲ್ ಜಿಯಾಗ್ರಫಿಕ್ ಎಕ್ಸ್ಪ್ಲೋರರ್","id":122,"image":"Ramnath_Chandrasekhar_w.jpeg","uid":"ramnath-chandrasekhar"},{"alias":"ಅನಿಂದ್ಯಾ 'ರಾಣಾ' ಸಿನ್ಹಾ ","bio":"ರಾಣಾ ಎಂದೇ ಜನಪ್ರಿಯವಾಗಿರುವ ಅನಿಂದ್ಯಾ \"ರಾಣಾ\" ಸಿನ್ಹಾ ಅವರು ಅಂತರರಾಷ್ಟ್ರೀಯ ಖ್ಯಾತಿಯ ಪ್ರೈಮಟಾಲಜಿಸ್ಟ್. ಕಳೆದ ಮೂರು ದಶಕಗಳಿಂದ ಅವರು ನಡವಳಿಕೆ ಪರಿಸರ ವಿಜ್ಞಾನ, ಕಾಗ್ನಿಟಿವ್ ವರ್ತನಾಶಾಸ್ತ್ರ, ಜನಸಂಖ್ಯೆ ಮತ್ತು ವರ್ತನಾ ತಳಿಶಾಸ್ತ್ರ, ವಿಕಾಸಾತ್ಮಕ ಜೀವಶಾಸ್ತ್ರದಲ್ಲಿ ಹಾಗೂ ಸಸ್ತನಿಗಳು ಮತ್ತು ಇತರ ಮಾನವೇತರ ಪ್ರಬೇಧಗಳ ಸಂರಕ್ಷಣೆಯ ಬಗ್ಗೆ ಮಹತ್ವದ ಸಂಶೋಧನೆಗಳನ್ನು ಮಾಡಿದ್ದಾರೆ. ಸದ್ಯ ನೈಸರ್ಗಿಕ ತತ್ತ್ವಶಾಸ್ತ್ರ, ನಗರ ಪರಿಸರ ವಿಜ್ಞಾನ, ಕಲಾ-ಪರಂಪರೆ ಮತ್ತು ಪ್ರದರ್ಶನ ಕಲೆಗಳ ಅಧ್ಯಯನಗಳಲ್ಲಿ ಇವರು ಸಂಶೋಧನೆ ನಡೆಸುತ್ತಿದ್ದಾರೆ. ಇದು ಮಾನವೇತರ ಜೀವಿಗಳು ನಗರೀಕರಣಕ್ಕೆ ಹೊಂದಿಕೊಳ್ಳುತ್ತಿರುವ ರೀತಿ, ಮಾನವ ಹಾಗೂ ಇತರ ಜೀವಿಗಳ ನಡುವಿನ ಸಂಬಂಧ ಮತ್ತು ಭೂತ-ಭವಿಷ್ಯ-ವರ್ತಮಾನದಲ್ಲಿ ಮಾನವೇತರ ಜೀವಸಂಕುಲದ ಬದುಕಿನ ಬಗೆಗೆ ಇಥೋ-ಎಥ್ನೋಗ್ರಾಫಿಕ್ ಒಳನೋಟಗಳನ್ನು ನೀಡುತ್ತದೆ. ಜೀವಶಾಸ್ತ್ರವನ್ನು ಜನಪ್ರಿಯಗೊಳಿಸುವ ಬಗ್ಗೆ ರಾಣಾ ಅವರಲ್ಲಿ ಅಗಾಧ ಆಸಕ್ತಿಯಿದೆ. 2001 ರಲ್ಲಿ ಬೆಂಗಳೂರಿನಲ್ಲಿ ವನ್ಯಜೀವಿ ಜೀವಶಾಸ್ತ್ರ ಮತ್ತು ಸಂರಕ್ಷಣೆಯಲ್ಲಿ ಸ್ನಾತಕೋತ್ತರ ಪದವಿ ಕೋರ್ಸನ್ನು ಆರಂಭಿಸಿದ ಇವರು, ಎರಡು ದಶಕಗಳಿಂದ ಇಂಟರ್ನ್ಯಾಷನಲ್ ಬಯಾಲಜಿ ಒಲಿಂಪಿಯಾಡ್ ಜೊತೆಗೆ ಕೆಲಸ ಮಾಡುತ್ತಿದ್ದಾರೆ. ಇವರು ದೇಶದಾದ್ಯಂತ ಇರುವ ಮತ್ತು ಹೊರದೇಶಗಳ ವಿವಿಧ ಶೈಕ್ಷಣಿಕ ಹಾಗೂ ಸಂಶೋಧನಾ ಸಂಸ್ಥೆಗಳಲ್ಲಿ ಪಾಠ ಮಾಡಿದ್ದಾರೆ, ಉಪನ್ಯಾಸಗಳನ್ನು ನೀಡಿದ್ದಾರೆ. ","descriptor":"ವಿಜ್ಞಾನಿ","id":123,"image":"Anindya _Rana_Sinha_w.jpeg","uid":"anindya-rana"},{"alias":"ಕೆ. ಎಸ್. ಶೇಷಾದ್ರಿ","bio":"ಕೆ. ಎಸ್. ಶೇಷಾದ್ರಿ ಅವರು ಅಟ್ರೀ (ATREE) ಯಲ್ಲಿ ಡಿಎಸ್ಟಿ- ಇನ್ಸ್ಪೈರ್ (DST-INSPIRE) ಸಿಬ್ಬಂದಿ. ಇವರು ಪಶ್ಚಿಮ ಘಟ್ಟಗಳ ಅರಣ್ಯಗಳಲ್ಲಿ ಕಾಣಸಿಗುವ ದುಂಬಿಗಳಿಂದ ಹಿಡಿದು ಬಂದಣಿಕೆಗಳ ವರೆಗೆ ಹಲವಾರು ಪರಿಸರ ವ್ಯವಸ್ಥೆಗಳು ಮತ್ತು ಟಾಕ್ಸಗಳನ್ನು ಅಧ್ಯಯನ ಮಾಡಿದ್ದಾರೆ. ನ್ಯಾಷನಲ್ ಯೂನಿವರ್ಸಿಟಿ ಆಫ್ ಸಿಂಗಾಪುರದಲ್ಲಿ ಪಿಎಚ್ಡಿ ಮಾಡುವಾಗ, ಇವರು ಕಪ್ಪೆಗಳ ಹೊಸ ಪ್ರಬೇಧಗಳು ಮತ್ತು ಹೊಸ ಸಂತಾನೋತ್ಪತ್ತಿ ನಡವಳಿಕೆಯನ್ನು ಕಂಡುಹಿಡಿದರು. ವಿಕಸನೀಯ ಪರಿಸರ ವಿಜ್ಞಾನದ ಹಿನ್ನಲೆಯಲ್ಲಿ ಅಂತಹ ನಡವಳಿಕೆಗಳನ್ನು ಪರೀಕ್ಷಿಸಿದರು. ಅವರು ಆಗುಂಬೆ ಮಳೆಕಾಡು ಸಂಶೋಧನಾ ಕೇಂದ್ರದಲ್ಲಿ ಸಂಶೋಧನಾ ನಿರ್ದೇಶಕರಾಗಿ ನಂತರ, ಬೆಂಗಳೂರಿನ ಇಂಡಿಯನ್ ಇನ್ಸ್ಟಿಟ್ಯೂಟ್ ಆಫ್ ಸೈನ್ಸ್ನ ಪರಿಸರ ವಿಜ್ಞಾನ ಕೇಂದ್ರದಲ್ಲಿ ಪೋಸ್ಟ್ಡಾಕ್ಟರಲ್ ಫೆಲೋ ಆಗಿದ್ದರು. ಅವರು 'ಫ್ಯೂಚರ್ ಕನ್ಸೇರ್ವೇಷನಿಸ್ಟ್' ಪ್ರಶಸ್ತಿ, ಪ್ರೊ. ನವಜೋತ್ ಸೋಧಿ ಕನ್ಸರ್ವೇಶನ್ ಸ್ಕಾಲರ್ಶಿಪ್ಗೆ ಭಾಜನರಾಗಿದ್ದಾರೆ. ಇವರನ್ನು ಡೆಕ್ಕನ್ ಹೆರಾಲ್ಡ್ ಚೇಂಜ್ಮೇಕರ್ ಎಂದು ಗುರುತಿಸಿದೆ. ಸಂರಕ್ಷಣೆಯ ಕರ್ತವ್ಯಕ್ಕೆ ಬದ್ಧರಾಗಿರುವ ಇವರು, ಭೂಮಿಯ ಬಗ್ಗೆ ಕಾಳಜಿ ವಹಿಸಲು ಜನರಲ್ಲಿ ಪ್ರಕೃತಿಯ ಬಗ್ಗೆ ಆಶ್ಚರ್ಯಕರವಾದ ಭಾವನೆಯನ್ನು ಹುಟ್ಟಿಸುವ ತುರ್ತು ಅಗತ್ಯವಿದೆ ಎಂದು ಬಲವಾಗಿ ನಂಬುತ್ತಾರೆ. ತಮ್ಮ ಬಿಡುವಿನ ವೇಳೆಯಲ್ಲಿ ಇವರು ಪಕ್ಷಿಗಳನ್ನು ವೀಕ್ಷಿಸುತ್ತಾರೆ, ಪುಸ್ತಕ ಓದುತ್ತಾರೆ ಹಾಗೂ ತಮ್ಮ ಟೆರೇಸ್ ಗಾರ್ಡನ್ನ ಆರೈಕೆ ಮಾಡುತ್ತಾರೆ.","descriptor":"ವಿಜ್ಞಾನಿ","id":124,"image":"Seshadri_KS_w.jpeg","uid":"seshadri-ks"},{"alias":" ಎಸ್. ಕಾರ್ತಿಕೇಯನ್ ","bio":"ಕಾರ್ತಿಕ್ ಎಂದೇ ಕರೆಯಲ್ಪಡುವ ಎಸ್. ಕಾರ್ತಿಕೇಯನ್ ಸುಮಾರು 40 ವರ್ಷಗಳಿಂದ ವನ್ಯಜೀವಿಗಳ ಬಗ್ಗೆ ಅಪಾರವಾದ ಪ್ರೀತಿಯನ್ನು ಬೆಳೆಸಿಕೊಂಡಿದ್ದಾರೆ. ಚಿಟ್ಟೆಗಳ ಬಗ್ಗೆ ಅಪಾರ ಆಸಕ್ತಿ ಹೊಂದಿರುವ ಇವರು ಒಳ್ಳೆಯ ಪಕ್ಷಿವೀಕ್ಷಕರೂ ಆಗಿದ್ದಾರೆ. ಕಾರ್ತಿಕ್ ಪ್ರಕೃತಿ ಶಿಬಿರಗಳು, ಸಂವಾದಗಳು, ಸ್ಲೈಡ್ ಶೋಗಳು ಮತ್ತು ಪ್ರಕೃತಿ ಆಧಾರಿತ ಚಟುವಟಿಕೆಗಳ ಮೂಲಕ ನಿಸರ್ಗದ ಚರಿತ್ರೆಯ ಬಗ್ಗೆ ಯುವಕರು ಮತ್ತು ಹಿರಿಯರಲ್ಲಿ ಜಾಗೃತಿ ಮೂಡಿಸುತ್ತಾರೆ. ಅವರು ಬಿಆರ್ಟಿ ಮತ್ತು ಬನ್ನೇರುಘಟ್ಟದ ಕಾಡುಗಳಲ್ಲಿ ನಡೆದಿದ್ದಾರೆ, ಅಲ್ಲಿ ಕೆಲಸ ಮಾಡಿದ್ದಾರೆ. ಹೆಚ್ಚು ಜನಕ್ಕೆ ತಿಳಿದಿಲ್ಲದ ಇಂಡಿಯನ್ ಟ್ರೀ ಶ್ರೂಗಳ (ಮೂಗಿಲಿ) ಬಗ್ಗೆ ಅಧ್ಯಯನ ಮಾಡಿದ್ದಾರೆ. ಅನೇಕ ಪ್ರಕಟಣೆಗಳನ್ನೂ ಮಾಡಿರುವ ಇವರು, ಮಾರ್ಚ್ 2013 ರಲ್ಲಿ ಕಾರ್ಲ್ ಝೈಸ್ ವನ್ಯಜೀವಿ ಸಂರಕ್ಷಣಾ ಪ್ರಶಸ್ತಿಯನ್ನು ಪಡೆದರು. ಅವರು 13 ವರ್ಷಗಳ ಕಾಲ ಡಬ್ಲ್ಯೂ. ಡಬ್ಲ್ಯೂ.ಎಫ್ -ಭಾರತದೊಂದಿಗೆ ಕೆಲಸ ಮಾಡಿರುವ ಇವರು, ಪ್ರಸ್ತುತ ಜಂಗಲ್ ಲಾಡ್ಜಸ್ ಆಂಡ್ ರೆಸಾರ್ಟ್ಸ್ ಲಿಮಿಟೆಡ್ನಲ್ಲಿ ಮುಖ್ಯ ನಿಸರ್ಗವಾದಿಯಾಗಿದ್ದಾರೆ.","descriptor":"ನಿಸರ್ಗವಾದಿ ಮತ್ತು ಶಿಕ್ಷಕ","id":125,"image":"Karthikeyan_S_w.jpeg","uid":"karthikeyan-s"},{"alias":"ಅಮೃತಾ ನೀಲಕಂಠನ್","bio":"ಅಮೃತಾ ನೀಲಕಂಠನ್ ಅವರು ಓರ್ವ ಸಂರಕ್ಷಣಾ ವಿಜ್ಞಾನಿಯಾಗಿದ್ದು, ವಣ್ಯಜೀವಿ ಸಂರಕ್ಷಣೆಯಲ್ಲಿ 18 ವರ್ಷಗಳಿಗೂ ಹೆಚ್ಚಿನ ಅನುಭವವನ್ನು ಹೊಂದಿದ್ದಾರೆ. ಕನ್ಹಾ ಟೈಗರ್ ರಿಸರ್ವ್ನ ಸುತ್ತಮುತ್ತಲಿನ ಪುನರ್ವಸತಿ ಮನೆಗಳ ಕುರಿತು ತಯಾರಿಸಿದ ಪ್ರಬಂಧಕ್ಕಾಗಿ ಕೊಲಂಬಿಯಾ ವಿಶ್ವವಿದ್ಯಾಲಯದಿಂದ (ನ್ಯೂಯಾರ್ಕ್) ಡಾಕ್ಟರೇಟ್ ಪಡೆದಿದ್ದಾರೆ. ಅವರು ನೆಟ್ವರ್ಕ್ ಫಾರ್ ಕನ್ಸರ್ವಿಂಗ್ ಸೆಂಟ್ರಲ್ ಇಂಡಿಯಾ (NCCI) ನ ಕಾರ್ಯನಿರ್ವಾಹಕ ನಿರ್ದೇಶಕಿ ಮತ್ತು ಸಹಬಾಳ್ವೆ ಒಕ್ಕೂಟದ ಆಡಳಿತ ಮಂಡಳಿಯ ಭಾಗವೂ ಆಗಿದ್ದಾರೆ. ಈಕ್ವೆಡಾರ್ ಆಂಡಿಸ್ನ ಮೋಡ ಕಾಡುಗಳಲ್ಲಿ, ಕೀನ್ಯಾದ ಕರಾವಳಿಯ ಕಾಡುಗಳಲ್ಲಿ ಮತ್ತು ಉತ್ತರ ಮಡಗಾಸ್ಕರ್ನ ಎಲೆ ಉದುರಿಸುವ ಕಾಡುಗಳಲ್ಲಿ ಒಂದು ವರ್ಷ ದೀರ್ಘ ಕಾಲದ ಸಂಶೋಧನೆ ನಡೆಸಿರುವ ಇವರು ವಣ್ಯಜೀವಿ ಸಂರಕ್ಷಣೆಯಲ್ಲಿ ಅಪಾರ ಅನುಭವವನ್ನು ಹೊಂದಿದ್ದಾರೆ.","descriptor":"ವಿಜ್ಞಾನಿ","id":126,"image":"Amrita_Neelakantan_w.jpeg","uid":"amrita-neelakantan"},{"alias":"ಬಿ ಎಸ ಶೈಲಜಾ","bio":"ಬಿ ಎಸ್ ಶೈಲಜಾ ಅವರು 1994 ರಲ್ಲಿ ಜವಾಹರ್ ಲಾಲ್ ನೆಹರು ತಾರಾಲಯಕ್ಕೆ ಶಿಕ್ಷಕರಾಗಿ ಸೇರಿದರು. ಅವರ ಸಂಶೋಧನೆಯು ಖಗೋಳಶಾಸ್ತ್ರ, ಖಗೋಳ ಭೌತಶಾಸ್ತ್ರ ಮತ್ತು ವಿಜ್ಞಾನ ಶಿಕ್ಷಣದ ಇತಿಹಾಸವನ್ನು ಒಳಗೊಂಡಿದೆ. ಅವರು ವಿದ್ಯಾರ್ಥಿಗಳು, ಶಿಕ್ಷಕರು ಮತ್ತು ಸಾಮಾನ್ಯ ವ್ಯಕ್ತಿಗಳಿಗೆ \"ತರಗತಿಯಲ್ಲಿ ಯೂನಿವರ್ಸ್\", \"ರಾತ್ರಿ ಆಕಾಶಕ್ಕೆ ಪರಿಚಯ\" ಎಂಬ 5 ದಿನ ಮತ್ತು 3 ದಿನಗಳ ಕಾರ್ಯಾಗಾರಗಳೊಂದಿಗೆ ವಿವಿಧ ಹಂತಗಳಲ್ಲಿ ಖಗೋಳಶಾಸ್ತ್ರವನ್ನು ಕಲಿಸಲು ಪ್ರಾರಂಭಿಸಿದರು. ಶೈಲಜಾ ಅವರು ಹಿರಿಯ ವೈಜ್ಞಾನಿಕ ಅಧಿಕಾರಿ, ನಂತರ ಉಪ ನಿರ್ದೇಶಕರು ಮತ್ತು 2012 ರಲ್ಲಿ ಜವಾಹರ್ ಲಾಲ್ ನೆಹರು ತಾರಾಲಯದ ನಿರ್ದೇಶಕರಾಗಿ ಅಧಿಕಾರ ವಹಿಸಿಕೊಂಡರು. ಶೈಲಜಾ ಅವರು ಬೆಂಗಳೂರು ವಿಶ್ವವಿದ್ಯಾನಿಲಯದಿಂದ ಭೌತಶಾಸ್ತ್ರದಲ್ಲಿ M. Sc ಪಡೆದರು ವೋಲ್ಫ್-ರೀತ್ ಬೈನರಿ ಸ್ಟಾರ್ಗಳ ಕುರಿತಾದ ಸಂಶೋಧನೆಗಾಗಿ ಅವರು ಇಂಡಿಯನ್ ಇನ್ಸ್ಟಿಟ್ಯೂಟ್ ಆಫ್ ಆಸ್ಟ್ರೋಫಿಸಿಕ್ಸ್ನಿಂದ ಪಿಎಚ್ಡಿ ಪಡೆದರು. ಅವರ ಆಸಕ್ತಿಯ ವಿಷಯಗಳಲ್ಲಿ ಧೂಮಕೇತುಗಳು, ವಿಚಿತ್ರ ನಕ್ಷತ್ರಗಳು ಮತ್ತು ನೋವಾಗಳು ಸೇರಿವೆ. ಅವರು ರೆಫರಿಡ್ ಜರ್ನಲ್ಗಳಲ್ಲಿ 120 ಪ್ರಕಟಣೆಗಳು ಮತ್ತು 17 ಪುಸ್ತಕಗಳನ್ನು ಬರೆದಿದ್ದಾರೆ. ಅವರು ಪ್ರಸ್ತುತ 17 ನೇ ಶತಮಾನದ ಹಸ್ತಪ್ರತಿಗಳು ಮತ್ತು ದೇವಾಲಯಗಳು, ಸ್ಮಾರಕಗಳು ಮತ್ತು ಕಲಾಕೃತಿಗಳ ಖಗೋಳ ಅಂಶಗಳನ್ನು ಅಧ್ಯಯನ ಮಾಡುತ್ತಿದ್ದಾರೆ.
","descriptor":"ಖಗೋಳ ಭೌತಶಾಸ್ತ್ರಜ್ಞ","id":127,"image":"Pentagon_w.jpg","uid":"bs-shylaja"},{"alias":"ಅಂಕಿಲಾ ಹಿರೇಮಠ್","bio":"ಅಂಕಿಲಾ ಹಿರೇಮಠ್ ಅವರು ಮಾನವ ಮತ್ತು ಪರಿಸರ ವ್ಯವಸ್ಥೆಯ ನಡುವೆ ಇರುವ ಪ್ರಶ್ನೆಗಳ ಬಗ್ಗೆ ಹೆಚ್ಚಿನ ಆಸಕ್ತಿ ಹೊಂದಿರುವ ಪರಿಸರಶಾಸ್ತ್ರಜ್ಞರು. ಕಳೆದ ಎರಡು ದಶಕಗಳಿಂದ ಕರ್ನಾಟಕದ ಬಿಳಿಗಿರಿ ರಂಗನ ಬೆಟ್ಟದ ಕಾಡುಗಳು ಮತ್ತು ಕಾಡುಗಳಲ್ಲಿರುವ ಸವನ್ನಾಗಳು, ತಮಿಳುನಾಡಿನ ನೀಲಗಿರಿ ಮತ್ತು ಕಚ್ನ ಬನ್ನಿ ಹುಲ್ಲುಗಾವಲುಗಳಲ್ಲಿ ಕೆಲಸ ಮಾಡುತ್ತಿದ್ದಾರೆ. ಲಂಟಾನಾ ಮತ್ತು ಪ್ರೊಸೋಪಿಸ್ನಂತಹ ಸಸ್ಯಗಳ ಬಗ್ಗೆ ಚಿಂತನೆಗಳನ್ನು ಮಾಡುತ್ತಾ ಸಾಕಷ್ಟು ಕಾಲವನ್ನು ಕಳೆದಿದ್ದಾರೆ.","descriptor":"ವಿಜ್ಞಾನಿ","id":128,"image":"Ankila.jpg","uid":"ankila_hiremath"},{"alias":"ಮೇರಿಆನ್ ಮ್ಯಾನುಎಲ್","bio":"ಕಳೆದ ಹನ್ನೆರಡೂವರೆ ವರ್ಷಗಳ ಕಾಲ ನಡೆದಿರುವ ಮೇರಿಆನ್ಯವರ ಕೆಲಸ ಕರಾವಳಿಯ ಆಡಳಿತ ವ್ಯವಸ್ಥೆ ಮತ್ತು ಮೀನುಗಾರರ ಹಕ್ಕುಗಳ ಸುತ್ತ ಕೇಂದ್ರೀಕೃತವಾಗಿದೆ. ಅವರು ಕಾನೂನು ಮತ್ತು ನೀತಿಯೊಳಗೆ ಮೀನುಗಾರರ ದೃಷ್ಟಿಕೋನಗಳನ್ನು ತರಲು ಮೀನುಗಾರಿಕೆ ಮಾಡುವ ಸಮುದಾಯಗಳು ಮತ್ತು ಸ್ಥಳೀಯ, ರಾಷ್ಟ್ರೀಯ ಮತ್ತು ಪ್ರಾದೇಶಿಕ ನಾಗರಿಕ ಸಮಾಜಗಳೊಂದಿಗೆ ಕೆಲಸ ಮಾಡಿದ್ದಾರೆ. ಪ್ರಸ್ತುತ ದಕ್ಷಿಣ್ ಫೌಂಡೇಶನ್ನ ನಿರ್ದೇಶಕರಾಗಿದ್ದಾರೆ. ಇದು ಕರಾವಳಿಯ ನೆಮ್ಮದಿಯನ್ನು ಮತ್ತು ಸಮುದ್ರ ಪರಿಸರ ವ್ಯವಸ್ಥೆಗಳನ್ನು ಸಂರಕ್ಷಿಸಲು ಹಾಗೂ ಅಭಿವೃದ್ಧಿ ಹೊಂದುತ್ತಿರುವ ಮೀನುಗಾರಿಕಾ ಸಮುದಾಯಗಳನ್ನು ಸಕ್ರಿಯಗೊಳಿಸಲು ಉತ್ತೇಜನ ನೀಡುವ ಲಾಭರಹಿತ ಸಂಸ್ಥೆಯಾಗಿದೆ.","descriptor":"ವಿಜ್ಞಾನಿ","id":129,"image":"Marianne Manuel.jpg","uid":"marianne_manuel"},{"alias":"ಥಾಮಸ್ ವಟ್ಟಕಾವೆನ್","bio":"ಥಾಮಸ್ ವಟ್ಟಕಾವೆನ್ ಅವರು ಸ್ಟ್ರಾಂಡ್ ಲೈಫ್ ಸೈನ್ಸಸ್ನಲ್ಲಿ ಹಿರಿಯ ಅಪ್ಲಿಕೇಶನ್ ವಿಜ್ಞಾನಿ. ಇವರು 2010 ರಲ್ಲಿ ವೆಸ್ಟ್ ಆಫ್ ಇಂಗ್ಲೆಂಡ್, ಬ್ರಿಸ್ಟಲ್ನಿಂದ ಮೈಕ್ರೋಬಯಾಲಜಿಯಲ್ಲಿ ಪಿಎಚ್ಡಿ ಪಡೆದಿದ್ದಾರೆ. ಇವರು 2012 ರಿಂದ ದಿ ಇಂಡಿಯಾ ಬಯೋಡೈವರ್ಸಿಟಿ ಪೋರ್ಟಲ್ನಲ್ಲಿ ಸಕ್ರಿಯವಾಗಿ ತಮ್ಮನ್ನು ತೊಡಗಿಸಿಕೊಂಡಿದ್ದಾರೆ. ಇಲ್ಲಿ ಇವರು ಭಾರತದ ಜೀವವೈವಿಧ್ಯತೆಗೆ ಸಂಬಂಧಪಟ್ಟ ಮಾಹಿತಿಯನ್ನು ಸಂಗ್ರಹಿಸಿ ಒಟ್ಟುಗೂಡಿಸುತ್ತಾರೆ. ಜೀವವೈವಿಧ್ಯತೆಯ ಮಾಹಿತಿ, ಡೇಟಾ ಮ್ಯಾನಿಪುಲೇಶನ್ ಮತ್ತು ನಾಗರಿಕ ವಿಜ್ಞಾನದ ಬಗ್ಗೆ ಒಲವು ಹೊಂದಿರುವ ಥಾಮಸ್, ಪೋರ್ಟಲ್ನಲ್ಲಿ ಪ್ರಸ್ತಾವನೆ ಬರಹಗಳು, ದೇಣಿಗೆ ಸಂಗ್ರಹ, ಡೇಟಾ ಅಪ್ಲೋಡ್, ವಿಶ್ಲೇಷಣೆ ಮತ್ತು ಪ್ರಕಟಣೆಗಳನ್ನು ನಿರ್ವಹಿಸುತ್ತಾರೆ. ನಾಗರಿಕ ವಿಜ್ಞಾನದಲ್ಲಿ ಸಾರ್ವಜನಿಕರನ್ನು ತೊಡಗಿಸಿಕೊಳ್ಳುವಂತೆ ಮಾಡುವುದು ಮತ್ತು ಜೀವವೈವಿಧ್ಯತೆಗೆ ಸಂಬಂಧಿಸಿದ ಮಾಹಿತಿಯನ್ನು ಒಟ್ಟುಗೂಡಿಸುವಲ್ಲಿ ಇದರ ಪಾತ್ರದ ಬಗ್ಗೆ ಇವರಿಗೆ ಆಸಕ್ತಿ ಹೆಚ್ಚು.
","descriptor":"ವಿಜ್ಞಾನಿ","id":130,"image":"Thomas Vattakaven.jpg","uid":"thomas_vattakaven"},{"alias":"ತೀರ್ಥ ರವಿ","bio":"","descriptor":"ಪರಿಸರ ವಿನ್ಯಾಸಕ","id":131,"image":"Pentagon_Portrait.jpg","uid":"theertha_ravi"},{"alias":"ಹಿಮಾಂಶು ಆರ್ತೀವ್","bio":"","descriptor":"ಯೋಜಕ ಮತ್ತು ವಿನ್ಯಾಸಕ","id":132,"image":"Ananas_Himanshu.jpg","uid":"himanshu_arteev"},{"alias":"ಜಯಶ್ರೀ ರತ್ನಂ","bio":"ಉಷ್ಣವಲಯದ ಕಾಡುಗಳು, ಸವನ್ನಾಗಳು ಮತ್ತು ಹುಲ್ಲುಗಾವಲುಗಳನ್ನು ಅಧ್ಯಯನ ಮಾಡುವ ಜಯಶ್ರೀ ರತ್ನಂ ಅವರು ಸಮುದಾಯ ಮತ್ತು ಪರಿಸರ ವ್ಯವಸ್ಥೆಗಳ ಬಗ್ಗೆ ನುರಿತರಾಗಿರುವ ಪರಿಸರಶಾಸ್ತ್ರಜ್ಞರು. ಇವರ ಸಂಶೋಧನೆಗಳು ಏಷ್ಯನ್ ಸವನ್ನಾಗಳು, ಹುಲ್ಲುಗಾವಲುಗಳು ಮತ್ತು ಅರಣ್ಯ-ಹುಲ್ಲುಗಾವಲು ಮೊಸಾಯಿಕ್ಸ್ಗಳ ಇತಿಹಾಸ, ಕ್ರಿಯಾತ್ಮಕ ಪರಿಸರ ವಿಜ್ಞಾನ ಹಾಗೂ ಸದ್ಯ ಘಟಿಸುತ್ತಿರುವ ಜಾಗತಿಕ ಬದಲಾವಣೆಗೆ ಈ ಪರಿಸರ ವ್ಯವಸ್ಥೆಗಳ ಪ್ರತಿಕ್ರಿಯೆಗಳು ಹೇಗಿವೆ ಎಂಬ ಬಗ್ಗೆ ತಿಳಿಸಿಕೊಡುತ್ತವೆ. ಈ ಪರಿಸರ ವ್ಯವಸ್ಥೆಗಳನ್ನು ಪ್ರಾಚೀನ ಕಾಲದಿಂದಲೂ ಮಾನವ-ನಿಸರ್ಗದ ಸಂಯೋಜಿತ ಪರಿಸರ ವ್ಯವಸ್ಥೆಗಳೆಂದು ಸ್ಪಷ್ಟವಾಗಿ ಗುರುತಿಸುವ ಅಂತರಶಿಸ್ತೀಯ ವಿಧಾನಗಳಲ್ಲಿ ಇವರಿಗೆ ಹೆಚ್ಚು ಆಸಕ್ತಿ. ಇದಕ್ಕಾಗಿ ಜೀವವೈವಿಧ್ಯತೆ, ಪರಿಸರ ಕಾರ್ಯ ಮತ್ತು ಮಾನವನಿಂದ ಪರಿಸರದ ಸುಸ್ಥಿರ ಬಳಕೆ ಇವೆಲ್ಲನ್ನೂ ಏಕಕಾಲದಲ್ಲಿ ನಿರ್ವಹಿಸಬೇಕು.","descriptor":"ಪರಿಸರಶಾಸ್ತ್ರಜ್ಞ","id":133,"image":"Jayashree_Ratnam.jpeg","uid":"jayashree-ratnam"},{"alias":"ಸಂಗೀತಾ ಕಡೂರ್","bio":"ಸಂಗೀತಾ ಕಡೂರ್ ಅವರ ನಿಸರ್ಗದ ಹಾಗೂ ವನ್ಯಜೀವಿಗಳ ವರ್ಣಚಿತ್ರ ರಚನೆಯ ಕ್ಷೇತ್ರದಲ್ಲಿನ ಆಸಕ್ತಿಯು ಕಲೆ ಹಾಗೂ ನಿಸರ್ಗದ ಬಗ್ಗೆ ಅವರಿಗಿರುವ ಅತೀವವಾದ ಒಲವು ಹಾಗೂ ಮೆಚ್ಚುಗೆಗಳ ಕಾರಣದಿಂದಾಗಿ ವಿಕಾಸಗೊಂಡಿದೆ. ಅವರು ತಮ್ಮ ಕಲಾಕೃತಿಗಳ ಮೂಲಕ ನಮ್ಮ ಶ್ರೀಮಂತ ಜೀವವೈವಿಧ್ಯತೆಯ ಮಹತ್ವಕ್ಕೆ ಒತ್ತು ನೀಡುತ್ತಾ ನೋಡುಗರಲ್ಲಿ ನಮ್ಮ ನೈಸರ್ಗಿಕ ಪರಂಪರೆಯ ಬಗ್ಗೆ ಹೆಮ್ಮೆ ಹಾಗೂ ಗೌರವ ಭಾವನೆ ಹುಟ್ಟುವಂತೆ ಮಾಡುತ್ತಾರೆ. ಸಂಗೀತಾ ಅವರು ಹಲವಾರು ವನ್ಯಜೀವಿ ಸಂಸ್ಥೆಗಳ ಸಹಯೋಗದಲ್ಲಿ, ಭಾರತದಾದ್ಯಂತ ಅನೇಕಾನೇಕ ನಿಸರ್ಗ ಪತ್ರಿಕೋದ್ಯಮದ ಕಾರ್ಯಾಗಾರಗಳನ್ನು ನಡೆಸಿದ್ದಾರೆ. ಹೆಚ್ಚಿನದಾಗಿ ಇವುಗಳು ಕಲೆ-ಪರಿಸರ ವ್ಯವಸ್ಥೆಗಳ ಯೋಜನೆಗಳಾಗಿದ್ದು ಶಿಕ್ಷಣ ಹಾಗೂ ಸಂಪರ್ಕ ಕಾರ್ಯಕ್ರಮಗಳ ಮೂಲಕ ಜಾಗೃತಿ ಮೂಡಿಸಲು ನೆರವಾಗಿದ್ದಾರೆ. ಇತ್ತೀಚಿನ ವರ್ಷಗಳಲ್ಲಿ, ಸಂಗೀತಾ ಅವರು – ಅತ್ಯಪೂರ್ವವಾದ ಕಾಡುಗಳ ಬಗ್ಗೆ ದೃಶ್ಯ ಫಲಕಗಳನ್ನು ನಿರ್ಮಿಸುವ ಕಾರ್ಯದಲ್ಲಿ ತೊಡಗಿರುವ ತಂಡಗಳಿಗೆ ಮುಂದಾಳತ್ವ ನೀಡುವ ಮೂಲಕ, ವನ್ಯ-ನಿಸರ್ಗ ಮಾಹಿತಿಕೇಂದ್ರಗಳ ಸ್ಥಾಪನೆಯಲ್ಲಿ ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಕರ ಪಾತ್ರ ವಹಿಸುತ್ತಿದ್ದಾರೆ.","descriptor":"ವನ್ಯಜೀವಿ ಚಿತ್ರಕಾರರು","id":134,"image":"Sangeetha_Kadur_w1.jpeg","uid":"sangeetha-kadur"},{"alias":"ಎಂ ಡಿ ಮಧುಸೂದನ್","bio":"ಮಧುಸೂದನ್ ಅವರೊಬ್ಬ ಸಂರಕ್ಷಣಾ ವಿಜ್ಞಾನಿಗಳಾಗಿದ್ದು, ಎರಡು ದಶಕಗಳಿಗೂ ಹೆಚ್ಚುಕಾಲದಿಂದ ಮಾನವ ಮತ್ತು ದೊಡ್ಡ ಕಾಡುಪ್ರಾಣಿಗಳ ನಡುವಿನ ಮುಖಾಮುಖಿಯ ಬಗ್ಗೆ ಅಧ್ಯಯನ ಮಾಡಿದ್ದಾರೆ ಹಾಗೂ ವಿದ್ಯಾರ್ಥಿಗಳ ತರಬೇತಿ, ಲೇಖನಗಳ ಪ್ರಕಾಶನ, ಸಂರಕ್ಷಣಾ ಚಟುವಟಿಕೆಗಳಿಗೆ ಚಾಲನೆ ನೀಡಲು ಸಂಸ್ಥೆಗಳ, ವ್ಯಕ್ತಿಗಳ ಜೊತೆ ಸಹಯೋಗದಿಂದ ಕೆಲಸ ಮಾಡುವಿಕೆಗಳಲ್ಲಿ ತೊಡಗಿದ್ದಾರೆ. ಇವರು ಮಾನವ ಹಾಗೂ ವನ್ಯಜೀವಿಗಳ ಪುನರ್ ಹೊಂದಾಣಿಕೆಯ ಅಗತ್ಯಗಳ ಕುರಿತಂತೆ ನೀತಿನಿಯಮಗಳ ರೂಪಿಸುವಲ್ಲಿ ಪಾಲ್ಗೊಂಡಿದ್ದಾರೆ. ಭಾರತದಾದ್ಯಂತ, ಜ್ಞಾನಾಧಾರಿತ ಹಾಗೂ ಸಾಮಾಜಿಕ ಹೊಣೆಗಾರಿಕೆಯ ನಿಸರ್ಗ ಸಂರಕ್ಷಣೆಗಾಗಿ ಶ್ರಮಿಸುತ್ತಿರುವ ಲಾಭೋದ್ದೇಶ ಇಲ್ಲದ ಸಂಸ್ಥೆಯಾದ ನೇಚರ್ ಕನ್ಸರ್ವೇಶನ್ ಫ಼ೌಂಡೇಶನ್ ಸಂಸ್ಥೆಯನ್ನು ಕಟ್ಟಲು, ಬೆಳೆಸಲು ಮತ್ತು ನಿರ್ವಹಿಸಲು ನೆರವಾಗಿದ್ದಾರೆ. ರಾಷ್ಟ್ರೀಯ ಜೀವ ವಿಜ್ಞಾನ ಕೇಂದ್ರದ, ವಿಜ್ಞಾನದ ಇತಿಹಾಸ ಮತ್ತು ಸಂಸ್ಕೃತಿಯ ಒಬಾಯ್ಡ್ ಸಿದ್ದಿಖಿ ಪೀಠವನ್ನು ಇವರು ಇತ್ತೀಚಿಗೆ ಅಲಂಕರಿಸಿದ್ದರು. ಇದೀಗ ಅತಿಥಿ ವಿಜ್ಞಾನಿಯಾಗಿ ಮುಂದುವರೆದಿದ್ದಾರೆ. ಇವರು ಭಾರತೀಯ ವನ್ಯಜೀವಿ ಸಂರಕ್ಷಣೆಯ ಹಾಗೂ ಬದಲಾಗುತ್ತಿರುವ ನೆಲ ಹಾಗೂ ನೀರುಗಳ ಇತಿಹಾಸವನ್ನು ದಾಖಲಿಸುತ್ತಿದ್ದಾರೆ.","descriptor":"ಪರಿಸರಶಾಸ್ತ್ರಜ್ಞ","id":135,"image":"MD Madhusudhan_w.jpeg","uid":"md_madhusudan"},{"alias":"ಕೆ ಎನ್ ಗಣೇಶಯ್ಯ","bio":"ಪ್ರಾಧ್ಯಾಪಕರಾದ ಕೆ ಎನ್ ಗಣೇಶಯ್ಯ ಅವರು ಬೆಂಗಳೂರಿನ, ಜಿ.ಕೆ.ವಿ.ಕೆಯಲ್ಲಿನ ಕೃಷಿ ವಿಜ್ಞಾನ ವಿಶ್ವವಿದ್ಯಾಲಯದ(ಕೃ.ವಿ.ವಿ) ಸ್ನಾತಕೋತ್ತರ ಅಧ್ಯಯನಗಳ ಕೇಂದ್ರದಲ್ಲಿ ಡೀನ್ ಆಗಿ ಸೇವೆ ಸಲ್ಲಿಸಿದ್ದು ಈಗ ನಿವೃತ್ತರಾಗಿದ್ದಾರೆ. ಈಗ ಅವರು ಕೃ.ವಿ.ವಿಯಲ್ಲಿ ಐ.ಎನ್.ಎಸ್.ಎ ಹಿರಿಯ ವಿಜ್ಞಾನಿಯಾಗಿ ಆಗಿ ಕೆಲಸ ಮಾಡುತ್ತಿದ್ದಾರೆ. ವೈವಿಧ್ಯತೆಗಳ ಗುರುತು ಮಾಡುವಿಕೆ, ಮೌಲ್ಯಮಾಪನ ಮತ್ತು ಭಾರತದ ಜೈವಿಕ ಸಂಪನ್ಮೂಲಗಳ ದತ್ತಾಂಶ ಸಂಚಯಗಳನ್ನು ಕಟ್ಟುವ ಕೆಲಸಗಳಲ್ಲಿ ತೊಡಗಿದ್ದಾರೆ. ಇವರು ಸಮೃದ್ಧವಾದ ಸಸ್ಯ ವೈವಿಧ್ಯತೆಗಳಿರುವ ಪಶ್ಚಿಮಘಟ್ಟಗಳು, ಪೂರ್ವ ಘಟ್ಟಗಳು, ಪೂರ್ವ ಹಿಮಾಲಯ ಮತ್ತು ಅಂಡಮಾನ್ ನಿಕೋಬಾರ್ ದ್ವೀಪಗಳಲ್ಲಿನ ಸಸ್ಯ ಸಂಪನ್ಮೂಲಗಳನ್ನು ಗುರುತಿಸಿ ದಾಖಲಿಸುವ ಕಾರ್ಯದ ಪ್ರೇರಕಶಕ್ತಿಯಾಗಿದ್ದಾರೆ. ಇವರು ಮಾನವ ನಾಗರಿಕತೆಗಳ ಹುಟ್ಟು ಮತ್ತು ಬೆಳವಣಿಗೆಗಳಲ್ಲಿ ಜೈವಿಕ ಸಂಪನ್ಮೂಲಗಳ ಪಾತ್ರಗಳ ಬಗ್ಗೆ ವಿಶೇಷವಾದ ಆಸಕ್ತಿಯನ್ನು ಹೊಂದಿದ್ದಾರೆ. ಇವರು ಇತಿಹಾಸ ಮತ್ತು ವಿಜ್ಞಾನಕ್ಕೆ ಸಂಬಂಧಿಸಿದಂತೆ, ಕನ್ನಡದಲ್ಲಿ ಅನೇಕ ಕಾದಂಬರಿಗಳನ್ನು, ಸಣ್ಣಕತೆಗಳನ್ನು ಮತ್ತು ಅಂಕಣಗಳ ಬರವಣಿಗೆಯಲ್ಲಿ ತೊಡಗಿದ್ದಾರೆ. ಇವರು ಬೆಂಗಳೂರಿನ ಇಂಡಿಯನ್ ಅಕಾಡಮಿ ಆಫ್ ಸೈನ್ಸಸ್, ನವದೆಹಲಿಯ ಇಂಡಿಯನ್ ನ್ಯಾಶನಲ್ ಸೈನ್ಸ್ ಅಕಾಡೆಮಿ, ನವದೆಹಲಿಯ ನ್ಯಾಶನಲ್ ಅಸೋಸಿಯೇಷನ್ ಆಫ್ ಅಗ್ರಿಕಲ್ಚರಲ್ ಸೈಂಟಿಸ್ಟ್ಸ್ಗಳಲ್ಲಿ ಫ಼ೆಲ್ಲೋ ಆಗಿದ್ದಾರೆ. ಅವರು ಟಿವಿ ನ್ಯೂಸ್ 18 ವಾಹಿನಿಯವರು 2022ರಲ್ಲಿ ನೀಡಿದ ವರ್ಷದ ಕನ್ನಡಿಗ ಹಾಗೂ 2008ರ ಸಾಲಿನ ಕರ್ನಾಟಕದ ಸಾಹಿತ್ಯ ಅಕಾಡೆಮಿಯ ದತ್ತಿ ಪ್ರಶಸ್ತಿಗಳನ್ನು ಪಡೆದಿದ್ದಾರೆ. ","descriptor":"ಕೃಷಿ ವಿಜ್ಞಾನಿ ಮತ್ತು ಲೇಖಕ","id":136,"image":"KN Ganeshiah_w.jpeg","uid":"kn_ganeshaiah"},{"alias":"ಲಲೆಹ್ ಖಲೀಲಿ","bio":"ಲಲೆಹ್ ಖಲೀಲಿಯವರು ಎಕ್ಸೆಟರ್ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ಕೊಲ್ಲಿ ವಿಷಯಗಳ ಅಧ್ಯಯನದ ಪ್ರಾಧ್ಯಾಪಕರಾಗಿದ್ದಾರೆ. ಇವರು ಇತ್ತೀಚಿನ “ಶಿಪ್ಪಿಂಗ್ ಅಂಡ್ ಕ್ಯಾಪಟಿಸಲಿಸಂ ಇನ್ ದಿ ಅರೇಬಿಯನ್ ಪೆನಿನ್ಸುಲಾ” (2020ರ ಆವೃತ್ತಿ) ಮತ್ತು “ಕಾರ್ಫೊರಿಯಲ್ ಲೈಫ್ ಆಫ್ ಸೀಫೇರಿಂಗ್” (ಮ್ಯಾಕ್ ಬುಕ್ಸ್ 2024) ಗಳೂ ಸೇರಿದಂತೆ 6 ಪುಸ್ತಕಗಳ ಬರಹಗಾರರು ಅಥವಾ ಸಂಪಾದಕರು ಆಗಿದ್ದಾರೆ.","descriptor":"ಮಧ್ಯಪ್ರಾಚ್ಯ ರಾಜಕೀಯದ ವಿದ್ವಾಂಸ","id":137,"image":"Laleh_Khalili_w.jpeg","uid":"laleh_khalili"},{"alias":"ಔಟಿ ಟರ್ಪಿನನ್","bio":"ಡಾ. ಔಟಿ ಟರ್ಪಿನನ್ ಅವರು ಆಲ್ಟೋ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ವ್ಯವಸ್ಥಾಪಕರಾಗಿ ಕೆಲಸ ಮಾಡುತ್ತಿದ್ದು, ಕಾರ್ಯತಂತ್ರದ ಪ್ರದರ್ಶನ ಘಟಕಗಳು ಹಾಗೂ ಸಾರ್ವಜನಿಕ ಕಲಾಕೃತಿ ಸಂಗ್ರಹಗಳನ್ನು ನೋಡಿಕೊಳ್ಳುತ್ತಿದ್ದಾರೆ. ಇವರು ಜಗತ್ತಿನ ಬಗ್ಗೆ ಹೆಚ್ಚು ತಿಳಿದುಕೊಳ್ಳಲು ಅವಕಾಶ ಒದಗಿಸುವ ಬಹುಶಿಸ್ತೀಯ ಯೋಜನೆಗಳೊಂದಿಗೆ ಕೆಲಸ ಮಾಡಲು ಬಯಸುತ್ತಾರೆ. ಇವರು ಆಲ್ಟೋ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ (2023) ಸಾರ್ವಜನಿಕ ಕಲಾಕೃತಿಗಳ ಅನಾವರಣದ ಸಂಪಾದಕರಾಗಿದ್ದರು. ಇವರು ಹಲವಾರು ಸಂಸ್ಥೆಗಳ ಆಡಳಿತ ಮಂಡಳಿಯ ಸದಸ್ಯರಾಗಿ, ಕಲೆ ಮತ್ತು ವಿನ್ಯಾಸ ಕ್ಷೇತ್ರಗಳ ಮೇಲೆ ಪ್ರಭಾವ ಬೀರುವಲ್ಲಿ ಸಕ್ರಿಯವಾಗಿ ತೊಡಗುತ್ತಿದ್ದಾರೆ.
ಇವರು ಪ್ರಶಸ್ತಿ ವಿಜೇತ ಕಲಾವಿದರೂ ಆಗಿದ್ದಾರೆ.
","descriptor":"ಕಲಾ ನಿರ್ವಾಹಕ","id":138,"image":"Outi_Turpeinen_w.jpeg","uid":"outi_turpeinen"},{"alias":"ರೀಇಕ್ಕ ಮಾಕಿಕೊಸ್ಕೆಲಾ","bio":"ಡಾ. ರೀಇಕ್ಕ ಮಾಕಿಕೊಸ್ಕೆಲಾ ಅವರು ಆಲ್ಟೋ ವಿಶ್ವವಿದ್ಯಾಲಯದ ಕಾರ್ಯತಂತ್ರದ ಮೂರು ಅಡ್ಡಕತ್ತರಿ ವಿಧಾನಗಳಲ್ಲಿ ಒಂದಾದ ಕಾರ್ಯತಂತ್ರವನ್ನು ಮುನ್ನಡೆಸುವ ಅಮೂಲಾಗ್ರ ಸೃಜನಶೀಲತೆ ವಿಭಾಗದ ಮುಖ್ಯಸ್ಥರಾಗಿದ್ದಾರೆ. ಡಾ. ಔಟಿ ಟರ್ಪಿನನ್ ಅವರು ಆಲ್ಟೋ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ ವ್ಯವಸ್ಥಾಪಕರಾಗಿ ಕೆಲಸ ಮಾಡುತ್ತಿದ್ದು, ಕಾರ್ಯತಂತ್ರದ ಪ್ರದರ್ಶನ ಘಟಕಗಳು ಹಾಗೂ ಸಾರ್ವಜನಿಕ ಕಲಾಕೃತಿ ಸಂಗ್ರಹಗಳನ್ನು ನೋಡಿಕೊಳ್ಳುತ್ತಿದ್ದಾರೆ. ಇವರು ಜಗತ್ತಿನ ಬಗ್ಗೆ ಹೆಚ್ಚು ತಿಳಿದುಕೊಳ್ಳಲು ಅವಕಾಶ ಒದಗಿಸುವ ಬಹುಶಿಸ್ತೀಯ ಯೋಜನೆಗಳೊಂದಿಗೆ ಕೆಲಸ ಮಾಡಲು ಬಯಸುತ್ತಾರೆ. ಇವರು ಆಲ್ಟೋ ವಿಶ್ವವಿದ್ಯಾಲಯದಲ್ಲಿ (2023) ಸಾರ್ವಜನಿಕ ಕಲಾಕೃತಿಗಳ ಅನಾವರಣದ ಸಂಪಾದಕರಾಗಿದ್ದರು. ಇವರು ಹಲವಾರು ಸಂಸ್ಥೆಗಳ ಆಡಳಿತ ಮಂಡಳಿಯ ಸದಸ್ಯರಾಗಿ, ಕಲೆ ಮತ್ತು ವಿನ್ಯಾಸ ಕ್ಷೇತ್ರಗಳ ಮೇಲೆ ಪ್ರಭಾವ ಬೀರುವಲ್ಲಿ ಸಕ್ರಿಯವಾಗಿ ತೊಡಗುತ್ತಿದ್ದಾರೆ. ಇವರು ಪ್ರಶಸ್ತಿ ವಿಜೇತ ಕಲಾವಿದರೂ ಆಗಿದ್ದಾರೆ. ಆಲ್ಟೋ ವಿಶ್ವವಿದ್ಯಾಲಯವು ಒಂದು ಮುಂಚೂಣಿ ಸಂಸ್ಥೆಯಾಗಿದ್ದು ತನ್ನೆಲ್ಲಾ ಚಟುವಟಿಕೆಗಳಲ್ಲಿ ಅಮೂಲಾಗ್ರ ಸೃಜನಶೀಲತೆಗೆ ಒತ್ತು ಕೊಡುತ್ತದೆ.
ಸೃಜನಶೀಲತೆ ಎನ್ನುವುದು ಹೊಸ ಅನ್ವೇಷಣೆಗಳ ತಿರುಳಾಗಿದ್ದು ನವೀಕರಣ ಮತ್ತು ಅಭಿವೃದ್ಧಿಗಳಿಗೆ ಬೇಕಾದ ಅತ್ಯಗತ್ಯ ಕೌಶಲ್ಯವಾಗಿದೆ. ಮಾಕಿಕೊಸ್ಕೆಲಾ ಅವರೊಬ್ಬ ಸಂಪರ್ಕಜಾಲಗಳು, ಕಲಿಕೆ, ವಕಾಲತ್ತು ವಹಿಸುವಿಕೆ ಮತ್ತು ಪ್ರಭಾವಗಳ, ಬಹುವಿಭಾಗೀಯ ಕ್ಷೇತ್ರ ಕಾರ್ಯತಂತ್ರ ಮುಂದಾಳುವಾಗಿದ್ದಾರೆ. ದೃಶ್ಯ ಕಲೆಗಳು ಇವರ ಕಾರ್ಯಕ್ಷೇತ್ರವಾಗಿವೆ ಹಾಗೂ ಕಲಾ ಶಿಕ್ಷಣ ಇವರ ವಿಭಾಗವಾಗಿದೆ. ಇವರು ಸೃಜನಾತ್ಮಕ ಪ್ರಕ್ರಿಯೆಗಳ ಕುರಿತು ಸಂಶೋಧನೆ ನಡೆಸಿದ್ದಾರೆ. ಇವರ ಸಂಶೋಧನೆ ಹಾಗೂ ಕಲಾಕೃತಿಗಳನ್ನು ಫಿನ್ನಿಶ್ ಹಾಗೂ ಅಂತರಾಷ್ಟ್ರೀಯ ಕಾರ್ಯಕ್ರಮಗಳಲ್ಲಿ, ಕಲಾಶಾಲೆಗಳಲ್ಲಿ, ಸಂಗ್ರಹಾಲಯಗಳಲ್ಲಿ, ಸಮ್ಮೇಳನಗಳಲ್ಲಿ ಹಾಗೂ ನಿಯತ ಕಾಲಿಕೆಗಳಲ್ಲಿ ಪ್ರಕಟಿಸಲಾಗಿದೆ.
","descriptor":"ಕಲಾವಿದ","id":139,"image":"Riikka_w.jpeg","uid":"riikka_mäkikoskela"},{"alias":"ಮೇಘನಾ ಕೃಷ್ಣದಾಸ್","bio":"ಪರಿಸರ ಶಾಸ್ತ್ರಜ್ಞರಾದ ಮೇಘನಾ ಕೃಷ್ಣದಾಸ್ ಅವರಿಗೆ ಪರಿಸರ ವ್ಯವಸ್ಥೆಯಲ್ಲಿ ವೈವಿಧ್ಯತೆಯನ್ನು ಕಾಪಾಡಿಕೊಳ್ಳುವುದರ ಹಿಂದಿನ ಕಾರ್ಯವಿಧಾನಗಳ ಬಗ್ಗೆ ಕುತೂಹಲ ಹೊಂದಿದ್ದಾರೆ. ಇದಕ್ಕೂ ಮುನ್ನ, ಮೇಘನಾ ಅವರು ಓರ್ವ ವೈದ್ಯರಾಗಿದ್ದರು. ಆದರೆ ಇವರು ಆಸ್ಪತ್ರೆಗಳ ಪಡಸಾಲೆಗಳಲ್ಲಿ ನಡೆಯುವುದನ್ನು ಕೈಬಿಟ್ಟು ಕಾಡುಮೇಡುಗಳ ಅಲೆದಾಟಕ್ಕೆ ಮುಂದಾದರು! ಪರಿಸರ ಕ್ಷೇತ್ರಕ್ಕೆ ಅವರು ಹೀಗೆ ಕಾಲಿಡಲು ಮುಖ್ಯವಾದ ಕಾರಣವೆಂದರೆ ಅಪಾಯಕಾರಿ ವೇಗದಲ್ಲಿ ಆಗುತ್ತಿರುವ ಜೀವವೈವಿಧ್ಯತೆಯ ನಾಶ. ಮೇಘನಾ ಅವರು ಚಳವಳಿಕಾರರಾಗಿದ್ದವರು ವಿಜ್ಞಾನಿಯಾಗಿ ಮಾರ್ಪಟ್ಟಿದ್ದಾರೆ. ಏಕೆಂದರೆ ಅವರಿಗೆ ಯಾವುದೇ ಹೋರಾಟಕ್ಕೆ ಮುಖ್ಯವಾಗಿ ಬೇಕಾದದ್ದು ಜ್ಞಾನ ಎಂಬುದು ಅವರ ಅವರಿಗೆ ಬಂದದ್ದು. ಇದಕ್ಕಿಂತಲೂ ಮುಖ್ಯವಾಗಿ ನಮ್ಮ ಸುತ್ತಲಿನ ಜೀವ ಜಗತ್ತಿನ ಸಂಕೀರ್ಣತೆಯು ಹುಟ್ಟುಹಾಕಿದ ಬೌದ್ಧಿಕ ಕುತೂಹಲದಿಂದ ಇವರು ಪ್ರೇರಿತರಾಗಿದ್ದಾರೆ, ವಿಜ್ಞಾನ ಮತ್ತು ಸಂರಕ್ಷಣೆಯನ್ನು ಹೊರತು ಪಡಿಸಿ, ಇವರಿಗೆ ಓಟ, ಯೋಗ ಮತ್ತು ಹೊಸ ಹೊಸ ವ್ಯಾಯಾಮ ವಿಧಾನಗಳನ್ನು ಪ್ರಯತ್ನಿಸುವುದರಲ್ಲಿ ಆಸಕ್ತಿ ಹೊಂದಿದ್ದಾರೆ. ಇವರ ಬದುಕಿನಲ್ಲಿ ಒಳ್ಳೆಯ ಪುಸ್ತಕಗಳು, ಉತ್ತಮ ಸಂಭಾಷಣೆಗಳು, ಮತ್ತು ಭೋಜನ ಕಲೆಗಳು ಮಹತ್ವವನ್ನು ಹೊಂದಿವೆ. ಒಂದಲ್ಲಾ ಒಂದು ದಿನ ತಮ್ಮ ಆಹಾರ ಪದಾರ್ಥಗಳನ್ನು (ಕೆಲವಷ್ಟನ್ನಾದರೂ) ತಾವೇ ಬೆಳೆಯುವ ಆಶಯವನ್ನು ಹೊಂದಿದ್ದಾರೆ.
","descriptor":"ಪರಿಸರ ಶಾಸ್ತ್ರಜ್ಞ","id":140,"image":"Meghna_Krishnadas_w.jpeg","uid":"meghna_krishnadas"},{"alias":"ಶಾರದಾ ಶ್ರೀನಿವಾಸನ್","bio":"ಪದ್ಮಶ್ರೀ, ಶಾರದಾ ಶ್ರೀನಿವಾಸನ್ ಅವರು ಬೆಂಗಳೂರಿನ ನ್ಯಾಷನಲ್ ಇನ್ಸ್ಟಿಟ್ಯೂಟ್ ಆಫ್ ಅಡ್ವಾನ್ಸ್ಡ್ ಸ್ಟಡೀಸ್(ಎನ್ಐಎಎಸ್)ನಲ್ಲಿ ಪ್ರಾಧ್ಯಾಪಕರಾಗಿದ್ದಾರೆ. ಕಲೆ ಮತ್ತು ವಿಜ್ಞಾನಗಳ ಅಮೇರಿಕನ್ ಅಕಾಡೆಮಿಯ ಪುರಾತತ್ವ ವಿಭಾಗಕ್ಕೆ 2021ರಲ್ಲಿ ಅಂತರರಾಷ್ಟ್ರೀಯ ಗೌರವ ಸದಸ್ಯರಾಗಿ ಚುನಾಯಿತರಾಗಿದ್ದಾರೆ. ಪ್ರೊ. ಶಾರದಾ ಶ್ರೀನಿವಾಸನ್ ತಂತ್ರಜ್ಞಾನದ ಇತಿಹಾಸ ಕ್ಷೇತ್ರಕ್ಕೆ ಗಮನಾರ್ಹ ಕೊಡುಗೆಯನ್ನು ನೀಡಿದ್ದಾರೆ. ಇವರು ಪುರಾತನ ಲೋಹಶಾಸ್ತ್ರ ವಿಭಾಗದಲ್ಲಿ ಪರಿಣಿತಿ ಹೊಂದಿದ್ದು. ಇವರು “ಇಂಡಿಯಾಸ್ ಲೆಜೆಂಡರಿ ವೂಟ್ಜ಼್ ಸ್ಟೀಲ್’ ಇದರ ಸಹ-ಲೇಖಕರು, “ಡಿಜಿಟಲ್ ಹಂಪಿ” ಮತ್ತು “ಪರ್ಫಾರ್ಮೆನ್ಸ್ ಅಟ್ ದಿ ಅರ್ಬನ್ ಪೆರಿಫೆರಿ”ಗಳ ಸಹ ಸಂಪಾದಕರು, “ದಿ ನೀಲಗಿರಿ ಹಿಲ್ಸ್” ಮತ್ತು “ಎಕ್ಸ್ಟಾಸಿ ಆಫ್ ಕ್ಲಾಸಿಕಲ್ ಆರ್ಟ್’ (ರಾಷ್ಟ್ರೀಯ ವಸ್ತುಸಂಗ್ರಹಾಲಯ) ಇವುಗಳ ಕೊಡುಗೆ ಬರಹಗಾರರು ಆಗಿದ್ದಾರೆ.","descriptor":"ಪುರಾತನ ಲೋಹಶಾಸ್ತ್ರಜ್ಞರು","id":141,"image":"sharada_srinivasan.jpg","uid":"sharada_srinivasan"}],"perspectives":{"perspective-two":{"alias":"Perspective Two","category":"photograph","folder":"perspectives","id":"perspective-two","info":[{"content":"kn","type":"LANG"},{"content":"perspectives","type":"FOLDER"},{"content":"perspective-two","type":"ID"},{"content":"photograph","type":"CATEGORY"},{"content":"Perspective Two","type":"ALIAS"},{"content":"Add title here","type":"TITLE"},{"content":"YM_1","type":"BIOS"},{"content":"###","type":"BIOS"},{"content":"YM_2","type":"BIOS"},{"content":"###","type":"BIOS"},{"content":"1.jpeg; This is the caption for this image.","type":"IMAGE"},{"content":"Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nunc cursus ex leo, et pretium lorem cursus eget. In dui quam, pretium quis commodo non, congue nec velit. Vestibulum ut suscipit nulla. Vivamus erat magna, feugiat a viverra et, dapibus vitae augue. Morbi at dignissim augue, a varius urna. Fusce eget tempus massa, in varius orci. Ut in ipsum sapien. Donec ultrices, mauris lobortis egestas dignissim, lectus leo commodo lacus, vitae euismod erat elit nec sapien. Fusce dolor orci, volutpat vitae pharetra ac, fermentum vitae ipsum. Praesent ut velit quis nibh molestie egestas. Nulla nunc turpis, cursus et lacus blandit, cursus egestas nunc. Nam in velit arcu. Fusce ut libero nec lacus scelerisque finibus non sit amet dolor. Maecenas varius mi sit amet velit tristique, in pretium dui elementum.","type":"TEXT"},{"content":"Curabitur sit amet arcu libero. Donec blandit justo nec rhoncus luctus. Curabitur ac ante tempor, varius justo vitae, tristique odio. Sed tempor mollis diam, id porttitor tortor. Donec in dapibus magna. Maecenas molestie, erat eget volutpat suscipit, augue risus commodo leo, at condimentum ipsum eros et enim. Cras laoreet dui ut facilisis dictum. Morbi condimentum dolor ut arcu consectetur, et semper felis ultricies. Donec id ligula orci. Aliquam at imperdiet ante.","type":"TEXT"},{"content":"Cras interdum metus sit amet lacus vulputate suscipit. Mauris eget mattis enim, ut pretium purus. Quisque pulvinar nisl purus, nec pretium enim efficitur vel. Nulla venenatis placerat mi bibendum aliquam. Vivamus interdum lacus ac lectus aliquet, at tincidunt urna convallis. Sed euismod ex massa, non vulputate elit posuere nec. Duis aliquam nulla augue, at aliquet ligula pellentesque ac. In hac habitasse platea dictumst. In auctor nisl ut urna cursus cursus. Aliquam erat volutpat. Vestibulum malesuada dapibus tortor vitae porttitor. Etiam tincidunt, lectus sagittis luctus interdum, purus purus rhoncus magna, at consequat nisl lorem et metus. Phasellus sit amet neque leo.","type":"TEXT"},{"content":"Learning Outcomes","type":"HEADING"},{"content":"List item 1","type":"LIST_ITEM"},{"content":"List item 2","type":"LIST_ITEM"},{"content":"List item 3","type":"LIST_ITEM"},{"content":"https://player.vimeo.com/video/694331499?h=3c1e97a8be&app_id=122963","type":"VIDEO"},{"content":"","type":"PDF"}],"lang":"kn"}},"plan":[{"data_type":"block_row","density":"","id":0,"image":"","link":"","person":"","text":"","uid":"A_1","visibility":""},{"data_type":"custom","density":"","id":1,"image":"","link":"","person":"","text":"","uid":"A_2","visibility":""},{"data_type":"custom","density":"","id":2,"image":"sgblocationmap.jpeg","link":"","person":"","text":"schedule
ಸಮಯ
ಸೋಮವಾರ: ರಜಾದಿನ
ಮಂಗಳವಾರ – ಗುರುವಾರ: 10 AM – 6 PM
ಶುಕ್ರವಾರ – ಶನಿವಾರ: 10 AM – 8 PM
","uid":"A_3","visibility":""},{"data_type":"custom","density":"","id":3,"image":"","link":"","person":"","text":"local_activity
ಕಾರ್ಯಕ್ರಮಗಳು ಮತ್ತು ಪ್ರವೇಶ ಶುಲ್ಕ
ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು ಯಾವುದೇ ಬಗೆಯ ಪ್ರವೇಶ ಶುಲ್ಕ ಅಥವಾ ನೋಂದಣಿ ಶುಲ್ಕವನ್ನು ಇಟ್ಟಿಲ್ಲ.
","uid":"A_4","visibility":""},{"data_type":"spacer","density":"","id":4,"image":"","link":"","person":"","text":"","uid":"AA","visibility":""},{"data_type":"block_row","density":"","id":5,"image":"","link":"","person":"","text":"","uid":"A","visibility":""},{"data_type":"text","density":"","id":6,"image":"","link":"","person":"","text":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು – ತಲುಪುವ ಬಗೆ
","uid":"A_17","visibility":""},{"data_type":"text","density":"","id":7,"image":"","link":"","person":"","text":"ಬಸ್ ಮೂಲಕ
ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು—ಬಳ್ಳಾರಿ ರಸ್ತೆಯಲ್ಲಿರುವ ಸಿಬಿಐ ಬಸ್ ನಿಲ್ದಾಣದ ಪಕ್ಕದಲ್ಲಿದೆ.
ಶಿವಾಜಿನಗರ ಮತ್ತು ಮೆಜೆಸ್ಟಿಕ್ಗಳಿಂದ ಹೆಬ್ಬಾಳ ಅಥವಾ ಯಲಹಂಕ ಪ್ರದೇಶಗಳಿಗೆ ಹಾದುಹೋಗುವ ಎಲ್ಲಾ ಬಸ್ಸುಗಳೂ ಇಲ್ಲಿ ನಿಲ್ಲುತ್ತವೆ.
ಆಗ್ಗಾಗ್ಗೆ ಬರುವ ಬಸ್ಸುಗಳು:
176, 283, 284, 285A – 285MK, 288, 289, 297, 298, 356, 402, G-9
ಮೆಟ್ರೋ ಮೂಲಕ
ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು ತಲುಪಲು, ಗ್ರೀನ್ ಲೈನ್ನಲ್ಲಿರುವ ಬಹು ಮೆಟ್ರೋ ನಿಲ್ದಾಣಗಳಿಂದ ನೀವು ಆಟೋಗಳು, ಕ್ಯಾಬ್ಗಳು ಅಥವಾ ಬಸ್ಗಳನ್ನು ತೆಗೆದುಕೊಳ್ಳಬಹುದು.
ಸ್ಯಾಂಡಲ್ ಸೋಪ್ ಫ್ಯಾಕ್ಟರಿ ಮೆಟ್ರೋ ನಿಲ್ದಾಣದಿಂದ 5.4 ಕಿಮೀ ದೂರದಲ್ಲಿದೆ
ಸ್ಯಾಂಡಲ್ ಸೋಪ್ ಫ್ಯಾಕ್ಟರಿಯಿಂದ ಬಸ್ಸುಗಳು:
KIA-10, K2
ಶ್ರೀರಾಮ್ಪುರ ಮೆಟ್ರೋ ನಿಲ್ದಾಣದಿಂದ 5.5 ಕಿಮೀ ದೂರದಲ್ಲಿದೆ
ಶ್ರೀರಾಮ್ಪುರದಿಂದ ಬಸ್ಸುಗಳು:
176, 176B
ಮಂತ್ರಿ ಸ್ಕ್ವೇರ್ ಸಂಪಿಗೆ ರಸ್ತೆ ಮೆಟ್ರೋ ನಿಲ್ದಾಣದಿಂದ 4.9 ಕಿಮೀ ದೂರದಲ್ಲಿದೆ
ಮಂತ್ರಿ ಸ್ಕ್ವೇರ್ನಿಂದ ಬಸ್ಸುಗಳು
(ಬಸ್ ನಿಲ್ದಾಣದ ಹೆಸರು: ಸೆಂಟ್ರಲ್)
252, 258C, 276
ಮಲ್ಲೇಶ್ವರಂ ವೃತ್ತದಲ್ಲಿ ಇಳಿದು 176ನೇ ಸಂಖ್ಯೆಯ ಬಸ್ಸನ್ನು ಹತ್ತಬೇಕು","uid":"A_18","visibility":""},{"data_type":"block","density":"","id":8,"image":"","link":"","person":"","text":"","uid":"A_19","visibility":""},{"data_type":"text","density":"","id":9,"image":"","link":"","person":"","text":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು—ಇದರ ಆವರಣವು ಎಲ್ಲಾ ಸಾರ್ವಜನಿಕರ ಮುಕ್ತ ಪ್ರವೇಶಕ್ಕೆ ತೆರೆದಿದೆ. ಮತ್ತು ಇದರ ಪ್ರವೇಶಕ್ಕಾಗಲೀ, ಇಲ್ಲಿನ ಕಾರ್ಯಕ್ರಮಗಳಲ್ಲಿ ಪಾಲ್ಗೊಳ್ಳುವುದಕ್ಕಾಗಲೀ ಯಾವುದೇ ಶುಲ್ಕ ಇರುವುದಿಲ್ಲ. ಪ್ರದರ್ಶನಗಳು ಮತ್ತು ಕಾರ್ಯಕ್ರಮಗಳನ್ನು ಹದಿಹರೆಯದ ಯುವಕರೊಂದಿಗೆ ತೊಡಗಿಸಿಕೊಳ್ಳುವಂತೆ ರೂಪಿಸಲಾಗಿದೆ. ಇದನ್ನು 15 ವರ್ಷಕ್ಕಿಂತ ಮೇಲ್ಪಟ್ಟ ಎಲ್ಲರೂ ಸುಲಭವಾಗಿ ಆನಂದಿಸಬಹುದಾಗಿದೆ.
ನಾವು ಇಂಗ್ಲಿಷ್ ಮತ್ತು ಕನ್ನಡದಲ್ಲಿ ಮಿಡಿಎಟರ್ ಅವಧಿಗಳನ್ನು ನಡೆಸುತ್ತೇವೆ. ಅವುಗಳನ್ನು ಮಲಯಾಳಂ, ತಮಿಳು, ತೆಲುಗು, ಬಂಗಾಳಿ ಮತ್ತು ಹಿಂದಿಯಲ್ಲಿ ನಡೆಸಬಹುದು. ಹೆಚ್ಚಿನ ಮಾಹಿತಿಗಾಗಿ learning@bengaluru.sciencegallery.com ಅನ್ನು ಸಂಪರ್ಕಿಸಿ.
ನಮ್ಮ ಮಿಡಿಎಟರ್ಸ್ ಶಾಲಾ ಮತ್ತು ಕಾಲೇಜು ಗುಂಪುಗಳಿಗೆ ವಿದ್ಯಾರ್ಥಿಗಳ ಕಲಿಕೆಯ ಅನುಭವಗಳನ್ನು ಆಯೋಜಿಸಬಹುದು. ನೀವು ಸ್ಲಾಟ್ ಅನ್ನು ಬುಕ್ ಮಾಡಲು ಬಯಸಿದರೆ, learning@bengaluru.sciencegallery.com ಗೆ ಸಂಪರ್ಕಿಸಿ.
ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು ಸಂಕೀರ್ಣವು ಗಾಲಿಕುರ್ಚಿಯ ಮೂಲಕ ಪ್ರವೇಶಿಸಬಹುದಾಗಿದೆ.","uid":"A_20","visibility":""}],"programmes":[{"blurb":"ವರ್ಗಿಲ್ ವಿಡ್ರಿಚ್ ಅವರ ‘ಕಾಪಿ ಶಾಪ್’ ಹಾಗೂ ಅಲನ್ ರಿನಯ್ ಅವರ ‘ಸಾಂಗ್ ಆಫ್ ಸ್ಟೈರೀನ್’ – ಈ ಎರಡೂ ಮಹತ್ವದ ಚಿತ್ರಗಳ ಮೂಲಕ ಕಾರ್ಬನ್ನಿನ ಜಿಜ್ಞಾಸೆಯುತ ಲೋಕದಲ್ಲಿ ಮುಳುಗೇಳುವ, ಮನಮೋಹಕವಾದ ಸಿನಿಮಾ ಅನುಭವವನ್ನು ಹೊಂದಲು ನಮ್ಮೊಂದಿಗೆ ಸೇರಿಕೊಳ್ಳಿ. ಈ ಚಿತ್ರಪ್ರದರ್ಶನ ಹಾಗೂ ಮಾತುಕತೆಗಳು ಸಿನಿಮಾ, ಭೌತಿಕತೆ ಹಾಗೂ ನಮ್ಮ ಜೀವನದ ಮೇಲೆ ಕಾರ್ಬನ್ನಿನ ಪ್ರಭಾವಗಳ ನಡುವಿನ ಸಂಪರ್ಕಗಳನ್ನು ಪರಿಶೋಧಿಸುವ ಗುರಿ ಹೊಂದಿವೆ.
‘ಕಾಪಿ ಶಾಪ್’: ತನಗೇ ಗೊತ್ತಿಲ್ಲದೆ, ಓರ್ವ ಕಾಪಿಶಾಪ್ ನೌಕರನು ವಿಲಕ್ಷಣವಾದ ಸರಣಿ ಘಟನೆಗಳನ್ನು, ಮುಂದಿನ ಆಗುಹೋಗುಗಳ ಬಗ್ಗೆ ಏನೂ ಅರಿವಿಲ್ಲದೆಯೇ ಹುಟ್ಟುಹಾಕುತ್ತಾನೆ. ತನ್ನ ಸೂಕ್ಷ ಕೌಶಲ್ಯದಿಂದ ಮತ್ತು ವಿಭಿನ್ನ ಅನಿಮೇಶನ್ ತಂತ್ರದಿಂದ, ‘ಕಾಪಿ ಶಾಪ್’ ಚಿತ್ರವು ವಾಸ್ತವವನ್ನು ಮರುರೂಪಿಸಬಲ್ಲ ತಂತ್ರಜ್ಞಾನದ ಸಾಮರ್ಥ್ಯ ಹಾಗೂ ಅದು ತರುವ ನೈತಿಕ ಇಕ್ಕಟ್ಟುಗಳನ್ನು ಪರಿಶೋಧಿಸುತ್ತದೆ.
‘ಸಾಂಗ್ ಆಫ್ ಸ್ಟೈರೀನ್’: ಸಾಂಗ್ ಆಫ್ ಸ್ಟೈರೀನ್ನಲ್ಲಿ ಕೈಗಾರಿಕಾ ಪ್ರಪಂಚದ ಕಾವ್ಯಾತ್ಮಕ ಶೋಧನೆಯ ಅನುಭವ ಪಡೆಯಿರಿ. ಈ ಕಣ್ಸೆಳೆಯುವ ವಾರ್ತಾಚಿತ್ರವು, ಪ್ಲಾಸ್ಟಿಕ್ ಉತ್ಪಾದಿಸುವ ಕೈಗಾರಿಕೆಯೊಂದರಿಂದ ಸ್ಥಾಪಿತವಾಗಿದ್ದು, ಪ್ಲಾಸ್ಟಿಕ್ನ ತಯಾರಿಕೆ ಹಾಗೂ ಮತ್ತದರ ಸಾಂಸ್ಕೃತಿಕ ಪರಿಣಾಮಗಳ ಕುರಿತು ವಿಶಿಷ್ಟವಾದ ದೃಷ್ಟಿಕೋನವನ್ನು ನೋಡುಗರ ಮುಂದಿಡುತ್ತದೆ. ಅಲನ್ ರೆನಯ್ ಅವರ ದಾರ್ಶನಿಕ ನಿರ್ದೇಶನದ ಮೂಲಕ ಈ ಚಲನಚಿತ್ರವು, ನೋಡುಗರಿಗೆ—ಕಲೆ, ಕೈಗಾರಿಕೆ ಮತ್ತು ಕಾರ್ಬನ್ ಮೂಲದ ಉತ್ಪನ್ನಗಳ ಭೌತಿಕತೆಗಳ ನಡುವಿನ ಒಡನಾಟಗಳ ಕುರಿತಾದ ಒಂದು ಧ್ಯಾನದಂತೆ ಭಾಸವಾಗುತ್ತದೆ.","capacity":"","duration":"1.5 Hours","eb":705371805057,"exhibits":"","experts":"virgil-widrich, rashmi-sawhney","hide":"","id":0,"kind":"ಚಲನಚಿತ್ರ ಪ್ರದರ್ಶನ ಮತ್ತು ಮಾತುಕತೆ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"‘ಕಾಪಿ ಶಾಪ್’ ಮತ್ತು ‘ಸಾಂಗ್ ಸ್ಟೈರೀನ್’ I ಚಲನಚಿತ್ರ ಪ್ರದರ್ಶನ ಮತ್ತು ಮಾತುಕತೆ ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-09-10T12:30:00.000Z","uid":"copy shop-and-song-of-styrene","venue":"ಇನ್ಫೋಸಿಸ್ ಸೈನ್ಸ್ ಫೌಂಡೇಶನ್"},{"blurb":"ಉಳಿದೆಲ್ಲಾ ಮೂಲಧಾತುಗಳು ಉಂಟು ಮಾಡುವ ಎಲ್ಲಾ ಸಂಯುಕ್ತಗಳ ಒಟ್ಟು ಮೊತ್ತಕ್ಕಿಂತ ಹೆಚ್ಚಿನ ಸಂಯುಕ್ತಗಳನ್ನು ಕಾರ್ಬನ್ ಉಂಟುಮಾಡುತ್ತದೆ ಎಂದು ನಿಮಗೆ ಗೊತ್ತೇ? ಕಲ್ಲಿದ್ದಲು ಯಾಕಾಗಿ ಎಲ್ಲಕ್ಕಿಂತ ಹೆಚ್ಚು ತಿರಸ್ಕಾರಕ್ಕೊಳಗಾದ ಇಂಧನವಾಗಿದೆ? ನೈಸರ್ಗಿಕವಾಗಿ ವಜ್ರವು ರೂಪುಗೊಳ್ಳಲು ಎಷ್ಟು ಸಮಯ ಬೇಕಾಗುತ್ತದೆ? ಈ ರಸಪ್ರಶ್ನೆಯಲ್ಲಿ ನಾವು ಕಾರ್ಬನ್ನಿನ ಸಂರಚನೆಯ ಬಗ್ಗೆ ಹಾಗೂ ಅದರ ಎಲ್ಲಾ ಸ್ವರೂಪಗಳ ಕುರಿತು ಆಳವಾದ ಹುಡುಕಾಟ ನಡೆಸುತ್ತೇವೆ.
ಬನ್ನಿ, ಒಂದು ಆಸಕ್ತಿಕರವಾದ ರಸಪ್ರಶ್ನೆಯ ಸಂಜೆಯನ್ನು ನಮ್ಮೊಂದಿಗೆ ಕಳೆಯಿರಿ.","capacity":"","duration":"2 Hours","eb":705760246897,"exhibits":"","experts":"urmila-lakshmanan","hide":"","id":1,"kind":"ರಸಪ್ರಶ್ನೆ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಡೇಟಾ ಮೈನಿಂಗ್: ಕಾರ್ಬನ್ ಕುರಿತಾದ ಕಟುಸತ್ಯಗಳು","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-09-09T11:30:00.000Z","uid":"data-mining-quiz","venue":"ಇಂಡಿಯನ್ ಅಕಾಡೆಮಿ ಆಫ್ ಸೈನ್ಸಸ್ (ಭಾರತೀಯ ವಿಜ್ಞಾನಗಳ ಪ್ರಾಧಿಕಾರ)"},{"blurb":"ಕಾರ್ಬನ್ ಬಳಕೆಯ ಹೊಸ ತಂತ್ರಜ್ಞಾನಗಳು—ಸೂಪರ್ ಬ್ಯಾಟರೀಸ್, ಇನ್ವಿಸಿಬಲ್ ಕ್ಲೋಕ್ಸ್, ಸ್ಪೇಸ್ಕ್ರಾಫ್ಟ್ಸ್ಗಳ ಸಂಶೋಧನೆಯಲ್ಲಿ ಕ್ರಾಂತಿ ತರಬಲ್ಲವು. ಗ್ರಾಫೀನ್ ಮಾದರಿಯ ಅಣುಹಾಳೆಗಳು—ಕಾರ್ಬನ್ ಅಣುಗಳ ಒಂದು ಹಾಳೆ—ಜಾಣ್ಮೆಯ ವಸ್ತು ವಿನ್ಯಾಸ ವಲಯದಲ್ಲಿ ಸಮಗ್ರ ಪರಿಹಾರವಾಗಿ ಹೊರಹೊಮ್ಮುತ್ತಿವೆ. ಈ ಅಣುಹಾಳೆಗಳು ನಾಳೆಗಳ ಇಲೆಕ್ಟ್ರಾನಿಕ್ಸ್ ಹಾಗೂ ಕ್ವಾಂಟಮ್ ಕಂಪ್ಯೂಟಿಂಗ್ಗಳ ಬೆನ್ನೆಲುಬಾಗಲಿವೆ. ಇದನ್ನು ನಾವು ಸಿಲಿಕಾನ್ ಮತ್ತು ಇತರ ಸೆಮಿಕಂಡಕ್ಟರುಗಳು ಇಂದಿನ ನಮ್ಮ ಗೃಹಬಳಕೆಯ ವಸ್ತುಗಳಲ್ಲಿ ಉಂಟುಮಾಡಿದ ಕ್ರಾಂತಿಕಾರಕ ಬದಲಾವಣೆಗಳಿಗೆ ಹೋಲಿಸಬಹುದಾಗಿದೆ. ಈ ಉಪನ್ಯಾಸದಲ್ಲಿ, ಭೌತಶಾಸ್ತ್ರಜ್ಞರಾದ ಅರಿಂದಮ್ ಘೋಶ್ ಅವರು ಗ್ರಾಫೀನ್ ಮತ್ತು ಅಂತಹ ಇನ್ನಿತರ ವಸ್ತುಗಳು, ಇಂದು ನಾವು ತಿಳಿದಿರುವ ತಂತ್ರಜ್ಞಾನದ ಅರ್ಥವ್ಯಾಪ್ತಿಯನ್ನು ಬದಲಿಸುವಲ್ಲಿ ಹೊಂದಿರುವ ಪಾತ್ರವನ್ನು ಪರಿಶೋಧಿಸುತ್ತಾರೆ.","capacity":"","duration":"ಉಪನ್ಯಾಸ: 1 Hour
ಬೋಧನೆ: 1 Hour","eb":706639075497,"exhibits":"","experts":"arindam-ghosh","hide":"","id":2,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಬೋಧನೆ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಗ್ರಫೀನಿನಿಂದ ಗ್ಯಾಲಸ್ಟಿಕ್ವರೆಗೆ: ಅಣುಹಾಳೆಗಳೊಂದಿಗೆ ಒಂದು ಪಯಣ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-09-16T12:30:00.000Z","uid":"from-graphene-to-the-galactic","venue":"ಇನ್ಫೋಸಿಸ್ ಸೈನ್ಸ್ ಫೌಂಡೇಶನ್"},{"blurb":"ನೀವು ಸಾಮಾನ್ಯ ಅಣಬೆಗಳ ಜಾತಿಗಳನ್ನು ಗುರುತಿಸಬಲ್ಲಿರಾ? ನಗರದ ವಾತಾವರಣದಲ್ಲಿ ಶಿಲೀಂದ್ರಗಳ ಪಾತ್ರವನ್ನು ತಿಳಿಯಲು ಕುತೂಹಲಿಗಳಾಗಿದ್ದೀರೇನು? ಈ ಕ್ಷಿಪ್ರ ಭೇಟಿಯ ಕಾರ್ಯಾಗಾರದಲ್ಲಿ, ನೀವು ವಿಶೇಷ ಪರಿಸರ ತಜ್ಞರಾದ ಮಾಳವಿಕ ಭಾಟಿಯಾ ಹಾಗೂ ಜೀವಶಾಸ್ತ್ರಜ್ಞರಾದ ನೀಲಾದ್ರಿ ಚೌಧುರಿಯವರೊಡಗೂಡಿ ಶಿಲೀಂದ್ರಗಳ ಲೋಕದಲ್ಲಿ ಕಳೆದುಹೋಗಲು ಸಿದ್ಧರಾಗಿ ಬನ್ನಿ! ವಿಭಿನ್ನ ಜಾತಿಯ ಅಣಬೆಗಳ ಬಗ್ಗೆ, ಅವುಗಳನ್ನು ಗುರುತಿಸುವ ವಿಧಾನಗಳ ಬಗ್ಗೆ, ಅವುಗಳು ಇರುವ ನೆಲೆಗಳ ಬಗ್ಗೆ ತಿಳಿಯೋಣ. ಅಲ್ಲದೇ ಅವುಗಳಿರುವ ಸೂಕ್ಷ್ಮ ಹವಾಮಾನಗಳ ಬಗ್ಗೆ ಮತ್ತು ಪರಿಸರ ವ್ಯವಸ್ಥೆಯಲ್ಲಿ ಅವು ವಹಿಸುವ ವಿಭಿನ್ನ ಪಾತ್ರಗಳ ಬಗ್ಗೆ ಕಲಿಯೋಣ. ಅಣಬೆಗಳ ನಮೂನೆಗಳನ್ನು ಸಂಗ್ರಹಿಸಲು ನಮ್ಮೊಡನೆ ಕೂಡಿಕೊಂಡು, ಕಾರ್ಬನ್ ಚಕ್ರದಲ್ಲಿ ಅವು ವಹಿಸುವ ಪಾತ್ರದ ಬಗ್ಗೆ ಚರ್ಚಿಸಲು ಮುಂದಾಗಿ.","capacity":"","duration":"4 Hours","eb":706778642947,"exhibits":"","experts":"malavika-bhatia, neeladri-chowdhury","hide":"","id":3,"kind":"ಕಾರ್ಯಕ್ರಮ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಟೆರ ಮೈಕೋ: ಒಂದು ಅಣಬೆಯಾಹಾರ ಅರಸುವಿಕೆಯ ಪಯಣ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-09-23T04:30:00.000Z","uid":"terra-myco-foraging-workshop","venue":"ಇನ್ಫೋಸಿಸ್ ಸೈನ್ಸ್ ಫೌಂಡೇಶನ್"},{"blurb":"ಸಾಮಾನ್ಯವಾಗಿ ಕಾರ್ಬನ್ ಎನ್ನುವುದು ನಕಾರಾತ್ಮಕವಾದ ಅರ್ಥಗಳೊಂದಿಗೆ ಬೆಸೆದುಕೊಂಡಿದ್ದರೂ ಕೂಡಾ, ಇದು ಹಲವಾರು ತಾಂತ್ರಿಕ ಪ್ರಗತಿಗಳಿಗೆ ಚಾಲನೆ ನೀಡುವಲ್ಲಿ ಪ್ರಮುಖ ಅಂಶವಾಗಿ ಕಾರ್ಯನಿರ್ವಹಿಸುತ್ತದೆ. ಈ ಕಾರ್ಯಾಗಾರವು 3ಡಿ ಅಚ್ಚುಹಾಕುವಿಕೆಯಲ್ಲಿ ಕ್ರಾಂತಿಕಾರಕ ಬದಲಾವಣೆಗಳನ್ನು ತರುವಲ್ಲಿ ಕಾರ್ಬನ್ ಹೊಂದಿರುವ ಪಾತ್ರವನ್ನು ಸಂಶೋಧಿಸುತ್ತದೆ. ಹೆಚ್ಚಿನ ಬಲ ಹೊಂದಿದ, ಹಗುರವಾದ ಮತ್ತು ಸಂಕೀರ್ಣವಾದ ವಿನ್ಯಾಸಗಳನ್ನು ಸಾಧ್ಯವಾಗಿಸುವ ಮೂಲಕ ಇಂತಹ ಕ್ರಾಂತಿಕಾರಕ ಬದಲಾವಣೆಯನ್ನುಂಟು ಮಾಡಬಹುದಾಗಿದೆ.
ಕಾರ್ಬನ್ ತುಂಬಿದ ಪದಾರ್ಥಗಳ ಲೋಕವನ್ನು ಅನ್ವೇಷಿಸಿ ಹಾಗೂ ಅಂತರಿಕ್ಷಯಾನದಿಂದ ಆರೋಗ್ಯ ರಕ್ಷಣೆ ಕ್ಷೇತ್ರದವರೆಗೆ ಅನೇಕ ಕೈಗಾರಿಕೆಗಳನ್ನು ಕಾರ್ಬನ್ ಹೇಗೆ ರೂಪಿಸಿದೆ ಎಂಬುದನ್ನು ನೋಡಿ. ಚರ್ಚೆಗಳು ಮತ್ತು ಪ್ರಾಯೋಗಿಕ ಚಟುವಟಿಕೆಗಳ ಮೂಲಕ, ನೀವು ಕಾರ್ಬನ್ನ ಗುಣಲಕ್ಷಣಗಳ ಬಗ್ಗೆ ಮತ್ತು 3ಡಿ ಅಚ್ಚು ಹಾಕುವ ಕೈಗಾರಿಕೆಯಲ್ಲಿ ಕಾರ್ಬನ್ ಹೆಜ್ಜೆಗುರುತುಗಳನ್ನು ಕಡಿಮೆ ಮಾಡುವುದನ್ನು ಸಾಧ್ಯವಾಗಿಸುವ ಅದರ ಸಾಮರ್ಥ್ಯಗಳ ಬಗ್ಗೆ ಸಾಕಷ್ಟು ಒಳನೋಟಗಳನ್ನು ಪಡೆಯುತ್ತೀರಿ. ಸಿದ್ಧ ನಂಬಿಕೆಗಳಿಗೆ ಸವಾಲೆಸೆಯಲು ಮತ್ತು ಸುಸ್ಥಿರವಾದ ನಾಳೆಗಳನ್ನು ಕಟ್ಟಲು ನೆರವಾಗುವಂತೆ, ಕಾರ್ಬನ್ ಅನ್ನು ಬಳಸುವ ಹೊಸತನದ ವಿಧಾನಗಳನ್ನು ಶೋಧಿಸಲು ಈ ಕಾರ್ಯಾಗಾರದಲ್ಲಿ ಪಾಲ್ಗೊಳ್ಳಿ.","capacity":"","duration":"4 Hours","eb":"","exhibits":"","experts":"swati-suman","hide":"","id":4,"kind":"ಕಾರ್ಯಾಗಾರ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಕಾರ್ಬನ್ನೊಂದಿಗೆ ಕೌಶಲ್ಯ: 3ಡಿ ಅಚ್ಚು ಹಾಕುವಿಕೆಯ ಕ್ರಾಂತಿಯ ಅನಾವರಣ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-09-17T04:30:00.000Z","uid":"crafting-with-carbon","venue":"ಇನ್ಫೋಸಿಸ್ ಸೈನ್ಸ್ ಫೌಂಡೇಶನ್"},{"blurb":"ಒಟ್ಟಿಗೆ ಇಬ್ಬಿಬ್ಬರು ರಸಪ್ರಶ್ನೆ ನಡೆಸುಗರನ್ನು, ಅರೆ-ಕಾಲಿಕ ಸಂಗೀತಗಾರರನ್ನು, ಹಳಸಲು ಜೋಕುಗಳ ಪಂಡಿತರನ್ನು ಮತ್ತು ವಿಜ್ಞಾನಿಗಳನ್ನು ಒಂದೆಡೆ ಸೇರಿಸಿದರೆ ಏನಾಗುತ್ತದೆ? ಒಂದು ಸೊಗಸಾದ ಗೇಲಿ ಮತ್ತು ಮರೆತೇ ಹೋಗಿರುವ ಹಾಡುಗಳ ರಸಮಂಜರಿ ಕಾರ್ಯಕ್ರಮದಲ್ಲಿ ಪರ್ಯವಸಾನವಾಗುತ್ತದೆ! ಬೆರ್ಟ್ಲಿ ಹಾಗೂ ಆರ್.ಆರ್.ಕೆ ನಡೆಸಿಕೊಡಲಿರುವ ರಸಸಂಜೆ ಕಾರ್ಯಕ್ರಮದಲ್ಲಿ ನಮ್ಮೊಡನೆ ಪಾಲ್ಗೊಳ್ಳಿ. ನೀವೂ ಬಂದು, ನಮ್ಮೊಡನೆ ಒಂದು ಹಾಸ್ಯಪ್ರಸಂಗ ಹಂಚಿಕೊಳ್ಳಿ, ಹಾಡನ್ನು ಹಾಡಿ, ವಾದ್ಯವನ್ನು ನುಡಿಸಿ… ನೆರೆದವರೆಲ್ಲಾ ನಿಮ್ಮೊಂದಿಗೆ ಬೆರೆಯುವಂತೆ ಏನನ್ನು ಬೇಕಾದರೂ ಮಾಡಿ.
ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು ನಡೆಸುತ್ತಿರುವ ಮೊಟ್ಟಮೊದಲ ಓಪನ್ ಮೈಕ್ ಕಾರ್ಯಕ್ರಮದಲ್ಲಿ ನಿರ್ವಹಿಸಲು ನೋಂದಾಯಿಸಿಕೊಳ್ಳಿ: https://forms.gle/mfaUSvioGmQatsfNA
ಇನ್ನೂ ವೇದಿಕೆಯನ್ನು ಅಲಂಕರಿಸುವ ಮನಸ್ಸಾಗುತ್ತಿಲ್ಲವೇ?
ನೆರೆದ ಪ್ರೇಕ್ಷಕ ವೃಂದದ ಭಾಗವಾಗಿ ನಿಮ್ಮೊಳಗಿನ ಹೊಸ ಪ್ರತಿಭೆಯನ್ನು ಕಂಡುಕೊಳ್ಳಿ ಮತ್ತು ನಿಮ್ಮ ಗೆಳೆಯರನ್ನು ಪ್ರೋತ್ಸಾಹಿಸಿ. ಈ ಕಾರ್ಯಕ್ರಮಕ್ಕೆ ಹಾಜರಾಗಲು 'ನೋಂದಣಿ ಮಾಡಿ' ಬಟನ್ ಒತ್ತಿರಿ.
","capacity":"","duration":"2 Hours","eb":"","exhibits":"","experts":"berty-ashley, rajesh-radhakrishnan","hide":"","id":5,"kind":"ಕಾರ್ಯಕ್ರಮ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಜ್ಯಾಮ್ ಮತ್ತು ಇಬ್ಬರು ಅತಿಥೇಯರು","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-09-24T11:30:00.000Z","uid":"jam-and-two-hosts","venue":"ಜಸ್ಟ್ ಬಿ.ಲ್.ರ್ "},{"blurb":"ಹೈಡ್ರೋಕಾರ್ಬನ್ ಚಟುವಟಿಕೆಯ ಪ್ರದೇಶಗಳಲ್ಲಿ ವಾಸಿಸುವ ಸಮುದಾಯಗಳ ಸಾಮಾಜಿಕ ಹಾಗೂ ಸಾಂಸ್ಕೃತಿಕ ಜಗತ್ತಿನಲ್ಲೊಮ್ಮೆ ಹೆಜ್ಜೆ ಹಾಕಿ. ಇದು ಹಳ್ಳಿಗಳು, ಪಟ್ಟಣಗಳು, ಬೆಟ್ಟಗುಡ್ಡಗಳು ಹಾಗೂ ಕಾಡುಗಳನ್ನು ಹೊಂದಿದ್ದು, ಕಲ್ಲಿದ್ದಿಲ ಗಣಿಯವರು, ತೈಲಬಾವಿಯವರು ಹಾಗೂ ಹಳ್ಳಿಗರು ನೀರಸವಾಗಿಯೂ ಆಸಕ್ತಿದಾಯಕವಾಗಿಯೂ ಇರುವ ಈ ಪ್ರಪಂಚವನ್ನು ಹಂಚಿಕೊಳ್ಳುತ್ತಿರುವುದನ್ನು ಕಾಣಬಹುದು. ಒಂದು ಕಾರ್ಬನ್ ಚಟುವಟಿಕೆಯ ಪ್ರದೇಶದಲ್ಲಿ, ನಿನ್ನೆ, ಇಂದು ಹಾಗೂ ನಾಳೆಗಳೆಲ್ಲವೂ ಅಸಾಮಾನ್ಯವಾದ ರೀತಿಯಲ್ಲಿ ಬೆಸೆದುಕೊಂಡಿರುತ್ತವೆ. ಹೈಡ್ರೋಕಾರ್ಬನ್ಗಳು ನಮಗೆ ಭೂಮಿಯ ನಿನ್ನೆಗಳನ್ನು, ಹೆಚ್ಚೆಚ್ಚು ಬಳಕೆಯ ದಾಹದಿಂದ ಕೂಡಿರುವ ನಮ್ಮ ಇಂದಿನ ದಿನಗಳನ್ನು ಹಾಗೂ ಕೂಡಿಡುವಿಕೆಯ ನಮ್ಮ ಅಭ್ಯಾಸಗಳನ್ನು ಮರುಚಿಂತಿಸುವಂತೆ ಬೇಡಿಕೊಳ್ಳುತ್ತಿರುವ ನಾಳೆಗಳನ್ನೂ ನೆನಪು ಮಾಡುತ್ತಿರುತ್ತವೆ. ಮಾನವ ಶಾಸ್ತ್ರಜ್ಞರಾದ ಡಾಲಿ ಕಿಕೋನ್ ಅವರೊಂದಿಗಿನ ಪರಿಣತಿ ತರಗತಿಯಲ್ಲಿ, ನೆಲ ಹಾಗೂ ಸಮುದಾಯಗಳ ಜೊತೆಗಿನ ಸುಲಿಯುವಿಕೆ/ ಸಲಹುವಿಕೆ ಸಂಬಂಧಗಳ ಪದರಗಳ ಕುರಿತು, ಆಕ್ರೋಶ/ ಅಸಹಾಯಕತೆಯ ಭಾವನೆಗಳ ಕುರಿತು ಹಾಗೂ ಬಿರಿದ/ ಬೆಸೆದ ಸಂಬಂಧಗಳ ಕುರಿತು ಚಿಂತನೆ ಮಾಡಿ. ಹೈಡ್ರೋಕಾರ್ಬನ್ ಚಟುವಟಿಕೆಯ ಪ್ರದೇಶಗಳ ಬಗ್ಗೆ ತಿಳಿಯುತ್ತಲೇ, ನಾವು ಕೈಪಿಡಿಯೊಂದನ್ನು ಸಿದ್ಧಪಡಿಸುತ್ತೇವೆ ಹಾಗೂ ಹೇಗೆ ಕಾರ್ಬನ್—ಸಾಮಾಜಿಕ, ಸಾಂಸ್ಕೃತಿಕ ಹಾಗೂ ರಾಜಕೀಯ ಸಂಬಂಧಗಳನ್ನು ರೂಪಿಸುತ್ತದೆ ಎಂಬುದನ್ನು ಬಿಂಬಿಸುವ ಕತೆಗಳನ್ನು ಹಂಚಿಕೊಳ್ಳುತ್ತೇವೆ.
ಈ ಪರಿಣತಿ ತರಗತಿ ಎರಡು ದಿನಗಳ ಕಾಲ ಒಟ್ಟು ಮೂರು ಅವಧಿಗಳಲ್ಲಿ ನಡೆಯುತ್ತವೆ ಎಂಬುದನ್ನು ದಯಮಾಡಿ ಗಮನಿಸಿ.","capacity":"","duration":"2 Days, 3 Sessions","eb":"","exhibits":"","experts":"AA_2","hide":"","id":6,"kind":"ಪರಿಣತಿ ತರಗತಿ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ತೈಲ ಮತ್ತು ಕಲ್ಲಿದ್ದಿಲಿನೊಂದಿಗಿನ ಬದುಕು: ನೆಲ, ಸಮುದಾಯ ಮತ್ತು ಕತೆ ಹೇಳುವಿಕೆ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-09-30T05:30:00.000Z","uid":"living-with-oil-coal","venue":"ಓಲ್ಡ್ ಫಿಸಿಕ್ಸ್ ಬಿಲ್ಡಿಂಗ್ ,ಭಾರತೀಯ ವಿಜ್ಞಾನ ಸಂಸ್ಥೆ (ಐಐಎಸ್ಸಿ)"},{"blurb":"ಪಳೆಯುಳಿಕೆಗಳ ಲೋಕವು ಡೈನೋಸಾರುಗಳಿಗೂ ಮಿಗಿಲಾದ ಇನ್ನೂ ಅನ್ವೇಷಿಸಬೇಕಾದ ಅಗಾಧವಾದ ಖಜಾನೆಗಳನ್ನು ಹೊಂದಿದೆ. ಕಡಲ ಚಿಪ್ಪಿಗಳ ಅಧ್ಯಯನವು ಕಡಲಾಳದ ಜೀವ ಪ್ರಪಂಚದ ರಹಸ್ಯಗಳನ್ನು ಬಿಚ್ಚಿಡಲು ನಮಗೆ ನೆರವಾಗುತ್ತದೆ. ಕಡಲ ಚಿಪ್ಪಿಗಳ ಪಳೆಯುಳಿಕೆಗಳ ದಾಖಲೆಗಳು, ನೂರಾರು ಮಿಲಿಯನ್ ವರ್ಷಗಳ ಹರವು ಹೊಂದಿದ್ದು, ಯುಗಾಂತರದಲ್ಲಿ ಈ ಜೀವಿಗಳು ಹೇಗೆ ವಿಕಾಸ ಹೊಂದಿವೆ ಎಂಬುದನ್ನು ಪರಿಶೀಲಿಸಲು ಅನುವು ಮಾಡಿಕೊಡುತ್ತವೆ. ಏಕೆಂದರೆ ಕಡಲಚಿಪ್ಪಿಗಳು ಕಾಲಾಂತರದಲ್ಲಿ ಬಹಳ ವೇಗವಾಗಿ ಬೇರೆಬೇರೆ ಕವಲುಗಳಾಗಿ ಹೊರಹೊಮ್ಮಿವೆ. ಇವು ವಿಭಿನ್ನ ನೈಸರ್ಗಿಕ ಅಂಶಗಳಿಗೆ ಹಾಗೂ ಪರಿಸರ ಬದಲಾವಣೆಗಳಿಗೆ, ಕಾಲದುದ್ದಕ್ಕೂ ಕಡಲಜೀವಿಗಳ ಪ್ರತಿಸ್ಪಂದನೆಯಲ್ಲಿ ಹೇಗೆ ಬದಲಾವಣೆಯಾಗಿವೆ ಎಂಬುದನ್ನು ಅರಿಯಲು ಇರುವ ಸೂಕ್ತ ಸಾಧನಗಳಾಗಿವೆ. ಈ ಪುಟಾಣಿ ಕಡಲಚಿಪ್ಪಿಗಳು, ಅತ್ಯಮೂಲ್ಯವಾದ ಕಾಲದ ರಹಸ್ಯಗಳನ್ನು ಅಡಗಿಸಿಕೊಂಡ ಖಜಾನೆಗಳಾಗಿದ್ದು ವಿಜ್ಞಾನಿಗಳಿಗೆ ಭೂಮಿಯ ಇತಿಹಾಸವನ್ನು ಜೋಡಿಸಿ ನೋಡಲು, ಕಡಲಜೀವಿಗಳ ವಿಕಾಸವನ್ನು ಅಧ್ಯಯನ ಮಾಡಲು ಹಾಗೂ ಬಲುಹಿಂದಿನ ಪರಿಸರ ಪರಿಸ್ಥಿತಿಗಳ ಒಳನೋಟಗಳನ್ನು ಅರಿಯಲು ನೆರವಾಗಿವೆ. ಬನ್ನಿ. ಕಡಲಚಿಪ್ಪಿಗಳ ಪಳೆಯುಳಿಕೆ ಲೋಕದಲ್ಲೊಂದು ಅದ್ಭುತವಾದ ಪಯಣ ಮಾಡಲು, ಪಳೆಯುಳಿಕೆ ಜೀವವಿಜ್ಞಾನಿಯಾಗಿರುವ ದೇವಪ್ರಿಯಾ ಚಟ್ಟೋಪಾಧ್ಯಾಯ ಅವರೊಡನೆ ಸೇರಿಕೊಳ್ಳಿ.","capacity":"","duration":"Lecture: 1 Hour
Tutorial: 1 Hour","eb":"","exhibits":"","experts":"devapriya-chattopadhyay","hide":"","id":7,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಬೋಧನೆ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಚಿಪ್ಪುಗಳ ವೃತ್ತಾಂತಗಳು: ಕಡಲಚಿಪ್ಪಿ ಪಳೆಯುಳಿಕೆಗಳ ಮೂಲಕ ಯುಗಾಂತರಗಳ ಹುಡುಕಾಟ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-10-14T12:30:00.000Z","uid":"shell-chronicles","venue":"ಇನ್ಫೋಸಿಸ್ ಸೈನ್ಸ್ ಫೌಂಡೇಶನ್"},{"blurb":"ನೀವು ಹವಾಮಾನ ಬದಲಾವಣೆಯ ಕುರಿತಾದ ಬಲವಾದ ನಿರೂಪಣೆಯನ್ನು ಸಾಮಾಜಿಕ ಜಾಲತಾಣಗಳಲ್ಲಿ ಹೇಗೆ ಹೇಳುತ್ತೀರಿ? ಈ ಕಾರ್ಯಾಗಾರದಲ್ಲಿ ನಿಮ್ಮದೇ ಸ್ವಂತ ’ಕಾರ್ಬನ್ ಕತೆ’ಗಳನ್ನು ರೂಪಿಸಿ! ಗ್ರಾಫಿಕ್ ವಿನ್ಯಾಸದ ವರ್ಣಸಿದ್ಧಾಂತ, ಮುದ್ರಣ ಕಲೆ ಹಾಗೂ ಸಂಯೋಜನೆಗಳಂತಹ ಮೂಲಭೂತ ತತ್ವಗಳನ್ನು ಕಲಿಯಿರಿ. ನಗರ ಸಂಚಾರ ಹಾಗೂ ಕಾರ್ಬನ್ ಹೊರಸೂಸುವಿಕೆಗಳನ್ನು ಅರಿಯಲು, ಚತುರ ದತ್ತಾಂಶ ತೋರ್ಪಡಿಕೆ ಮತ್ತು ಭೂಪಟಶಾಸ್ತ್ರದ ಲೋಕದಲ್ಲೊಮ್ಮೆ ಮುಳುಗು ಹಾಕಿ. ನಿಮ್ಮದೇ ಆದ ತೊಡಗುವಿಕೆಯ ಪ್ರಚಾರಗಳನ್ನು ರೂಪಿಸಿಕೊಳ್ಳಲು, ಇನ್ಸ್ಟಾಗ್ರಾಮ್ನ bengawalk ಖಾತೆಯ ಮೂಲಕ ಹೆಸರಾಗಿರುವ, ವಿನ್ಯಾಸಗಾರ ಹಾಗೂ ಚಲನಚಿತ್ರ ತಯಾರಕರಾದ ಪ್ರವರ್ ಚೌಧರಿಯವರೊಂದಿಗೆ ಕೆಲಸ ಮಾಡಿ.
ಈ ಕಾರ್ಯಾಗಾರದಲ್ಲಿನ ನಿಮ್ಮ ಕಲಿಕೆಯನ್ನು, ಹೇಗೆ ಕಾರ್ಯರೂಪಕ್ಕೆ ತರಬಹುದೆಂಬುದನ್ನು ತಿಳಿಯುವ ಕುತೂಹಲ ಹೊಂದಿದ್ದೀರಾ? ಹಾಗಾದರೆ ಒಮ್ಮೆ : https://bengawalk.com/ ತಾಣಕ್ಕೆ ಭೇಟಿ ನೀಡಿ.
","capacity":"","duration":"2 Hours","eb":"","exhibits":"","experts":"pravar-chaudhary","hide":"","id":8,"kind":"ಕಾರ್ಯಾಗಾರ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ದತ್ತಾಂಶದಿಂದ ವಿನ್ಯಾಸದವರೆಗೆ: ನಾಗರಿಕ ಚಳವಳಿ ಹಾಗೂ ಹವಾಮಾನ ಬದಲಾವಣೆ ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-10-15T05:30:00.000Z","uid":"from-data-to-design","venue":"ಇನ್ಫೋಸಿಸ್ ಸೈನ್ಸ್ ಫೌಂಡೇಶನ್"},{"blurb":"ಇಂದು ಪತ್ರಕರ್ತರು ಪರಿಸರ ಹಾಗೂ ಹವಾಮಾನಗಳ ಕುರಿತು ಹೇಗೆ ವರದಿ ಮಾಡುತ್ತಾರೆ? ಅವರು ಯಾವ ರೀತಿಯ ಬೆದರಿಕೆ, ಸವಾಲು ಹಾಗೂ ಅವಕಾಶಗಳಿಗೆ ಮುಖಾಮುಖಿಯಾಗಬೇಕಾಗುತ್ತದೆ? ಭಾರತದಲ್ಲಿ ಪರಿಸರ ಪತ್ರಿಕೋದ್ಯಮದ ಸ್ಥಿತಿಗತಿಗಳೇನು? ಪತ್ರಕರ್ತರಾದ ಸಿಬಿ ಅರಸು ಅವರು ಈ ಎಲ್ಲಾ ಪ್ರಶ್ನೆಗಳಿಗೆ ಉತ್ತರಿಸುತ್ತಾ ಹವಾಮಾನ ಕುರಿತಾದ ವರದಿಗಾರಿಕೆಯ, ತಮ್ಮ ಹತ್ತಾರು ವರ್ಷಗಳ ಅನುಭವಗಳನ್ನು ಹಂಚಿಕೊಳ್ಳುತ್ತಾರೆ. ನೀವು ಉದಯೋನ್ಮುಖ ಬರಹಗಾರರಾಗಿದ್ದರೂ, ಪಳಗಿದ ವರದಿಗಾರರಾಗಿದ್ದರೂ, ಅರಸು ಅವರೊಡನೆ ಕಾರ್ಯನಿರ್ವಹಿಸುವ ಮೂಲಕ ನಿಮ್ಮದೇ ಆದ ಪರಿಸರ ಕತೆಗಳನ್ನು ಹೇಗೆ ಹೆಣೆಯಬೇಕೆಂಬುದನ್ನು ಕಲಿಯುತ್ತೀರಿ.","capacity":"","duration":"2 Hours","eb":"","exhibits":"","experts":"sibi-arasu","hide":"","id":9,"kind":"ಕಾರ್ಯಾಗಾರ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಬಿಸಿ ತಾಜಾಸುದ್ದಿ: ಹವಾಮಾನ ಬಿಕ್ಕಟ್ಟಿನ ಹೊತ್ತಿನಲ್ಲಿ ಪತ್ರಿಕೋದ್ಯಮ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-10-29T09:30:00.000Z","uid":"hot-off-the-press","venue":"ಇನ್ಫೋಸಿಸ್ ಸೈನ್ಸ್ ಫೌಂಡೇಶನ್"},{"blurb":"ಗುಹೆಯಿಂದ ಗ್ಯಾಲರಿಗೆ—ಇದ್ದಿಲನ್ನು ಬಳಸುತ್ತಾ ರೂಪಿಸುವ ಕಲೆಯು ಸಂರಚನೆ, ಸ್ವರೂಪ ಮತ್ತು ತಂತ್ರಗಳಲ್ಲಿ ನಿರಂತರವಾಗಿ ವಿಕಾಸಗೊಳ್ಳುತ್ತಾ ಇದೆ. ಭಾರತೀಯ ಕಲಾ ಇತಿಹಾಸದಲ್ಲಿ ಈ ಮಾಧ್ಯಮವು ಯಾವ ಪಾತ್ರವನ್ನು ವಹಿಸಿದೆ? ವಿಶಿಷ್ಠವಾದ ಅನನ್ಯ ಕಲಾಕೃತಿಗಳನ್ನು ರಚಿಸಲು ಕಲಾವಿದರು ಹೇಗೆ ಇದ್ದಿಲನ್ನು ಬಳಸಿಕೊಂಡಿದ್ದಾರೆ? ಮತ್ತು ನಿಮ್ಮ ಕಲಾಭ್ಯಾಸದಲ್ಲಿ ಖುದ್ದಾಗಿ ನೀವೇ ಅದನ್ನು ಅಳವಡಿಸಿಕೊಳ್ಳುವುದನ್ನು ಆರಂಭಿಸಬಹುದು?
ಈ ಕಾರ್ಯಾಗಾರದಲ್ಲಿ, ಕಲಾವಿದರಾದ ಜಯಂತ್ ಹುಬ್ಳಿ ಹಾಗೂ ನವಿನ್ ಕುಶ್ವಾರವರು, ಇದ್ದಿಲಿನೊಂದಿಗಿನ ತಮ್ಮ ಕಲಾಭ್ಯಾಸದ ಪಯಣದ ಅನುಭವಗಳನ್ನು ಹಂಚಿಕೊಳ್ಳಲಿದ್ದಾರೆ. ಅವರೊಂದಿಗೆ ಕೂಡಿ ಕೆಲಸ ಮಾಡುವ ಮೂಲಕ ನಿಮ್ಮ ಸ್ವಂತ ಕಲಾಕೃತಿಯನ್ನು ರಚಿಸುವುದನ್ನು ಕಲಿಯಿರಿ. ನಿಮ್ಮ ಕಲಾಕೃತಿಗಳು ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು – ಇದರ ಕಾರ್ಬನ್ ಪ್ರದರ್ಶನ ಕಾಲದಲ್ಲಿ, ಪ್ರದರ್ಶನಗೊಳ್ಳಲೂಬಹುದು. ","capacity":"","duration":"2 Days, 6 Hours","eb":"","exhibits":"","experts":"jayant-hubli, navin-kushwah","hide":"","id":10,"kind":"ಕಾರ್ಯಾಗಾರ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಗೆರೆಗಳು ಮತ್ತು ಕಲೆಗಳು: ಕಲೆಯಲ್ಲಿ ಇದ್ದಿಲಿನ ಹುಡುಕಾಟ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2023-10-21T05:30:00.000Z","uid":"lines-and-smudges","venue":"ಇನ್ಫೋಸಿಸ್ ಸೈನ್ಸ್ ಫೌಂಡೇಶನ್"},{"blurb":"ಸಂಗ್ರಹಗಳು ಸಾಮಾನ್ಯವಾಗಿ ಜೀವಂತಿಕೆಯಿಲ್ಲದ ಹಾಗೂ ಕೈಗೆಟುಕದಂತಿರುವ ಸಾಂಪ್ರದಾಯಿಕ ಪ್ರದರ್ಶನಾಲಯ, ಗ್ಯಾಲರಿ ಮತ್ತು ದೀರ್ಘಕಾಲಿಕ ಸಂಗ್ರಹಾಲಯಗಳಲ್ಲಿ, ನಾವು ವಸ್ತುಗಳಿಂದಾಚೆಯ ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಣೆಯ ಆಚೆಗೆ ಹೇಗೆ ಸಾಗಬಹುದು? ಎಕ್ಸ್ಪರಿಮೆಂಟಲ್ ಮ್ಯೂಸಿಯಮಾಲಜಿ (eM+) ಪ್ರಯೋಗಾಲಯದಲ್ಲಿನ ಸಂಶೋಧನೆಯು ಪ್ರಯೋಗಾತ್ಮಕ ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಕತೆಯನ್ನು ಸಮಕಾಲಿನ ಸೌಂದರ್ಯಶಾಸ್ತ್ರ, ಡಿಜಿಟಲ್ ಮಾನವತಾವಾದ ಮತ್ತು ಉದಯೋನ್ಮುಖ ತಂತ್ರಜ್ಞಾನಗಳೊಂದಿಗೆ ಬೆಸೆಯುತ್ತದೆ. ನಾವು ಪುರಾತನ ವಸ್ತುಗಳೊಳಗೆ ಇಣುಕಬಹುದು, ಕಲಾಕೃತಿಗಳನ್ನು ಸೂಕ್ಷ್ಮದರ್ಶೀಯ ಅಳತೆಗೆ ಸ್ಕ್ಯಾನ್ ಮಾಡಬಹುದು ಮತ್ತು ಪುರಾತನವಾದ ಗುಹಾಂತರ ಭಿತ್ತಿಚಿತ್ರಗಳನ್ನು ಆಧುನಿಕ ವ್ಯವಸ್ಥೆಯಲ್ಲಿ ಮರುಸಿಷ್ಟಿ ಮಾಡಬಹುದಾಗಿದೆ. ಈ ಅನ್ವೇಶಣೆಗಳು ಹುಟ್ಟಿರುವುದು ಉದಯೋನ್ಮುಖ ಕ್ಷೇತ್ರವಾದ ಗಣಕಯಂತ್ರೀಕೃತ ಮ್ಯೂಸಿಮಾಲಜಿಯ ಕ್ಷೇತ್ರದಿಂದ. ಇಲ್ಲಿ ಅತ್ಯಾಧುನಿಕ ತಂತ್ರಜ್ಞಾನಗಳು, ಕೃತಕ ಬುದ್ಧಿಮತ್ತೆ ಹಾಗೂ ದತ್ತಾಂಶ ಚಾಲಿತ ವಿಧಾನಗಳು ಸಾಂಸ್ಕೃತಿಕ ಪರಂಪರೆಯ ಪ್ರಪಂಚಕ್ಕೆ ಹೊಸ ಜೀವಾಳವನ್ನು ಧಾರೆಯೆರೆದಿವೆ.
ಈ ಉಪನ್ಯಾಸದಲ್ಲಿ ಸಂಶೋಧಕರಾದ ಸಾರಾ ಕೆಂಡರ್ಡಿನ್ ಅವರು, ಹೇಗೆ ಗಣಕಯಂತ್ರೀಕೃತ ವಿಧಾನಗಳು ಸಾಂಪ್ರದಾಯಿಕವಾದ ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಣೆಯನ್ನು ಮರುರೂಪಿಸುತ್ತಿವೆ, ಪ್ರದರ್ಶನಾಲಯಗಳನ್ನು ಡಿಜಿಟಲ್ನೊಂದಿಗೆ ಎಣೆಯಿಲ್ಲದಂತೆ ಬೆಸೆಯುವ ಮೂಲಕ ಪ್ರದರ್ಶನಾಲಯಗಳನ್ನು ನಾಳೆಗಳಿಗೆ ಸಮರ್ಥವಾಗಿ ಹೇಗೆ ಸಿದ್ಧಗೊಳಿಸಬಹುದು ಎಂಬುದನ್ನು ಅನ್ವೇಶಿಸಲಾಗುತ್ತದೆ. ಅವರು ಇಪಿಎಫ್ಎಲ್ ಪೆವಿಲಿಯನ್ಸ್ ಬಗ್ಗೆ ಒಂದು ಪಕ್ಷಿನೋಟವನ್ನು ನೀಡುತ್ತಾರೆ. ಜೊತೆಯಲ್ಲಿ ಚರ್ಚೆಯನ್ನು “ಕಾಸ್ಮೋಸ್ ಆರ್ಕಿಯಾಲಜಿ: ಎಕ್ಸ್ಪ್ಲೊರೇಶನ್ಸ್ ಇನ್ ದಿ ಟೈಮ್ ಅಂಡ್ ಸ್ಪೇಸ್” ಬಗ್ಗೆ ಕೇಂದ್ರೀಕರಿಸುತ್ತಾರೆ.","capacity":"","duration":"Lecture: 1 Hour
Tutorial: 1 Hour","eb":789922297857,"exhibits":"","experts":"sarah-kenderdine","hide":"","id":11,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಬೋಧನೆ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಅನುಭವಗಳ ಕಾಲದಲ್ಲಿ ಪ್ರದರ್ಶನಾಲಯಗಳು","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-19T12:30:00.000Z","uid":"museums-in-the-age-of-experience","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಕುತೂಹಲಬುದ್ಧಿಯ ತಿಂಡಿಪೋತರಿಗೆ ಕರೆ!
2021ರ ಕೊನೆಯ ಭಾಗದಲ್ಲಿ, ನಾವು ಬಾಳೆಹಣ್ಣುಗಳು ಹೇಗೆ ಕಾಣೆಯಾಗುತ್ತಿವೆ ಎನ್ನುವುದರ ಬಗ್ಗೆ ಅನೇಕ ಬರಹಗಳನ್ನು, ವರದಿಗಳನ್ನು ಹಾಗೂ ಪತ್ರಿಕಾ ವರದಿಗಳನ್ನು ನೋಡಿದೆವು. ಈ ಉದ್ದಿಮೆಯ ಸಂಕೀರ್ಣತೆಗಳನ್ನು ಬಿಚ್ಚಿಡುವ ಪ್ರಯತ್ನದಲ್ಲಿ, ಎಡಿಬಲ್ ಇಶ್ಯೂಸ್ ಮತ್ತು ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು – ಇವರುಗಳು ನಿಮ್ಮನ್ನು ತಮ್ಮೊಂದಿಗೆ ಒಂದು ಪಯಣದಲ್ಲಿ ಜೊತೆಯಾಗಲು ಆಹ್ವಾನಿಸುತ್ತಿದ್ದಾರೆ.
ನಮ್ಮ ಸ್ಥಳೀಯ ಮಂಡಿಗಳಲ್ಲಿ, ಬಾಳೆಹಣ್ಣಿನ ವಿವಿಧ ಬಗೆಗಳನ್ನು ಅನ್ವೇಶಿಸಲು ನಮ್ಮೊಂದಿಗೆ ಜೊತೆಯಾಗಿ. ಬಾಳೆಹಣ್ಣಿಗೆ ಸಂಬಂಧಪಟ್ಟ ನಿಯಮಗಳು, ಮಾರುಕಟ್ಟೆಗಳು ಹಾಗೂ ಈ ಸಂಭ್ರಮದ ಹಳದಿ ಹಣ್ಣಿನ ನಾಳೆಗಳ ಕುರಿತಾಗಿ ಮಾತುಕತೆ ನಡೆಸಿ.
ನಾವು ತಿನ್ನುವವರನ್ನು ತಮ್ಮ ಇಂದ್ರಿಯಗಳನ್ನು ಬಳಸಿ ಬಾಳೆಹಣ್ಣುಗಳ ಬೇರೆ ಬೇರೆ ವಿಧಗಳನ್ನು ಆಸ್ವಾದಿಸಿ ಮೆಚ್ಚುವ, ತಮ್ಮ ನೆನಪುಗಳನ್ನು ಮೆಲುಕು ಹಾಕುವ ಹಾಗೂ ಬಾಳೆಹಣ್ಣುಗಳ ನಾಳೆಗಳು ಹೇಗಿರುತ್ತವೆ ಎಂಬುದರ ಕುರಿತಂತೆ ಪ್ರಶ್ನಿಸುವ ಮೂಲಕ ಇದರಲ್ಲಿ ತೊಡಗುವಂತೆ ಮಾಡುವ ವಿಶ್ವಾಸವಿದೆ.","capacity":"","duration":"2 ಗಂಟೆಗಳು","eb":795231848867,"exhibits":"","experts":"edible-issues","hide":"","id":12,"kind":"ಕಾರ್ಯಕ್ರಮ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಬದಲಾವಣೆಗಾಗಿ ಮಾಗು: ಒಂದು ಜೀವವೈವಿಧ್ಯದ ಬಾಳೆಹಣ್ಣುಗಳ ರುಚಿ ನೋಡುವ ಕಾರ್ಯಕ್ರಮ ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-21T09:30:00.000Z","uid":"ripe-for-change","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಸರಿಸುಮಾರು ಈ ಭೂಗ್ರಹದ ಮುಕ್ಕಾಲು ಭಾಗದಷ್ಟು ಪ್ರದೇಶವು ನೀರಿನಿಂದ ಆವರಿಸಿದೆ ಮತ್ತು ಇದರ ಆಳದಲ್ಲಿ ಒಂದು ಸದ್ದಿಲ್ಲದ ಶಕ್ತಿಯಾಗಿ ನೀಲಿ ಇಂಗಾಲವಿದೆ. ಮ್ಯಾಂಗ್ರೋವ್ಸ್, ಕಡಲ ಹುಲ್ಲುಗಳು ಮತ್ತು ಉಬ್ಬರವಿಳಿತದ ಜವುಗುಗಳಂತಹ ಕಡಲತೀರದ ಪರಿಸರ ವ್ಯವಸ್ಥೆಗಳು ಪರಿಸರದಲ್ಲಿನ ಕಾರ್ಬನ್ ಡೈಆಕ್ಸೈಡ್ಅನ್ನು ಕೂಡಿಡುವ ಮತ್ತು ಉಳಿಸಿಕೊಳ್ಳುವ ಮೂಲಕ ಹವಾಮಾನ ಬದಲಾವಣೆಯನ್ನು ಸರಿದೂಗಿಸುತ್ತವೆ.
ಪ್ರದರ್ಶನ ಮೇಲ್ವಿಚಾರಕರಾದ ಡೇಮಿಯನ್ ಕ್ರಿಸ್ಟಿಂಗರ್ ಮತ್ತು ಇತಿಹಾಸಕಾರರಾದ ಜಾಹ್ನವಿ ಫಾಲ್ಕೆಯವರ ನಡುವಿನ ಚರ್ಚೆಯ ಮೂಲಕ ಮೇಲ್ಮೈ ಅಡಿಯಲ್ಲಿ ಅಡಗಿರುವ ರಹಸ್ಯಗಳನ್ನು ಅನ್ವೇಷಿಸಲು ಬನ್ನಿ. ಈ ಮಾತುಕತೆಗಳು “ಬ್ಲೂ ಕಾರ್ಬನ್” ಕುರಿತಾದ ವಿವರಣೆಗಳೊಂದಿಗೆ ಶುರುವಾಗಿ, ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರಿನಲ್ಲಿನ ಹೊಚ್ಚಹೊಸ ಪ್ರದರ್ಶನಕಾಲವಾದ 'ಇಂಗಾಲ’ದಲ್ಲಿ ಪ್ರದರ್ಶನಗೊಂಡಿರುವ ಈ ಮೂಲಧಾತವಿನೊಂದಿಗೆ ನಮಗಿರುವ ಸಂಬಂಧಗಳ ವಿಶಾಲ ವ್ಯಾಪ್ತಿಯ ಸಂದರ್ಭಗಳಿಗೆ ವಿಸ್ತರಿಸುತ್ತವೆ.
ಕಲೆ ಮತ್ತು ವಿಜ್ಞಾನಗಳು ಕೂಡುವೆಡೆಯಲ್ಲಿ, ಇವುಗಳನ್ನು ಅನ್ವೇಷಿಸುವುದಕ್ಕೆ ನಮ್ಮೊಡನೆ ಕೂಡಿಕೊಳ್ಳಿ. ಈ ಅನ್ವೇಷಣೆಗಳು ನಮ್ಮನ್ನು ಗ್ಯಾಲರಿಗಳು ಮತ್ತು ವಸ್ತುಸಂಗ್ರಹಾಲಯಗಳಂತಹ ಸಾಂಸ್ಕೃತಿಕ ಏರ್ಪಾಟುಗಳಲ್ಲಿ ಸಾರ್ವಜನಿಕರಿಗೆ ಅತ್ಯಾಧುನಿಕ ಸಂಶೋಧನೆಗಳನ್ನು ತರಲು ಈ ವಿಭಾಗಗಳು ಹೇಗೆ ಸಹಕರಿಸುತ್ತವೆ ಎಂಬುದನ್ನು ತೆರೆದಿಡುತ್ತವೆ.","capacity":"","duration":"1 ಗಂಟೆ","eb":797189965647,"exhibits":"","experts":"damian-christinger, CA_2","hide":"","id":13,"kind":"ಕಾರ್ಯಕ್ರಮ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಮೇಲ್ಮೈ ಅಡಿಯಲ್ಲಿ: ಬ್ಲೂ ಕಾರ್ಬನ್ ಪ್ರದರ್ಶಿಸುವಲ್ಲಿ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-20T12:30:00.000Z","uid":"exhibiting-blue-carbon","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಉದ್ಘಾಟನೆಯ ವಾರಾಂತ್ಯದ ಸಂದರ್ಭದಲ್ಲಿ, ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರಿನ ತಂಡದ ಸದಸ್ಯರನ್ನು ಕೂಡಿಕೊಳ್ಳಿ, ಅವರು ನಿಮ್ಮನ್ನು ಪ್ರದರ್ಶನ ಕಾಲವಾದ ಇಂಗಾಲದ ಮೂಲಕ ಕರೆದೊಯ್ಯಲಿದ್ದಾರೆ. ನಮ್ಮ ಬಹುವಿಭಾಗೀಯ ಮತ್ತು ತೊಡಗಿಸಿಕೊಳ್ಳುವ ಪ್ರದರ್ಶಿಕೆಗಳೊಂದಿಗೆ ಸಂವಾದಿಸಿ ಮತ್ತು ನಮ್ಮ ಈ ಇತ್ತೀಚಿನ ಪ್ರದರ್ಶನವನ್ನು ಹುಟ್ಟುಹಾಕುವಿಕೆಯ ಹಿಂದಿರುವ ಪ್ರಕ್ರಿಯೆಯನ್ನು ಅನ್ವೇಶಿಸಿ.","capacity":"","duration":"1 ಗಂಟೆ","eb":"","exhibits":"","experts":"CA_2","hide":"","id":14,"kind":"ಕಾರ್ಯಕ್ರಮ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಕಾರ್ಬನ್ ಮಾತುಕಥೆಗಳು","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-19T11:00:00.000Z","uid":"carbon-walkthrough","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಉದ್ಘಾಟನೆಯ ವಾರಾಂತ್ಯದ ಸಂದರ್ಭದಲ್ಲಿ, ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರಿನ ತಂಡದ ಸದಸ್ಯರನ್ನು ಕೂಡಿಕೊಳ್ಳಿ, ಅವರು ನಿಮ್ಮನ್ನು ಪ್ರದರ್ಶನ ಕಾಲವಾದ ಇಂಗಾಲದ ಮೂಲಕ ಕರೆದೊಯ್ಯಲಿದ್ದಾರೆ. ನಮ್ಮ ಬಹುವಿಭಾಗೀಯ ಮತ್ತು ತೊಡಗಿಸಿಕೊಳ್ಳುವ ಪ್ರದರ್ಶಿಕೆಗಳೊಂದಿಗೆ ಸಂವಾದಿಸಿ ಮತ್ತು ನಮ್ಮ ಈ ಇತ್ತೀಚಿನ ಪ್ರದರ್ಶನವನ್ನು ಹುಟ್ಟುಹಾಕುವಿಕೆಯ ಹಿಂದಿರುವ ಪ್ರಕ್ರಿಯೆಯನ್ನು ಅನ್ವೇಶಿಸಿ.","capacity":"","duration":"1 ಗಂಟೆ","eb":"","exhibits":"","experts":"CA_4, shelwyn-james","hide":"","id":15,"kind":"ಕಾರ್ಯಕ್ರಮ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಇಂಗಾಲ ಮಾತುಕತೆಗಳು","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-20T06:00:00.000Z","uid":"carbon-walkthrough-1","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಉದ್ಘಾಟನೆಯ ವಾರಾಂತ್ಯದ ಸಂದರ್ಭದಲ್ಲಿ, ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರಿನ ತಂಡದ ಸದಸ್ಯರನ್ನು ಕೂಡಿಕೊಳ್ಳಿ, ಅವರು ನಿಮ್ಮನ್ನು ಪ್ರದರ್ಶನ ಕಾಲವಾದ ಇಂಗಾಲದ ಮೂಲಕ ಕರೆದೊಯ್ಯಲಿದ್ದಾರೆ. ನಮ್ಮ ಬಹುವಿಭಾಗೀಯ ಮತ್ತು ತೊಡಗಿಸಿಕೊಳ್ಳುವ ಪ್ರದರ್ಶಿಕೆಗಳೊಂದಿಗೆ ಸಂವಾದಿಸಿ ಮತ್ತು ನಮ್ಮ ಈ ಇತ್ತೀಚಿನ ಪ್ರದರ್ಶನವನ್ನು ಹುಟ್ಟುಹಾಕುವಿಕೆಯ ಹಿಂದಿರುವ ಪ್ರಕ್ರಿಯೆಯನ್ನು ಅನ್ವೇಶಿಸಿ.","capacity":"","duration":"1 ಗಂಟೆ","eb":"","exhibits":"","experts":"CA_3","hide":"","id":16,"kind":"ಕಾರ್ಯಕ್ರಮ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಇಂಗಾಲ ಮಾತುಕತೆಗಳು","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-20T11:00:00.000Z","uid":"carbon-walkthrough-2","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಉದ್ಘಾಟನೆಯ ವಾರಾಂತ್ಯದ ಸಂದರ್ಭದಲ್ಲಿ, ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರಿನ ತಂಡದ ಸದಸ್ಯರನ್ನು ಕೂಡಿಕೊಳ್ಳಿ, ಅವರು ನಿಮ್ಮನ್ನು ಪ್ರದರ್ಶನ ಕಾಲವಾದ ಇಂಗಾಲದ ಮೂಲಕ ಕರೆದೊಯ್ಯಲಿದ್ದಾರೆ. ನಮ್ಮ ಬಹುವಿಭಾಗೀಯ ಮತ್ತು ತೊಡಗಿಸಿಕೊಳ್ಳುವ ಪ್ರದರ್ಶಿಕೆಗಳೊಂದಿಗೆ ಸಂವಾದಿಸಿ ಮತ್ತು ನಮ್ಮ ಈ ಇತ್ತೀಚಿನ ಪ್ರದರ್ಶನವನ್ನು ಹುಟ್ಟುಹಾಕುವಿಕೆಯ ಹಿಂದಿರುವ ಪ್ರಕ್ರಿಯೆಯನ್ನು ಅನ್ವೇಶಿಸಿ.","capacity":"","duration":"1 ಗಂಟೆ","eb":"","exhibits":"","experts":"CA_5, CA_6","hide":"","id":17,"kind":"ಕಾರ್ಯಕ್ರಮ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಇಂಗಾಲ ಮಾತುಕತೆಗಳು","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-21T06:00:00.000Z","uid":"carbon-walkthrough-3","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಉದ್ಘಾಟನೆಯ ವಾರಾಂತ್ಯದ ಸಂದರ್ಭದಲ್ಲಿ, ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರಿನ ತಂಡದ ಸದಸ್ಯರನ್ನು ಕೂಡಿಕೊಳ್ಳಿ, ಅವರು ನಿಮ್ಮನ್ನು ಪ್ರದರ್ಶನ ಕಾಲವಾದ ಇಂಗಾಲದ ಮೂಲಕ ಕರೆದೊಯ್ಯಲಿದ್ದಾರೆ. ನಮ್ಮ ಬಹುವಿಭಾಗೀಯ ಮತ್ತು ತೊಡಗಿಸಿಕೊಳ್ಳುವ ಪ್ರದರ್ಶಿಕೆಗಳೊಂದಿಗೆ ಸಂವಾದಿಸಿ ಮತ್ತು ನಮ್ಮ ಈ ಇತ್ತೀಚಿನ ಪ್ರದರ್ಶನವನ್ನು ಹುಟ್ಟುಹಾಕುವಿಕೆಯ ಹಿಂದಿರುವ ಪ್ರಕ್ರಿಯೆಯನ್ನು ಅನ್ವೇಶಿಸಿ.","capacity":"","duration":"1 ಗಂಟೆ","eb":"","exhibits":"","experts":"CA_4, shelwyn-james","hide":"","id":18,"kind":"ಕಾರ್ಯಕ್ರಮ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಇಂಗಾಲ ಮಾತುಕತೆಗಳು","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-01-21T12:30:00.000Z","uid":"carbon-walkthrough-4","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಈ ಸಂವಾದದಲ್ಲಿ, ರಾಮನಾಥ್ ಅವರು ಕಾಡಿನ ಕಥೆಗಳನ್ನು ಹಂಚಿಕೊಳ್ಳಲಿದ್ದಾರೆ. ಈ ‘ಭೂಮಿಯ ಉಸ್ತುವಾರಿ’ ಬಗ್ಗೆ ಪ್ರಪಂಚದಾದ್ಯಂತದ ಜನರೊಂದಿಗೆ ಸಂವಾದ ನಡೆಸುತ್ತಾ, ಈ ಭೂಮಿಯ ಮೇಲೆ ಸಕಲ ಜೀವಿಗಳ ನ್ಯಾಯದ ಜೊತೆಗೆ ಇರುವ ಇದರ ಸಂಬಂಧದ ಬಗ್ಗೆ ಅನ್ವೇಷಿಸುತ್ತಾರೆ. ಪರಿಸರದಲ್ಲಿ ಪರಸ್ಪರ ಅವಲಂಬಿಸಿಕೊಂಡು ಬದುಕುವ ಬಗ್ಗೆ ಮಕ್ಕಳಲ್ಲಿ ಆಳವಾದ ತಿಳುವಳಿಕೆಯನ್ನು ಬೆಳೆಸಲು ಬೇಕಾದ ‘ಅರಿವಿನ ನ್ಯಾಯ’ದ ಅಗತ್ಯದ ಬಗ್ಗೆ ತಮ್ಮ ಜ್ಞಾನವನ್ನು ಹಂಚಿಕೊಳ್ಳುತ್ತಾರೆ. ದೃಶ್ಯ ನಿರೂಪಣೆಗಳ ಮೂಲಕ ಭಾರತ ಮತ್ತು ಜಗತ್ತಿನಾದ್ಯಂತ ‘ಭೂಮಿಯ ಉಸ್ತುವಾರಿ’ಯನ್ನು ಹೊರುವುದರಲ್ಲಿ ಇರುವ ವೈವಿಧ್ಯತೆಯನ್ನು ತೋರಿಸುತ್ತಾರೆ. ರಾಮನಾಥ್ ‘ನಮಗಾಗಿಯೇ ಇರುವ ಉಸ್ತುವಾರಿ’ ಎಂಬ ಪರಿಕಲ್ಪನೆಯ ಮೂಲಕ ನಮ್ಮ ಸ್ವತಃ ಮತ್ತು ಪರಿಸರದ ಕಾಳಜಿಯನ್ನು ಹೇಗೆ ವಹಿಸಲಾಗುತ್ತದೆ ಎಂಬುದನ್ನು ನೋಡಲು ಪ್ರೇಕ್ಷಕರಿಗೆ ಕರೆ ನೀಡಲಿದ್ದಾರೆ. ಇದು ಕರ್ತವ್ಯ ನಿಭಾಯಿಸಲು ನೀಡುವ ಕರೆಯಾಗಿದೆ. ಇದು ಭೂಮಿಯ ಮೇಲ್ವಿಚಾರಕರಾಗಲು ಜನರಿಗೆ ನೀಡುವ ಪ್ರೇರಣೆಯಾಗಿದೆ, ಅಭಿವೃದ್ಧಿ ಹೊಂದುತ್ತಿರುವ ಈ ಗ್ರಹ ಎಲ್ಲರಿಗೂ ಸೇರಿದ್ದು ಎಂಬ ಖಾತರಿಯನ್ನು ನೀಡುತ್ತದೆ.","capacity":"","duration":"ಉಪನ್ಯಾಸ: 1 ಗಂಟೆ
ಮಾತುಕತೆ: 30 ನಿಮಿಷಗಳು","eb":816193325207,"exhibits":"","experts":"ramnath-chandrasekhar","hide":"","id":19,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಕಾರ್ಯಕ್ರಮದ ವಿಷಯ: ಅರಣ್ಯದಲ್ಲಿ ಸಹಬಾಳ್ವೆ: ಭೂಮಿಯ ಉಸ್ತುವಾರಿಯ ಕಥೆಗಳು","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-08T12:30:00.000Z","uid":"harmony-in-the-wilderness","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಭಾರತದಲ್ಲಿ ಮಾನವೇತರ ಜೀವಿಗಳು ಸಾಂಪ್ರದಾಯಿಕವಾಗಿ ಮನುಷ್ಯರೊಂದಿಗೆ ಶಾಂತಿಯುತವಾಗಿ ಸಹಬಾಳ್ವೆಯನ್ನು ನಡೆಸುತ್ತಿವೆ. ಮಾನವೇತರ ಸಸ್ತನಿಗಳು ಹಾಗೂ ಮಾನವನ ನಡುವೆ ಒಂದು ಆಧ್ಯಾತ್ಮಿಕ ಸಂಬಂಧವಿದೆ. ಅವು ಅನೇಕ ಭಾರತೀಯ ಸಮುದಾಯಗಳಲ್ಲಿ ಧಾರ್ಮಿಕ ನಂಬಿಕೆಗಳ ಭಾಗವಾಗಿವೆ. ಆದರೂ, ಈ ಎರಡರ ನಡುವಿನ ಸಹಜೀವನ ಈಗ ಅಪಾಯದಲ್ಲಿರುವಂತೆ ತೋರುತ್ತದೆ. ಆದ್ದರಿಂದ, ರಾಣಾ ಅವರು ಈ ಭಾಷಣದಲ್ಲಿ ನಮ್ಮ ಜೊತೆಗೆ ಬದುಕುತ್ತಿರುವ ಮಾನವೇತರ ಸಸ್ತನಿಗಳ ಬದುಕು, ಅದರಲ್ಲೂ ದಕ್ಷಿಣ ಭಾರತದಲ್ಲಿ ಕಂಡು ಬರುವ ಬಾನೆಟ್ ಹಾಗೂ ಉತ್ತರ ಭಾರತದ ರೀಸಸ್ ಮಂಗಗಳ ಜೀವನ ಶಾಶ್ವತವಾಗಿ ಹೇಗೆ ಬದಲಾಗುತ್ತಿದೆ ಎಂಬ ಕುರಿತು ಮಾತನಾಡುತ್ತೇನೆ. ಬದಲಾಗುತ್ತಿರುವ ಮಾನವನ ಆವಾಸಸ್ಥಾನಗಳು ಮನುಷ್ಯರಂತೆ ವಿಚಿತ್ರ ರೀತಿಯಲ್ಲಿ ವರ್ತಿಸುತ್ತಿರುವ ಕೋತಿಗಳ ಮೇಲೆ ಹೇಗೆ ಪ್ರಭಾವವನ್ನು ಬೀರಿವೆ ಎಂಬುದನ್ನು ಸಂಕ್ಷಿಪ್ತವಾಗಿ ವಿವರಿಸುತ್ತೇನೆ.","capacity":"","duration":"ಉಪನ್ಯಾಸ: 1 ಗಂಟೆ
ಮಾತುಕತೆ: 30 ನಿಮಿಷಗಳು","eb":816191981187,"exhibits":"","experts":"anindya-rana","hide":"","id":20,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಪರಿಸರ ವ್ಯವಸ್ಥೆಯಲ್ಲಿ ಬದಲಾವಣೆ, ಬದುಕಿನಲ್ಲಿ ಪರಿವರ್ತನೆ: ನಗರಗಳಲ್ಲಿ ಮನುಷ್ಯ ಹಾಗೂ ಇತರ ಸಸ್ತನಿಗಳ ನಡುವೆ ಇರುವ ಸಂಕೀರ್ಣ ಸಹಜೀವನ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-07T12:30:00.000Z","uid":"changing-ecologies-transforming-lives","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಉದ್ಘಾಟನೆಯ ವಾರಾಂತ್ಯದ ಸಂದರ್ಭದಲ್ಲಿ, ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರಿನ ತಂಡದ ಸದಸ್ಯರನ್ನು ಕೂಡಿಕೊಳ್ಳಿ, ಅವರು ನಿಮ್ಮನ್ನು ಪ್ರದರ್ಶನ ಕಾಲವಾದ ಇಂಗಾಲದ ಮೂಲಕ ಕರೆದೊಯ್ಯಲಿದ್ದಾರೆ. ನಮ್ಮ ಬಹುವಿಭಾಗೀಯ ಮತ್ತು ತೊಡಗಿಸಿಕೊಳ್ಳುವ ಪ್ರದರ್ಶಿಕೆಗಳೊಂದಿಗೆ ಸಂವಾದಿಸಿ ಮತ್ತು ನಮ್ಮ ಈ ಇತ್ತೀಚಿನ ಪ್ರದರ್ಶನವನ್ನು ಹುಟ್ಟುಹಾಕುವಿಕೆಯ ಹಿಂದಿರುವ ಪ್ರಕ್ರಿಯೆಯನ್ನು ಅನ್ವೇಶಿಸಿ.","capacity":"","duration":"1 ಗಂಟೆ","eb":813018128107,"exhibits":"","experts":"shelwyn-james, CA_4","hide":"","id":21,"kind":"ಕಾರ್ಯಕ್ರಮ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಇಂಗಾಲ ಮಾತುಕತೆಗಳು","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-04T11:00:00.000Z","uid":"carbon-walkthrough-4","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಈ ಉಪನ್ಯಾಸದಲ್ಲಿ, ಕೆ. ಎಸ್. ಶೇಷಾದ್ರಿ ಒಂದು ಅವಲೋಕನ ನಡೆಸುತ್ತಾರೆ—ಉಭಯಚರಗಳು ಎಂದರೆ ಯಾವುವು? ಜನರು ತಮ್ಮ ಸುತ್ತಮುತ್ತ ಕಂಡು ಬರುವ ಉಭಯಚರಗಳ ಬಗ್ಗೆ ಗಮನ ಹರಿಸುವಂತೆ ಹುರಿದುಂಬಿಸುತ್ತಾರೆ. ಭಾರತದಲ್ಲಿ ಪರಿಸರ ವಿಜ್ಞಾನ, ವಿಕಸನೀಯ ಜೀವಶಾಸ್ತ್ರ ಮತ್ತು ಉಭಯಚರಗಳ ಸಂರಕ್ಷಣೆಯ ಕುರಿತಾದ ಅನೇಕ ಅಂಶಗಳ ಬಗ್ಗೆ ಕಳೆದ 15 ವರ್ಷಗಳಿಂದ ಮಾಡಿರುವ ಕೆ. ಎಸ್. ಶೇಷಾದ್ರಿ ಅವರು ಸಂಶೋಧನೆಗಳ ಬಗ್ಗೆ ಹಂಚಿಕೊಳ್ಳಲಿದಾರೆ.","capacity":"","duration":"ಉಪನ್ಯಾಸ: 1 ಗಂಟೆ
ಮಾತುಕತೆ: 30 ನಿಮಿಷಗಳು","eb":822539627167,"exhibits":"","experts":"seshadri-ks","hide":"","id":22,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಕಪ್ಪೆಗಳನ್ನು ನಮ್ಮ ಹೃದಯಕ್ಕೆ ಹತ್ತಿರವಾಗಲು ಬಿಡಬಹುದೇ?
","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-13T12:30:00.000Z","uid":"can-we-let-frogs-leap-close","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಈ ಭಾಷಣದಲ್ಲಿ ವನ್ಯಜೀವಿಗಳನ್ನು ವಿಭಿನ್ನ ದೃಷ್ಟಿಕೋನದಿಂದ ಹೇಗೆ ನೋಡುವುದು ಎಂಬ ಬಗ್ಗೆ ಚರ್ಚಿಸಲಾಗುವುದು. ನಗರ ಪ್ರದೇಶಗಳಲ್ಲಿ ನಮ್ಮೊಂದಿಗೆ ನೆಲವನ್ನು ಹಂಚಿಕೊಳ್ಳುವ ಜೀವಿಗಳು ಮತ್ತು ಪರಿಸರ ವ್ಯವಸ್ಥೆಯಲ್ಲಿ ಅವುಗಳು ಸದ್ದಿಲ್ಲದಂತೆ ಹೇಗೆ ಕೊಡುಗೆ ನೀಡುತ್ತವೆ ಎಂಬುದರ ಕುರಿತು ಜನರಲ್ಲಿ ಕುತೂಹಲ ಹುಟ್ಟಿಸಿ ಅನ್ವೇಷಣೆ ನಡೆಸಲು ಮತ್ತು ಅರಿವನ್ನು ವಿಸ್ತರಿಸಲು ಇದು ಉತ್ತೇಜಿಸಲಿದೆ.","capacity":"","duration":"ಉಪನ್ಯಾಸ: 1 ಗಂಟೆ
ಮಾತುಕತೆ: 30 ನಿಮಿಷಗಳು","eb":822540740497,"exhibits":"","experts":"karthikeyan-s","hide":"","id":23,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ನಗರದ ವನ್ಯಜೀವಿಗಳು
","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-14T12:30:00.000Z","uid":"urban-wildlife","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಒಂದು ದಶಕದಿಂದ ಮಧ್ಯ ಭಾರತದಲ್ಲಿ ವಾಸಿಸುತ್ತಿರುವ ಅಮೃತಾ ಅವರು, ಭಾರತದ ಹೃದಯವಾಗಿರುವ ಮಧ್ಯ ಭಾರತವನ್ನು ಮಾನವರು ಮತ್ತು ಹುಲಿಗಳು ಸಹಬಾಳ್ವೆಯಿಂದ ಬದುಕಬಲ್ಲ ಸ್ಥಳವನ್ನಾಗಿ ಮಾಡುವ ಬಗ್ಗೆ ಯೋಚಿಸುತ್ತಿದ್ದಾರೆ. ಈ ಸಂವಾದದಲ್ಲಿ, 'ಸಹಬಾಳ್ವೆ ಎಂದರೇನು?' ʼಸಹಬಾಳ್ವೆಯನ್ನು ಹೇಗೆ ನಡೆಸಬೇಕು ಎಂಬುದನ್ನು ಯಾರು ನಿರ್ಧರಿಸುತ್ತಾರೆ?ʼ ಎಂಬ ಬಗ್ಗೆ ಒಳ್ಳೆಯ ಚರ್ಚೆಗಳನ್ನು ಹುಟ್ಟುಹಾಕುವ ನಂಬಿಕೆಯಲ್ಲಿ ತಮ್ಮ ಕೆಲವು ಯೋಚನೆಗಳನ್ನು ಹಂಚಿಕೊಳ್ಳಲಿದ್ದಾರೆ. 'ಹುಲಿಯ ಕೆಲವು ಕಥೆಗಳನ್ನು ಕೇಳಲು, ಜೀವನೋಪಾಯದ ಒಗಟುಗಳನ್ನು ಬಿಡಿಸಲು ಮತ್ತು ಹಲವು ದಾರಿಗಳನ್ನು ಕಂಡುಕೊಳ್ಳಲು ಬನ್ನಿ. ಮಧ್ಯ ಭಾರತ ಪ್ರಪಂಚದ ಬಹುಪಾಲು ಹುಲಿಗಳಿಗೆ ಬದುಕಲು ನೆಲೆಯನ್ನು ನೀಡಿದೆ. ಇಲ್ಲಿ ಹುಲಿಗಳಿಗಾಗಿ ಮೀಸಲಾದ ಅರಣ್ಯ ಕಾರಿಡಾರ್ಗಳ ಉದ್ದಕ್ಕೂ ಹಳ್ಳಿಗಳು ಮತ್ತು ಕೃಷಿ ಭೂಮಿಗಳು ಹಾದುಹೋಗಿರುವುದನ್ನು ನೋಡಬಹುದು.","capacity":"","duration":"ಉಪನ್ಯಾಸ: 1 ಗಂಟೆ
ಮಾತುಕತೆ: 30 ನಿಮಿಷಗಳು","eb":822541001277,"exhibits":"","experts":"amrita-neelakantan","hide":"","id":24,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ ","label":"common_ground","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಮಾನವ ಪ್ರಾಬಲ್ಯದ ಮಧ್ಯ ಭಾರತದಲ್ಲಿ ಹುಲಿಗಳೊಂದಿಗೆ ಸಹಬಾಳ್ವೆ ನಡೆಸುವುದು","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-25T10:30:00.000Z","uid":"coexisting-with-tigers","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ನಮ್ಮ ಭೂಮಿ ಅಪಾರ ಪ್ರಮಾಣದ ಇಂಗಾಲದಿಂದ ಸಮೃದ್ಧವಾಗಿದೆ. ಈ ಕಾರ್ಬನ್ ಎಲ್ಲಿಂದ ಬರುತ್ತದೆ? ಆಕಾಶವು ಅಂಶಗಳ ವಿಶಾಲವಾದ ಉಗ್ರಾಣವಾಗಿದೆ, ಅದರಲ್ಲಿ ಇಂಗಾಲವು ಗಮನಾರ್ಹ ಭಾಗವಾಗಿದೆ. ಈ ಉಪನ್ಯಾಸವು ನಕ್ಷತ್ರಗಳು ಮತ್ತು ಇತರ ಆಕಾಶಕಾಯಗಳಲ್ಲಿನ ಇಂಗಾಲವನ್ನು ಪತ್ತೆಹಚ್ಚುತ್ತದೆ. ಖಗೋಳ ಭೌತಶಾಸ್ತ್ರಜ್ಞ ಬಿ ಎಸ್ ಶೈಲಜಾ ಅವರು ಆಕಾಶದಲ್ಲಿರುವ ಪ್ರತಿಯೊಂದು ಚುಕ್ಕೆ ಇಂಗಾಲವನ್ನು ಉತ್ಪಾದಿಸುವ ಚತುರ ವಿಧಾನಗಳನ್ನು ಹಂಚಿಕೊಳ್ಳುತ್ತಾರೆ. ನಮ್ಮ ಮೇಲಿನ ಇಂಗಾಲವನ್ನು ನಾವು ಹೇಗೆ ಗುರುತಿಸುತ್ತೇವೆ, ಅಧ್ಯಯನ ಮಾಡುತ್ತೇವೆ ಮತ್ತು ಪರೀಕ್ಷಿಸುತ್ತೇವೆ-ಆಕಾಶದಲ್ಲಿರುವ ಬೃಹತ್ ವಜ್ರಗಳ ಪರಿಚಯವನ್ನು ಹಂಚಿಕೊಳ್ಳಲು ಅವರು ತಮ್ಮ ಸಂಶೋಧನೆಯ ಮೇಲೆ ಸೆಳೆಯುತ್ತಾರೆ.","capacity":"","duration":"ಉಪನ್ಯಾಸ: 1 ಗಂಟೆ
ಮಾತುಕತೆ: 30 ನಿಮಿಷಗಳು","eb":822613076857,"exhibits":"","experts":"bs-shylaja","hide":"","id":25,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಆಕಾಶದ ವಜ್ರಗಳು","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-11T10:30:00.000Z","uid":"diamonds-in-the-sky","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಲಂಟಾನಾದ ಚಿತ್ತಾಕರ್ಷಕ ಹೂವುಗಳನ್ನು ಉದ್ಯಾನಗಳು, ಬೇಲಿಗಳು, ರಸ್ತೆಬದಿಗಳಲ್ಲಿ ಮತ್ತು ಕಾಡುಗಳಲ್ಲಿ ನಾವು ನೋಡಬಹುದು. ಆದರೆ ಈ ಸಸ್ಯ ನಮಗೆ ತೀರಾ ಹೊಸದು ಎಂಬ ಬಗ್ಗೆ ಅನೇಕರಿಗೆ ತಿಳಿದಿಲ್ಲ. ಹಲವು ಶತಮಾನಗಳ ಹಿಂದೆ ಲ್ಯಾಟಿನ್ ಅಮೆರಿಕಾದಲ್ಲಿ ಯುರೋಪಿನ 'ಸಸ್ಯ ಬೇಟೆಗಾರ'ನೊಬ್ಬನ ಕಣ್ಣಿಗೆ ಬಿದ್ದ ಈ ಹೂಗಳು, ಅಲ್ಲಿಂದ ತಮ್ಮ ಪಯಣವನ್ನು ಆರಂಭಿಸಿದವು. ಅಂಕಿಲಾ ಅವರು ಲಂಟಾನಾದ ಈ ಯಾತ್ರೆಯ ಕುರಿತು, ಅದು ಭಾರತಕ್ಕೆ ಹೇಗೆ ಬಂತು ಮತ್ತು ಇಲ್ಲಿ ಹೇಗೆ ಮನೆ ಮಾಡಿಕೊಂಡಿದೆ ಹಾಗೂ ಅದು ತನ್ನ ಹೊಸ ಮನೆಯಲ್ಲಿ ಇತರ ಸಸ್ಯಗಳು, ಪ್ರಾಣಿಗಳು ಮತ್ತು ಜನರನ್ನು ಎದುರಿಸಿದ ಬಗೆ ಹೇಗೆ ಎಂಬ ಬಗ್ಗೆ ವಿವರಿಸುತ್ತಾರೆ. ","capacity":"","duration":"ಉಪನ್ಯಾಸ: 1 ಗಂಟೆ
ಮಾತುಕತೆ: 30 ನಿಮಿಷಗಳು","eb":838519232597,"exhibits":"","experts":"ankila_hiremath","hide":"","id":26,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ ","label":"common_ground","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಪ್ರವಾಸಿಯೊಬ್ಬನ ಕಥೆ: ಲಂಟಾನಾ ಕಮರಾದ (ಮತ್ತು ಇತರ ಸಸ್ಯಗಳ) ಯಾತ್ರೆ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-21T12:30:00.000Z","uid":"a-travellers-tale","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಪ್ರಕೃತಿಯೊಂದಿಗೆ ಮನುಷ್ಯನಿಗಿರುವ ಅತ್ಯಂತ ಹಳೆಯ ಸಂಬಂಧ ಆಹಾರ ಕೇಂದ್ರಿತವಾಗಿದೆ. ಈ ಸಂಬಂಧವು ಕಾಲಕಾಲಕ್ಕೆ ಮತ್ತು ಪ್ರದೇಶದಿಂದ ಪ್ರದೇಶಕ್ಕೆ ಅನೇಕ ಸಂಸ್ಕೃತಿಗಳನ್ನು ರೂಪಿಸಿದೆ. ಭಾರತದಲ್ಲಿ ಸಣ್ಣ-ಪ್ರಮಾಣದ ಮೀನುಗಾರಿಕೆ ಮಾಡುವ ಸಮುದಾಯಗಳ ಬದುಕು, ಜೀವನೋಪಾಯಗಳು ಮತ್ತು ಅವರ ಒಟ್ಟಾರೆ ಯೋಗಕ್ಷೇಮದಲ್ಲಿ ಕರಾವಳಿ ಮತ್ತು ಸಮುದ್ರ ವ್ಯವಸ್ಥೆಯೊಂದಿಗೆ ಇರುವ ಅವರ ಸಂಬಂಧ ನಿರ್ಣಾಯಕ ಪಾತ್ರವನ್ನು ವಹಿಸಿದೆ. ಈ ಸಹಬಾಳ್ವೆ ರೂಢಿಯಿಂದ ನಡೆದುಕೊಂಡು ಬಂದಿದ್ದರೂ, ಇಂದು ಅವರು ಅನೇಕ ಸವಾಲುಗಳು ಮತ್ತು ಅಭದ್ರತೆಗಳನ್ನು ಎದುರಿಸುತ್ತಿದ್ದಾರೆ. ಈ ನೆಲ ಮತ್ತು ಕಡಲತೀರಗಳ ಸಹಬಾಳ್ವೆಯ ಬದುಕನ್ನು ನಾವು ಹೇಗೆ ರಕ್ಷಿಸಬಹುದು? ಈ ಭಾಷಣದಲ್ಲಿ ಮೀನುಗಾರ ಸಮುದಾಯಗಳಲ್ಲಿ ಸಹಬಾಳ್ವೆ ಹೇಗೆ ಹೆಣೆಯಲ್ಪಟ್ಟಿದೆ, ಇಂದು ಅವು ಎದುರಿಸುತ್ತಿರುವ ಸವಾಲುಗಳು ಏನು ಮತ್ತು ನಮ್ಮ ಮುಂದಿನ ಹಾದಿ ಸುಗಮವಾಗಿ ಸಾಗಲು ಬೇಕಾದ ಮಾರ್ಗದರ್ಶನ ನೀಡಬಲ್ಲ ಸಂರಕ್ಷಣಾ ಮಾರ್ಗಗಳ ಬಗ್ಗೆ ಮಾತನಾಡುತ್ತಾರೆ.","capacity":"","duration":"ಉಪನ್ಯಾಸ: 1 ಗಂಟೆ
ಮಾತುಕತೆ: 30 ನಿಮಿಷಗಳು","eb":838521048027,"exhibits":"","experts":"marianne_manuel","hide":"","id":27,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ ","label":"common_ground","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಕರಾವಳಿ ಮತ್ತು ಸಮುದ್ರ ಪರಿಸರ ವ್ಯವಸ್ಥೆಯಲ್ಲಿರುವ ಸಹಬಾಳ್ವೆಯ ಕುರಿತು ಒಂದು 'ಮೀನ್' ಚಿಂತನೆ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-22T12:30:00.000Z","uid":"coexistence_in_coastal_and_marine_ecosystems","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"2008 ರಲ್ಲಿ ನಕ್ಷೆ ಆಧಾರಿತ ಪ್ಲಾಟ್ಫಾರ್ಮ್ ಆಗಿ ಆರಂಭವಾದ ದಿ ಇಂಡಿಯಾ ಬಯೋಡೈವರ್ಸಿಟಿ ಪೋರ್ಟಲ್, ಕ್ರಮೇಣ ಜೀವವೈವಿಧ್ಯತೆಯ ಕುರಿತು ಪ್ರಾಥಮಿಕ ಮಾಹಿತಿಗಳನ್ನು ಸಂಗ್ರಹಿಸುವ ಕ್ರಿಯಾತ್ಮಕ ಭಂಡಾರವಾಗಿ ರೂಪುಗೊಂಡಿದೆ. ಇಂದು ನಾಗರಿಕ ವಿಜ್ಞಾನದಲ್ಲಿ ಜನರು ತೊಡಗಿಸಿಕೊಳ್ಳುವುದನ್ನು ಪ್ರೋತ್ಸಾಹಿಸಿ, ನೇರವಾಗಿ ಜೀವವೈವಿಧ್ಯತೆಯ ಪ್ರಾಥಮಿಕ ಡೇಟಾವನ್ನು ನೀಡಲು ಅವರಿಗೆ ಅವಕಾಶ ನೀಡಿದೆ. ಸಹಬಾಳ್ವೆ ಯೋಜನೆಯು ಮಾನವ ಪ್ರಾಬಲ್ಯದ ಪ್ರದೇಶಗಳಲ್ಲಿ ಇರುವ ಸಂರಕ್ಷಣೆಯ ಸಮಸ್ಯೆಗಳನ್ನು ಪರಿಹರಿಸಲು ಪೋರ್ಟಲ್ ಮಾಡಿರುವ ಕೆಲಸವನ್ನು ತೋರಿಸುವ ಮಹತ್ವದ ಪ್ರಯತ್ನವಾಗಿದೆ. ಪರಿಸರ ವ್ಯವಸ್ಥೆಯೊಳಗಿನ ಮಾದರಿಗಳು ಮತ್ತು ಸಂಬಂಧಗಳಿಗೆ ಪ್ರಚಾರ ನೀಡಲು ಬೇಕಾದ ಹೆಚ್ಚು ಸಂಕೀರ್ಣವಾದ ಮಾಹಿತಿಯ ಅಗತ್ಯತೆಗೆ ಇದು ಪ್ರತಿಕ್ರಿಯಿಸುತ್ತದೆ. ಈ ಪೋರ್ಟಲ್ ಪ್ರಬೇಧಗಳ ಗುಣಲಕ್ಷಣಗಳು, ಆವಾಸಸ್ಥಾನದ ಗುಣಲಕ್ಷಣಗಳು ಮತ್ತು ಪರಿಸರದಲ್ಲಿರುವ ಸಂವಹನಗಳ ಸಂಕೀರ್ಣ ಅಂಶಗಳನ್ನು ಸೆರೆಹಿಡಿಯುವ ಮೂಲಕ ಜೀವವೈವಿಧ್ಯತೆ ಮತ್ತು ಮಾನವ ಚಟುವಟಿಕೆಗಳ ನಡುವಿನ ಸಹಬಾಳ್ವೆ ಶಕ್ತಿಯ ಬಗ್ಗೆ ಸಮಗ್ರ ತಿಳುವಳಿಕೆಯನ್ನು ಒದಗಿಸುವ ಗುರಿಯನ್ನು ಹೊಂದಿದೆ. ಬೆಂಗಳೂರಿನಂತಹ ನಗರಗಳು ಬಹಳ ವೇಗದಿಂದ ತೀವ್ರ ನಗರೀಕರಣಕ್ಕೆ ಒಳಗಾಗುತ್ತಿದ್ದಂತೆ, ಇದರಿಂದಾಗಿ ಉಂಟಾಗುವ ಆವಾಸಸ್ಥಾನ ಮತ್ತು ಜೀವವೈವಿಧ್ಯತೆಯ ನಷ್ಟ ಸಹಬಾಳ್ವೆಗೆ ದೊಡ್ಡ ಸವಾಲಾಗಿ ಪರಿಣಮಿಸುತ್ತಿದೆ. ಈ ಸಂವಹನ ಕ್ರಿಯೆಗೆ ಸಂಬಂಧಪಟ್ಟ ಘಟನೆಗಳನ್ನು ರಚನಾತ್ಮಕ ರೀತಿಯಲ್ಲಿ ದಾಖಲಿಸುವುದು ಪರಿಣಾಮಕಾರಿ ಸಂರಕ್ಷಣಾ ಕಾರ್ಯತಂತ್ರಗಳನ್ನು ರೂಪಿಸಲು ಮತ್ತು ಸಾಮರಸ್ಯದ ಸಹಬಾಳ್ವೆಯನ್ನು ಬೆಳೆಸುವ ನಗರ ಯೋಜನೆಗೆ ತೀರ ಅನಿವಾರ್ಯವಾಗಿದೆ.","capacity":"","duration":"ಉಪನ್ಯಾಸ: 1 ಗಂಟೆ
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","hide":"","id":28,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ ","label":"common_ground","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ದಿ ಇಂಡಿಯಾ ಬಯೋಡೈವರ್ಸಿಟಿ ಪೋರ್ಟಲ್, ನಾಗರಿಕ ವಿಜ್ಞಾನ ಮತ್ತು ಸಹಬಾಳ್ವೆ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-23T12:30:00.000Z","uid":"india_biodiversity_portal","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಭಾರತದ ಮುಕ್ತ ಪರಿಸರ ವ್ಯವಸ್ಥೆಗಳಲ್ಲಿ ಸವನ್ನಾಗಳು ಮತ್ತು ಹುಲ್ಲುಗಾವಲುಗಳನ್ನು ಅನುತ್ಪಾದಕ ಪರಿಸರ ವ್ಯವಸ್ಥೆಗಳು ಎಂಬ ತಪ್ಪಾಗಿ ಭಾವಿಸಿದ ಕಾರಣ ಅವು ಅವನತಿ ಹೊಂದುತ್ತಿವೆ. ಭಾಷಣದಲ್ಲಿ ಈ ತಪ್ಪುಗ್ರಹಿಕೆಯ ಹಿಂದಿರುವ ಐತಿಹಾಸಿಕ ಕಾರಣಗಳನ್ನು ನಾನು ನಿಮ್ಮ ಮುಂದಿಡುತ್ತೇನೆ. ಇದಕ್ಕೆ ಉತ್ತರವಾಗಿ, ಜೀವವೈವಿಧ್ಯತೆಯನ್ನು ಹೊಂದಿರುವ ಈ ಪರಿಸರ ವ್ಯವಸ್ಥೆಗಳು ಪ್ರಾಚೀನ ಕಾಲದಿಂದಲೂ ಸಾಂಸ್ಕೃತಿಕವಾಗಿ ಎಷ್ಟು ಶ್ರೀಮಂತ ಮತ್ತು ಎಷ್ಟು ಉತ್ಪಾದಕವಾಗಿವೆ ಎಂಬುದನ್ನು ಪುರಾವೆಗಳ ಸಮೇತ ಪ್ರಸ್ತುತಪಡಿಸುತ್ತೇನೆ. ಇಂದು ಇವುಗಳ ಸಂರಕ್ಷಣೆ ತುರ್ತಾಗಿ ಆಗಬೇಕಿದೆ ಮತ್ತು ಇವುಗಳ ಅಸ್ತಿತ್ವವನ್ನು ಉಳಿಸಬೇಕಾಗಿದೆ. ಹೀಗೆ ಅವುಗಳ ಮುಕ್ತತೆ, ಅನನ್ಯತೆ ಮತ್ತು ವಿಭಿನ್ನ ಕ್ರಿಯಾತ್ಮಕ ಪರಿಸರದಲ್ಲಿ ಅವುಗಳಿಗಿರುವ ಮೌಲ್ಯ ಹೆಚ್ಚುತ್ತದೆ.","capacity":"","duration":"ಉಪನ್ಯಾಸ: 1 ಗಂಟೆ
ಮಾತುಕತೆ: 30 ನಿಮಿಷಗಳು","eb":838522562557,"exhibits":"","experts":"jayashree-ratnam","hide":"","id":29,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ ","label":"common_ground","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಭಾರತದ ಸವನ್ನಾಗಳು ಮತ್ತು ಹುಲ್ಲುಗಾವಲುಗಳು","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-29T12:30:00.000Z","uid":"savannas-and-grasslands-1","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":" ಪರಿಸರದ ಲ್ಯಾಂಡ್ಸ್ಕೇಪ್ಗಳ ವಿನ್ಯಾಸದ ಬಗ್ಗೆ ಪರಿಚಯ. ತುಂಡು ನೆಲವೊಂದರಲ್ಲಿ ಅಸ್ತಿತ್ವದಲ್ಲಿರುವ ಜೀವವೈವಿಧ್ಯತೆಯನ್ನು ದಾಖಲಿಸಿ, ಅವುಗಳ ಉಳಿವಿಗಾಗಿ ಮಾಡಬೇಕಾದ ಕೆಲವು ಯೋಜನೆಗಳನ್ನು ಮತ್ತು ಅವುಗಳ ಬಗ್ಗೆ ನಮ್ಮ ಒಳನೋಟಗಳನ್ನು ಹಂಚಿಕೊಳ್ಳುತ್ತೇವೆ. ಮೀಸಲು ಅರಣ್ಯಗಳು ಮತ್ತು ನಗರ ಪ್ರದೇಶಗಳ ಮಧ್ಯೆ ಇರುವ ಗ್ರೇಡಿಯಂಟ್ ವಲಯದಲ್ಲಿ ಖಾಸಗಿ ತೋಟಗಳನ್ನು ಹೊಂದಿರುವವರು ವನ್ಯಜೀವಿಗಳೊಂದಿಗೆ ಸಾಮರಸ್ಯದ ಜೀವನ ನಡೆಸಲು ಮತ್ತು ಅವುಗಳ ಉಳಿವಿಗಾಗಿ ಏನೆಲ್ಲಾ ಕೊಡುಗೆಗಳನ್ನು ನೀಡಬಹುದು ಎಂಬ ಬಗ್ಗೆ ನಮ್ಮ ಯೋಜನೆಗಳ ಮೂಲಕ ನಾವು ಕೆಲವು ಕಥೆಗಳನ್ನು ನಿಮಗೆ ಹೇಳುತ್ತೇವೆ. ಪ್ರೇಕ್ಷಕರೊಂದಿಗೆ ಚರ್ಚೆಯನ್ನು ನಡೆಸಿ, ವಣ್ಯಜೀವಿಗಳ ಬಗ್ಗೆ ರಸಪ್ರಶ್ನೆಯನ್ನೂ ಹಮ್ಮಿಕೊಳ್ಳುತ್ತೇವೆ.","capacity":"","duration":"ಉಪನ್ಯಾಸ: 1 ಗಂಟೆ
ಮಾತುಕತೆ: 30 ನಿಮಿಷಗಳು","eb":838517126297,"exhibits":"","experts":"himanshu_arteev, theertha_ravi","hide":"","id":30,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ ","label":"common_ground","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಮಾನವನ ವಾಸಸ್ಥಾನಗಳಲ್ಲಿ ಅರಣ್ಯಗಳನ್ನು ಬೆಳೆಸುವುದು","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-02-20T12:30:00.000Z","uid":"designing-for-wilderness-in-human-habitats","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು – ಇಲ್ಲಿನ ಇಂಗಾಲ ಪ್ರದರ್ಶನದಲ್ಲಿ, ಕಾರ್ಬನ್ ನ್ಯಾನೋವರ್ಸ್ನ ಹುಸಿವಾಸ್ತವ ಪ್ರದರ್ಶಿಕೆಯನ್ನು ನೋಡಿದ್ದೀರಾ? ಇದರ ಹಿಂದಿರುವ ವಿಜ್ಞಾನದ ಬಗ್ಗೆ ತಿಳಿಯುವ ಕುತೂಹಲವಿದೆಯೇ? ಈ ಪ್ರದರ್ಶನದ ಹಿಂದಿರುವ ದ್ವಿಸದಸ್ಯ ತಂಡದಲ್ಲಿ ಒಬ್ಬರಾಗಿರುವ, ವಸ್ತು ವಿಜ್ಞಾನಿ ಡಾ. ಜೇಕಬ್ ಮಾರ್ಟಿನ್ ಅವರೊಂದಿಗಿನ ಮಾತುಕತೆಯಲ್ಲಿ ನಮ್ಮೊಂದಿಗೆ ಪಾಲ್ಗೊಳ್ಳಿ.
ನಮ್ಮ ಸಾಗಾಣಿಕೆ ವ್ಯವಸ್ಥೆಯಲ್ಲಿ ಕ್ರಾಂತಿಯುಂಟುಮಾಡುತ್ತಿರುವ, ನಮ್ಮ ವಿದ್ಯುತ್ ಜಾಲವನ್ನು ಮಾರ್ಪಡಿಸಲು ಸನ್ನದ್ಧವಾಗಿರುವ ಲೀಥಿಯಮ್ ಅಯಾನ್ ಬ್ಯಾಟರಿಗಳ ಹಿಂದಿರುವ ವಿಜ್ಞಾನದ ಬಗ್ಗೆ ಮಾರ್ಟಿನ್ ಅವರು ಮಾತನ್ನಾಡಲಿದ್ದಾರೆ. ಆದರೆ, ಅಣುಗಳ ಪ್ರಮಾಣದಲ್ಲಿ (ಅಣ್ವಿಕ ಮಾಪನದಲ್ಲಿ) ಅವು ಹೇಗೆ ಕಾರ್ಯನಿರ್ವಹಿಸುತ್ತವೆ? ನಾವು ಬ್ಯಾಟರಿಯೊಂದರ ಅಣ್ವಿಕ ಸ್ವರೂಪದ ಬಗ್ಗೆ ಕಂಪ್ಯೂಟರ್ ದೃಶ್ಯೀಕರಣಗಳ ಮತ್ತು 3D ಆಯಾಮದ ಕನ್ನಡಕ ಬಳಸುವ ಮೂಲಕ ತಿಳಿಯೋಣ. ಈ ಅಣ್ವಿಕ ಪ್ರಮಾಣದ ನೋಟದೊಂದಿಗೆ, ಜೇಕಬ್ ಅವರು ಬ್ಯಾಟರಿಯ ಅನ್ವೇಷಣೆಗೆ ಕಾರಣವಾದ ಪದಾರ್ಥ ವಿಜ್ಞಾನದ ಕುರಿತು ತಿಳಿಸಿಕೊಡಲಿದ್ದಾರೆ. ಜತೆಗೆ ಬ್ಯಾಟರಿ ಬಳಕೆಗೆ ಸೂಕ್ತವಾದ ಗ್ರಾಫೈಟ್ ಉತ್ಪಾದನೆಯ ಕುರಿತಾದ ತಮ್ಮ ಇತ್ತೀಚಿನ ಕಾರ್ಯಚಟುವಟಿಕೆಗಳ ಬಗ್ಗೆಯೂ ತಿಳಿಸಿಕೊಡಲಿದ್ದಾರೆ.
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ಮಾತುಕತೆ: 1 ಗಂಟೆ","eb":855198861817,"exhibits":"","experts":"jacob-martin","hide":"","id":31,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ನ್ಯಾನೋವರ್ಸ್ ಒಳಗೆ: ಒಂದು ಬ್ಯಾಟರಿಯ ಅಣ್ವಿಕ ನೋಟ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-17T12:30:00.000Z","uid":"into-the-nanoverse","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ನ್ಯಾನೋಪ್ರಮಾಣದ ವಿದ್ಯಮಾನವು ಅದೆಷ್ಟು ಸೂಕ್ಷ್ಮ ಅಳತೆಯಲ್ಲಿರುತ್ತವೆ ಎಂದರೆ ಅವುಗಳನ್ನು ಗಮನಿಸಲು, ಅಧ್ಯಯನ ಮಾಡಲು ಸಂಕೀರ್ಣವಾದ ಸಲಕರಣೆಗಳ ಅಗತ್ಯವಿರುತ್ತದೆ. ಆದರೆ ಪ್ರಯೋಗಾಲಯಗಳ ಆಚೆ ಈ ವಿದ್ಯಮಾನಗಳನ್ನು ನೀವು ಹೇಗೆ ಅರಿಯಲು/ ಗ್ರಹಿಸಲು ಸಾಧ್ಯ? ಪ್ರಯೋಗಾಲಯಗಳ ದತ್ತಾಂಶಗಳನ್ನು ಹೇಗೆ ಒಂದು ಧ್ವನಿ ಸಂರಚನೆಯಾಗಿ ಮಾರ್ಪಡಿಸಬಲ್ಲಿರಿ?
ಈ ಕಾರ್ಯಾಗಾರವು ಮೂವ್ಮೆಂಟ್ 1: ನ್ಯಾನೋಮಾರ್ಫಾಲಜಿ ಸಂರಚನೆಯಲ್ಲಿನ ಧ್ವನಿವಿನ್ಯಾಸಗಳನ್ನು ರೂಪಿಸಲು ಬಳಸಲಾದ ಕಲಾತ್ಮಕ ಅಭ್ಯಾಸಗಳನ್ನು ಅನ್ವೇಶಿಸುತ್ತದೆ. ಕಲಾವಿದರು, ಮ್ಯಾಕ್ಸ್ ಎಂಎಸ್ಪಿಯಲ್ಲಿ ಮಾಡಲಾದ ಗಣಕೀಕೃತ ಸಲಕರಣೆಗಳನ್ನು ಹಂಚಿಕೊಳ್ಳುತ್ತಾರಲ್ಲದೆ, ಎರಡು ಆಯಾಮದ ವೈಜ್ಞಾನಿಕ ಸಂಖ್ಯಾಧಾರಿತ ದತ್ತಾಂಶಗಳ ಲಿಪಿ ಕಡತಗಳೊಂದಿಗೆ ಈ ಸಲಕರಣೆಗಳನ್ನು ಹೇಗೆ ಬಳಸಬೇಕು ಎಂಬುದರ ಬಗ್ಗೆ ಹೇಳಿಕೊಡಲಿದ್ದಾರೆ.
","capacity":"","duration":"1 ಗಂಟೆ","eb":858159156137,"exhibits":"","experts":"andrea-rassell","hide":"","id":32,"kind":"ಕಾರ್ಯಾಗಾರ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ದತ್ತಾಂಶಗಳಿಂದ ಸದ್ದಿನವರೆಗೆ: 'ಮೂವ್ಮೆಂಟ್ 1: ನ್ಯಾನೋಮಾರ್ಫಾಲಜಿ' ಮಾಡುವಿಕೆ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-17T08:30:00.000Z","uid":"from-data-to-sound","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ನಿಸರ್ಗ ಎಂದೆಂದಿಗೂ ಒಂದು ಅತ್ಯದ್ಭುತ ಪ್ರೇರಕ ಶಕ್ತಿಯಾಗಿದೆ. ವನ್ಯಜೀವಿ ಕಲಾವಿದರಾದ ಸಂಗೀತಾ ಕಡೂರ್ ಅವರೊಂದಿಗೆ ನಿಸರ್ಗದಲ್ಲೊಂದು ಅನ್ವೇಷಕ ನಡಿಗೆಯಲ್ಲಿ ತೊಡಗಿಸಿಕೊಳ್ಳೋಣ. ಅದರೊಂದಿಗೆ ನೈಸರ್ಗಿಕ ಪ್ರಪಂಚವನ್ನು ನಮ್ಮ ಚಿತ್ರಕಲೆ ಪುಸ್ತಕದಲ್ಲಿ ಸೆರೆಹಿಡಿಯೋಣ. ಈ ಕಾರ್ಯಾಗಾರದ ಮೂಲಕ, ನೋಡುವ, ಚಿತ್ರಿಸುವ ಹಾಗೂ ಟಿಪ್ಪಣಿ ಮಾಡಿಕೊಳ್ಳುವ ಕಲೆಗಳನ್ನು ಅನ್ವೇಷಿಸಿ. ನಿಮ್ಮ ಪತ್ರಿಕೆಗಳ ಪುಟಗಳನ್ನು ಆಸಕ್ತಿಕರವಾದ ಗಮನಿಸುವಿಕೆಗಳೂ ಹಾಗೂ ನಿಸರ್ಗದ ಕತೆಗಳಿಂದ ತುಂಬಿಸಲು ನೆರವಾಗುವಂಥಾ, ನಿಖರವಾದ ಮೋಜಿನಿಂದ ಕೂಡಿದ ವಿಧಾನಗಳನ್ನು ಕಲಿಯಿರಿ.","capacity":"","duration":"3 ಗಂಟೆ","eb":843464744757,"exhibits":"","experts":"sangeetha-kadur ","hide":"","id":33,"kind":"ಕಾರ್ಯಾಗಾರ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ನಿಸರ್ಗದೊಂದಿಗೆ ಒಂದು ಚಿತ್ರಕಲೆ ಪುಸ್ತಕ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-17T02:30:00.000Z","uid":"a-sketchbook-with-nature","venue":"ರಾಮನ್ ಸಂಶೋಧನಾ ಸಂಸ್ಥೆ"},{"blurb":"ತಲ್ಲೀನಗೊಳಿಸಿಕೊಳ್ಳಬಲ್ಲಂಥಾ ಅನುಭವಗಳನ್ನು ಕಟ್ಟಿಕೊಡುವಲ್ಲಿ ಕಲಾವಿದರು ಮತ್ತು ವಿಜ್ಞಾನಿಗಳು ಹೇಗೆ ಪರಸ್ಪರ ಸಹಯೋಗ ಹೊಂದಿರುತ್ತಾರೆ? ಈ ಕುರಿತಾದ ಮಾತುಕತೆಗಾಗಿ ಜೇಕಬ್ ಮಾರ್ಟಿನ್ ಹಾಗೂ ಆಂಡ್ರಿಯಾ ರಸ್ಸೆಲ್ ಅವರ ಕಾರ್ಯಕ್ರಮದಲ್ಲಿ ಪಾಲ್ಗೊಳ್ಳಿ. ಇವರುಗಳು, ಇಂಗಾಲದ ನ್ಯಾನೋವರ್ಸ್ನ ನಿರ್ಮಾಣದ ಹಿಂದಿರುವ ತೆರೆಮರೆಯ ಕೆಲಸಗಳ ಬಗ್ಗೆ, ನವನವೀನವಾದ ಹುಸಿ ವಾಸ್ತವ (ವಿಆರ್) ಯೋಜನೆಗಳ - ಕಲೆ, ಭೌತಿಕ ರಸಾಯನಶಾಸ್ತ್ರ ಮತ್ತು ಆಟದ ಸಿದ್ಧಾಂತಗಳೊಂದಿಗಿನ ಬೆಸೆಯುವಿಕೆಗಳ ಬಗ್ಗೆ ಚರ್ಚಿಸಲಿದ್ದಾರೆ. ಹುಸಿವಾಸ್ತವಕ್ಕಾಗಿ ನಿರ್ಮಿಸಲಾಗುವ 3D ಆಯಾಮದ ಸ್ಟೀರಿಯೋಸ್ಕೋಪಿಕ್ ವೀಡಿಯೋದ ಪ್ರಾತ್ಯಕ್ಷಿಕೆಯ ನೇರ ಅನುಭವ ಪಡೆಯಲು ಮುಂದಾಗಿರಿ, ವಿಜ್ಞಾನ ಯೋಜನೆಗಳಲ್ಲಿನ ಬಳಕೆಗಾಗಿ ಸುಲಭವಾಗಿ ಎಟುಕುವ ಮಾಧ್ಯಮ ಸಲಕರಣೆಗಳನ್ನು ಅನ್ವೇಶಿಸಲು ಮತ್ತು ತಲ್ಲೀನಗೊಳಿಸಿಕೊಳ್ಳುವ ಹುಸಿವಾಸ್ತವ ಅನುಭವ ನೀಡುವಂತಹ ಮಾರ್ಗದರ್ಶಿತ ಪಯಣದ ಅನುಭವಗಳನ್ನು ಪಡೆಯಿರಿ.","capacity":"","duration":"1 ಗಂಟೆ 30 ನಿಮಿಷಗಳು","eb":859916743127,"exhibits":"","experts":"andrea-rassell, jacob-martin","hide":"","id":34,"kind":"ಕಾರ್ಯಾಗಾರ","label":"","limit":"","location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಕಾರ್ಬನ್ ನ್ಯಾನೋವರ್ಸ್ : ಕಲೆಯಲ್ಲಿ 3D ಆಯಾಮದ ದೃಶ್ಯೀಕರಣ","programmes":"","recording":"","resources":"","restricted":"","secondary":"","theme":"","timestamp":"2024-03-16T04:30:00.000Z","uid":"carbon-nanoverse","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ನಮ್ಮ ಭೂಮಿ ಎದುರಿಸುತ್ತಿರುವ ಮೂರು ದೊಡ್ಡ ಸಮಸ್ಯೆಗಳಾದ ಹವಾಮಾನ ಬದಲಾವಣೆ, ಪರಿಸರ ಮಾಲಿನ್ಯ ಮತ್ತು ಜೀವವೈ ವಿಧ್ಯತೆಯ ಅಳಿವು, ಇವುಗಳ ಬಗ್ಗೆ ಇತ್ತೀಚೆಗೆ ವಿಶ್ವ ಸಂಸ್ಥೆ ಎಚ್ಚರಿಕೆ ನೀಡಿದೆ. ಶಕ್ತಿಯ ಉತ್ಪಾದನೆಯಲ್ಲಿ, ವಾಹನಗಳ ಇಂಧನದ ಬಾಳಿಕೆಯಲ್ಲಿ ಹಾಗು ಕಾರ್ಖಾನೆಗಳನ್ನು ನಡೆಸುವಲ್ಲಿ ನಾವು ಗಾಳಿಯಲ್ಲಿ ಹೆಚ್ಚು ಇಂಗಾಲವನ್ನು ಹಾಕಿ ಭೂಮಿಯ ಉಷ್ಣತೆಯನ್ನು ಹೆಚ್ಚಿಸುತ್ತಿದ್ದೇವೆ. ಇದನ್ನು ತಡೆಯಲು, ದೇಶಗಳು ಮುಖ್ಯವಾಗಿ ಎರಡು ಪ್ರಯತ್ನಗಳನ್ನು ಮಾಡುತ್ತಿವೆ: ಕಲ್ಲಿದ್ದಲು ಅಥವಾ ಪೆಟ್ರೋಲಿಯಂ ಜಾಗದಲ್ಲಿ ಕಡಿಮೆ ಇಂಗಾಲವನ್ನು ಹೊರಹಾಕುವ ಸೌರ ಮತ್ತು ವಾಯು ಶಕ್ತಿಯನ್ನು ಬಳಸುವುದು, ಮತ್ತು ವಾತಾವರಣದಲ್ಲಿರುವ ಇಂಗಾಲವನ್ನು ಹೀರಿಕೊಳ್ಳಲು ಹೆಚ್ಚು ಮರಗಳನ್ನು ನೆಡುವುದು. ಆದರೆ, ವಾತಾವರಣದ ಇಂಗಾಲವನ್ನು ಕಡಿಮೆ ಮಾಡುವುದನ್ನು ಸೀಮಿತ ಗುರಿಯನ್ನಾಗಿಟ್ಟುಕೊಂಡು ನಡೆದಾಗ ನಾವು ರಕ್ಷಿಸಬೇಕಾದ ವನ್ಯಜೀವವೈ ವಿಧ್ಯತೆಗೆ ಆಕಸ್ಮಿಕವಾಗಿ ಹಾನಿ ಉಂಟುಮಾಡಬಹುದು. ಇದು ಹೇಗೆ ಸಂಭವಿಸುತ್ತದೆ ಎಂಬುದರ
ಉದಾಹರಣೆಗಳನ್ನು ನಾನು ನನ್ನ ಉಪನ್ಯಾಸದಲ್ಲಿ ಹಂಚಿಕೊಂಡು, ಈ ಬಿಕ್ಕಟ್ಟನ್ನು ಎದುರಿಸಲು ಅಗತ್ಯವಾದ ಕೆಲ ತಂತ್ರಗಳನ್ನು ಸೂಚಿಸುತ್ತೇನೆ.
ಈ ಉಪನ್ಯಾಸವನ್ನು ಕನ್ನಡದಲ್ಲಿ ನಡೆಸಲಾಗುವುದು.","capacity":150,"duration":"ಉಪನ್ಯಾಸ: 1 ಗಂಟೆ
ಮಾತುಕತೆ: 1 ಗಂಟೆ","eb":"","exhibits":"","experts":"md_madhusudan","hide":"","id":35,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ","label":"","limit":150,"location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಸಹಾಯದಿಂದ ಅಪಾಯ? ಹವಾಮಾನ ಬದಲಾವಣೆಯ ಇಳಿವಿನಿಂದ ವನ್ಯಜೀವಿಗಳ ಅಳಿವಿನ ಅಪಾಯ","programmes":"","recording":"","resources":"","restricted":"","secondary":"conservation-conundrum-tutorial","theme":"","timestamp":"2024-03-31T10:30:00.000Z","uid":"conservation-conundrum","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ನಮ್ಮ ಭೂಮಿ ಎದುರಿಸುತ್ತಿರುವ ಮೂರು ದೊಡ್ಡ ಸಮಸ್ಯೆಗಳಾದ ಹವಾಮಾನ ಬದಲಾವಣೆ, ಪರಿಸರ ಮಾಲಿನ್ಯ ಮತ್ತು ಜೀವವೈ ವಿಧ್ಯತೆಯ ಅಳಿವು, ಇವುಗಳ ಬಗ್ಗೆ ಇತ್ತೀಚೆಗೆ ವಿಶ್ವ ಸಂಸ್ಥೆ ಎಚ್ಚರಿಕೆ ನೀಡಿದೆ. ಶಕ್ತಿಯ ಉತ್ಪಾದನೆಯಲ್ಲಿ, ವಾಹನಗಳ ಇಂಧನದ ಬಾಳಿಕೆಯಲ್ಲಿ ಹಾಗು ಕಾರ್ಖಾನೆಗಳನ್ನು ನಡೆಸುವಲ್ಲಿ ನಾವು ಗಾಳಿಯಲ್ಲಿ ಹೆಚ್ಚು ಇಂಗಾಲವನ್ನು ಹಾಕಿ ಭೂಮಿಯ ಉಷ್ಣತೆಯನ್ನು ಹೆಚ್ಚಿಸುತ್ತಿದ್ದೇವೆ. ಇದನ್ನು ತಡೆಯಲು, ದೇಶಗಳು ಮುಖ್ಯವಾಗಿ ಎರಡು ಪ್ರಯತ್ನಗಳನ್ನು ಮಾಡುತ್ತಿವೆ: ಕಲ್ಲಿದ್ದಲು ಅಥವಾ ಪೆಟ್ರೋಲಿಯಂ ಜಾಗದಲ್ಲಿ ಕಡಿಮೆ ಇಂಗಾಲವನ್ನು ಹೊರಹಾಕುವ ಸೌರ ಮತ್ತು ವಾಯು ಶಕ್ತಿಯನ್ನು ಬಳಸುವುದು, ಮತ್ತು ವಾತಾವರಣದಲ್ಲಿರುವ ಇಂಗಾಲವನ್ನು ಹೀರಿಕೊಳ್ಳಲು ಹೆಚ್ಚು ಮರಗಳನ್ನು ನೆಡುವುದು. ಆದರೆ, ವಾತಾವರಣದ ಇಂಗಾಲವನ್ನು ಕಡಿಮೆ ಮಾಡುವುದನ್ನು ಸೀಮಿತ ಗುರಿಯನ್ನಾಗಿಟ್ಟುಕೊಂಡು ನಡೆದಾಗ ನಾವು ರಕ್ಷಿಸಬೇಕಾದ ವನ್ಯಜೀವವೈ ವಿಧ್ಯತೆಗೆ ಆಕಸ್ಮಿಕವಾಗಿ ಹಾನಿ ಉಂಟುಮಾಡಬಹುದು. ಇದು ಹೇಗೆ ಸಂಭವಿಸುತ್ತದೆ ಎಂಬುದರ
ಉದಾಹರಣೆಗಳನ್ನು ನಾನು ನನ್ನ ಉಪನ್ಯಾಸದಲ್ಲಿ ಹಂಚಿಕೊಂಡು, ಈ ಬಿಕ್ಕಟ್ಟನ್ನು ಎದುರಿಸಲು ಅಗತ್ಯವಾದ ಕೆಲ ತಂತ್ರಗಳನ್ನು ಸೂಚಿಸುತ್ತೇನೆ.
ಈ ಉಪನ್ಯಾಸವನ್ನು ಕನ್ನಡದಲ್ಲಿ ನಡೆಸಲಾಗುವುದು.","capacity":50,"duration":"ಮಾತುಕತೆ: 1 ಗಂಟೆ","eb":"","exhibits":"","experts":"md_madhusudan","hide":"","id":36,"kind":"ಮಾತುಕತೆ","label":"","limit":50,"location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಸಹಾಯದಿಂದ ಅಪಾಯ? ಹವಾಮಾನ ಬದಲಾವಣೆಯ ಇಳಿವಿನಿಂದ ವನ್ಯಜೀವಿಗಳ ಅಳಿವಿನ ಅಪಾಯ (ಮಾತುಕತೆ)","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-03-31T12:00:00.000Z","uid":"conservation-conundrum-tutorial","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಸಾಮ್ರಾಜ್ಯಗಳ ಬೆಳವಣಿಗೆ ಮತ್ತು ವೈಭವವು ಸಾಮಾನ್ಯವಾಗಿ (ಮತ್ತು ಬದಲಿಗೆ ತಪ್ಪಾಗಿ) ಅವರ ವೀರರ ಕುಶಾಗ್ರಮತಿ ಮತ್ತು ಶೌರ್ಯಕ್ಕೆ ಸಂಬಂಧಿಸಿದೆ. ಆದರೂ, ಮಾನವ ನಾಗರಿಕತೆಗಳು ಮತ್ತು ಸಾಮ್ರಾಜ್ಯಗಳು ನಿರ್ವಾತದಲ್ಲಿ ಬೆಳೆಯಲು ಸಾಧ್ಯವಿಲ್ಲ ಎಂದು ಇತಿಹಾಸವು ಗುರುತಿಸಿಲ್ಲ. ಅವರು ತಮ್ಮ ಸುತ್ತಲಿನ ನೈಸರ್ಗಿಕ ಸಂಪನ್ಮೂಲಗಳನ್ನು ಬಳಸಿಕೊಳ್ಳುವ ಮೂಲಕ ಬೆಳೆಯುತ್ತಾರೆ. ವಿರೋಧಾಭಾಸವೆಂದರೆ, ಸಂಪನ್ಮೂಲಗಳ ಅತಿಯಾದ ಬಳಕೆ ಸಾಮ್ರಾಜ್ಯಗಳನ್ನು ತಮ್ಮದೇ ಆದ ಅಳಿವಿನ ಅಂಚಿಗೆ ತಳ್ಳುತ್ತದೆ.
ಈ ಉಪನ್ಯಾಸದಲ್ಲಿ, ಕೆ ಎನ್ ಗಣೇಶಯ್ಯನವರು ಇದನ್ನು ಉದಾಹರಣೆಗಳ ಗುಂಪಿನೊಂದಿಗೆ ಪ್ರದರ್ಶಿಸುತ್ತಾರೆ: ಈಸ್ಟರ್ ದ್ವೀಪದಲ್ಲಿ ನಾಗರಿಕತೆಯ ಅವನತಿ, ವಿಜಯನಗರ ಸಾಮ್ರಾಜ್ಯದ ಬೆಳವಣಿಗೆ ಮತ್ತು ಪತನ ಹಾಗು ಕರ್ನಾಟಕದ ಶ್ರೀಮಂತ ನಗರ ಸಂಕೀರ್ಣವಾದ ತಲೆಕಾಡುವಿನ ಸಾವು. ಸಂಪನ್ಮೂಲಗಳ ಅನಿಯಂತ್ರಿತ ಬಳಕೆಯಿಂದಾಗಿ ಪ್ರಪಂಚದ ಹಲವಾರು ನಗರ ಪ್ರದೇಶಗಳು ಈಗ ಅಂತಹ ಕೊಳೆಯುವಿಕೆಯ ಲಕ್ಷಣಗಳನ್ನು ತೋರಿಸುತ್ತಿವೆ ಎಂದು ಅವರು ವಾದಿಸುತ್ತಾರೆ. ಸಾಮ್ರಾಜ್ಯಗಳ ತಯಾರಿಕೆಯಲ್ಲಿ ನಮ್ಮ ಕಾರ್ಬನ್-ಸಮೃದ್ಧ ಸಂಪನ್ಮೂಲಗಳ ಪಾತ್ರವನ್ನು ಗುರುತಿಸುವ ಮಾತುಕತೆಗಾಗಿ ನಮ್ಮೊಂದಿಗೆ ಸೇರಿ.","capacity":150,"duration":"ಉಪನ್ಯಾಸ: 1 ಗಂಟೆ
ಮಾತುಕತೆ: 1 ಗಂಟೆ","eb":"","exhibits":"","experts":"kn_ganeshaiah","hide":"","id":37,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ","label":"","limit":150,"location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ನಾಗರಿಕತೆಗಳ ಉಗಮ-ಪತನದಲ್ಲಿ ಇಂಗಾಲ
","programmes":"","recording":"","resources":"","restricted":"","secondary":"rise-and-fall-of-civilisations-tutorial","theme":"","timestamp":"2024-04-14T10:30:00.000Z","uid":"rise-and-fall-of-civilisations","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಸಾಮ್ರಾಜ್ಯಗಳ ಬೆಳವಣಿಗೆ ಮತ್ತು ವೈಭವವು ಸಾಮಾನ್ಯವಾಗಿ (ಮತ್ತು ಬದಲಿಗೆ ತಪ್ಪಾಗಿ) ಅವರ ವೀರರ ಕುಶಾಗ್ರಮತಿ ಮತ್ತು ಶೌರ್ಯಕ್ಕೆ ಸಂಬಂಧಿಸಿದೆ. ಆದರೂ, ಮಾನವ ನಾಗರಿಕತೆಗಳು ಮತ್ತು ಸಾಮ್ರಾಜ್ಯಗಳು ನಿರ್ವಾತದಲ್ಲಿ ಬೆಳೆಯಲು ಸಾಧ್ಯವಿಲ್ಲ ಎಂದು ಇತಿಹಾಸವು ಗುರುತಿಸಿಲ್ಲ. ಅವರು ತಮ್ಮ ಸುತ್ತಲಿನ ನೈಸರ್ಗಿಕ ಸಂಪನ್ಮೂಲಗಳನ್ನು ಬಳಸಿಕೊಳ್ಳುವ ಮೂಲಕ ಬೆಳೆಯುತ್ತಾರೆ. ವಿರೋಧಾಭಾಸವೆಂದರೆ, ಸಂಪನ್ಮೂಲಗಳ ಅತಿಯಾದ ಬಳಕೆ ಸಾಮ್ರಾಜ್ಯಗಳನ್ನು ತಮ್ಮದೇ ಆದ ಅಳಿವಿನ ಅಂಚಿಗೆ ತಳ್ಳುತ್ತದೆ.
ಈ ಉಪನ್ಯಾಸದಲ್ಲಿ, ಕೆ ಎನ್ ಗಣೇಶಯ್ಯನವರು ಇದನ್ನು ಉದಾಹರಣೆಗಳ ಗುಂಪಿನೊಂದಿಗೆ ಪ್ರದರ್ಶಿಸುತ್ತಾರೆ: ಈಸ್ಟರ್ ದ್ವೀಪದಲ್ಲಿ ನಾಗರಿಕತೆಯ ಅವನತಿ, ವಿಜಯನಗರ ಸಾಮ್ರಾಜ್ಯದ ಬೆಳವಣಿಗೆ ಮತ್ತು ಪತನ ಹಾಗು ಕರ್ನಾಟಕದ ಶ್ರೀಮಂತ ನಗರ ಸಂಕೀರ್ಣವಾದ ತಲೆಕಾಡುವಿನ ಸಾವು. ಸಂಪನ್ಮೂಲಗಳ ಅನಿಯಂತ್ರಿತ ಬಳಕೆಯಿಂದಾಗಿ ಪ್ರಪಂಚದ ಹಲವಾರು ನಗರ ಪ್ರದೇಶಗಳು ಈಗ ಅಂತಹ ಕೊಳೆಯುವಿಕೆಯ ಲಕ್ಷಣಗಳನ್ನು ತೋರಿಸುತ್ತಿವೆ ಎಂದು ಅವರು ವಾದಿಸುತ್ತಾರೆ. ಸಾಮ್ರಾಜ್ಯಗಳ ತಯಾರಿಕೆಯಲ್ಲಿ ನಮ್ಮ ಕಾರ್ಬನ್-ಸಮೃದ್ಧ ಸಂಪನ್ಮೂಲಗಳ ಪಾತ್ರವನ್ನು ಗುರುತಿಸುವ ಮಾತುಕತೆಗಾಗಿ ನಮ್ಮೊಂದಿಗೆ ಸೇರಿ.","capacity":50,"duration":"ಮಾತುಕತೆ: 1 ಗಂಟೆ","eb":"","exhibits":"","experts":"kn_ganeshaiah","hide":"","id":38,"kind":"ಮಾತುಕತೆ","label":"","limit":50,"location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ನಾಗರಿಕತೆಗಳ ಉಗಮ-ಪತನದಲ್ಲಿ ಇಂಗಾಲ
","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-04-14T12:00:00.000Z","uid":"rise-and-fall-of-civilisations-tutorial","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಸಾಗಾಣಿಕೆ ಕಾರ್ಮಿಕರ ಜೀವನದ ಬಗ್ಗೆ ನಮಗೇನು ತಿಳಿದಿದೆ? ಕಡಲಿನಲ್ಲಿ, ಸರಕು ಸಾಗಣೆ ಹಡುಗುಗಳ ಮೇಲಿನ ಬದುಕು, ಹೇಗಿರಬಹುದು? ಸಾಗಣಿಕ ಕಾರ್ಮಿಕರ ದೇಹವು, ಇಡೀ ಜಗತ್ತಿನ ಶಕ್ತಿ ವ್ಯವಸ್ಥೆಗಳು ಮತ್ತು ವ್ಯಾಪಾರಗಳು ನೆಲೆಗೊಂಡಿರುವ ಅವಲಂಬವಾಗಿದೆ. ಆದರೆ ಇದು ಲಿಂಗಾಧಾರಿತ ಹಾಗೂ ಜನಾಂಗೀಯ ಒತ್ತಡಗಳು ನೆಲೆಗೊಂಡಿರುವ ದೇಹವೂ ಆಗಿದೆ. ಈ ವಿದ್ವತ್ಪೂರ್ಣ ತರಗತಿಯಲ್ಲಿ, ಲಲೆಹ್ ಖಲೀಲಿಯವರು, ಈ ಕಾರ್ಮಿಕರ ಬದಕನ್ನು ಅನ್ವೇಷಿಸಲೆಂದು ಈ ಸರಕು ಸಾಗಣೆ ಹಡಗುಗಳಲ್ಲಿ ಪ್ರಯಾಣ ಮಾಡಿದ ಅನುಭವಗಳ ಮತ್ತು ಇನ್ನೂ ನಡೆಯುತ್ತಿರುವ ಸಂಶೋಧನೆಗಳ ಕುರಿತಾಗಿ ಗಮನ ಸೆಳೆಯಲಿದ್ದಾರೆ. ಒಂಟಿತನ, ಕಂಗಾಲಾಗುವಿಕೆ, ಮತ್ತು ಹಿಂಸೆ, ಕದಿಯಲಾದ ವೇತನಗಳು ಹಾಗೂ ಶೋಷಣಾತ್ಮಕವಾದ ಸಾಗಣಿಕೆ ವಹಿವಾಟುಗಳ ಜೊತೆಯಲ್ಲಿ ಸಂಭ್ರಮ ಮತ್ತು ಒಗ್ಗಟ್ಟಿನ ವಿರೋಧಾಭಾಸಗಳಿಂದ ಜಟಿಲಗೊಂಡಿರುವ ಅನುಭವಗಳ ತನಿಖೆಗಾಗಿ ನಮ್ಮೊಡನೆ ಸೇರಿಕೊಳ್ಳಿ.
ಇದು ಎರಡು ದಿನಗಳ ಕಾಲ ಅಂದರೆ, ಏಪ್ರಿಲ್ 27ರ ಶನಿವಾರ ಹಾಗೂ ಏಪ್ರಿಲ್ 28ರ ಭಾನುವಾರದಂದು ನಡೆಯುವ ಎರಡು ದಿನಗಳ ವಿದ್ವತ್ಪೂರ್ಣ ತರಗತಿಯಾಗಿರುತ್ತದೆ.","capacity":45,"duration":"2 Days
6 Hours each day","eb":"","exhibits":"","experts":"laleh_khalili","hide":"","id":39,"kind":"ಪರಿಣತಿ ತರಗತಿ","label":"","limit":60,"location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಸರಕು ಸಾಗಣೆ ಹಡಗುಗಳನ್ನೇರಿ: ಸಾಗಾಣಿಕೆ ಕಾರ್ಮಿಕರ ಬದುಕು ಮತ್ತು ಶ್ರಮ ","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-04-27T05:30:00.000Z","uid":"aboard-cargo-ships","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಹೇಗೆ ಕಡಲ ದಂಡೆಯ ನಗರಗಳು ಮತ್ತು ಮೂಲಭೂತಸೌಕರ್ಯಗಳು, ಜಾಗತಿಕ ಬಂಡವಾಳವನ್ನು ಹೇಗೆ ತಾಳಿಕೊಳ್ಳುತ್ತವೆ? ಹೈಡ್ರೋಕಾರ್ಬನ್ ಆರ್ಥಿಕತೆಗಳಿಗೆ ಪರ್ಯಾಯವಾಗಿ ಮುಂದಿಡಲಾಗುತ್ತಿರುವ ’ನೀಲಿ ಬಂಡವಾಳ’—ಪರಿಹಾರಗಳು, ನಿಜಕ್ಕೂ ಇಂಗಾಲ ತೀವ್ರತೆಯ ಆರ್ಥಿಕತೆಗಳಿಂದ ಮುಕ್ತಿ ಪಡೆಯಲು ದಾರಿ ಒದಗಿಸಬಲ್ಲವೇ? ನೀಲಿ ಬಂಡವಾಳವು ಹೇಗೆ ಪರಿಸ್ಥಿತಿಯನ್ನು ಉಲ್ಬಣಗೊಳಿಸಬಹುದು ಎಂಬುದನ್ನು ಅವರು ಪರೀಕ್ಷಿಸಿರುವುದರಿಂದಾಗಿ ಲಲೆಹ್ ಖಲೀಲಿ ತಮ್ಮ ಈ ಪರಿಹಾರೋಪಾಯವನ್ನು ಪರೀಕ್ಷೆಗೆ ಒಳಪಡಿಸಲು ಮುಂದಾಗಿದ್ದಾರೆ. ಹೇಗೆ ಹೊರತೆಗೆಯುವಿಕೆ, ಸಾರಿಗೆ ಮತ್ತು ಸಾಗಾಣಿಕೆಗಳು, ಹೇಗೆ ನಮ್ಮ ನಗರಗಳು ಹಾಗೂ ಮೂಲಭೂತಸೌಕರ್ಯಗಳು ಕ್ರಮೇಣವಾಗಿ ಮುಳುಗಡೆ ಮಾಡುತ್ತಿವೆ ಎಂಬುದನ್ನು ಅನ್ವೇಷಿಸುವ ಖಲೀಲಿ ಅವರ ಈ ಉಪನ್ಯಾಸದಲ್ಲಿ ಪಾಲ್ಗೊಳ್ಳಿರಿ.","capacity":150,"duration":"ಉಪನ್ಯಾಸ: 1 ಗಂಟೆ
ಮಾತುಕತೆ: 1 ಗಂಟೆ","eb":"","exhibits":"","experts":"laleh_khalili","hide":"","id":40,"kind":"ಉಪನ್ಯಾಸ ಮತ್ತು ಮಾತುಕತೆ","label":"","limit":150,"location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ನೀಲಿ ಬಂಡವಾಳದ ದಡದಲ್ಲಿ ಬದುಕುವಿಕೆ ಮತ್ತು ಮುಳುಗುವಿಕೆ","programmes":"","recording":"","resources":"","restricted":"","secondary":"shore-of-blue-capital-tutorial","theme":"","timestamp":"2024-04-27T12:30:00.000Z","uid":"shore-of-blue-capital","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಹೇಗೆ ಕಡಲ ದಂಡೆಯ ನಗರಗಳು ಮತ್ತು ಮೂಲಭೂತಸೌಕರ್ಯಗಳು, ಜಾಗತಿಕ ಬಂಡವಾಳವನ್ನು ಹೇಗೆ ತಾಳಿಕೊಳ್ಳುತ್ತವೆ? ಹೈಡ್ರೋಕಾರ್ಬನ್ ಆರ್ಥಿಕತೆಗಳಿಗೆ ಪರ್ಯಾಯವಾಗಿ ಮುಂದಿಡಲಾಗುತ್ತಿರುವ ’ನೀಲಿ ಬಂಡವಾಳ’—ಪರಿಹಾರಗಳು, ನಿಜಕ್ಕೂ ಇಂಗಾಲ ತೀವ್ರತೆಯ ಆರ್ಥಿಕತೆಗಳಿಂದ ಮುಕ್ತಿ ಪಡೆಯಲು ದಾರಿ ಒದಗಿಸಬಲ್ಲವೇ? ನೀಲಿ ಬಂಡವಾಳವು ಹೇಗೆ ಪರಿಸ್ಥಿತಿಯನ್ನು ಉಲ್ಬಣಗೊಳಿಸಬಹುದು ಎಂಬುದನ್ನು ಅವರು ಪರೀಕ್ಷಿಸಿರುವುದರಿಂದಾಗಿ ಲಲೆಹ್ ಖಲೀಲಿ ತಮ್ಮ ಈ ಪರಿಹಾರೋಪಾಯವನ್ನು ಪರೀಕ್ಷೆಗೆ ಒಳಪಡಿಸಲು ಮುಂದಾಗಿದ್ದಾರೆ. ಹೇಗೆ ಹೊರತೆಗೆಯುವಿಕೆ, ಸಾರಿಗೆ ಮತ್ತು ಸಾಗಾಣಿಕೆಗಳು, ಹೇಗೆ ನಮ್ಮ ನಗರಗಳು ಹಾಗೂ ಮೂಲಭೂತಸೌಕರ್ಯಗಳು ಕ್ರಮೇಣವಾಗಿ ಮುಳುಗಡೆ ಮಾಡುತ್ತಿವೆ ಎಂಬುದನ್ನು ಅನ್ವೇಷಿಸುವ ಖಲೀಲಿ ಅವರ ಈ ಉಪನ್ಯಾಸದಲ್ಲಿ ಪಾಲ್ಗೊಳ್ಳಿರಿ.","capacity":50,"duration":"ಮಾತುಕತೆ: 1 ಗಂಟೆ","eb":"","exhibits":"","experts":"laleh_khalili","hide":"","id":41,"kind":"ಮಾತುಕತೆ","label":"","limit":50,"location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ನೀಲಿ ಬಂಡವಾಳದ ದಡದಲ್ಲಿ ಬದುಕುವಿಕೆ ಮತ್ತು ಮುಳುಗುವಿಕೆ (ಮಾತುಕತೆ)","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-04-27T14:00:00.000Z","uid":"shore-of-blue-capital-tutorial","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಇಂಗಾಲ: ಅನೇಕ ಬಣ್ಣ, ಆಕಾರ, ರೂಪ ಮತ್ತು ಲಕ್ಷಣಗಳ ಒಂದು ಪದ. ಇಂಗಾಲವು ಜೀವಗಳ ಮೂಲಭೂತ ಸಂರಚನೆಯಾಗಿದೆ, ಕಣ್ಣಿಗೆ ಕಾಣದ ಅಣುಗಳಿಂದ ಹಿಡಿದು ಬೃಹತ್ ತಿಮಿಂಗಲಗಳವರೆಗೆ ಮತ್ತು ಸಾವಿರಾರು ವರ್ಷಗಳಷ್ಟು ಹಳೆಯ ಮರಗಳವರೆಗೆ ಎಲ್ಲವೂ ಇಂಗಾಲವಾಗಿದೆ! ಈ ಎರಡು ದಿನಗಳ ವಿದ್ವತ್ಪೂರ್ಣವಾದ ತರಗತಿಗಳಲ್ಲಿ ಮೇಘನಾ ಕೃಷ್ಣದಾಸ್ ಅವರೊಡನೆ ಕೂಡಿಕೊಂಡು ಇಂಗಾಲ ಮತ್ತು ಪರಿಸರ ಶಾಸ್ತ್ರದ ಬಗಿಗಿನ ಎಲ್ಲವನ್ನೂ ಅನ್ವೇಷಿಸಿ. ಇಂಗಾಲದ ಮೂಲಭೂತ ಸಂಗತಿಗಳಿಂದ ನಿಸರ್ಗದ ನಡಿಗೆಯವರೆಗೆ, ಜೀವರಾಶಿಗಳಲ್ಲಿ ಇಂಗಾಲದ ಪರಿಸರ ಮತ್ತು ಮಾನವರಿಗೆ ಇದೆಷ್ಟು ಮಹತ್ವದ್ದು ಎಂಬುದರ ಕುರಿತು ಈ ವಿದ್ವತ್ಪೂರ್ಣ ತರಗತಿಗಳಲ್ಲಿ ಸಂವಾದಾತ್ಮಕ, ಕೈಹಚ್ಚಿ ಕಲಿಯುವಿಕೆಗಳನ್ನು ಬಳಸಿಕೊಂಡು ತಿಳಿಯಬಹುದಾಗಿದೆ. ನಿಮ್ಮ ಸೃಜನಶೀಲತೆಯನ್ನು ಪ್ರಯೋಗಿಸಲು ಸಿದ್ಧರಾಗಿ ಬನ್ನಿ. ಇದು ಎರಡು ದಿನಗಳ ಕಾಲ ಅಂದರೆ, ಏಪ್ರಿಲ್ 20ರ ಶನಿವಾರ ಹಾಗೂ ಏಪ್ರಿಲ್ 21ರ ಭಾನುವಾರದಂದು ನಡೆಯುವ ಎರಡು ದಿನಗಳ ವಿದ್ವತ್ಪೂರ್ಣ ತರಗತಿಯಾಗಿರುತ್ತದೆ.","capacity":45,"duration":"2 Days
6 Hours each day","eb":"","exhibits":"","experts":"meghna_krishnadas","hide":"","id":42,"kind":"ಪರಿಣತಿ ತರಗತಿ","label":"","limit":60,"location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಪರಿಸರದ ನಿಗೂಢತೆ: ಪರಿಸರದಲ್ಲಿ ಇಂಗಾಲದ ಅನ್ವೇಷಣೆ ","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-04-20T05:30:00.000Z","uid":"the-ecology-enigma","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಚೌಕಟ್ಟುಗಳ ಬೇಲಿಗಳನ್ನು ಮುರಿಯುವುದಕ್ಕೆ ಹಾಗೂ ಅವುಗಳಿಂದಾಚೆಗೆ ಸಹಯೋಗದಲ್ಲಿ ಪ್ರಯೋಗಗಳನ್ನು ಮಾಡವುದಕ್ಕೆ ಬೇಕಾದ ಬಹುವಿಭಾಗೀಯ ಹಾಗೂ ಅಂತರ್ಶಿಸ್ತಿನ ಉಪಾಯಗಳ, ಅಮೂಲಾಗ್ರ ಸ್ರುಜನಶೀಲತೆಯೆನ್ನುವ ಬುರುಗಿನ ಪ್ರಪಂಚಕ್ಕೆ ಧುಮುಕಿರಿ. ಪ್ರಾಪಂಚಿಕ ಅನುಭವಗಳನ್ನು ರೂಪಿಸುವಂತಹ ಸಾರ್ವಜನಿಕ ಕಲಾಕೃತಿಗಳ ಬಗ್ಗೆ, ಈ ಬಗೆಯ ವಿಧಾನಗಳು ಏನನ್ನು ತಿಳಿಸುತ್ತದೆ? ಔಟಿ ಟರ್ಪಿನನ್ ಮತ್ತು ರೀಇಕ್ಕ ಮಾಕಿಕೊಸ್ಕೆಲಾ ಅವರು ಈ ಎರಡು ಪರಿಕಲ್ಪನೆಗಳ ಮೂಲಭೂತ ಸಂಗತಿಗಳನ್ನು ಚರ್ಚಿಸಲಿದ್ದಾರೆ. ಬೆಂಗಳೂರು ಹಾಗೂ ಜಗತ್ತಿನ ಇನ್ನಿತರ ಭಾಗಗಳ ಉದಾಹರಣೆಗಳ ಮೂಲಕ, ಸಾರ್ವಜನಿಕ ಕಲೆಗಳಲ್ಲಿ ಹಾಗೂ ಕಲೆಗಳ ಮೂಲಕ ಅಮೂಲಾಗ್ರ ಸೃಜನಶೀಲತೆಯನ್ನು ಕಾಣುಲಾಗುತ್ತಿದೆ ಎಂಬುದನ್ನು ತೋರಿಸುತ್ತಾರೆ.","capacity":30,"duration":"1.5 Hour","eb":"","exhibits":"","experts":"outi_turpeinen, riikka_mäkikoskela","hide":"","id":43,"kind":"ಕಾರ್ಯಾಗಾರ","label":"","limit":45,"location":"ದಿಕ್ಕುಗಳನ್ನು ವೀಕ್ಷಿಸಿ","media_link":"","media_type":"","name":"ಸಾರ್ವಜನಿಕ ಕಲೆಯಲ್ಲಿ ಅಮೂಲಾಗ್ರ ಸೃಜನಶೀಲತೆ ","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-04-24T12:30:00.000Z","uid":"radical-creativity-public-art","venue":"ಸೈನ್ಸ್ ಗ್ಯಾಲರಿ ಬೆಂಗಳೂರು"},{"blurb":"ಪುರಾತತ್ವ ಶಾಸ್ತ್ರದ ಮೂಲಕ ನಾವು ಮಾನವ ವಿಕಾಸವನ್ನು ಹೇಗೆ ಅರ್ಥಮಾಡಿಕೊಳ್ಳಬಹುದು? ಇದರಲ್ಲಿ ಇಂಗಾಲದ
ಪಾತ್ರವೇನು? ಪುರಾತತ್ವ ಲೋಹಶಾಸ್ತ್ರಜ್ಞರಾದ ಶಾರದಾ ಶ್ರೀನಿವಾಸನ್ ಅವರು ನಡೆಸಿಕೊಡುವ ಎರಡು ದಿನಗಳ ಪರಿಣತಿ ತರಗತಿಗಳಲ್ಲಿ ಪಾಲ್ಗೊಳ್ಳಿರಿ. ಇವರು ಜೈವಿಕ ಹಾಗೂ ಅಜೈವಿಕ ಪುರಾತತ್ವ ಪದಾರ್ಥಗಳಲ್ಲಿನ ಇಂಗಾಲದ ಕುರಿತು ಮಾತನಾಡಲಿದ್ದಾರೆ. ಪುರಾತನ ಈಜಿಪ್ಟಿನ ಜನರು ಬಳಸುತ್ತಿದ್ದ ಇಂಗಾಲ ಮಸಿಯಿಂದ ಹೆಸರಾಂತ ಗೋಲ್ಕಂಡಾದ ಹೆಸರಾಂತ ವಜ್ರದ ಗಣಿಗಳವರೆಗೆ, ಕಬ್ಬಿಣ ಹಾಗೂ ಉಕ್ಕಿನಂತಹ ವಿಶಾಲ ವ್ಯಾಪ್ತಿಯ ಪದಾರ್ಥಗಳಲ್ಲಿ ಇಂಗಾಲವು ಹೇಗೆ ತನ್ನ ಅಸ್ತಿತ್ವ ಹೊಂದಿದೆ ಎಂಬುದನ್ನು ಅನ್ವೇಷಿಸೋಣ.
ಉದಾಹರಣೆಗೆ, ಅತ್ಯಂತ ಪುರಾತನವಾದ ಉತ್ಕೃಷ್ಟ ಗುಣಮಟ್ಟದ ಅಧಿಕ ಗುಣಮಟ್ಟದ ಉಕ್ಕು ಎಂದು ಹೆಸರಾದ, ವಿಶೇಷವಾಗಿ ದಕ್ಷಿಣ ಭಾರತದಲ್ಲಿ ತಯಾರಾಗುತ್ತಿದ್ದ ಭಾರತದ ಅಧಿಕ ಇಂಗಾಲದ ವೂಟ್ಸ್ ಉಕ್ಕಿನ ಕಥಾನಕವನ್ನು ತಿಳಿಯೋಣ. ಪ್ರತ್ಯೇಕ ಬೆಸೆಯುವ ಧಾತುವಾಗಿ ಇಂಗಾಲದ ಪಾತ್ರವನ್ನು ಪೂರ್ತಿಯಾಗಿ ಅರಿಯಲಾಗಿಲ್ಲವಾದ್ದರಿಂದ, ಫ್ಯಾರಡೆಯೂ ಸೇರಿದಂತೆ 18 ಮತ್ತು 19ನೆಯ ಶತಮಾನದ ಯೂರೋಪ್ ಮೂಲದ ಅನೇಕ ವಿಜ್ಞಾನಿಗಳು ಈ ಇಂಗಾಲ ಬೆರೆಸಿದ ಉಕ್ಕನ್ನು ಮರುಸೃಷ್ಟಿಸಲು ಸಾಕಷ್ಟು ಅಧ್ಯಯನಗಳನ್ನು ಮಾಡಿದರು. ಇದು ಕೈಗಾರಿಕಾ ಕ್ರಾಂತಿಗೆ ಕಾರಣವಾದ ಅನೇಕ ಮುಖ್ಯವಾದ ಸಂಶೋಧನೆಗಳಿಗೆ ನಾಂದಿಯಾಯಿತು.
ತಾತ್ವಿಕ ದೃಷ್ಟಿಕೋನಗಳ ಜೊತೆಯಲ್ಲಿ ಪ್ರಾಯೋಗಿಕ ಅನುಭವಗಳನ್ನು ಒಟ್ಟಾಗಿ ತರುವ ಶಾರದಾ ಶ್ರೀನಿವಾಸನ್ ಅವರನ್ನು ಉರಿಯುತ್ತಿರುವ ಕುಂಬಾರನ ಒಲೆಗಳಲ್ಲಿ ಇಂಗಾಲದ ಪಾತ್ರವನ್ನು ಅನ್ವೇಷಿಸಲು ಕೂಡಿಕೊಳ್ಳಿರಿ.
ಈ ಪರಿಣತಿ ತರಗತಿಗಳು ಎನ್ಐಎಎಸ್ – ಟಿಸಿಎಸ್ ಹೆರಿಟೇಜ್ ಇನಿಷಿಯೇಟಿವ್ನಿಂದ ಬೆಂಬಲಿತವಾಗಿವೆ.","capacity":60,"duration":"2 ದಿನಗಳು
ಪ್ರತಿ ದಿನ ಆರು ಗಂಟೆಗಳ ಕಾಲ","eb":"","exhibits":"","experts":"sharada_srinivasan","hide":"","id":44,"kind":"ಪರಿಣತಿ ತರಗತಿ","label":"","limit":80,"location":"View directions","media_link":"","media_type":"","name":"ಇಂಗಾಲ: ತಿಳಿಯಲಾಗದ ಪುರಾತನ ಪದಾರ್ಥ ","programmes":"","recording":"","resources":"","restricted":true,"secondary":"","theme":"","timestamp":"2024-05-16T05:30:00.000Z","uid":"carbon-elusive-archeomaterial","venue":"ನ್ಯಾಷನಲ್ ಇನ್ಸ್ಟಿಟ್ಯೂಟ್ ಆಫ್ ಅಡ್ವಾನ್ಸ್ಡ್ ಸ್ಟಡೀಸ್(ಎನ್ಐಎಎಸ್)"}],"resources":[{"alias":"ಮೋಡಗಳ ಬಗೆಗಳು","id":0,"kind":"ಓದಿರಿ","link":"ಮೋಡಗಳ ಬಗೆಗಳು ","tags":"ಪರಿಸರ ವಿಜ್ಞಾನ, ಭೌತಶಾಸ್ತ್ರ","type":"read","uid":"clouds-above-clouds-below_r1"},{"alias":"ಮೋಡ ಜಾಡುಗಳು ಹೇಗೆ ಕೆಲಸ ಮಾಡುತ್ತವೆ?","id":1,"kind":"ಓದಿರಿ","link":"ಮೋಡ ಜಾಡುಗಳು ಹೇಗೆ ಕೆಲಸ ಮಾಡುತ್ತವೆ? 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